Rock Road Trip: The Ultimate Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Wild Thing (edit)
cover recording of:
Wild Thing
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs2:26
2All Right Now (single version)
engineer:
Roy Thomas Baker (producer)
producer:
Free (60s/70s UK blues rock group) and John Kelly (producer)
bass:
Andy Fraser (English bassist, member of Free)
drums (drum set):
Simon Kirke
guitar:
Paul Kossoff
lead vocals:
Paul Rodgers
remixer:
Bob Clearmountain
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
music videos:
All Right Now by Free (60s/70s UK blues rock group)
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:12
3I’m Waiting for the Man
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1967), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
I’m Waiting for the Man
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music, Screen Gems and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Velvet Underground4:39
4Easy Livin’
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) and Umble Tunes Ltd.
Uriah Heep4.252:36
5Sweet Home Alabama (album version)
phonographic copyright (℗) by:
Geffen Records (in 1974)
recording of:
Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd3:37
6Maggie May (single version)
edit of:
Maggie May (without “Henry” prelude) by Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart33:42
7Caroline
engineer:
Damon Lyon-Shaw and Richard Manwaring (Producer)
producer:
Roger Glover and Status Quo (UK boogie rock band)
arranger:
Status Quo (UK boogie rock band)
phonographic copyright (℗) by:
Mercury Records Ltd. (UK) (in 1973), Phonogram Ltd. (not for release label use!) (in 1973) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1973)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Caroline
writer:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Valley Music Ltd (publisher)
Status Quo4.353:46
8Ramblin’ Man
engineer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks and Buddy Thornton
producer:
The Allman Brothers Band and Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1972-10)
congas:
Jai Johanny Johanson (in 1972-10)
drums (drum set):
Jai Johanny Johanson (in 1972-10) and Butch Trucks (in 1972-10)
guitar:
Les Dudek (in 1972-10)
guitar [lead guitar] and lead vocals:
Dickey Betts (in 1972-10)
organ:
Gregg Allman (in 1972-10)
piano and background vocals:
Gregg Allman (in 1972-10) and Chuck Leavell (in 1972-10)
vocals:
Gregg Allman (in 1972-10)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1972-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Ramblin’ Man (in 1972-10)
lyricist and composer:
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band4.554:49
9You Ain’t Seen Nothing Yet (single version)
recording engineer and mixer:
Mark K. Smith (Canadian engineer)
assistant engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistant mixer:
Richard Dashut
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:53
10Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) and Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.053:59
11Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
12Route 66 (album version)
producer:
Leonard & Phil Chess (legendary US production duo)
cover recording of:
(Get Your Kicks on) Route 66 (on 1961-01-19)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
Chuck Berry42:52
13Pictures of Matchstick Men
recording of:
Pictures of Matchstick Men
lyricist and composer:
Francis Rossi
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Valley Music Ltd (publisher)
Status Quo3:15
14Who Do You Love?
cover recording of:
Who Do You Love?
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Juicy Lucy3:01
15Tomorrow Night
Atomic Rooster3:14
16Personality Crisis (album version)
recording of:
Personality Crisis
writer:
David Johansen and Johnny Thunders (US punk guitarist & singer)
New York Dolls3:42
17Hair of the Dog
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton (singer-songwriter and guitarist)
bass guitar:
Pete Agnew (singer-songwriter and bassist)
drums (drum set):
Darrell Sweet (drummer and songwriter)
guitar and synthesizer:
Manny Charlton (singer-songwriter and guitarist)
background vocals:
Pete Agnew (singer-songwriter and bassist) and Darrell Sweet (drummer and songwriter)
lead vocals:
Dan McCafferty (singer, songwriter)
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1975)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
edit of:
Hair of the Dog by Nazareth
recording of:
Hair of the Dog
writer:
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) and Darrell Sweet (drummer and songwriter)
publisher:
Carlin Music Corporation and Mountain Music Ltd.
Nazareth53:21
18Love Is
Baker Gurvitz Army2:49
19Out of Time
Dan McCafferty3:49
20Couldn’t Get It Right
recording of:
Couldn’t Get It Right
writer:
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt and Richard Jones (Climax Blues Band)
publisher:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc. (publisher), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Germany GmbH (2008–today) and Neue Welt Musikverlag
Climax Blues Band53:17
2▼CD
#TitleArtistRatingLength
1Since You Been Gone (single version)
recording engineer:
Leigh Mantle (in 1979-04) and Dr. Michael Palmer (engineer) (in 1979-04)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 82)
cover recording of:
Since You Been Gone (in 1979-04)
lyricist and composer:
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. and Virgin Music (Publishers) Ltd.
Rainbow43:18
2The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:28
3One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:26
4I Was Made for Lovin’ You (single version)
producer:
Vini Poncia
electric bass guitar:
Gene Simmons (KISS bassist and vocalist)
electric guitar [lead guitar]:
Ace Frehley (American rock guitarist)
electric guitar [rhythm guitar] and lead vocals:
Paul Stanley (KISS frontman)
guest drums (drum set):
Anton Fig
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
produced for:
Mad Vincent Productions
edit of:
I Was Made for Lovin’ You by KISS (US rock band)
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS44:00
5White Wedding Pt. 1
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Phil Feit (in 1982)
drums (drum set):
Steve Missal (in 1982)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1982) and Steve Stevens (US guitarist and songwriter) (in 1982)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
edit of:
White Wedding, Part 1 by Billy Idol (English rock singer‐songwriter)
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 53)
recording of:
White Wedding (in 1982)
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol33:34
6Is She Really Going Out With Him? (album version)
Joe Jackson3:35
7It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:31
8Fanfare for the Common Man
producer:
Greg Lake
bass guitar:
Greg Lake
drums (drum set) and timpani:
Carl Palmer
synthesizer:
Keith Emerson
phonographic copyright (℗) by:
Leadclass Ltd (copyrights holder) (in 1977), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
edit of:
Fanfare for the Common Man by Emerson, Lake & Palmer
recording of:
Fanfare for the Common Man (ELP arrangement)
composer:
Aaron Copland (composer)
arranger:
Keith Emerson, Greg Lake and Carl Palmer
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
Fanfare for the Common Man (for brass and percussion orchestra)
Emerson, Lake & Palmer42:58
9Race With the Devil
Girlschool2:51
10Overkill
engineer:
Trevor Hallesy (from 1978-12 until 1979-01) and Ashley Howe (from 1978-12 until 1979-01)
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) (from 1978-12 until 1979-01)
drums (drum set):
Phil “Philthy Animal” Taylor (former Motörhead drummer) (from 1978-12 until 1979-01)
electric bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (from 1978-12 until 1979-01)
electric guitar:
Eddie Clarke (Motörhead guitarist) (from 1978-12 until 1979-01)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-12 until 1979-01) and Sound Development Studios in London (Greater London), England, United Kingdom (from 1978-12 until 1979-01)
music videos:
Overkill by Motörhead
recording of:
Overkill (Motörhead song) (from 1978-12 until 1979-01)
writer:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) and Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.155:12
11Cherry Bomb
arranger:
Scott Anderson (The Runaways co -writer, -ordinator, -arranger), Kim Fowley and The Runaways (US 1970s all girl rock group)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1976), Phonogram, Inc. (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Criterion Studios in Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 52)
recording of:
Cherry Bomb
lyricist:
Kim Fowley
composer:
Joan Jett
publisher:
Careers–BMG Music Publishing, Inc., Jett Pack Music, Inc. and Peermusic Ltd. (BMI)
The Runaways4.152:19
12Rock ’n’ Roll Outlaw
Rose Tattoo3:21
13I Want You
engineer:
Zebra Johanson (engineer)
producer:
Andy McCoy and Michael Monroe (lead singer of Hanoi Rocks)
mixer:
Bosse Waldersten
bass guitar:
Sami Yaffa (bassist)
drums (drum set):
Keimo Hirvonen and Jesper Sporre (Gyp Casino)
guitar:
Andy McCoy and Nasty Suicide
saxophone and lead vocals:
Michael Monroe (lead singer of Hanoi Rocks)
arranger:
Andy McCoy and Michael Monroe (lead singer of Hanoi Rocks)
phonographic copyright (℗) by:
Johanna Kustannus Oy (company) and Love Kustannus
recorded at:
Park Studio in Stockholm, Stockholms län (Stockholm county), Sweden and Photosonic Studio in Helsinki, Uusimaa, Finland (in 1980)
recording of:
I Want You
lyricist and composer:
Andy McCoy
Hanoi Rocks3:13
14Angel Witch
keyboard programming:
Sev Lewkowicz (keyboard player)
assistant engineer:
Jools Cooper (engineer) and Nick Rogers (engineer/mixing)
engineer:
Mark Dearnley, John Gallen (UK music producer, recording & mix engineer.) and Ashley Howe
producer:
Martin Smith (UK musician, producer and engineer, b. 1945)
bass guitar, keyboard and background vocals:
Kevin Riddles
drums (drum set) and percussion:
Dave Hogg
guitar and lead vocals:
Kevin Heybourne
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom
recording of:
Angel Witch
lyricist and composer:
Kevin Heybourne
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Angel Witch3.353:24
15Please Don’t Touch
producer:
Vic Maile
bass guitar:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12) and Enid Williams (in 1980-12)
drums (drum set):
Denise Dufort (in 1980-12)
guitar [Lead Guitar]:
Eddie Clarke (Motörhead guitarist) (in 1980-12) and Kelly Johnson (in 1980-12)
guitar [Rhythm Guitar]:
Kim McAuliffe (in 1980-12)
lead vocals:
Kelly Johnson (in 1980-12) and Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12)
cover recording of:
Please Don’t Touch (in 1980-12)
composer:
Frederick Heath and Guy Robinson (UK songwriter)
publisher:
EMI Blackwood Music Inc.
Girlschool & Motörhead32:48
16Butcher Baby
recording of:
Butcher Baby
lyricist:
Rod Swenson
composer:
Richie Stotts
Plasmatics3:34
17Hard Ride
Raven3:06
18Riding With the Angels
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Riding With the Angels
lyricist and composer:
Russ Ballard
publisher:
Union Square Music Publishing Ltd.
Samson3:39
19Gangster of Love
recording of:
Gangster of Love
lyricist and composer:
Johnny “Guitar” Watson
publisher:
Booty Ooty Music (publisher; do NOT use as release label), Lynnal Music, Virjon Music (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Johnny “Guitar” Watson3:45
20Swords of a Thousand Men
producer:
Bob Andrews (keyboardist and producer) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:55
3▼CD
#TitleArtistRatingLength
1Real Wild Child (Wild One)
recording of:
Wild One (Real Wild Child)
writer:
Johnny Greenan, Johnny O’Keefe and Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Southern Music (publisher)
Iggy Pop3:34
2Never Enough (single version)
producer:
Mark Saunders (UK record producer) (in 1990-07) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (in 1990-07)
mixer:
Mark Saunders (UK record producer) (in 1990-07)
bass guitar:
Simon Gallup
drums (drum set):
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
music videos:
Never Enough by The Cure
recording of:
Never Enough
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson and Boris Williams
publisher:
Fiction Songs Ltd.
The Cure3.54:26
3Wind of Change
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1991)
recording of:
Wind of Change
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions13:40
4Too Much Too Young
Little Angels4:21
5On a Storyteller’s Night
engineer and producer:
Kit Woolven (in 1985)
bass guitar:
Wally Lowe (in 1985)
drums (drum set):
Jim Simpson (in 1985)
guitar:
Tony Clarkin (in 1985)
keyboard:
Mark Stanway (in 1985)
background vocals:
Tony Clarkin (in 1985) and Wally Lowe (in 1985)
lead vocals:
Bob Catley (in 1985)
arranger:
Magnum (Birmingham UK melodic rock band) (in 1985)
recorded at:
The Abattoir Studios in Birmingham, West Midlands, England, United Kingdom (in 1985)
recording of:
On a Storyteller’s Night (Magnum) (in 1985)
lyricist and composer:
Tony Clarkin (in 1985)
Magnum4:59
6Bad Bad Boy
producer:
Roger Glover
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
recording of:
Bad Bad Boy
writer:
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) and Darrell Sweet (drummer and songwriter)
publisher:
Carlin Music Corporation, Intersong Music and Mountain Music Ltd.
Nazareth3:55
7Just Like Jesse James
recording engineer:
Sir Arthur Payson
additional engineer:
Bruce Robb
assistant engineer:
George Cowan (US engineer), Bridget Daly, Debbie Johnson (engineer), Jay Lean, Richard McKernan, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Desmond Child
mixer:
Mick Guzauski
acoustic guitar and electric guitar:
John Putnam
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Bobby Chouinard
guitar:
John McCurry
keyboard:
Alan St. Jon
background vocals:
Desmond Child, Brenda Russell (US singer-songwriter & keyboardist) and Diane Warren (US songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1989) and The David Geffen Company (legal rights relating to Geffen Records) (in 1989, in 1990)
recorded at:
Bearsville Studios in Bearsville, New York, United States, Cherokee Studios in Hollywood, Los Angeles, California, United States, Electric Lady Studios in Greenwich Village, New York, New York, United States and The Complex Studios in Los Angeles, California, United States
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Just Like Jesse James
writer:
Desmond Child and Diane Warren (US songwriter)
publisher:
April Music Inc., Desmobile Music Co., Inc. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), SBK April Music Inc. (from 1989 to ????), Desmobile Inc. (from 1989 to present) and Realsongs (from 1989 to present)
Cher44:03
8I Got Mine
producer:
Tony Platt (UK engineer and producer) (from 1983-02 until 1983-03)
mixer:
Tony Platt (UK engineer and producer) (in 1983-03)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (from 1983-02 until 1983-03)
drums (drum set):
Phil “Philthy Animal” Taylor (former Motörhead drummer) (from 1983-02 until 1983-03)
guitar:
Brian Robertson (Thin Lizzy & Motörhead) (from 1983-02 until 1983-03)
recorded at:
Eel Pie Studios in London (Greater London), England, United Kingdom (from 1983-02 until 1983-03) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1983-02 until 1983-03)
recording of:
I Got Mine (from 1983-02 until 1983-03)
writer:
Ian Fraser Kilmister (“Lemmy” from Motörhead), Phil Taylor (former Motörhead drummer) and Brian Robertson (Thin Lizzy & Motörhead)
publisher:
EMI Intertrax Music Inc. (BMI-affiliated)
Motörhead5:21
9Really Gonna Rock Tonight
producer:
Chris Tsangarides
phonographic copyright (℗) by:
Orionstar Ltd. (in 1984), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Really Gonna Rock Tonight (in 1980)
lyricist and composer:
Gary Moore (Thin Lizzy, blues guitar)
publisher:
Maxwood Music Ltd.
Gary Moore2.53:47
10In a Big Country (radio edit)
recording of:
In a Big Country
lyricist:
Stuart Adamson
composer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music and Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3:50
11Two Tribes
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
part of:
TV Cream: Real 100 Best Singles Ever (number: 27)
recording of:
Two Tribes
written in:
Liverpool, Merseyside, England, United Kingdom (from 1982 until 1983)
lyricist and composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:22
12(I Just) Died in Your Arms Tonight
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:23
13The Spirit
assistant engineer:
Steve Prestage (in 1980)
engineer:
Jeff Glixman (in 1980)
producer:
Jeff Glixman
bass guitar:
Wally Lowe (in 1980)
drums (drum set):
Kex Gorin (in 1980)
guitar:
Tony Clarkin (in 1980)
keyboard:
Mark Stanway (in 1980)
lead vocals:
Bob Catley (in 1980)
arranger:
Magnum (Birmingham UK melodic rock band) (in 1980)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1980)
mixed at:
Axis Sound Studio in Atlanta, Georgia, United States (in 1981)
recording of:
The Spirit (Magnum) (in 1980)
lyricist and composer:
Tony Clarkin
publisher:
Aviation Music (publisher; do NOT use as release label)
Magnum4:17
14Life Goes On
The Damned4:07
15Rip and Tear
L.A. Guns4:11
16To Hell and Back
Venom3:00
17Gypsy Road (album version)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Gypsy Road
lyricist and composer:
Tom Keifer
publisher:
Chappell & Co., Inc. (USA)
Cinderella3:49
18Nothin’ but a Good Time
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
recording of:
Nothin’ but a Good Time
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing
Poison4.43:43
19Painted Moon
assistant producer:
The Silencers (Scottish rock band) (task: with help from)
producer:
Dave Bascombe
mixer:
Mark Wallis
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1987), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Painted Moon
writer:
Charles Burns and Jimme O’Neill
publisher:
BMG Music Publishing Ltd. (in 1991)
The Silencers4:01
20Man of the World (1998 remaster)
recording of:
Man of the World
composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Fleetwood Music Ltd. and Palan Music Publishing Ltd.
Fleetwood Mac2:59
4▼CD
#TitleArtistRatingLength
1Are You Gonna Go My Way?
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
acoustic guitar and electric guitar:
Craig Ross (guitarist) (in 1998-12)
bass:
Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
Lenny Kravitz (in 1998-12)
synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Henry Hirsch, Lenny Kravitz and Craig Ross (guitarist)
publisher:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Lenny Kravitz3.853:32
2Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor‐Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor‐Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.053:29
3All I Wanna Do
engineer:
Blair Lamb
producer:
Bill Bottrell
phonographic copyright (℗) by:
A&M Records, Inc. (in 1993) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 405)
recording of:
All I Wanna Do
writer:
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) and Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. and Zen of Iniquity
Sheryl Crow3.94:34
4Cats in the Cradle
engineer and mixer:
Mark Dodson (UK producer) and Randy Long
producer:
Mark Dodson (UK producer)
bass guitar:
Cordell Crockett (in 1992)
drums (drum set):
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
guitar:
Klaus Eichstadt (in 1992) and Dave Fortman (in 1992)
background vocals:
Jennifer Barry (in 1992)
lead vocals:
Whitfield Crane (in 1992)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.84:03
5Screamager
Therapy?2:41
6My Favourite Game
assistant engineer:
Lars Göransson (1970s Swedish folk singer)
engineer and producer:
Tore Johansson
mixer:
Tore Johansson and Staffan Schöler (engineer)
bass guitar:
Magnus Sveningsson
drums (drum set):
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group) (in 1998)
mixed at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden and New York City Center in New York, New York, United States
engineered at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden and Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
produced at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden and Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
part of:
Cachitos Nochevieja 2022 (number: 57)
recording of:
My Favourite Game
lyricist:
Nina Persson
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Cardigans3.753:38
7Celebrity Skin
additional producer:
Eric Erlandson
producer:
Michael Beinhorn
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 16)
recording of:
Celebrity Skin
writer:
Billy Corgan, Eric Erlandson and Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Songs of Kobalt Music Publishing, Strictly Confidential and Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:43
8What’s Up
recording engineer:
David Tickle (in 1992)
mastering:
Stephen Marcussen (mastering engineer)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992, in 1993)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes4.354:14
9She’s a Star (album version)
recording of:
She’s a Star
lyricist:
Tim Booth
composer:
Tim Booth, Jim Glennie and Larry Gott
James3:41
10The Riverboat Song (album version)
Ocean Colour Scene4:57
11Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:53
12Zombie (edit)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) and Universal–Songs of PolyGram International, Inc.
The Cranberries5:08
13More Than Words (radio edit)
Extreme3:41
14Memory Lain, Hugh (live)
Caravan5:03
15That’s When I Think of You
phonographic copyright (℗) by:
James Barton (drummer) (in 1998), Garry Frost (in 1998), Philip Frost (in 1998) and Eric Weideman (Australian singer/songwriter) (in 1998)
phonographic copyright (℗) by:
Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
That’s When I Think of You
writer:
Garry Frost and Eric Weideman (Australian singer/songwriter)
publisher:
Orient Pacific Music Pty. Ltd., Origin Music Publishing Pty Ltd and Warner Chappell Music (publisher as Warner/Chappell Music)
19274:13
16Stare Too Long
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Stare Too Long (in 2000)
lyricist:
Pepper Keenan
composer:
Mike Dean (bassist/vocalist for Corrosion of Conformity), Pepper Keenan, Reed Mullin and Woody Weatherman
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Corrosion of Conformity4:56
17Don’t Worry About Me
Joey Ramone3:55
18New Rose
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
performer:
Captain Sensible, Brian James (UK punk rock guitarist), Rat Scabies and Dave Vanian
recording of:
New Rose
lyricist and composer:
Brian James (UK punk rock guitarist)
publisher:
Rock Music Co., Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Damned4.52:43
19Scream (radio edit)
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Stephen McGrath
drums (drum set):
Brian Tichy
guitar:
Steve Stevens (US guitarist and songwriter)
keyboard:
Derek Sherinian
lead vocals:
Billy Idol (English rock singer‐songwriter)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2005)
recording of:
Scream
writer:
Billy Idol (English rock singer‐songwriter) and Brian Tichy
publisher:
Bad Trip Tunes, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Wixen Music Publishing, Inc. and Wixen Music UK Ltd.
Billy Idol3:53
20Overnight Sensation (Digitally Remastered)
Raspberries5:23
5▼CD
#TitleArtistRatingLength
1Lightning Bolt
recording of:
Lightning Bolt
writer:
Iain Archer and Jake Bugg
publisher:
Kobalt Music Services Ltd. (UK) and Soul Kitchens Music Ltd
Jake Bugg2:24
2Have a Nice Day
producer:
Marshall Bird and Steve Bush (engineer/mixer)
recording of:
Have a Nice Day
lyricist and composer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:25
3Pompeii
programming and producer:
Mark Crew (songwriter, record producer and mix engineer) and Dan Smith (member of UK band Bastille)
assistant mixer:
Matty Green (mix engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass guitar [bass]:
William Farquarson (bassist, Bastille)
drums (drum set):
Chris “Woody” Wood (drummer, Bastille)
keyboard [keyboards]:
Mark Crew (songwriter, record producer and mix engineer)
keyboard [keyboards] and piano:
Dan Smith (member of UK band Bastille)
background vocals [backing vocals]:
Ian Dudfield, Ralph Pelleymounter (Lead singer of To Kill A King), Josh Platman and Jon Willoughby
vocals:
Dan Smith (member of UK band Bastille)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
recorded at:
Unit 24 (Mark Crew's studio) in London (Greater London), England, United Kingdom
music videos:
Pompeii by Bastille (British indie pop band)
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 12), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 297)
recording of:
Pompeii
lyricist and composer:
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.73:34
4The Power of Love
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:29
5America
recording of:
America
writer:
Johnny Borrell and Andy Burrows (songwriting drummer)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight4:10
6Last Resort (album version)
engineer:
David Dominguez
producer and mixer:
Jay Baumgardner
assistant mixer:
D Rock
editor:
James Murray (US engineer)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at and mixed at:
NRG Recording Studios in North Hollywood, Los Angeles, California, United States
music videos:
Last Resort by Papa Roach
recording of:
Last Resort
lyricist and composer:
David Buckner, Tobin Esperance, Jerry Horton and Jacoby Shaddix
publisher:
BMG Gold Songs, I Make Dumb Music, Reservoir Media Music and Viva La Cucaracha Music
Papa Roach3.63:21
7Blurry (radio edit)
Puddle of Mudd4:19
8My Songs Know What You Did in the Dark (Light Em Up)
additional programming:
Patrick Vaughn Stump, Jake Sinclair, Joe Trohman and Butch Walker
assistant engineer:
Todd Stopera
engineer:
Matt Still, Jake Sinclair and Laura Sisk
additional producer:
Fall Out Boy (pop punk band)
producer:
Butch Walker
assistant mixer:
Matty Green (mix engineer)
mixer:
David Sardy (American score composer) and Mark “Spike” Stent (producer, engineer)
additional keyboard [keyboards] and percussion and additional background vocals [backing vocals]:
Jake Sinclair and Butch Walker
bass guitar:
Pete Wentz
drums (drum set) [drums] and percussion:
Andy Hurley (rock drummer from the US)
guitar [guitars] and keyboard [keyboards]:
Patrick Vaughn Stump and Joe Trohman
background vocals [backing vocals]:
Andy Hurley (rock drummer from the US), Joe Trohman and Pete Wentz
lead vocals:
Patrick Vaughn Stump
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
recorded at:
Rubyred Recordings in Venice, Los Angeles, California, United States
mixed at:
Hillside Manor in Los Angeles, California, United States and Mix Suite LA in Los Angeles, California, United States
engineered at:
Rubyred Recordings in Venice, Los Angeles, California, United States, Silent Sound Studios in Atlanta, Georgia, United States and Sonora Recorders in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 40)
recording of:
My Songs Know What You Did in the Dark (Light 'em Up)
lyricist and composer:
Fall Out Boy (pop punk band), John Hill (producer and songwriter, aka Johnny Rodeo) and Butch Walker
publisher:
Chicago X Softcore Songs (in 2013), EMI April Music Inc. (in 2013), I Eat Publishing for Breakfast (in 2013), Rodeo-Man Music (in 2013) and Sony/ATV Songs LLC (in 2013)
Fall Out Boy3.83:08
9Kryptonite (2009 Remaster)
recording engineer:
Matt Martone (recording engineer) and Paul Ebersold
producer:
Paul Ebersold
assistant mixer:
Mike Butler (engineer)
mixer:
Toby Wright (producer & engineer)
editor:
Andrew Garver
bass guitar:
Todd Harrell
drums (drum set) and lead vocals:
Brad Arnold (vocalist for 3 Doors Down)
guitar:
Chris Henderson (member of 3 Doors Down) and Matt Roberts (guitarist for 3 Doors Down)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) and Universal Republic Records (2006–2012) (in 2012)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
The Village Voice – The 50 Worst Songs of the ’00s (number: 42) and BILLIONS CLUB
recording of:
Kryptonite
lyricist:
Brad Arnold (vocalist for 3 Doors Down)
composer:
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell and Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:56
10Smooth Criminal
assistant engineer:
Justin Harvey
engineer and editor:
James Murray (US engineer)
producer and mixer:
Jay Baumgardner
assistant mixer:
Dan Certa
additional editor:
John Ewing (engineer) and Brian Virtue
drums (drum set):
Mike Cosgrove
electric bass guitar [bassadilla], guitar and background vocals:
Tye Zamora
electric guitar:
Terence Corso
lead vocals:
Dryden Mitchell
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
recorded at and mixed at:
NRG Recording Services in North Hollywood, Los Angeles, California, United States
music videos:
Smooth Criminal by Alien Ant Farm
part of:
New York Post: 100 Greatest Covers (2007) (number: 6) and The Downloader’s Music Source Book (number: 355)
cover recording of:
Smooth Criminal
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music and Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label)
part of:
MJ: The Musical
Alien Ant Farm4.23:28
11What’s My Age Again?
recording engineer and engineer:
Sean O’Dwyer (US producer & engineer)
assistant engineer:
Darrell Harvey (engineer), John Nelson (engineer) and Robert Read (engineer)
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
bass guitar and lead vocals:
Mark “Fish Guts” Hoppus
drums (drum set):
Travis “Fuck Boy” Barker (American producer and drummer of blink-182)
guitar and background vocals:
Tom “Hot Pants” DeLonge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arranger:
blink‐182
drums (drum set) technician:
Mike Fasano
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1999)
mixed at:
South Beach Studios in Miami Beach, Florida, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 84)
recording of:
What’s My Age Again?
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1824.152:28
12Fat Lip (album version)
Sum 413:00
13All Star
artist & repertoire support:
Tom Whalley
assistant engineer:
Trevor Adkinson (engineer for Smash Mouth)
engineer, producer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
additional editor:
Jacquire King
additional keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
bass guitar:
Paul De Lisle
drums (drum set):
Kevin Coleman
electronic instruments:
Mark Camp (Smash Mouth collaborator) and Chris Racine
guitar:
Greg Camp
keyboard:
Michael Klooster
background vocals:
Greg Camp and Paul De Lisle
lead vocals:
Steve Harwell
music videos:
All Star by Smash Mouth (US rock band from San Jose, CA)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 339)
recording of:
All Star
lyricist and composer:
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Smash Mouth4.63:19
14Buddy Holly
assistant engineer:
Hal Belknap, David Heglmeier and Daniel Smith (engineer)
engineer:
Chris Shaw (US producer & engineer)
producer:
Ric Ocasek
bass guitar [bass]:
Matt Sharp (Weezer/The Rentals)
drums (drum set):
Patrick Wilson (Weezer/The Special Goodness)
guitar:
Brian Bell (guitarist) and Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
vocals:
Brian Bell (guitarist), Rivers Cuomo (US singer, guitarist & songwriter of Weezer) and Matt Sharp (Weezer/The Rentals)
performer:
Weezer (American rock band)
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1994)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1993-08 until 1993-09)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 484) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 497)
recording of:
Buddy Holly (from 1993-08 until 1993-09)
lyricist, writer and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
premiered by:
Weezer (American rock band)
publisher:
E.O. Smith Music
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Weezer4.12:40
15The Gush
recording of:
The Gush
writer:
Raging Speedhorn
Raging Speedhorn3:53
16The Reason (UK radio mix)
Hoobastank3:53
17Underdog
You Me at Six2:24
18The Kill (Bury Me) (edit)
phonographic copyright (℗) by:
Capitol Records LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2006) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2007)
recording of:
The Kill
lyricist and composer:
Jared Leto
publisher:
Apocraphex Music
Thirty Seconds to Mars43:46
19Promises, Promises
The Cooper Temple Clause3:20
20Ain’t No Easy Way
Black Rebel Motorcycle Club2:36

Credits

Release group

part of:The Ultimate Collection (Union Square Music, ULTIM5CD) (number: 039) (order: 29)