The Voice

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Tracklist

1▶CD: Come Fly With Me
2▶CD: The Voice
3▼CD: A Swingin' Affair
#TitleRatingLength
1Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:02
2I Wish I Were in Love Again
recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
2:28
3I Got Plenty o' Nuttin'
recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:10
4I Guess I'll Have to Change My Plans
recording of:
I Guess I’ll Have to Change My Plan
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
2:24
5Nice Work if You Can Get It
recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:22
6Stars Fell on Alabama
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
Stars Fell on Alabama (on 1956-11-15)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
12:38
7No One Ever Tells You
recording of:
No One Ever Tells You
writer:
Hub Atwood and Carroll Coates
3:25
8I Won't Dance
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:23
9Lonesome Road
recording of:
Lonesome Road
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
3:54
10At Long Last Love
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
2:24
11You'd Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:04
12I Got it Bad (And That Ain't Good)
3:22
13From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
3:52
14If I Had You
recording of:
If I Had You (jazz standard)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
2:36
15Oh! Look at Me Now
recording of:
Oh! Look at Me Now
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
2:50
16I'm a Fool to Want You
recording of:
I’m a Fool to Want You
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
4:50
17You Make Me Feel So Young
recording of:
You Make Me Feel So Young
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
E bi eit barn med deg
2:58
18I Could Write a Book
recording of:
I Could Write a Book
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
Pal Joey
2:44
19From Here to Eternity
recording of:
From Here to Eternity
lyricist:
Robert Wells (songwriter)
composer:
Freddie Karger (Frederick Maxwell Karger, Jr)
publisher:
Barton Music Corp.
3:01
20The End of a Love Affair
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
The End of a Love Affair (on 1956-04-05)
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
4:11

Credits

Release

ASIN:UK: B001I1LQUS [info]