Diva

~ Release by Nina Simone (see all versions of this release, 2 available)

Annotation

Colección "estrellas del jazz", del diario El País, nº 2

Annotation last modified on 2020-05-14 17:28 UTC.

Tracklist

1CD
#TitleRatingLength
1I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.252:36
2He Ain’t Comin’ Home No More2.53:08
3I Loves You Porgy
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
flute:
Rudy Stevenson
guitar:
Rudy Stevenson (on 1964-03-21)
percussion:
Lisle Atkinson
piano and lead vocals:
Nina Simone (on 1964-03-21)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1964-03-21)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:31
4Mississippi Goddam
double bass:
Lisle Atkinson (on 1964-04-04)
drums (drum set) and membranophone:
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04)
guitar:
Rudy Stevenson (on 1964-04-04)
piano and lead vocals:
Nina Simone (on 1964-04-04)
background vocals:
Lisle Atkinson (on 1964-04-04), Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04) and Rudy Stevenson (on 1964-04-04)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 172)
live recording of:
Mississippi Goddam (on 1964-04-04)
lyricist and composer:
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
part of:
Martin Luther King Suite
4.654:56
5Tell Me More and More and Then Some
producer:
Hal Mooney
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
arranger:
Nina Simone
cover recording of:
Tell Me More and More and Then Some (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Billie Holiday
43:11
6Love Me or Leave Me
bass guitar and percussion:
Lisle Atkinson (on 1965-10-01)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1965-10-01)
flute and guitar:
Rudy Stevenson (on 1965-10-01)
harmonica:
Al Schackman (on 1965-10-01)
piano:
Nina Simone (on 1965-10-01)
cover recording of:
Love Me or Leave Me (on 1965-10-01)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
44:07
7See-Line Woman
recorded in:
New York, New York, United States (in 1964)
producer:
Hal Mooney
piano:
Nina Simone (in 1964)
vocals and conductor:
Nina Simone (in 1964)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
cover recording of:
See‐Line Woman (on 1964-03-21)
writer:
George Bass and Nina Simone
is based on:
Sea Lion Woman
2.752:37
8Wild Is the Wind
producer:
Hal Mooney
double bass and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (on 1964-03-21)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
4.657:00
9Four Women
producer:
Hal Mooney
bass guitar, double bass and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
vocals:
Nina Simone
recording of:
Four Women (on 1965-09-30)
lyricist and composer:
Nina Simone
publisher:
EMI Tunes Ltd
3.654:27
10Don’t You Pay Them No Mind
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
cover recording of:
Don’t You Pay Them No Mind
writer:
Fred Ahlert, Richard Ahlert, Arthur Scott (Motown composer signed to Jobete Music Co) and Bobby Scott (vocals, piano, US musician & producer)
2.353:08
11Lilac Wine
producer:
Hal Mooney (on 1965-09-30)
double bass and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (on 1965-09-30)
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Lilac Wine (on 1965-09-30)
lyricist and composer:
James H. Shelton (composer of “Lilac Wine”)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4.654:15
12Either Way I Lose42:47
13The Gal From Joe’s
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
cover recording of:
The Gal From Joe’s
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
3.352:46
14Don’t Explain
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
arranger:
Nina Simone
cover recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
34:21
15I Love My Baby
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
recording of:
I Love My Baby
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
44:03
16Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
4.052:44

Credits

Release

liner notes:Chema García Martínez