Wachet auf, ruft uns die Stimme, BWV 140 / Wie schön leuchtet der Morgenstern, BWV 1

~ Release by Johann Sebastian Bach; Arleen Augér, Peter Schreier, Siegfried Lorenz, Thomanerchor Leipzig, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch (see all versions of this release, 1 available)

Annotation

℗ & © «1984 Eterna/Edel Germany GmbH»

Annotation last modified on 2025-11-16 04:50 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Wachet auf, ruft uns die Stimme, BWV 140: I. “Wachet auf, ruft uns die Stimme”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1984)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach7:27
2Wachet auf, ruft uns die Stimme, BWV 140: II. “Er kommt, der Bräutigam kommt”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1984)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:54
3Wachet auf, ruft uns die Stimme, BWV 140: III. “Wenn kömmst du, mein Heil”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
bass vocals:
Siegfried Lorenz (baritone) (from 1981-02 until 1983-02)
soprano vocals:
Arleen Augér (soprano) (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1984)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:08
4Wachet auf, ruft uns die Stimme, BWV 140: IV. “Zion hört die Wächter singen”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1984)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach4:04
5Wachet auf, ruft uns die Stimme, BWV 140: V. “So geh herein zu mir”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
bass vocals:
Siegfried Lorenz (baritone) (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1984)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:33
6Wachet auf, ruft uns die Stimme, BWV 140: VI. “Mein Freund ist mein”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
bass vocals:
Siegfried Lorenz (baritone) (from 1981-02 until 1983-02)
soprano vocals:
Arleen Augér (soprano) (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1984)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:28
7Wachet auf, ruft uns die Stimme, BWV 140: VII. “Gloria sei dir gesungen”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1984)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:45
8Wie schön leuchtet der Morgenstern, BWV 1: I. “Wie schön leuchtet der Morgenstern”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: I. Coro “Wie schön leuchtet der Morgenstern” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach7:07
9Wie schön leuchtet der Morgenstern, BWV 1: II. “Du wahrer Gottes und Marien Sohn”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: II. Recitativo (Tenore) “Du wahrer Gottes und Marien Sohn” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach0:58
10Wie schön leuchtet der Morgenstern, BWV 1: III. “Erfüllet, ihr himmlischen göttlichen Flammen”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
soprano vocals:
Arleen Augér (soprano) (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: III. Aria (Soprano) “Erfüllet, ihr himmlischen göttlichen Flammen” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach4:46
11Wie schön leuchtet der Morgenstern, BWV 1: IV. “Ein ird’scher Glanz, ein leiblich Licht”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
bass vocals:
Siegfried Lorenz (baritone) (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: IV. Recitativo (Basso) “Ein irdscher Glanz, ein leiblich Licht” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach1:03
12Wie schön leuchtet der Morgenstern, BWV 1: V. “Unser Mund und Ton der Saiten”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: V. Aria (Tenore) “Unser Mund und Ton der Saiten” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach6:15
13Wie schön leuchtet der Morgenstern, BWV 1: VI. “Wie bin ich doch so herzlich froh”
recording engineer:
Horst‐Dieter Käppler (engineer) (from 1981-02 until 1983-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1981-02 until 1983-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1981-02 until 1983-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1981-02 until 1983-02)
balance engineer:
Eberhard Richter (engineer) (from 1981-02 until 1983-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1981-02 until 1983-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: VI. Choral “Wie bin ich doch so herzlich froh” (from 1981-02 until 1983-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach1:23