Leaders of the Pack: The Very Best of the 60’s Girls

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:42
2Remember Walkin’ In the Sand
Bearbeitung von:
Remember (Walkin’ in the Sand) von The Shangri‐Las
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 30) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 395)
recording of:
Remember (Walkin’ in the Sand) (in 1964-07)
Texter und Komponist(in):
George “Shadow” Morton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:17
3The Girl From Ipanema
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Astrud Gilberto3:39
4I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
Nina Simone4.252:35
5Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:42
6Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1964)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 227)
recording of:
Downtown (in 1964)
Texter und Komponist(in):
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:08
7The First Cut Is the Deepest
Produzent(in):
Mike Hurst (musician and record producer from London, England)
vocals:
P.P. Arnold
arranger:
Art Greenslade
recording of:
The First Cut Is the Deepest
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. und Salafa Ltd.
P.P. Arnold43:14
8Do You Know the Way to San Jose
recording of:
Do You Know the Way to San Jose
Texter:
Hal David (in 1968)
Komponist(in):
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. und JAC Music Co., Inc.
Dionne Warwick2:54
9Paper Roses
recording of:
Paper Roses
Texter:
Janice Torre (songwriter and lyricist)
Komponist(in):
Fred Spielman (Fritz Spielmann, songwriter)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
The Kaye Sisters2:46
10Perhaps, Perhaps, Perhaps
recording of:
Perhaps, Perhaps, Perhaps
Texter:
Joe Davis (US lyricist, producer, publisher & promoter)
Komponist(in):
Osvaldo Farrés
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
übersetzte Version von:
Quizás, quizás, quizás
Doris Day2:32
11(There’s) Always Something There to Remind Me
vocals:
Sandie Shaw (in 1964)
phonographisches Urheberrecht (℗) von:
Pye International (in 1964) und Pye Records (in 1964)
cover recording of:
(There’s) Always Something There to Remind Me (in 1964)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
recording of:
(There’s) Always Something There to Remind Me
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Sandie Shaw42:35
12White Horses
Jacky Terrasson2:21
13Chapel of Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 279)
recording of:
Chapel of Love
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Dixie Cups42:51
14My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:49
15Take Me in Your Arms and Love Me
cover recording of:
Take Me in Your Arms and Love Me
Komponist(in):
Cornelius Grant (soul, funk and disco producer and songwriter), Roger Penzabene (songwriter, who worked mainly at Motown) und Barrett Strong
publisher:
Stone Agate Music
Gladys Knight & the Pips42:55
16Sweet Nothin’s
Hintergrundgesang:
Anita Kerr Singers (mixed vocal group)
Sologesang:
Brenda Lee (1960s American singer)
vocals:
Brenda Lee (1960s American singer)
conductor:
Owen Bradley
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 19)
recording of:
Sweet Nothin’s
Texter und Komponist(in):
Ronnie Self (rockabilly singer and songwriter)
publisher:
Champion Music Co. und Leeds Music Ltd.
Brenda Lee32:22
17Oh No Not My Baby
Produzent(in):
Luther Dixon und Stan Green
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recording of:
Oh No Not My Baby
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Maxine Brown2:35
18When You’re Young and in Love
recording of:
When You’re Young and in Love
Texter und Komponist(in):
Van McCoy
publisher:
Campbell Connelly & Co.
The Marvelettes2:38
19Past, Present & FutureThe Shangri‐Las2:40
20It’s My Party
Produzent(in):
Quincy Jones
arranger:
Claus Ogerman
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 353)
recording of:
It’s My Party (am 1963-03-30)
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.352:17
21Lover Please
The Vernons Girls2:08
22I Belong
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1965)
recording of:
I Belong
Texter:
Philip Peters
Komponist(in):
Peter Lee Stirling (English pop singer/songwriter)
Kathy Kirby2:20
23I Just Don’t Know What to Do With Myself
Produzent(in):
John Franz
cover recording of:
I Just Don’t Know What to Do With Myself
Texter:
Hal David
Komponist(in) und arranger:
Burt Bacharach
publisher:
Belinda Canada Music, Quartet Music, US Songs und Warner/Chappell (Warner/Chappell Music, Inc.)
adaptations:
Ne vem kaj naj storim (I Just Don’t Know What to Do)
Dusty Springfield3.53:02
24TogetherConnie Francis2:53
25This Little Bird
recording of:
This Little Bird
Texter und Komponist(in):
John D. Loudermilk
Marianne Faithfull2:02

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