| # | Title | Artist | Rating | Length |
|---|
| 1 | Orinoco Flow (Sail Away) (single version) | Enya | | 3:46 |
| 2 | On the Beach | Chris Rea | | 3:41 |
| 3 | I Say a Little Prayer- recording engineer:
- Tom Dowd (on 1968-04-17)
- producer:
- Jerry Wexler
- bass:
- Jerry Jemmott (on 1968-04-17)
- drums (drum set):
- Roger Hawkins (on 1968-04-17)
- guitar:
- Tommy Cogbill (on 1968-04-17)
- piano and lead vocals:
- Aretha Franklin (on 1968-04-17)
- background vocals:
- The Sweet Inspirations (on 1968-04-17)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Warner Music UK Ltd. , Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
- cover recording of:
- I Say a Little Prayer (on 1968-04-17)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. and Windswept Pacific Music Ltd.
- part of:
- Baby It’s You!
| Aretha Franklin | 4.35 | 3:32 |
| 4 | Forever Young | Alphaville | 4.55 | 3:47 |
| 5 | Hunting High and Low | a‐ha | 3.45 | 3:49 |
| 6 | The Sea | Morcheeba | 3.25 | 5:47 |
| 7 | The Man With the Child in His Eyes- engineer:
- Jon Kelly
- executive producer:
- David Gilmour
- producer:
- Andrew Powell
- piano, background vocals and lead vocals:
- Kate Bush (in 1975-06)
- arranger:
- Andrew Powell
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977, in 1978), EMI Records USA (in 1977, in 1978), EMI‐USA Records (in 1977, in 1978) and EMI France (in 1995)
- recorded at:
- AIR London Studios in London , England, United Kingdom (from 1977-07 until 1977-08)
- recording of:
- The Man With the Child in His Eyes (in 1975-06)
- publisher:
- Kate Bush (from 1978 to present)
- lyricist and composer:
- Kate Bush
- arranger:
- Stefan Lievestro
- premiered at:
- Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
- publisher:
- Beechwood Music Corp., Castle , Ed. Itaipu, EMI Music Publishing , EMI Music Publishing Ltd. (, from 1978 to present) and Kate Bush Music Ltd.
| Kate Bush | 3.65 | 2:39 |
| 8 | Hymn to Her (2007 remaster) | Pretenders | | 4:58 |
| 9 | I Keep Forgettin’ (Every Time You’re Near) | Michael McDonald | 4 | 3:42 |
| 10 | Riptide | Vance Joy | 3.6 | 3:24 |
| 11 | A Horse With No Name | America | 4.2 | 4:12 |
| 12 | The First Cut Is the Deepest | Rod Stewart | 4.5 | 4:31 |
| 13 | Golden Brown | The Stranglers | 4.4 | 3:27 |
| 14 | It’s My Life | Talk Talk | 3.75 | 3:52 |
| 15 | Riders on the Storm | The Doors | 4.7 | 7:15 |
| 16 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 3:00 |
| 17 | All I Need- assistant recording engineer:
- Jérôme Kerner
- recording engineer:
- Jean-Benoît Dunckel, Nicolas Godin and Stéphane "Alf" Briat
- producer:
- Jean-Benoît Dunckel and Nicolas Godin
- assistant mixer:
- Jérôme Blondel
- mixer:
- Stéphane "Alf" Briat
- acoustic guitar [guitare acoustique]:
- P. Woodcock
- Minimoog [mini moog], acoustic guitar [guitare acoustique], analog synthesizer [Korg MS20], bass guitar [basse], drums (drum set) [batterie], organ [orgue] and synthesizer [solina strings]:
- N. Godin
- Rhodes piano [rhodes], Wurlitzer electric piano [wurlitzer], analog synthesizer [Korg MS20 (intro)] and organ [orgue]:
- J.B. Dunckel
- guest lead vocals:
- Beth Hirsch
- recorded at:
- Gang Recording Studio in Paris, Île-de-France, France
- mixed at:
- Studio Plus XXX in Paris, Île-de-France, France
- music videos:
- All I Need by Air
- part of:
- The Downloader’s Music Source Book (number: 301)
- recording of:
- All I Need
- lyricist:
- Beth Hirsch
- composer:
- Jean-Benoît Dunckel and Nicolas Godin
| Air feat. Beth Hirsch | 4.45 | 4:28 |
| 18 | Save a Prayer (single version) | Duran Duran | 4.15 | 3:46 |
| 19 | Dry Your Eyes | The Streets | 3.65 | 4:29 |
| 20 | Road to Nowhere (2005 remaster)- recording engineer and mixer:
- Eric “E.T.” Thorngren
- assistant engineer:
- Melanie West (task: second engineer)
- producer:
- Talking Heads
- bass synthesizer [synth bass]:
- Tina Weymouth
- drums (drum set):
- Chris Frantz
- guest accordion:
- Jimmy MacDonell
- guest bongos, guest congas and guest tambourine:
- Steve Scales
- guest saxophone:
- Lenny Pickett
- guest washboard:
- Andrew Cader
- guitar:
- David Byrne and Jerry Harrison
- guitar and keyboard and keyboard:
- Jerry Harrison
- background vocals:
- Jerry Harrison and Tina Weymouth
- guest background vocals:
- Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
- lead vocals:
- David Byrne
- vocals:
- David Byrne
- arranger:
- David Byrne , Chris Frantz, Jerry Harrison and Tina Weymouth
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1985), Sire Records Company (in 1985) and Talking Heads Tours Inc. (in 1985)
- recorded at and mixed at:
- Sigma Sound in New York, New York, United States
- music videos:
- Road to Nowhere by Talking Heads
- recording of:
- Road to Nowhere
- lyricist and composer:
- David Byrne
- publisher:
- Bleu Disque Music Co. , Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
| Talking Heads | 4.2 | 4:20 |
| 21 | Holding Back the Years (2008 remaster) | Simply Red | 4 | 4:30 |
| 22 | Can’t Take My Eyes Off You | Frankie Valli | 3.75 | 3:24 |
| 23 | Listen to the Music | The Doobie Brothers | 4 | 3:47 |
| 24 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.4 | 2:44 |
| 25 | True (single edit) | Spandau Ballet | 3.65 | 5:28 |
| 26 | Slow | Rumer | 3.65 | 3:37 |
| 27 | Year of the Cat (single version)- producer:
- Alan Parsons
- phonographic copyright (℗) by:
- Al Stewart (in 1976)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1981)
- mixed at:
- Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
- recording of:
- Year of the Cat
- writer:
- Al Stewart and Peter Wood
- publisher:
- Carlin Music Corporation, Dick James Music Ltd. , Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. , Universal Songs , Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd.
| Al Stewart | 4.4 | 6:35 |
| 28 | Rocket Man | Logan Henderson | | 4:39 |
| 29 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
- cover recording of:
- Nothing’s Gonna Stop Us Now
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
| Starship | 3.75 | 4:30 |
| 30 | Josephine | Chris Rea | | 3:58 |
| 31 | Hand in My Pocket (2015 remaster) | Alanis Morissette | 3.95 | 3:42 |
| 32 | Boring People - Acoustic | L Devine | | 2:44 |
| 33 | For What It’s Worth (2018 remaster) | Buffalo Springfield | 4.25 | 2:39 |
| 34 | Green & Gold | Lianne La Havas | 5 | 4:38 |
| 35 | Daydreams | Maisie Peters | 3 | 3:09 |
| 36 | Drive (2017 remaster)- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 37 | Wuthering Heights- engineer:
- Jon Kelly
- producer:
- Andrew Powell
- drums (drum set):
- Stuart Elliott (from 1977-07 until 1977-08)
- piano, background vocals and lead vocals:
- Kate Bush (from 1977-07 until 1977-08)
- arranger:
- Andrew Powell
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977, in 1978), EMI Records USA (in 1977, in 1978), EMI‐USA Records (in 1977, in 1978), EMI America Records, Inc. (in 1982) and EMI France (in 1995)
- recorded at:
- AIR London Studios in London , England, United Kingdom (from 1977-07 until 1977-08)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 18)
- recording of:
- Wuthering Heights (from 1977-07 until 1977-08)
- publisher:
- Kate Bush (from 1978 to present)
- lyricist and composer:
- Kate Bush (on 1977-03-05)
- publisher:
- Beechwood Music Corp., Castle , Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (from 1978 to present)
| Kate Bush | 3.8 | 4:27 |
| 38 | Love Goes Down | Plan B | | 3:52 |
| 39 | Kind Woman | Buffalo Springfield | 4 | 4:16 |
| 40 | Lying That You Love Me | JC Stewart | | 3:46 |
| 41 | Her | Anne‐Marie | | 2:58 |
| 42 | Return of the Grievous Angel (remastered version) | Gram Parsons | 4 | 4:26 |
| 43 | It Started With a Kiss (2011 remaster) | Hot Chocolate | 3 | 4:03 |
| 44 | I Want to Know What Love Is (1999 remaster)- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott “Abada” Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd. , Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Warner Chappell Music , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.95 | 5:05 |
| 45 | This Masquerade (2015 GH version) | George Benson | 3.7 | 3:17 |
| 46 | Ain’t No Mountain High Enough | Carmody | | 2:47 |
| 47 | Ordinary World | Duran Duran | 3.3 | 4:38 |
| 48 | What If I Told You That I Love You- phonographic copyright (℗) by:
- LISN (in 2022)
| Ali Gatie | 3 | 3:14 |
| 49 | Can’t Be Happy All the Time | Tones and I | 3 | 4:18 |
| 50 | Something About Us | Daft Punk | 3.45 | 3:53 |
| 51 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:54 |
| 52 | Laura | Bat for Lashes | 3.9 | 4:26 |
| 53 | Watermark | Enya | | 2:26 |
| 54 | Mexico | The Staves | | 4:06 |
| 55 | Thursday | Jess Glynne | 4.25 | 3:36 |
| 56 | Wasn’t Expecting That | Jamie Lawson | 3 | 3:21 |
| 57 | Under the Milky Way | Sia | | 3:35 |
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