Blues Brother Soul Sister, Volume 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Got You (I Feel Good)
recorded in:
Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Produzent(in):
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06) und Maceo Parker (US funk/jazz saxophonist) (am 1965-05-06)
Bass:
Bernard Odum (am 1965-05-06)
Gitarre:
Alphonso "Country" Kellum (am 1965-05-06) und Jimmy Nolen (am 1965-05-06)
Orgel:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06)
Posaune:
Levi Rasbury (am 1965-05-06)
Schlagzeug:
Melvin Parker (am 1965-05-06)
Tenorsaxophon:
Al "Brisco" Clark (am 1965-05-06), St. Clair Pinckney (am 1965-05-06) und Eldee Williams (am 1965-05-06)
Trompete:
Joe Dupars (am 1965-05-06), Mike Ridley (am 1965-05-06) und Ron Tooley (American trumpeter) (am 1965-05-06)
Sologesang:
James Brown (The Godfather of Soul) (am 1965-05-06)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) und PolyGram Inc. (1978–1990) (in 1988)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (am 1965-05-06)
Texter und Komponist(in):
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. und Try Me Inc.
James Brown4.552:48
2Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:23
3Ain’t Nobody Home
recording of:
Ain’t Nobody Home
Texter und Komponist(in):
Jerry Ragovoy
publisher:
Chappell & Co.
B.B. King3:29
4Sweet Soul Music
Techniker(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Otis Redding
Gitarre:
Moses Dillard (am 1967-01-20)
vocals:
Arthur Conley (am 1967-01-20)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-20)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 351)
recording of:
Sweet Soul Music (am 1967-01-20)
Verfasser(in):
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) und Otis Redding
publisher:
ABKCO Music und Rondor
basiert auf:
Yeah Man
Arthur Conley42:20
5Midnight Train to Georgia
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:20
6Mustang Sally
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-13)
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
E-Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (von 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:05
7Warm and Tender Love
cover recording of:
Warm and Tender Love
Texter und Komponist(in):
Bobby Robinson
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Percy Sledge3:14
8Smokestack Lightning
recording of:
Smokestack Lightning
Texter und Komponist(in):
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf3:06
9What’d I Say
recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles4:23
10Stay With Me Baby
Produzent(in):
Jerry Ragovoy
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor)
arranger:
Jerry Ragovoy und Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Stay With Me (in 1966-07)
Verfasser(in):
Jerry Ragovoy und George David Weiss
publisher:
TRO Essex Music Ltd.
Lorraine Ellison43:31
11Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:57
12Who’s That Lady
recording of:
Who’s That Lady
Verfasser(in):
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) und Rudolph Isley
publisher:
EMI Blackwood Music Inc. und Three Boys Music Inc.
The Isley Brothers42:50
13Got My Mojo Working
recording of:
Got My Mojo Working (Muddy Waters arrangement)
zusätzliche(r) Verfasser(in):
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Dare Music Co.
Version von:
Got My Mojo Working (original version)
Muddy Waters2:45
14I’m Still in Love With You
Techniker(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
Produzent(in):
Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
E-Bass:
Leroy Hodges
Gitarre:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan und Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
Saiteninstrumente arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) und James Mitchell (US saxophonist/arranger)
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
I’m Still in Love With You
Texter und Komponist(in):
Al Green (US soul singer, songwriter, pastor and record producer), Al Jackson, Jr. (Booker T & The MGs drummer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music und Irving Music, Inc.
Al Green4.753:12
15B.A.B.Y.
recording of:
B-A-B-Y (in 1966)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas4.252:55
16My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.252:43
17My Guy
spätere Veröffentlichungen:
My Guy von Mary Wells (Motown singer)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 24)
recording of:
My Guy
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
cover recording of:
My Guy
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:46
18It Serve You Right to Suffer
John Lee Hooker5:08
19Misty Blue
cover recording of:
Misty Blue
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Reservoir One America und Talmont Music (publisher) (vom 1966 bis heute)
Dorothy Moore3:33
20(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.152:44

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