| # | Title | Artist | Rating | Length |
|---|
| 1 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 4.05 | 3:13 |
| 2 | Son of a Preacher Man | Dusty Springfield | 4.45 | 2:25 |
| 3 | You’ve Lost That Lovin’ Feelin’- recording of:
- You’ve Lost That Lovin’ Feelin’
- writer:
- Barry Mann, Phil Spector and Cynthia Weil
- publisher:
- ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. , Columbia Music , EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc.
- sub-publisher:
- EMI Music Publishing Germany , Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Righteous Brothers | | 3:42 |
| 4 | Reach Out, I’ll Be There- producer:
- Lamont Dozier and Brian Holland
- instruments:
- The Funk Brothers (in 1966)
- background vocals:
- The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
- lead vocals:
- Levi Stubbs (in 1966)
- phonographic copyright (℗) by:
- Motown Record Company (in 1966)
- recorded at:
- Hitsville in Detroit, Michigan, United States (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (number: 206)
- recording of:
- Reach Out, I’ll Be There (in 1966)
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Four Tops | 4 | 2:55 |
| 5 | Young Girl | Gary Puckett & the Union Gap | 4 | 3:12 |
| 6 | Mrs. Robinson | Simon & Garfunkel | | 3:38 |
| 7 | Mr. Tambourine Man- recorded in:
- Hollywood, Los Angeles, California, United States (on 1965-01-20)
- producer:
- Terry Melcher
- 12 string guitar:
- Jim McGuinn (on 1965-01-20)
- bass guitar:
- Chris Hillman (on 1965-01-20)
- drums (drum set):
- Michael Clarke (on 1965-01-20)
- guitar:
- David Crosby (on 1965-01-20)
- tambourine:
- Gene Clark (on 1965-01-20)
- vocals:
- Gene Clark (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
- phonographic copyright (℗) by:
- Columbia Records (in 1965) and Sony Music Entertainment Inc. (in 1965)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
- cover recording of:
- Mr. Tambourine Man (on 1965-01-20)
- lyricist and composer:
- Bob Dylan (from 1964-02 until 1964-04)
- publisher:
- Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Bros. Music , Warner Brothers Music Ltd. , Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
- adaptations:
- Setä pelimanni
| The Byrds | 4.15 | 2:20 |
| 8 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:34 |
| 9 | The Leader of the Pack | The Shangri‐Las | 4.5 | 2:49 |
| 10 | What Becomes of the Brokenhearted | Jimmy Ruffin | | 2:52 |
| 11 | Ode to Billie Joe | Bobbie Gentry | 5 | 4:13 |
| 12 | Space Oddity- producer:
- Gus Dudgeon
- 12 string guitar and handclaps, Dubreq Stylophone, background vocals and lead vocals:
- David Bowie (in 1969-06)
- bass:
- Herbie Flowers (in 1969-06)
- cello:
- Paul Buckmaster (in 1969-06)
- drums (drum set):
- Terry Cox (in 1969-06)
- electric guitar:
- Mick Wayne (in 1969-06)
- mellotron:
- Rick Wakeman (in 1969-06)
- arranger:
- David Bowie and Paul Buckmaster
- phonographic copyright (℗) by:
- Jones/Tintoretto Entertainment Company LLC (in 1969, in 2009), Jones/Tintoretto Entertainment Co. LLC. (in 1976) and Valerian S.A.S. (in 2017)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1969-06)
- music videos:
- Space Oddity by David Bowie and Space Oddity by David Bowie
- a cappella versions:
- Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 189)
- recording of:
- Space Oddity (in 1969-06)
- lyricist and composer:
- David Bowie
- publisher:
- Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. and Westminster Music Ltd.
| David Bowie | 4.25 | 5:11 |
| 13 | Something in the Air | Thunderclap Newman | 4 | 3:54 |
| 14 | Where Do You Go To (My Lovely)? | Peter Sarstedt | 5 | 4:40 |
| 15 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:03 |
| 16 | Itchycoo Park | The Small Faces | | 2:43 |
| 17 | Sunshine Superman | Donovan | | 3:19 |
| 18 | Love Is All Around | The Troggs | 4.5 | 2:58 |
| 19 | He Ain’t Heavy He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 4.15 | 4:17 |
| 20 | The House of the Rising Sun | The Animals | 4.2 | 4:29 |
| 21 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.15 | 2:41 |
| 22 | Albatross | Fleetwood Mac | 4 | 3:07 |
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