The Ramones Heard Them Here First

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Let’s Dance
recording of:
Let’s Dance
lyricist and composer:
Jim Lee (“Let’s Dance” writer/producer)
publisher:
Chappell Morris Ltd., DeVorzon Music, Rondell Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez?:??
2California Sun
cover recording of:
California Sun
writer:
Henry Glover and Morris Levy
publisher:
Nom Music, Inc.
The Rivieras?:??
3Surfin’ Bird
recording of:
Surfin’ Bird
writer:
Al Frazier, Sonny Harris (US baritone singer and songwriter John Harris), Carl White (60s soul vocalist, member of the Rivingtons) and Turner Wilson (1960s doo wop)
publisher:
Beechwood Music Corp.
medley of:
Papa‐Oom‐Mow‐Mow
medley of:
The Bird’s the Word
The Trashmen?:??
4Do You Wanna Dance?
engineer:
Chuck Britz
lead vocals:
Dennis Wilson (Beach Boys) (on 1965-01-11)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1965-01-11)
cover recording of:
Do You Want to Dance (on 1965-01-11)
lyricist and composer:
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music (publisher), ミュージカル・ライツ・東京 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
recording of:
Do You Want to Dance
lyricist and composer:
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music (publisher), ミュージカル・ライツ・東京 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
The Beach Boys3.5?:??
5Needles & Pins
phonographic copyright (℗) by:
Pye International (in 1964)
cover recording of:
Needles and Pins
lyricist:
Sonny Bono
composer:
Sonny Bono and Jack Nitzsche (American musician and score composer)
publisher:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. and Metric Music
The Searchers4?:??
6Come On, Let’s Go
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
recording of:
Come On, Let’s Go
lyricist and composer:
Ritchie Valens
publisher:
Tro-Essex Music Ltd.
Ritchie Valens4.25?:??
7Baby, I Love You
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-11)
recording of:
Baby, I Love You (in 1963-11)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Ronettes4?:??
8I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 331) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher4?:??
9Little Bit o’ Soul
producer:
Jerry Kasenetz and Jeff Katz (music producer)
recording of:
Little Bit o’ Soul
lyricist and composer:
Carter-Lewis (British songwriter duo)
writer:
John Carter (songwriter & producer, b. 1942) (in 1964) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (in 1964)
The Music Explosion3?:??
10Time Has Come Today
producer:
David Rubinson
performer:
The Chambers Brothers
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
edit of:
Time Has Come Today (original unedited studio mix) by The Chambers Brothers
recording of:
Time Has Come Today (on 1967-08-09)
writer:
Joseph Chambers (The Chambers Brothers) and Willie Chambers
The Chambers Brothers4?:??
11Indian Giver
recording of:
Indian Giver
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell and Bo Gentry
publisher:
Kahoona Tunes and Kaskat Music Inc.
1910 Fruitgum Co.?:??
12Surf City
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 32)
recording of:
Surf City
writer:
Jan Berry and Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Jan & Dean3?:??
13I Can’t Control Myself
recording of:
I Can’t Control Myself
lyricist and composer:
Reg Presley
The Troggs?:??
14My Back Pages
producer:
Gary Usher
solo guitar:
Roger McGuinn (on 1966-12-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967)
cover recording of:
My Back Pages (on 1966-12-05)
lyricist and composer:
Bob Dylan (in 1964)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds3.5?:??
15Surfin’ Safari
recording of:
Surfin’ Safari
writer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Guild Music Company
The Beach Boys?:??
16I Can’t Seem to Make You Mine
recording of:
Can’t Seem to Make You Mine
lyricist and composer:
Sky Saxon
publisher:
Marada Music Ltd.
The Seeds?:??
17Shape of Things to Come
recording of:
Shape of Things to Come
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Max Frost & the Troopers5?:??
18Journey to the Center of the Mind
recording of:
Journey to the Center of the Mind
writer:
Steve Farmer and Ted Nugent
The Amboy Dukes5?:??
19Somebody to Love
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Licensemusic.com ApS (from 2007 to present)
recorded at:
Winterland Ballroom in San Francisco, California, United States (on 1972-09-22)
live recording of:
Somebody to Love (Jefferson Airplane song) (on 1972-09-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane?:??
207 and 7 Is
recording of:
7 and 7 Is
lyricist and composer:
Arthur Lee
publisher:
Carlin Music Corporation, Grass Root Productions, Grassroots Music Production and Trio Music Co., Inc.
sub-publisher:
Trio Music Co. Ltd. and フジパシフィックミュージック (Fujipacific Music, Inc.)
Love5?:??
21I Don’t Wanna Grow Up
recording engineer and mixer:
Biff Dawes
engineer:
Shawn Michael Morris
producer:
Tom Waits
double bass:
Larry Taylor (US bassist)
guitar:
Tom Waits
percussion [sticks]:
Kathleen Brennan
vocals:
Tom Waits
recorded at:
Prairie Sun Recording Studios in Cotati, California, United States
music videos:
I Don't Wanna Grow Up (music video) by Tom Waits
recording of:
I Don’t Wanna Grow Up
writer:
Kathleen Brennan and Tom Waits
Tom Waits5?:??
22R.A.M.O.N.E.S.
engineer:
Casey McMackin (in 1990)
producer and mixer:
Peter Solley (English pianist, songwriter and producer) (in 1990)
drums (drum set):
Phil “Philthy Animal” Taylor (former Motörhead drummer) (in 1990)
electric bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1990)
electric guitar:
Wizzö (Welsh metal guitarist for Motörhead & Persian Risk) (in 1990) and Würzel (Motörhead guitarist) (in 1990)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1990)
recording of:
R.A.M.O.N.E.S. (in 1990)
writer:
Phil Campbell (Welsh metal guitarist for Motörhead & Persian Risk), Ian Fraser Kilmister (“Lemmy” from Motörhead), Michael Burston (Motörhead guitarist) and Phil Taylor (former Motörhead drummer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Motörhead4?:??
231969
producer:
John Cale (The Velvet Underground founder)
bass guitar:
Dave Alexander (bassist for The Stooges)
drums (drum set):
Scott Asheton
electric guitar:
Ron Asheton
lead vocals:
Iggy Stooge
recording of:
1969
writer:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton and Iggy Pop
The Stooges4.25?:??
24What a Wonderful World
recorded in:
New York, New York, United States (on 1970-05-26)
producer:
Bob Thiele (producer & songwriter)
cello:
Charles McCracken (cellist) (on 1970-05-26), Kermit Moore (on 1970-05-26) and George Ricci (on 1970-05-26)
double bass:
Richard Davis (American jazz bassist) (on 1970-05-26) and George Duvivier (on 1970-05-26)
drums (drum set):
Bernard “Pretty” Purdie (on 1970-05-26)
electric bass guitar:
John Williams Jr. (bass) (on 1970-05-26)
flute:
James Spaulding (jazz) (on 1970-05-26)
guitar:
Sam Brown (jazz guitarist) (on 1970-05-26) and Kenny Burrell (on 1970-05-26)
instruments:
Allan Schulman (cellist and composer) (on 1970-05-26)
piano:
Frank Owens (American pianist) (on 1970-05-26)
viola:
Julien Barber (on 1970-05-26), Alfred Brown (viola) (on 1970-05-26), David Schwartz (violist) (on 1970-05-26) and Emanuel Vardi (on 1970-05-26)
violin:
Arnold Black (on 1970-05-26), Winston Collymore (on 1970-05-26), Paul Gershman (on 1970-05-26), Harry Lookofsky (on 1970-05-26), Joe Malin (on 1970-05-26), Manny Green (on 1970-05-26), Gene Orloff (on 1970-05-26), Max Pollikoff (on 1970-05-26) and Selwart Richard Clarke (on 1970-05-26)
vocals:
Louis Armstrong (on 1970-05-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1970-05-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
BMG Music (in 1970)
recording of:
What a Wonderful World (on 1970-05-26)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong?:??

Credits

Release group

part of:Heard Them Here First! (order: 3)