| # | Title | Artist | Rating | Length |
|---|
| 1 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- music videos:
- Love Shack by The B‐52’s
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 40), Billboard: The 500 Best Pop Songs (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52’s | 4.2 | 5:22 |
| 2 | Go Your Own Way | Fleetwood Mac | 4.3 | 3:38 |
| 3 | Rather Be- engineer:
- Liam Nolan and Brett Shaw
- audio engineer:
- Liam Nolan
- producer:
- Grace Chatto and Jack Patterson
- mixer:
- Wez Clarke and Jack Patterson
- cello:
- Grace Chatto
- drums (drum set):
- Luke Patterson
- keyboard and piano:
- Jack Patterson
- piano:
- Anthony Strong
- viola:
- Asher Zaccardelli
- violin:
- Neil Amin-Smith and Beatrice Philips
- background vocals:
- Florence Rawlings
- lead vocals:
- Jess Glynne
- phonographic copyright (℗) by:
- Atlantic Records UK Ltd (in 2013), Warner Music UK Ltd. (from 2014 to present) and Atlantic Records UK (in 2014)
- recorded at:
- 123 Studios in Peckham, Southwark, London , England, United Kingdom and Metropolis in London , England, United Kingdom
- part of:
- Grammy Award: Best Dance/Electronic Recording nominees (number: 2015 winner), Billboard Year-End Hot 100 singles of 2014 (number: 41), BILLIONS CLUB and Billboard: The 500 Best Pop Songs (number: 451)
- recording of:
- Rather Be
- writer:
- Grace Chatto, Jimmy Napes, Nicole Marshall and Jack Patterson
- publisher:
- Saali Isaak Songs Ltd. and Sony/ATV Music Publishing LLC
| Clean Bandit feat. Jess Glynne | 4.25 | 3:48 |
| 4 | Hold My Hand- additional drums (drum set) [drum] programming:
- Wez Clarke and TIEKS
- additional programming:
- Wez Clarke
- drums (drum set) [drum] programming:
- Starsmith
- engineer:
- Mike Horner
- co-producer:
- Jack Patterson
- producer:
- Starsmith
- mixer:
- Wez Clarke
- bass:
- Dominic Grant
- drums (drum set):
- Anthony "Sweetstix" Lewis
- percussion:
- Jack Dow-Smith
- piano:
- Starsmith and Anthony Strong
- synthesizer [synthesizers] and tenor saxophone:
- Starsmith
- trumpet:
- Jon Eades
- lead vocals:
- Jess Glynne
- horn arranger:
- Starsmith
- phonographic copyright (℗) by:
- Atlantic Records UK Ltd (in 2015)
- recorded at:
- Metropolis in London , England, United Kingdom, RAK Studios in London , England, United Kingdom and The Estate in London , England, United Kingdom
- engineered at:
- RAK Studios in London , England, United Kingdom
- recording of:
- Hold My Hand
- writer:
- Jess Glynne, Jin Jin , Jack Patterson and Ina Wroldsen
- publisher:
- Black Butter Music Publishing Ltd, EMI Blackwood Music Inc., EMI Music Publishing Ltd. , Reverb America Music, Reverb Music Ltd., Universal Music Publishing Ltd. and Universal–Songs of PolyGram International, Inc.
| Jess Glynne | 3.65 | 3:47 |
| 5 | Bad Day | Daniel Powter | 3.15 | 3:55 |
| 6 | I’m Yours | Jason Mraz | 3.7 | 4:02 |
| 7 | Black Velvet | Alannah Myles | 4.5 | 4:47 |
| 8 | Skinny Love | Birdy | 3.55 | 3:21 |
| 9 | Gold | Spandau Ballet | 3.5 | 3:51 |
| 10 | Rio | Duran Duran | 4 | 5:15 |
| 11 | Wuthering Heights | Kate Bush | | 3:26 |
| 12 | The Best- engineer:
- Chris Lord‐Alge
- producer:
- Dan Hartman and Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1989)
- edit of:
- The Best by Tina Turner
- music videos:
- The Best by Tina Turner
- cover recording of:
- The Best
- writer:
- Holly Knight and Michael Chapman
- publisher:
- EMI Music , Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd.
- recording of:
- The Best
- writer:
- Holly Knight and Michael Chapman
- publisher:
- EMI Music , Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd.
| Tina Turner | 3.9 | 4:09 |
| 13 | You Sexy Thing | Hot Chocolate | | 4:04 |
| 14 | Got Your Money | Ol’ Dirty Bastard feat. Kelis | 4.55 | 4:01 |
| 15 | Get Ur Freak On | Missy Elliott | 3.65 | 3:57 |
| 16 | Boom Clap | Charli XCX | 2.9 | 2:50 |
| 17 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 2:59 |
| 18 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:27 |
| 19 | My Girl | Otis Redding | 3.8 | 2:55 |
| 20 | Soul Man- recorded in:
- Memphis, Tennessee, United States (on 1967-08-10)
- producer:
- Isaac Hayes, David Porter and Jim Stewart
- instruments:
- Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
- lead vocals:
- Sam Moore (in 1967) and David Prater (in 1967)
- phonographic copyright (℗) by:
- HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 458)
- recording of:
- Soul Man (on 1967-08-10)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Sam & Dave | 4.5 | 2:37 |
| 21 | I’m a Believer- recorded in:
- New York, New York, United States (from 1966-10-15 until 1966-10-23)
- producer:
- Jeff Barry
- acoustic guitar:
- Neil Diamond (from 1966-10-15 until 1966-10-23)
- bass:
- Dick Romoff (from 1966-10-15 until 1966-10-23)
- drums (drum set):
- Buddy Salzman (from 1966-10-15 until 1966-10-23)
- guitar:
- Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
- organ:
- Artie Butler (from 1966-10-15 until 1966-10-23)
- piano and tambourine:
- Jeff Barry (from 1966-10-15 until 1966-10-23)
- background vocals:
- Davy Jones (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
- background vocals and lead vocals:
- Micky Dolenz (from 1966-10-15 until 1966-10-23)
- arranger:
- Jeff Barry
- phonographic copyright (℗) by:
- Rhino Entertainment Company (in 1966) and WEA International Inc. (in 1966, in 1967)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
- cover recording of:
- I’m a Believer (from 1966-10-15 until 1966-10-23)
- lyricist and composer:
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
- recording of:
- I’m a Believer
- lyricist and composer:
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
| The Monkees | 4.65 | 2:46 |
| 22 | Can’t Get You Out of My Head- drum machine programming:
- Rob Davis
- engineer and mixer:
- Tim Orford
- producer:
- Rob Davis and Cathy Dennis
- electric guitar and keyboard:
- Rob Davis
- background vocals and lead vocals:
- Kylie Minogue
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2001) and KDB Pty Limited (in 2001)
- produced for:
- 19 Productions
- music videos:
- Can’t Get You Out of My Head by Kylie Minogue
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 27), Billboard Year-End Hot 100 singles of 2002 (number: 45) and Billboard: The 500 Best Pop Songs (number: 207)
- recording of:
- Can’t Get You Out of My Head
- lyricist:
- Cathy Dennis
- composer:
- Rob Davis
- publisher:
- Colgems-EMI Music Inc., EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , Toxic Songs Ltd., Universal Music , Universal‐MCA Music Publishing , Universal/MCA Music Limited , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Kylie Minogue | 3.95 | 3:51 |
| 23 | Crazy | Gnarls Barkley | 4.2 | 2:57 |
| 24 | Kiss Me | Sixpence None the Richer | 3.6 | 3:19 |
| 25 | Walking in Memphis | Marc Cohn | 3.9 | 4:16 |
| 26 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott “Abada” Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd. , Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Warner Chappell Music , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.95 | 5:00 |
| 27 | Take On Me | a‐ha | 4.4 | 3:46 |
| 28 | She Drives Me Crazy | Fine Young Cannibals | 4 | 3:35 |
| 29 | Blue Monday ’88 | New Order | 4 | 4:05 |
| 30 | Believe | Cher | 3.8 | 3:59 |
| 31 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London , England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing , Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 4.1 | 3:26 |
| 32 | Don’t Leave Me This Way | The Communards with Sarah Jane Morris | 3 | 4:51 |
| 33 | Smalltown Boy- recording of:
- Smalltown Boy
- writer:
- Steve Bronski, Jimmy Somerville and Larry Steinbachek
- publisher:
- BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. , Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. , Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- Gotcha!
| Bronski Beat | | 3:55 |
| 34 | Too Shy | Kajagoogoo | 3.55 | 3:45 |
| 35 | Lean on Me- cover recording of:
- Lean on Me
- lyricist and composer:
- Bill Withers
- publisher:
- Copyright Control , EMI Music Publishing , EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , EMI Songs Ltd., Interior Music , Interior Music Corp., Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Club Nouveau | | 5:49 |
| 36 | Make Me Smile (Come Up and See Me) | Steve Harley & Cockney Rebel | 4 | 3:57 |
| 37 | We Are Family | Sister Sledge | 4 | 3:37 |
| 38 | Disco Inferno | The Trammps | 5 | 3:34 |
| 39 | Working My Way Back to You | The Spinners | 5 | 4:03 |
| 40 | That’s the Way (I Like It) | KC and the Sunshine Band | 4.3 | 3:05 |
| 41 | Mustang Sally- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-10-13)
- engineer:
- Tom Dowd and Rick Hall
- producer:
- Rick Hall and Jerry Wexler
- drums (drum set):
- Roger Hawkins (from 1966-10-13 until 1966-10-14)
- electric bass guitar [electric bass]:
- Tommy Cogbill (from 1966-10-13 until 1966-10-14)
- guitar:
- Jimmy Johnson (from 1966-10-13 until 1966-10-14)
- guitar [lead guitar]:
- Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
- keyboard [piano, organ]:
- Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
- tenor saxophone:
- Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
- trumpet:
- Gene “Bowlegs” Miller (from 1966-10-13 until 1966-10-14)
- vocals:
- Wilson Pickett (from 1966-10-13 until 1966-10-14)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 434)
- cover recording of:
- Mustang Sally (from 1966-10-13 until 1966-10-14)
- lyricist and composer:
- Sir Mack Rice
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
| Wilson Pickett | 4 | 3:02 |
| 42 | Everybody Needs Somebody to Love | Solomon Burke | 5 | 2:46 |
| 43 | When a Man Loves a Woman- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis, Percy Sledge and Andrew Wright
- publisher:
- Mijac Music, Warner Bros. Music Ltd. , Warner Chappell, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:50 |
| 44 | Under the Boardwalk | The Drifters | 4.35 | 2:38 |
| 45 | I Say a Little Prayer- recording engineer:
- Tom Dowd (on 1968-04-17)
- producer:
- Jerry Wexler
- bass:
- Jerry Jemmott (on 1968-04-17)
- drums (drum set):
- Roger Hawkins (on 1968-04-17)
- guitar:
- Tommy Cogbill (on 1968-04-17)
- piano and lead vocals:
- Aretha Franklin (on 1968-04-17)
- background vocals:
- The Sweet Inspirations (on 1968-04-17)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Warner Music UK Ltd. , Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
- cover recording of:
- I Say a Little Prayer (on 1968-04-17)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. and Windswept Pacific Music Ltd.
- part of:
- Baby It’s You!
| Aretha Franklin | 4.35 | 3:32 |
| 46 | December, 1963 (Oh What a Night!) | Frankie Valli & The Four Seasons | | 3:17 |
| 47 | The House of the Rising Sun | The Animals | 4.2 | 4:30 |
| 48 | He Ain’t Heavy He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 3.85 | 4:19 |
| 49 | Hi Ho Silver Lining | Jeff Beck | 2 | 2:56 |
| 50 | Over and Over | Hot Chip | 4 | 5:48 |
| 51 | Unbelievable | EMF | 3.65 | 3:30 |
| 52 | Airplanes- recording engineer:
- Paul Bailey and Mike Wilson
- co-producer:
- Frank E.
- producer:
- Alex da Kid
- assistant mixer:
- Erik Madrid and Christian Plata
- mixer:
- Manny Marroquin
- additional guitar [guitars]:
- J Browz and Josh Lopez
- additional vocals:
- Hayley Williams
- lead vocals:
- B.o.B
- produced for:
- Wonderland Music, LLC
- miscellaneous support:
- Veers Music (task: additional guitars for)
- recorded at:
- Paramount Studios in Hollywood, Los Angeles, California, United States and Patchwerk Studios in Atlanta, Georgia, United States
- mixed at:
- Larrabee North in North Hollywood, Los Angeles, California, United States
- music videos:
- Airplanes by B.o.B feat. Hayley Williams of Paramore
- part of:
- Billboard Year-End Hot 100 singles of 2010 (number: 6)
- recording of:
- Airplanes
- publisher:
- J. Franks , Kinetics and One Love
- writer:
- Alex Grant , Bobby Simmons Jr. , Jeremy Dussolliet , Justin Franks and Tim Sommers
- publisher:
- Artist Publishing Group West, Ham Squad Music, Shady Music Publishing, LLC , Songs of Universal, Inc. and WB Music Corp.
| B.o.B feat. Hayley Williams of Paramore | 4.45 | 3:00 |
| 53 | It’s Alright | East 17 | 3 | 4:39 |
| 54 | Alright | Supergrass | 3.7 | 3:01 |
| 55 | Mountains | Biffy Clyro | 3.25 | 3:21 |
| 56 | Blitzkrieg Bop | Ramones | 4.55 | 2:13 |
| 57 | Come on Over | Royal Blood | 4.5 | 2:52 |
| 58 | I Believe in a Thing Called Love | The Darkness | 4.1 | 3:36 |
| 59 | Love Will Tear Us Apart- producer:
- Joy Division and Martin Hannett
- bass:
- Peter Hook
- drums (drum set):
- Stephen Morris
- guitar:
- Bernard Albrecht
- vocals:
- Bernard Albrecht and Ian Curtis
- phonographic copyright (℗) by:
- Factory Communications Ltd. (in 1988)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1989 (All-time)), triple j’s Hottest 100 (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 179)
- recording of:
- Love Will Tear Us Apart
- lyricist:
- Ian Curtis
- composer:
- Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Fractured Music and Zomba Music Publishers Ltd.
| Joy Division | 4.5 | 3:25 |
| 60 | Never Ever | All Saints | 3.65 | 3:53 |
| 61 | Bonfire Heart | James Blunt | 2 | 3:58 |
| 62 | Somewhere Only We Know | Lily Allen | 4 | 3:28 |
| 63 | Laura | Bat for Lashes | 3.9 | 4:26 |
| 64 | A Thousand Years (radio edit) | Christina Perri | 3.2 | 4:00 |
| 65 | Please Don’t Say You Love Me | Gabrielle Aplin | 4.5 | 3:01 |
| 66 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.05 | 3:47 |
| 67 | The Boy Is Mine (radio edit with intro) | Brandy with Monica | 3.5 | 4:54 |
| 68 | Walk | Kwabs | | 3:34 |
| 69 | Vienna- producer:
- Conny Plank and Ultravox
- bass:
- Chris Cross (in 1980-04)
- drums (drum set):
- Warren Cann (in 1980-04)
- guitar:
- Midge Ure (in 1980-04)
- keyboard and violin:
- Billy Currie (in 1980-04)
- vocals:
- Midge Ure (in 1980-04)
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1981, in 2025)
- recorded at:
- RAK Studios in London , England, United Kingdom (in 1980-04)
- mixed at:
- Conny’s Studio in Neunkirchen, Nordrhein-Westfalen , Germany (in 1980-05)
- edit of:
- Vienna by Ultravox
- music videos:
- Vienna by Ultravox and Vienna (uncut) by Ultravox
- recording of:
- Vienna (in 1980-04)
- writer:
- Warren Cann, Chris Cross , Billy Currie and Midge Ure
- publisher:
- Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. , Sing Sing Songs Ltd. and Universal Music Publishing Ltd.
| Ultravox | 3.35 | 4:38 |
| 70 | Love Again (clean Bandit remix) | Rae Morris | | 3:03 |
| 71 | Forget You | CeeLo Green | 3.35 | 3:43 |
| 72 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
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