Greatest Hits of the 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Each CD in this 8-disc set is in a cardboard sleeve and these are within a stout card box.

Anmerkung zuletzt geändert am 2018-08-01 07:04 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1One Step Beyond
Produzent(in):
Clive Langer & Alan Winstanley
baritone saxophone und Tenorsaxophon:
Lee “Kix” Thompson (Madness)
Bassgitarre:
Mark Bedford
Gitarre:
Chris Foreman (UK musician, aka “Chrissy Boy”)
Keyboard:
Mike Barson
Schlagzeug und Perkussion:
Daniel Woodgate
Hintergrundgesang:
Chas Smash
vocals:
Suggs und Lee “Kix” Thompson (Madness)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1979)
cover recording of:
One Step Beyond…
Texter und Komponist(in):
Cecil Bustamente Campbell
publisher:
Melodisc Music Ltd.
Madness4.52:23
2Denis
Techniker(in):
Rob Freeman (engineer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bassgitarre:
Frank Infante (von 1977-06 bis 1977-07) und Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [lead guitar] und Vibraphon:
Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [rhythm guitar]:
Frank Infante (von 1977-06 bis 1977-07)
Farfisa-Orgel, Flügel, Saiteninstrumente, Synthesizer [Polymoog] und Synthesizer [Roland]:
Jimmy Destri (von 1977-06 bis 1977-07)
Schlagzeug:
Clem Burke (von 1977-06 bis 1977-07)
Hintergrundgesang:
Clem Burke (von 1977-06 bis 1977-07) und Jimmy Destri (von 1977-06 bis 1977-07)
Sologesang:
Deborah Harry (von 1977-06 bis 1977-07)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1977-06 bis 1977-07)
cover recording of:
Denise (von 1977-06 bis 1977-07)
Texter und Komponist(in):
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. und Taking Care of Business Music Inc. (BMI)
Blondie3.552:18
3Ready Steady Go
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
Bassgitarre:
Tony James (UK bassist/guitarist)
Gitarre:
Bob Derwood Andrews
Schlagzeug:
Mark Laff
Sologesang:
Billy Idol (English rock singer‐songwriter)
Bearbeitung von:
Ready Steady Go (Phil Wainman version) von Generation X (English post‐punk band aka “Gen X”)
recording of:
Ready Steady Go
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Generation X52:59
4No More Heroes
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1977-07)
recording of:
No More Heroes (in 1977-07)
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:29
5The Sound of the Suburbs
recording of:
The Sound of the Suburbs
Texter:
Jean-Marie Carroll und Nicky Tesco
Komponist(in):
Jean-Marie Carroll
The Members3:55
6God Save the Queen
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Bill Price (UK producer/engineer) und Chris Thomas (UK record producer / remixer)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (in 1977-03)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 21), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 173) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 365)
recording of:
God Save the Queen
Verfasser(in):
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) und Glen Matlock (bass guitarist of the Sex Pistols)
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
Sex Pistols4.43:19
7Death Disco
recording of:
Death Disco
Texter:
John Lydon (Johnny Rotten of the Sex Pistols)
Komponist(in):
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) und Jim Walker (PIL member)
publisher:
BMG Ariola Belgium, EMI/Virgin Music Publishing Ltd., Universal Songs (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.4:06
8Ever Fallen in Love (With Someone You Shouldn’t’ve)
Techniker(in):
Doug Bennett (producer, engineer) und Martin Rushent
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1989)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:42
9On My Radio
recording of:
On My Radio
Texter und Komponist(in):
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter4.23:09
10A Message to Rudy
Produzent(in):
Elvis Costello
Gast-Posaune:
Rico Rodriguez (Jamaican trombonist)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 132)
cover recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
The Specials42:55
11Don’t Look Back (You’ve Gotta Walk)
cover recording of:
Don’t Look Back
Verfasser(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Peter Tosh3:44
12My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:02
13Tomorrow Night
recording of:
Tomorrow Night
Texter und Komponist(in):
Vincent Crane
publisher:
Onward Music Ltd. und Westminster Music Ltd.
Atomic Rooster3:58
14Showdown
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass und Hintergrundgesang:
Michael d’Albuquerque (in 1973-04)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) und Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
Geige / Violine:
Wilfred Gibson (UK violinist) (in 1973-04)
Gitarre und Sologesang:
Jeff Lynne (in 1973-04)
Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1973-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-04)
recording of:
Showdown (in 1973-04)
geschrieben in:
Birmingham, West Midlands, England, Vereinigtes Königreich
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.44:10
15Frozen Years
The Rumour3:31
16Man from Manhattan
Produzent(in):
Freddie Mercury
Akustikgitarre und Sologesang:
Eddie Howell
Bassgitarre und E-Bass:
Jerome Rimson
E-Gitarre und Gitarre:
Brian May (Queen guitarist)
Klavier:
Freddie Mercury
Schlagzeug:
Barry De Souza
Hintergrundgesang:
Brian May (Queen guitarist) und Freddie Mercury
vocals:
Eddie Howell
recording of:
The Man From Manhattan
Texter und Komponist(in):
Eddie Howell
Eddie Howell3:21
17Big Shot Momentarily
Produzent(in):
Bob Andrews (keyboardist and producer) und Jona Lewie
recording of:
Big Shot Momentarily
Texter und Komponist(in):
Jona Lewie
publisher:
Street Music Ltd. (in 1980)
Jona Lewie2:57
18Blue Peter
arranger:
Mike Oldfield
recording of:
Blue Peter (theme for the children's show 01-1979 to 06-1989)
Komponist(in):
Mike Oldfield
Arrangement von:
Barnacle Bill (original hornpipe)
cover recording of:
Blue Peter (theme for the children's show 01-1979 to 06-1989)
Komponist(in):
Mike Oldfield
Arrangement von:
Barnacle Bill (original hornpipe)
Mike Oldfield2:07
2▼CD
Nr.TitelKünstlerBewertungLänge
1Love Is the Drug
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
Texter:
Bryan Ferry
Komponist(in):
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs und E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:09
2Spanish Stroll
Bass:
Rubén Sigüenza
Gitarre:
Willy DeVille und Louis X. Erlanger
Klavier:
Bobby Leonards
membranophone:
Thomas R. "Manfred" Allen, Jr.
Sologesang:
Willy DeVille
phonographisches Urheberrecht (℗) von:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
Texter und Komponist(in):
Willy DeVille
Mink DeVille53:36
3Dyna-Mite
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dyna-Mite
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud52:58
4Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:04
5Airport
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 19)
recording of:
Airport
Verfasser(in):
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Island Music Ltd. (vom 1978 bis heute)
The Motors3.354:30
6Movie Star
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1976)
recording of:
Movie Star
Texter und Komponist(in):
Harpo (Swedish pop singer) (in 1975)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. und Warner/Chappell Music Scandinavia AB
Harpo53:24
7Jeans On
phonographisches Urheberrecht (℗) von:
Air (UK record company and label, related to Air Studios) (in 1976) und Chrysalis Copyrights Ltd. (in 1976)
recording of:
Jeans On (in 1976)
Verfasser(in):
David Dundas und Roger Greenaway
publisher:
Mushroom Music Pty. Ltd. und Air Edel Associates Ltd. (vom 1976 bis heute)
David Dundas3:18
8Whodunit
recording of:
Whodunit
Verfasser(in):
Freddie Perren und Keni St. Lewis
Tavares3.53:36
9Greased Lightnin’
Produzent(in):
Louis St. Louis (American songwriter, music arranger and singer)
Mix:
David J. Holman
Saxophon:
Ray Pizzi
Sologesang:
John Travolta (American actor and singer)
zusätzlich vocals:
Jeff Conaway (actor)
Horn arranger und Saiteninstrumente arranger:
Michael Melvoin
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (vom 1978 bis heute) und RSO Records (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Greased Lightnin’ (Grease, 1971 musical)
Verfasser(in):
Warren Casey und Jim Jacobs
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (vom 1978 bis heute)
Teil von:
Grease (1971 musical)
John Travolta4.653:16
10Roll Over Beethoven
cover recording of:
Roll Over Beethoven
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Electric Light Orchestra6:44
11Pick Up the Pieces
Produzent(in):
Arif Mardin
Horn arranger:
Roger Ball
arranger:
AWB
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
Verfasser(in):
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. und Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band3.94:01
12Do It
recording of:
Do It (’Til You’re Satisfied)
Verfasser(in):
Billy Nichols (US soul/disco singer/songwriter)
publisher:
Bravo and Encore Music und Music in Three
B.T. Express2:53
13Freedom Come, Freedom Go
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971)
recording of:
Freedom Come, Freedom Go
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) und Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und PolyGram Music Publishing
The Fortunes3:17
14Donna
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Akustikgitarre, Bass, E-Gitarre, Resonatorgitarre [dobro] und Tamburin:
Graham Gouldman (in 1972-05)
Moog, Akustikgitarre, E-Gitarre, Hybrid-Piano, Flügel, mellotron und Perkussion:
Lol Creme (in 1972-05)
Moog, E-Gitarre und Slide-Gitarre:
Eric Stewart (in 1972-05)
Perkussion und Schlagzeug:
Kevin Godley (in 1972-05)
vocals:
Lol Creme (in 1972-05), Kevin Godley (in 1972-05), Graham Gouldman (in 1972-05) und Eric Stewart (in 1972-05)
phonographisches Urheberrecht (℗) von:
Strawberry Productions (copyright holder for 10cc) (in 1973) und Jonathan King Enterprises Ltd. (in 2007)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1972-05)
recording of:
Donna (in 1972-05)
Verfasser(in):
Lol Creme und Kevin Godley
publisher:
St. Anne’s Music Ltd. (in 1973)
10cc3.852:55
15Sugar Candy Kisses
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1975)
recording of:
Sugar Candy Kisses
Verfasser(in):
Wayne Bickerton und Tony Waddington
publisher:
Music for Africa (South Africa)
Mac & Katie Kissoon3:18
16I’m the Leader of the Gang
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1973), Snapper Music (in 1973) und Snapper Music plc (parent company of Snapper Music) (in 1973)
recording of:
I’m the Leader of the Gang (I Am!) (in 1973)
Komponist(in):
Gary Glitter und Mike Leander
publisher:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:29
17Brother Louie
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) und RAK Records Ltd. (in 1973)
recording of:
Brother Louie
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music und RAK Publishing Ltd.
Hot Chocolate54:59
18Be Good to Yourself
cover recording of:
Be Good to Yourself
Texter und Komponist(in):
Andy Fraser (English bassist, member of Free)
Frankie Miller3:01
3▼CD
Nr.TitelKünstlerBewertungLänge
1Child in Time
Techniker(in):
Andy Knight (UK engineer)
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (von 1969-10 bis 1970-04)
E-Gitarre:
Ritchie Blackmore (von 1969-10 bis 1970-04)
Hammond-Orgel:
Jon Lord (von 1969-10 bis 1970-04)
Schlagzeug:
Ian Paice (von 1969-10 bis 1970-04)
Sologesang:
Ian Gillan (von 1969-10 bis 1970-04)
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd. (in 1995)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1969-10 bis 1970-04)
Teil von:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 4), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2018 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2021 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 3) und SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 3)
recording of:
Child in Time (von 1969-10 bis 1970-04)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (bis 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Bombay Calling
Deep Purple4.510:15
2Dance with the Devil
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dance With the Devil
Komponist(in):
Phil Dennys und Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:24
3Long Cool Woman in a Black Dress
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies4.153:16
4Radar Love
recording engineer:
Pieter Nieboer
leitende(r) Produzent(in):
Fred Haayen
Produzent(in):
Golden Earring
Mix:
Damon Lyon-Shaw
Akustikgitarre und E-Gitarre:
George Kooymans
E-Bass und Keyboard:
Rinus Gerritsen (bass player)
Perkussion und Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
Slide-Gitarre:
Eelco Gelling
vocals:
Barry Hay und George Kooymans
arranger:
Golden Earring
phonographisches Urheberrecht (℗) von:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) und Geffen Records (in 1974)
produced for:
Red Bullet Productions
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.36:23
5Silver Machine
Produzent(in):
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) und Hawkwind
Bassgitarre und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (am 1972-02-13)
flute und Saxophon:
Nik Turner (am 1972-02-13)
Gitarre:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13)
Schlagzeug:
Simon King (drummer) (am 1972-02-13)
Synthesizer:
Dik Mik Davies (am 1972-02-13) und Del Dettmar (am 1972-02-13)
zusätzlich Bassgitarre und zusätzlich Gitarre:
Guy Pratt (am 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (am 1972-02-13) und Nik Turner (am 1972-02-13)
remixer:
The Scourge of the Earth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
Bearbeitung von:
Silver Machine (12″ mix) von Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (am 1972-02-13)
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
recording of:
Silver Machine
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
Hawkwind3.654:38
6Milk and Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.22:37
7Motor Bikin’
Techniker(in):
Douglas Hopkins (engineer)
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
Motor Bikin’
Texter und Komponist(in):
Chris Spedding
Chris Spedding3.352:37
82-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:17
9Rubber Bullets
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Akustikgitarre, Bass, E-Gitarre, Resonatorgitarre [dobro] und Tamburin:
Graham Gouldman (in 1972)
Moog, Akustikgitarre, E-Gitarre, Hybrid-Piano, Flügel, mellotron und Perkussion:
Lol Creme (in 1972)
Moog, E-Gitarre und Slide-Gitarre:
Eric Stewart (in 1972)
Perkussion und Schlagzeug:
Kevin Godley (in 1972)
vocals:
Lol Creme (in 1972), Kevin Godley (in 1972), Graham Gouldman (in 1972) und Eric Stewart (in 1972)
phonographisches Urheberrecht (℗) von:
Strawberry Productions (copyright holder for 10cc) (in 1973) und Jonathan King Enterprises Ltd. (in 2007)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1972)
recording of:
Rubber Bullets (in 1972)
Verfasser(in):
Lol Creme, Kevin Godley und Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1973)
10cc4.655:17
10Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:58
11Your Generation
Produzent(in):
Phil Wainman
Bassgitarre:
Tony James (UK bassist/guitarist)
Gitarre:
Bob Derwood Andrews
Schlagzeug:
Mark Laff
Sologesang:
Billy Idol (English rock singer‐songwriter)
recording of:
Your Generation
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
Generation X53:15
12Isn’t It Time
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
Verfasser(in):
Jack Conrad (producer and songwriter) und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. und X‐Ray Music
The Babys44:02
13Peaches
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
assistierende(r) Mix:
Benny King (engineer)
Mix:
Doug Bennett (producer, engineer)
Bassgitarre:
Jean‐Jacques Burnel (von 1976-12-20 bis 1977-01-28)
Gitarre und Sologesang:
Hugh Cornwell (English rock musician) (von 1976-12-20 bis 1977-01-28)
Keyboard:
Dave Greenfield (von 1976-12-20 bis 1977-01-28)
Schlagzeug:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (von 1976-12-20 bis 1977-01-28)
Herausgeber:
EMI April Music Inc.
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1976-12-20 bis 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1977-01 bis 1977-02)
recording of:
Peaches (von 1976-12-20 bis 1977-01-28)
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton und Universal Music Publishing MGB Ltd.
The Stranglers4.154:06
14Pretty Vacant
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Bill Price (UK producer/engineer) und Chris Thomas (UK record producer / remixer)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (in 1977-03)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 34)
live recording of:
Pretty Vacant
Verfasser(in):
Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols), Glen Matlock (bass guitarist of the Sex Pistols) und Paul Thomas Cook (drummer for the Sex Pistols)
publisher:
A Thousand Miles Long, Inc., Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
Sex Pistols3.83:17
15This Perfect Day
recording of:
This Perfect Day
Texter und Komponist(in):
Chris Bailey (Irish punk vocalist, member of The Saints) und Ed Kuepper
Saiteninstrumente arranger:
Steve Hitchcock
The Saints3.52:11
16Cotton Fields
cover recording of:
Cotton Fields
Texter und Komponist(in):
Huddie William Ledbetter
The Beach Boys3:01
17Here Comes the Sun
Produzent(in):
Steve Harley
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
cover recording of:
Here Comes the Sun
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Teil von:
Reprise
Steve Harley & Cockney Rebel3.652:59
18Tubular Bells
teilweise recording of:
Tubular Bells, Part One
Komponist(in):
Mike Oldfield
Mike Oldfield4:18
4▼CD
Nr.TitelKünstlerBewertungLänge
1The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.64:05
2Don’t Throw It All Away
Gary Benson3:21
3When You’re in Love With a Beautiful Woman
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:53
4Please Don’t Go
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs und EMI Songs Ltd.
KC and the Sunshine Band43:50
5Loving You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:23
6Tired of Toein’ the Line
recording of:
Tired of Toein’ the Line
Verfasser(in):
Rocky Burnette und Ronald Donavon Coleman
publisher:
Cheshire Music Inc., NFC, Onward Music Ltd. und キュー・ミュージック・ジャパン (Q Music Japan)
Rocky Burnette4.53:42
7Dancing in the City
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:38
8Norma Jean Wants to Be a Movie Star
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974)
recording of:
Norma Jean Wants to Be a Movie Star
Texter und Komponist(in):
J.C. Cunningham (American songwriter)
Cunningham23:38
9If You Can’t Give Me Love
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980) und RAK Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
If You Can’t Give Me Love (in 1980)
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. und Universal Music–MGB Songs
Suzi Quatro4.53:52
10Hot Child in the City
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1976, in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 22)
recording of:
Hot Child in the City
Verfasser(in):
Nick Gilder und Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
publisher:
Beechwood Music Canada und Beechwood Music Corp.
Nick Gilder53:08
11The Wall Street Shuffle
Produzent(in):
10cc
Akustikgitarre, Bassgitarre, E-Gitarre und Perkussion und Bassgitarre, Gitarre und Perkussion:
Graham Gouldman (in 1974)
E-Gitarre und Gitarre und Gitarre, Keyboard und Perkussion:
Lol Creme (in 1974)
Gitarre und Keyboard, Hybrid-Piano, Flügel, Gitarre, mellotron und Orgel und Sologesang:
Eric Stewart (in 1974)
Schlagzeug und Perkussion:
Kevin Godley (in 1974)
vocals:
Lol Creme (in 1974), Kevin Godley (in 1974), Graham Gouldman (in 1974) und Eric Stewart (in 1974)
phonographisches Urheberrecht (℗) von:
Jonathan King Enterprises (in 2007)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
recording of:
The Wall Street Shuffle (in 1974)
Verfasser(in):
Graham Gouldman und Eric Stewart
10cc3.73:52
12Popcorn
phonographisches Urheberrecht (℗) von:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
Komponist(in):
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:33
13Paloma Blanca
phonographisches Urheberrecht (℗) von:
EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection32:48
14Lay Your Love on Me
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) und RAK (in 1979)
recording of:
Lay Your Love on Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music und Universal Music Publishing MGB Australia
Racey3:13
15Mexico
recording of:
Mexico
Texter und Komponist(in):
Jimmy Driftwood und Les Humphries
publisher:
Edition Opry Rose und Goldy-Musikverlag Hans Sikorski GmbH
Version von:
The Battle of New Orleans
Les Humphries Singers4:05
16Darlin’
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:07
17If I Had Words
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 45)
cover recording of:
If I Had Words
Komponist(in):
Camille Saint‐Saëns (composer)
arranger:
Jonathan Hodge
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
basiert auf:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald & Yvonne Keeley23:51
18Don’t Let It Die
recording of:
Don’t Let It Die
Texter, Verfasser(in) und Komponist(in):
Hurricane Smith (UK producer/engineer, performed as Hurricane Smith)
Hurricane Smith2:36
5▼CD
Nr.TitelKünstlerBewertungLänge
1Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:12
2Tears of a Clown
Produzent(in):
Bob Sargeant
cover recording of:
The Tears of a Clown
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
The Beat32:42
3Babylon’s Burning
recording of:
Babylon’s Burning
Verfasser(in):
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen und Dave Ruffy
publisher:
Virgin Music (Publishers) Ltd.
The Ruts2:37
4Reconnez Cherie
recording of:
Reconnez Cherie
Texter und Komponist(in):
Eric Goulden
Wreckless Eric3:09
5Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:21
6Something Better Change
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1977-07)
recording of:
Something Better Change (in 1977-07)
Texter und Komponist(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., Complete Music Ltd. und Irving Music, Inc.
The Stranglers33:36
7Little Girl
Produzent(in):
T. Keating
Bass:
John Thomas
Gitarre:
Rick Mansworth und Pete Fresh (aka Pete Fresh)
membranophone:
Paul Sordid
vocals:
Rick Mansworth und Paul Sordid
cover recording of:
Little Girl (Syndicate of Sound)
Texter und Komponist(in):
Don Baskin und Bob Gonzalez
The Banned52:19
8Valley of the Dolls
recording of:
Valley of the Dolls
Verfasser(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
Generation X3:33
9Forget About You
Produzent(in):
Nick Garvey, Peter Ker (producer and songwriter) und Andy McMaster
recording of:
Forget About You
Verfasser(in):
Andy McMaster
publisher:
Island Music Ltd.
The Motors2:52
10Straw Dogs
recording of:
Straw Dogs
Texter:
Gordon Ogilvie (Irish journalist)
Komponist(in):
Stiff Little Fingers
Stiff Little Fingers3:30
11Judy Teen
recording of:
Judy Teen
Texter und Komponist(in):
Steve Harley
Steve Harley & Cockney Rebel53:41
12Cars
Techniker(in) und Mix:
Rikki Sylvan und Harvey Webb
Produzent(in):
Gary Numan
Bassgitarre:
Paul Gardiner
Keyboard:
Gary Numan und Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
Perkussion, Schlagzeug und Schlagzeug und Tamburin:
Cedric Sharpley
Perkussion [synthetic percussion]:
Gary Numan
Sologesang:
Gary Numan (in 1979)
phonographisches Urheberrecht (℗) von:
Beggars Banquet (, in 1979) und WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1979)
aufgenommen bei:
Marcus Recording Studios (London) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Cars von Gary Numan
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 11), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 16) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 93)
recording of:
Cars
Texter und Komponist(in):
Gary Numan
Verfasser(in):
Nick Hemming und Gary Numan
publisher:
Beggars Banquet Music Ltd. und Momentum Music Ltd.
Gary Numan4.23:48
13Tell Me Your Plans
The Shirts3:06
14Lucky Number
Produzent(in):
The Stateless (possibly Lene Lovich and Les Chappell)
Mix:
Roger Bechirian
Sologesang:
Lene Lovich
remixer:
Roger Bechirian
phonographisches Urheberrecht (℗) von:
Oval Records (in 1978) und Oval Sounds LLP (in 1979)
recording of:
Lucky Number
Verfasser(in):
Les Chappell und Lene Lovich
publisher:
Oval Music
Lene Lovich42:49
157 Teen
recording of:
7 Teen
Verfasser(in):
Martin Sheller (member of The Regents) und Damian Pew
publisher:
Tooti Frooti Ltd. (publisher) (in 1980)
The Regents3:23
16Public Image
Produzent(in):
Pil
recording of:
Public Image
Verfasser(in):
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) und Jim Walker (PIL member)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI/Virgin Music Publishing Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.4.652:56
17Homicide
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
recording of:
Homicide (999)
Verfasser(in):
Nick Cash (UK punk vocalist/guitarist for 999) und Guy Days
publisher:
R.L. August Music Co.
99953:44
18C’mon Everybody
cover recording of:
C’mon Everybody
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sex Pistols1:55
6▶CD
7▶CD
8▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Greatest Hits of the (Label: Disky) (Nummer: 70) (Reihenfolge: 3)
Discogs:https://www.discogs.com/master/478965 [Info]