Your Turn to Remember (The Definitive Anthology 1970 – 1990)

~ Release by Uriah Heep (see all versions of this release, 2 available)

Annotation

Copyright: © 2016 Sanctuary Records Group Ltd., a BMG Company

Annotation last modified on 2026-05-27 10:28 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Gypsy
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Gypsy (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4.156:39
2Come Away Melinda
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
cover recording of:
Come Away Melinda (from 1969 until 1970)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Harmony Music Ltd.
recording of:
Come Away Melinda
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Harmony Music Ltd.
33:49
3Bird of Prey
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Bird of Prey (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
34:15
4Lady in Black
recording engineer:
Peter Gallen (from 1969 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1969 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. and Sidney Bron Music (also spelled “Sydney”)
4.354:43
5Look at Yourself
producer:
Gerry Bron
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
percussion:
Loughty Amao, Teddy Osei and Mac Tontoh
vocals:
David Byron (in 1971-07)
additional performer:
Osibisa (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971, in 1986), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Look at Yourself (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.55:10
6July Morning
recording of:
July Morning
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:31
7Easy Livin'
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) and Umble Tunes Ltd.
4.252:37
8The Wizard
recording of:
The Wizard
writer:
Mark Clarke (Rock, UK) and Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
2:59
9Sunrise
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Sunrise (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:04
10Sweet Lorraine
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Sweet Lorraine (from 1972-09 until 1972-10)
writer:
Mick Box, David Byron and Gary Thain
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:15
11Stealin'
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar:
Gary Thain
guitar:
Mick Box and Ken Hensley
keyboard:
Ken Hensley
background vocals:
Ken Hensley and Lee Kerslake
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973), Castle Copyrights Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (from 1973-06 until 1973-07)
recording of:
Stealin’ (from 1973-06 until 1973-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
34:50
12Sweet Freedom
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar:
Gary Thain
guitar:
Mick Box and Ken Hensley
keyboard:
Ken Hensley
background vocals:
Ken Hensley and Lee Kerslake
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973), Castle Copyrights Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (from 1973-06 until 1973-07)
recording of:
Sweet Freedom (from 1973-06 until 1973-07)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
36:31
13The Shadows and the Wind (main)
recording engineer:
Peter Gallen (from 1974-01 until 1974-03)
engineer:
Hans Menzel
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar:
Gary Thain
guitar:
Mick Box and Ken Hensley
keyboard:
Ken Hensley
background vocals:
Ken Hensley and Lee Kerslake
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1974) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1974)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1974-01 until 1974-03)
recording of:
The Shadows and the Wind (from 1974-01 until 1974-03)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:29
14Suicidal Man
recording engineer:
Peter Gallen (from 1974-01 until 1974-03)
engineer:
Hans Menzel
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar:
Gary Thain
guitar:
Mick Box and Ken Hensley
keyboard:
Ken Hensley
background vocals:
Ken Hensley and Lee Kerslake
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1974) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1974)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1974-01 until 1974-03)
recording of:
Suicidal Man (from 1974-01 until 1974-03)
writer:
Mick Box, David Byron, Ken Hensley, Lee Kerslake and Gary Thain
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3:39
15Return to Fantasy
assistant engineer:
Dave Burns (engineer) and Dave Harris (Recording engineer at Morgan Studios, London)
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar and mellotron:
John Wetton
guitar:
Mick Box and Ken Hensley
keyboard and synthesizer:
Ken Hensley
background vocals:
Ken Hensley, Lee Kerslake and John Wetton
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1975), Castle Copyrights Ltd. (in 1975) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1975)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1975)
recording of:
Return to Fantasy (in 1975)
writer:
David Byron and Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
5:50
16Devil's Daughter
assistant engineer:
Dave Burns (engineer) and Dave Harris (Recording engineer at Morgan Studios, London)
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar and mellotron:
John Wetton
guitar:
Mick Box and Ken Hensley
keyboard and synthesizer:
Ken Hensley
background vocals:
Ken Hensley, Lee Kerslake and John Wetton
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1975) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1975)
recording of:
Devil’s Daughter (in 1975)
writer:
Mick Box, David Byron, Ken Hensley and Lee Kerslake
publisher:
A Tale of Two Ditties, EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
34:48
17Weep in Silence
assistant engineer:
John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1975, in 1976) and Castle Copyrights Ltd. (in 1976)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
Weep in Silence (from 1975-12 until 1976-03)
writer:
Ken Hensley and John Wetton
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., S. Bron Music Co. Ltd. and United Artists Music Ltd.
5:04
18Can't Keep a Good Band Down
assistant engineer:
John Gallen (UK music producer, recording & mix engineer.)
engineer:
Ashley Howe
producer:
Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
Can't Keep a Good Band Down (from 1975-12 until 1976-03)
writer:
Ken Hensley
publisher:
S. Bron Music Co. Ltd.
3:37
19Sympathy
assistant engineer:
John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1976-10 until 1976-11)
recording of:
Sympathy (from 1976-10 until 1976-11)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
44:43
20Firefly
assistant engineer:
John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1976-10 until 1976-11)
recording of:
Firefly (from 1976-10 until 1976-11)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
6:17
21Free 'n' Easy
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
assistant mixer:
Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
mixer:
Peter Gallen and Robert M. Corich (remastering engineer and record producer,) (from 1990 until 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1977-07 until 1977-09)
recording of:
Free ’n’ Easy (from 1977-07 until 1977-09)
writer:
Mick Box and John Lawton (British vocalist)
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Ltd. (PRS‐affiliated)
43:06
22Free Me
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
assistant mixer:
Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
mixer:
Peter Gallen and Robert M. Corich (remastering engineer and record producer,) (from 1990 until 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1977-07 until 1977-09)
recording of:
Free Me (from 1977-07 until 1977-09)
lyricist and composer:
Ken Hensley
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
23:33
23Woman of the Night
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Woman of the Night (from 1978-04 until 1978-08)
writer:
Mick Box, Lee Kerslake and John Lawton (British vocalist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:03
24Come Back to Me
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978), Castle Copyrights Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Come Back to Me (from 1978-04 until 1978-08)
writer:
Ken Hensley and Lee Kerslake
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), WB Music Corp. (1929–2019) and Umble Tunes Ltd. (in 1978)
54:19
25It Ain't Easy
assistant engineer:
Darren Burn (UK child pop singer), Julian Cooper (engineer), David Kemp (engineer) and Nick Rogers (engineer/mixing)
engineer:
John Gallen (UK music producer, recording & mix engineer.)
executive producer:
Gerry Bron
producer:
John Gallen (UK music producer, recording & mix engineer.) and Uriah Heep (British prog/hard rock)
lead vocals:
Trevor Bolder (British bassist) (in 1979)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1980) and Castle Copyrights Ltd. (in 1980)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (in 1979)
recording of:
It Ain’t Easy (in 1979)
lyricist and composer:
Trevor Bolder (British bassist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:40
26No Return
assistant engineer:
Darren Burn (UK child pop singer), Julian Cooper (engineer), David Kemp (engineer) and Nick Rogers (engineer/mixing)
engineer:
John Gallen (UK music producer, recording & mix engineer.)
executive producer:
Gerry Bron
producer:
John Gallen (UK music producer, recording & mix engineer.) and Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1980) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (in 1979)
recording of:
No Return (in 1979)
writer:
Trevor Bolder (British bassist), Mick Box and Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:57
27Too Scared to Run
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Too Scared to Run (from 1981-10 until 1981-12)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
Dinsdale Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music and Intersong Music Ltd.
33:50
28Chasing Shadows
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Chasing Shadows (from 1981-10 until 1981-12)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music and Intersong Music Ltd.
34:40
29Straight Through the Heart
producer:
Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1983)
recording of:
Straight Through the Heart (from 1983-01 until 1983-03)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd. and Intersong Music Ltd.
3:48
30The Other Side of Midnight
producer:
Ashley Howe
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1983) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1983)
recording of:
The Other Side of Midnight (from 1983-01 until 1983-03)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Artemis Music
3:58
31Rockarama
engineer and producer:
Tony Platt (UK engineer and producer)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1985-01-27 until 1985-02-04)
recording of:
Rockarama (from 1984-08-27 until 1985-01-26)
writer:
Trevor Bolder (British bassist), Mick Box, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
Imagem London Ltd., Strawstar and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
4:32
32Poor Little Rich Girl
engineer and producer:
Tony Platt (UK engineer and producer)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1985-01-27 until 1985-02-04)
recording of:
Poor Little Rich Girl (from 1984-08-27 until 1985-01-26)
writer:
Trevor Bolder (British bassist), Mick Box, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
Imagem London Ltd., Strawstar and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
6:29
33Voice on My TV
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
recording of:
Voice on My TV
writer:
Mick Box and Phil Lanzon
publisher:
Universal Music Publishing International MGB Ltd.
4:18