Acis and Galatea

~ Release by George Frideric Handel; Academy of St Martin in the Fields, Sir Neville Marriner (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Acis and Galatea, HWV 49: Symphony
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 1. Sinfonia
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel3:28
2Acis and Galatea, HWV 49: Act I: Oh, the Pleasure of the Plains
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!"
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel5:18
3Acis and Galatea, HWV 49: Act I: Ye Verdant Plains
producer:
Chris Hazell
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 3. Recitative "Ye verdant plains and woody mountains" (Galatea)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel0:58
4Acis and Galatea, HWV 49: Act I: Hush, Ye Pretty Warbling Quire!
producer:
Chris Hazell
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 4. Aria "Hush, ye pretty warbling quire!" (Galatea)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel6:15
5Acis and Galatea, HWV 49: Act I: Where Shall I Seek the Charming Fair?
producer:
Chris Hazell
tenor vocals [Acis]:
Robert Tear (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 5. Aria "Where shall I seek the charming fair?" (Acis)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel3:39
6Acis and Galatea, HWV 49: Act I: Stay, Shepherd, Stay!
producer:
Chris Hazell
tenor vocals [Damon]:
Philip Langridge (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 5a. Recitative "Stay, shepherd, stay!" (Damon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel0:20
7Acis and Galatea, HWV 49: Act I: Shepherd, What Art Thou Pursuing?
producer:
Chris Hazell
tenor vocals [Damon]:
Philip Langridge (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 6. Aria "Shepherd, what art thou pursuing?" (Damon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel4:40
8Acis and Galatea, HWV 49: Act I: Lo! Here My Love!
producer:
Chris Hazell
tenor vocals [Acis]:
Robert Tear (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 6a. Recitative: "Lo! Here my love!" (Acis)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel0:27
9Acis and Galatea, HWV 49: Act I: Love in Her Eyes Sits Playing
producer:
Chris Hazell
tenor vocals [Acis]:
Robert Tear (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 7. Aria "Love in her eyes sits playing" (Acis)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel5:55
10Acis and Galatea, HWV 49: Act I: Oh! Didst Thou Know the Pains
producer:
Chris Hazell
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 7a. Recitative "Oh! Didst thou know the pains of absent love" (Galatea)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel0:16
11Acis and Galatea, HWV 49: Act I: As When the Dove Laments her Love
producer:
Chris Hazell
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 8. Aria "As when the dove laments her love" (Galatea)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel6:07
12Acis and Galatea, HWV 49: Act I: Happy We!
producer:
Chris Hazell
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
tenor vocals [Acis]:
Robert Tear (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act I, no. 9a. Duet "Happy we" (Galatea, Acis)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
George Frideric Handel4:15
13Acis and Galatea, HWV 49: Act II: Wretched Lovers!
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!"
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:53
14Acis and Galatea, HWV 49: Act II: I Rage- I Melt- I Burn!
producer:
Chris Hazell
baritone vocals [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel1:41
15Acis and Galatea, HWV 49: Act II: O Ruddier Than the Cherry
producer:
Chris Hazell
baritone vocals [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:33
16Acis and Galatea, HWV 49: Act II: Whither, Fairest, Art Thou Running
producer:
Chris Hazell
baritone vocals [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 12a. Recitativo "Whither, fairest, art thou running" (Polyphemus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel1:24
17Acis and Galatea, HWV 49: Act II: Cease to Beauty to be Suing
producer:
Chris Hazell
baritone vocals [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 13. Aria "Cease to beauty to be suing" (Polyphemus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel6:15
18Acis and Galatea, HWV 49: Act II: Would You Gain the Tender Creature
producer:
Chris Hazell
tenor vocals [Damon]:
Philip Langridge (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 14. Aria "Would you gain the tender creature" (Damon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel5:18
19Acis and Galatea, HWV 49: Act II: His Hideous Love Provokes my Rage
producer:
Chris Hazell
tenor vocals [Acis]:
Robert Tear (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 14a. Recitativo "His hideous love provokes my rage" (Acis)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:26
20Acis and Galatea, HWV 49: Act II: Love Sounds Th'alarm
producer:
Chris Hazell
tenor vocals [Acis]:
Robert Tear (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 15. Aria "Love sounds th'alarm" (Acis)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel5:12
21Acis and Galatea, HWV 49: Act II: Consider, Fond Shepherd
producer:
Chris Hazell
tenor vocals [Damon]:
Philip Langridge (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel6:32
22Acis and Galatea, HWV 49: Act II: Cease, oh Cease, Thou Gentle Youth
producer:
Chris Hazell
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 16a. Recitativo "Cease, oh cease, thou gentle youth" (Galatea)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:32
23Acis and Galatea, HWV 49: Act II: The Flocks Shall Leave the Mountains
producer:
Chris Hazell
baritone vocals [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
tenor vocals [Acis]:
Robert Tear (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 17. Trio "The flocks shall leave the mountains" (Galatea, Acis, Polyphemus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel2:51
24Acis and Galatea, HWV 49: Act II: Help, Galatea! Help, Ye Parent Gods!
producer:
Chris Hazell
tenor vocals [Acis]:
Robert Tear (tenor) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 18. Recitativo "Help, Galatea!" (Acis)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel1:15
25Acis and Galatea, HWV 49: Act II: Mourn, All Ye Muses!
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!"
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:14
26Acis and Galatea, HWV 49: Act II: Must I My Acis Still Bemoan
producer:
Chris Hazell
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:17
27Acis and Galatea, HWV 49: Act II: 'Tis Done: Thus I Exert My Pow'r Divine
producer:
Chris Hazell
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 20c. Recitativo "'Tis done" (Galatea)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:28
28Acis and Galatea, HWV 49: Act II: Heart, the Seat of Soft Delight
producer:
Chris Hazell
soprano vocals [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 21. Aria "Heart, the seat of soft delight" (Galatea)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:39
29Acis and Galatea, HWV 49: Act II: Galatea, Dry Thy Tears
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
balance engineer:
Stanley Goodall (engineer) (in 1978-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears"
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:02
30Look Down Harmonious Saint, HWV 124: Recitative: Look Down, Look Down
producer:
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
orchestra:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
balance engineer:
Stanley Goodall (engineer) (in 1969-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-11)
partial recording of:
Look down, harmonious saint, HWV 124
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
librettist:
Newburgh Hamilton
premiered at:
Covent Garden Theatre (1732-1808) in London (Greater London), England, United Kingdom (in 1736-02)
part of:
Händel-Werke-Verzeichnis (number: HWV 124)
George Frideric Handel1:21
31Look Down Harmonious Saint, HWV 124: Aria: Sweet Accents all Your Numbers Grace
producer:
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
orchestra:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
balance engineer:
Stanley Goodall (engineer) (in 1969-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-11)
partial recording of:
Look down, harmonious saint, HWV 124
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
librettist:
Newburgh Hamilton
premiered at:
Covent Garden Theatre (1732-1808) in London (Greater London), England, United Kingdom (in 1736-02)
part of:
Händel-Werke-Verzeichnis (number: HWV 124)
George Frideric Handel10:06
32Meine Seele hört im Sehen, HWV 207
producer:
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
orchestra:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
balance engineer:
Stanley Goodall (engineer) (in 1969-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Meine Seele hört im Sehen, HWV 207
composer:
George Frideric Handel (German‐British baroque composer) (from 1724 until 1726)
librettist:
Barthold Heinrich Brockes (poet)
part of:
Händel-Werke-Verzeichnis (number: HWV 207)
part of:
Neun deutsche Arien, HWV 202-210
George Frideric Handel4:16
33Süsse Stille, sanfter Quelle, HWV 205
producer:
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
orchestra:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
balance engineer:
Stanley Goodall (engineer) (in 1969-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-11)
recording of:
Süsse Stille, sanfte Quelle ruhiger Gelassenheit, HWV 205
composer:
George Frideric Handel (German‐British baroque composer) (from 1724 until 1726)
librettist:
Barthold Heinrich Brockes (poet)
part of:
Händel-Werke-Verzeichnis (number: HWV 205)
George Frideric Handel3:54