Cantatas BWV 4 & BWV 131

~ Release by J.S. Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata BWV 4: Sinfonia
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:32
2Cantata BWV 4: Versus I
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:31
3Cantata BWV 4: Versus II
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach5:37
4Cantata BWV 4: Versus III
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
tenor vocals:
William Kendall (tenor) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:57
5Cantata BWV 4: Versus IV
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:58
6Cantata BWV 4: Versus V
bass vocals:
Stephen Varcoe (bass-baritone) (in 1980-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:27
7Cantata BWV 4: Versus VI
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
tenor vocals:
William Kendall (tenor) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:49
8Cantata BWV 4: Versus VII
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1980-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:19
9Cantata BWV 131: Sinfonia and chorus. Adagio - Vivace
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: I. Sinfonia und Chor „Aus der Tiefen rufe ich, Herr, zu dir“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach4:42
10Cantata BWV 131: Duet. Soprano and bass
bass vocals:
Stephen Varcoe (bass-baritone) (in 1980-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: II. Arioso (Bass) und Choral „So du willst, Herr, Sünde zurechnen“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:58
11Cantata BWV 131: Chorus. Adagio - Largo - Adagio
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: III. Chor „Ich harre des Herrn, meine Seele harret“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:03
12Cantata BWV 131: Duet. Alto and tenor
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
tenor vocals:
William Kendall (tenor) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: IV. Arie (Tenor) und Choral „Meine Seele wartet auf den Herrn“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach5:22
13Cantata BWV 131: Chorus
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1980-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1980-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1980-11)
balance engineer:
James Burnett (producer)
phonographic copyright (℗) by:
Sony Music Labels Inc. (record company established in 2014; rights and manufacturer use primarily, not an imprint) (in 1982)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1980-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: V. Chor „Israel hoffe auf den Herrn“ (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:48

Credits

Release

ASIN:UK: B000088DSX [info]