Even Worse

~ Release by “Weird Al” Yankovic (see all versions of this release, 10 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Fat
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Fat
lyricist:
Al Yankovic
composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
parody version of:
Bad
3.93:36
A2Stuck in a Closet With Vanna White
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Stuck in a Closet With Vanna White
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music and Sony/ATV Melody
35:00
A3(This Song’s Just) Six Words Long
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
(This Song’s Just) Six Words Long
lyricist:
Al Yankovic
composer:
Rudy Clark (US songwriter)
publisher:
Carbert Music Inc.
parody version of:
Got My Mind Set on You
3.753:35
A4You Make Me
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
You Make Me
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music and Holy Moley Music
2.53:04
A5I Think I’m a Clone Now
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
I Think I’m a Clone Now
lyricist:
Al Yankovic
composer:
Ritchie Cordell
publisher:
Abz Music, Ear Booker Music and EMI Longitude Music
parody version of:
I Think We’re Alone Now
2.653:17
B1Lasagna
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Lasagna
lyricist and arranger:
Al Yankovic
composer:
[traditional] (special purpose artist)
translated parody version of:
La bamba (additional lyrics by Ritchie Valens)
3.52:45
B2Melanie
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Melanie
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music and Sony/ATV Melody
2.653:57
B3Alimony
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Alimony
lyricist:
Al Yankovic
composer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Abz Music and EMI Longitude Music
parody version of:
Mony Mony
2.753:13
B4Velvet Elvis
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Velvet Elvis
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music and Sony/ATV Melody
3.354:25
B5Twister
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Twister
lyricist, composer and arranger:
Al Yankovic
publisher:
Ear Booker Music and Holy Moley Music
21:02
B6Good Old Days
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (US bassist, “Weird Al” collaborator)
guitar:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Good Old Days
lyricist and composer:
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music and Sony/ATV Melody
3.253:21

Credits

Release

manufactured by, distributed by and phonographic copyright (℗) by:CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
remastered versions:Even Worse