Party: 120 Original Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

℗ & © «2009 Parlophone Records Ltd, a Warner Music Group Company»

Annotazione modificata l'ultima volta il 2020-12-04 13:46 UTC.

Elenco tracce

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1Supporto digitale
#TitoloArtistaValutazioneDurata
1Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
registrazione di:
Glow
paroliere e compositore:
Gary Kemp
Spandau Ballet3.53:51
2Rio
produttore:
Colin Thurston
registrazione di:
Rio
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran45:15
3Don’t You Want Me (original version)
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:58
4Dancing With Tears in My Eyes
tecnico:
Rik Walton
produttore:
Ultravox
tecnico di missaggio:
John Hudson (producer, recording and mixing engineer) (il 1984-03-19)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1984, nel 2025)
registrata presso:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Regno Unito (il 1983-08-08)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito (il 1984-03-19)
video musicali:
Dancing With Tears in My Eyes di Ultravox
registrazione di:
Dancing With Tears in My Eyes (il 1983-08-08)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:04
5Temptation
produttore:
B.E.F. e Greg Walsh (producer and engineer)
registrazione di:
Temptation
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.54:37
6Sunday Girl
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1979)
registrazione di:
Sunday Girl (nel 1979)
paroliere e compositore:
Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc (nel 1978)
Blondie53:15
7Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.154:07
8Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
9Walking on Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl (Irish saxophonist)
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina & the Waves3.953:53
10Kids in America
tecnico di registrazione:
Jeo (dal 1980 al 1981)
programmazione:
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Bernhard Hahn (dal 1980 al 1981), Chris North (UK drummer of The Enid) (dal 1980 al 1981) e Tobias Wörner (dal 1980 al 1981)
chitarra :
Thomas Hahn (dal 1980 al 1981), Charlotte Hatherley (dal 1980 al 1981), Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981), Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981), Derek von Krogh (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
tastiera aggiunto:
Nick Priessnitz (dal 1980 al 1981)
voce:
Kim Wilde (dal 1980 al 1981)
voce di accompagnamento:
D. Janz (dal 1980 al 1981), M. Janz (dal 1980 al 1981), N. Janz (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce principale:
Charlotte Hatherley (dal 1980 al 1981) e Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1996, nel 2001), EMI France (nel 1993) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
Amira Studio (dal 1980 al 1981), RAK Studios in London (Greater London), England, Regno Unito (dal 1980 al 1981), Soundmastaz Studios (dal 1980 al 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germania (dal 1980 al 1981) e The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germania, RAK Studios in London (Greater London), England, Regno Unito e Studio 77 in Stuttgart, Baden-Württemberg, Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 55)
registrazione di:
Kids in America (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
editore:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Rickim Music Ltd.
Kim Wilde4.13:24
11We Close Our Eyes
produttore:
Gary Stevenson
remixer:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
We Close Our Eyes di Go West
registrazione di:
We Close Our Eyes
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
editore:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Go West3.23:42
12Echo Beach
assistente tecnico:
Laurence Diana
tecnico:
Richard Manwaring (Producer)
produttore:
Mike Howlett
diritti fonografici (℗) detenuti da:
Dindisc Ltd (nel 1980) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980, nel 2002)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (nel 1979-08)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 87)
registrazione di:
Echo Beach
paroliere e compositore:
Mark Gane
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (nel 1980)
Martha and the Muffins3.63:34
13Don’t You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
14And She Was
tecnico di registrazione e tecnico di missaggio:
Eric “E.T.” Thorngren
assistente tecnico:
Melanie West (engineer) (incarico: second engineer)
produttore:
Talking Heads
batteria :
Chris Frantz
chitarra :
David Byrne (Talking Heads) e Jerry Harrison (Talking Heads & producer)
chitarra basso e sintetizzatore basso [synth bass] :
Tina Weymouth
voce di accompagnamento:
Jerry Harrison (Talking Heads & producer) e Tina Weymouth
voce principale:
David Byrne (Talking Heads)
arrangiatore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1985) e Talking Heads Tours Inc. (nel 1985)
registrata presso e mixata presso:
Sigma Sound (New York) in New York, New York, Stati Uniti
video musicali:
And She Was (video) di Talking Heads
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 453)
registrazione di:
And She Was
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Talking Heads4.153:37
15Baby Come Back
produttore:
Stoker (production/remixing)
esecutore ospite:
Ali Campbell (UB40’s former vocalist) e Robin Campbell
registrazione cover di:
Baby, Come Back
paroliere e compositore:
Eddy Grant
editore:
Kassner Music Ltd.
Pato Banton & The Reggae Revolution with Ali & Robin Campbell2.653:52
16It Ain’t What You Do It’s the Way That You Do It
produttore:
Fun Boy Three e Dave Jordan (UK producer/remixer)
registrazione cover di:
It Ain’t What You Do (It’s the Way That You Do It)
autore:
Sy Oliver e Trummy Young
Fun Boy Three3.652:49
17Uptown Top Ranking
registrazione di:
Uptown Top Ranking
autore:
Althea Forrest, Joe Gibbs, Donna Reid e Errol Thompson (Jamaican reggae/dub producer & engineer)
editore:
Carlin Music e EMI Virgin Music Ltd. (do not use this as a release label!)
Althea and Donna3.53:54
18Red Red Wine (edit)
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:03
19Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.753:58
20In the Summertime
tecnico di registrazione:
Dr. Marshall Harris (engineer) e Sting Int'l
supporto a vario titolo:
Dennis Donald (incarico: track layed by), George Miller (incarico: track layed by), Robert Livingston (Jamaican reggae and dancehall producer) (incarico: track layed by) e Paul Crosdale (incarico: track layed by)
produttore:
Robert Livingston (Jamaican reggae and dancehall producer) e Shaun "Sting Int'l" Pizzonia
tecnico di missaggio:
Lynford "Fatta" Marshall
esecutore aggiunto:
Rayvon
è stato produttore per:
Big Yard Production
registrata presso:
H.C.&F. Recording Studio (defunct) in Freeport, Hempstead, New York, Stati Uniti (altra voce [vocals]) e Music Works Recording Studio (fka Music Works Recording Studio, Music Works Studio, Music Works. aka Anchor Music Works, Anchor Recording Studio) in Kingston (Kingston Parish), Giamaica
mixata presso:
Mixing Lab Recording Studio in Kingston (Kingston Parish), Giamaica
registrazione cover di:
In the Summertime
paroliere e compositore:
Ray Dorset
editore:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Shaggy feat. Rayvon3.053:47
2Supporto digitale
#TitoloArtistaValutazioneDurata
1White Wedding – Part 1
assistente tecnico:
Steve Bates (engineer)
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
batteria :
Steve Missal
chitarra :
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
chitarra basso :
Phil Feit
voce principale:
Billy Idol (English rock singer‐songwriter)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982, nel 2002)
registrata presso e mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
registrazione di:
White Wedding
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol4.154:12
2Let’s Stick Together
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist) e Jon Walls
tecnico:
Steve Nye (producer, engineer and pianist) e John Punter
produttore:
Bryan Ferry e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e tastiera :
Bryan Ferry (dal 1973 al 1976)
basso :
John Wetton (dal 1973 al 1976)
batteria :
Paul Thompson (Roxy Music drummer) (dal 1973 al 1976)
chitarra :
Chris Spedding (dal 1973 al 1976)
percussione :
Morris Pert (dal 1973 al 1976)
sassofono soprano :
Mel Collins (dal 1973 al 1976)
sassofono tenore :
Chris Mercer (British saxophonist) (dal 1973 al 1976)
sintetizzatore e violino :
Eddie Jobson (dal 1973 al 1976)
tromba :
Martin Drover (dal 1973 al 1976)
cori:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1973 al 1976), Doreen Chanter (dal 1973 al 1976), Helen Chappelle (dal 1973 al 1976), Jackie Sullivan (vocals & songwriter) (dal 1973 al 1976), Martha Walker (Vocalist) (dal 1973 al 1976) e Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (dal 1973 al 1976)
voce:
Bryan Ferry (dal 1973 al 1976)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1976), Virgin EG Records Ltd. (nel 1976) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1976, nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito e Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1973 al 1976)
registrazione cover di:
Let’s Stick Together (dal 1973 al 1976)
paroliere e compositore:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. e SBK/U Catalog (nel 1969)
Bryan Ferry3.352:58
3Denis
tecnico:
Rob Freeman (engineer)
produttore:
Richard Gottehrer (American songwriter and music executive)
archi , farfisa , pianoforte a coda , sintetizzatore [Polymoog] e sintetizzatore [Roland] :
Jimmy Destri (dal 1977-06 al 1977-07)
batteria :
Clem Burke (dal 1977-06 al 1977-07)
chitarra basso :
Frank Infante (dal 1977-06 al 1977-07) e Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [lead guitar] e vibrafono :
Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [rhythm guitar] :
Frank Infante (dal 1977-06 al 1977-07)
voce di accompagnamento:
Clem Burke (dal 1977-06 al 1977-07) e Jimmy Destri (dal 1977-06 al 1977-07)
voce principale:
Deborah Harry (dal 1977-06 al 1977-07)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1977), Chrysalis Records, Inc. (not for release label use!) (nel 1977, nel 2001) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (dal 1977-06 al 1977-07)
registrazione cover di:
Denise (dal 1977-06 al 1977-07)
paroliere e compositore:
Neil Levenson (pianist and songwriter)
editore:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. e Taking Care of Business Music Inc. (BMI)
Blondie3.552:16
4Tubthumping
edit di:
Tubthumping (album version) di Chumbawamba
registrazione di:
Tubthumping (nel 1996)
editore:
Chumbawamba (nel 1997)
autore:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) e Boff Whalley
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Leosong (publisher) (nel 1997)
Chumbawamba4.353:54
52‐4‐6‐8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:18
6Alright
tecnico:
John Cornfield
produttore:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
tecnico di missaggio:
John Cornfield e Sam Williams (producer & musician. ex‐member of The Animalhouse)
batteria :
Danny Goffey (dal 1994-02 al 1994-08)
chitarra :
Mick Quinn (dal 1994-02 al 1994-08)
chitarra basso :
Mick Quinn (dal 1994-01 al 1994-07)
pianoforte e voce principale:
Gaz Coombes (dal 1994-02 al 1994-08)
voce di accompagnamento:
Danny Goffey (dal 1994-02 al 1994-08) e Mick Quinn (dal 1994-02 al 1994-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1995)
registrata presso:
Sawmills Studio in Golant, Cornwall (Cornovaglia), England, Regno Unito (dal 1994-02 al 1994-08)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 65)
registrazione di:
Alright (dal 1994-02 al 1994-08)
autore:
Gaz Coombes, Danny Goffey e Mick Quinn
editore:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.73:01
7Bohemian Like You
produttore:
David Sardy (American score composer) e Courtney Taylor‐Taylor
tecnico di missaggio:
David Sardy (American score composer)
basso e tastiera :
Zia McCabe
batteria e voce di accompagnamento:
Brent DeBoer
chitarra :
Peter Holmström e Courtney Taylor‐Taylor
chitarra slide :
Troy Stewart
organo ospite :
Erik Gavriluk
voce:
Courtney Taylor‐Taylor
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2000)
video musicali:
Bohemian Like You di The Dandy Warhols
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 449)
registrazione di:
Bohemian Like You
paroliere e compositore:
Courtney Taylor‐Taylor
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Dandy Warhols Music (BMI)
The Dandy Warhols4.153:29
8Can You Dig It?
produttore:
Martin Coogan
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1991)
video musicali:
Can You Dig It? di The Mock Turtles
registrazione di:
Can You Dig It?
paroliere e compositore:
Martin Coogan
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Mock Turtles3.254:11
9No More Heroes
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1977-07)
registrazione di:
No More Heroes (nel 1977-07)
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers4.653:30
10Ever Fallen in Love (with Someone You Shouldn’t’ve)?
tecnico:
Doug Bennett (producer, engineer) e Martin Rushent
produttore e tecnico di missaggio:
Martin Rushent
arrangiatore:
Buzzcocks (English punk band)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1989)
registrata presso e mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 276)
registrazione di:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
paroliere e compositore:
Pete Shelley (Buzzcocks lead singer) (nel 1977-11)
editore:
Complete Music Ltd.
Buzzcocks4.42:42
11Smile
produttore:
Pete Smith (UK producer)
registrazione di:
Smile
autore:
Ken McAlpine, James McColl e Alan Tilston
The Supernaturals4.53:44
12The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Huey Lewis & the News43:54
13Hi Ho Silver Lining
produttore:
Mickie Most (English record producer) (il 1967-01-19)
batteria :
Clem Cattini (il 1967-01-19)
chitarra basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (il 1967-01-19)
chitarra elettrica e voce principale:
Jeff Beck (English rock guitarist) (il 1967-01-19)
voce di accompagnamento:
Rod Stewart (il 1967-01-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
lavorazione tecnica effettuata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-19)
registrazione di:
Hi Ho Silver Lining (il 1967-01-19)
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:56
14The Locomotion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:19
15I Get Around (mono)
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico [6-string electric bass guitar] :
Glen Campbell (US country singer, guitarist & actor) (il 1964-04-02) e Ray Pohlman (il 1964-04-02)
batteria :
Dennis Wilson (Beach Boys) (il 1964-04-02)
chitarra basso :
Al Jardine (guitarist and singer) (il 1964-04-02)
chitarra elettrica :
Carl Wilson (Beach Boys) (il 1964-04-02)
clavicembalo , organo Hammond [Hammond B3 organ] , pianoforte e voce di accompagnamento e voce principale:
Brian Wilson (Beach Boys co‐founder) (il 1964-04-02)
percussione [rim with thin stick] e timbales [timbales with brush] :
Hal Blaine (U.S. studio drummer and percussionist) (il 1964-04-02)
voce di accompagnamento:
Al Jardine (guitarist and singer) (il 1964-04-02), Carl Wilson (Beach Boys) (il 1964-04-02) e Dennis Wilson (Beach Boys) (il 1964-04-02)
voce di basso e voce principale:
Mike Love (Beach Boys) (il 1964-04-02)
voce principale:
Mike Love (Beach Boys)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrazione di:
I Get Around (il 1964-04-02)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
The Beach Boys4.452:15
16Tell Him
voce di accompagnamento:
Cissy Houston (nel 1962-10), Carolyn Johnson (nel 1962-10), Lillian Walker (nel 1962-10), Dee Dee Warwick (nel 1962-10) e Dionne Warwick (nel 1962-10)
voce di basso:
Herb Rooney (nel 1962-10)
voce principale:
Brenda Reid (nel 1962-10)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 25)
registrazione di:
Tell Him (nel 1962-10)
paroliere e compositore:
Bert Russell
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Warner/Chappell Music, Inc.
The Exciters3.52:32
17Summertime Blues
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-03-28)
batteria :
Earl Palmer (il 1958-03-28)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1958)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-28)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 73) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 432)
registrazione di:
Summertime Blues (nel 1958-05)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:57
18Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion42:14
19Be‐bop‐a‐lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent & His Blue Caps4.352:34
20Shakin’ All Over
registrazione di:
Shakin’ All Over
paroliere e compositore:
Frederick Heath e Johnny Kidd
editore:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd & the Pirates3.352:21
3Supporto digitale
#TitoloArtistaValutazioneDurata
1It’s Raining Men
programmazione e produttore:
Stephen Lipson
programmazione degli strumenti:
Andy Duncan (UK drummer and producer)
tecnico e tecnico di missaggio:
Heff Moraes
arrangiatore archi :
Nick Ingman
registrazione cover di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Geri Halliwell34:15
2Ooh La La (single version)
tecnico di registrazione e produttore:
Goldfrapp
programmazione aggiuntiva:
Nick Batt e Lee Groves (game/film music composer/producer/engineer)
assistente tecnico:
Alex Dromgoole e David Emery
basso :
Charlie Jones (UK bassist, songwriter & producer)
chitarra :
Adrian Utley
sintetizzatore :
Nick Batt
voce principale:
Alison Goldfrapp
remixer:
Mark “Spike” Stent (producer, engineer)
arrangiatore:
Goldfrapp
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 2005)
mixata presso e lavorazione tecnica effettuata presso:
The Mix Suite in London (Greater London), England, Regno Unito
edit di:
Ooh La La di Goldfrapp
registrazione di:
Ooh La La
autore e arrangiatore:
Alison Goldfrapp e Will Gregory (saxophonist and member of Goldfrapp)
compositore:
Cliff Martinez (American musician and score composer)
editore:
Warner/Chappell Music Ltd. (1996–2019)
Goldfrapp2:58
3Caught in the Middle
registrazione di:
Caught in the Middle
autore:
Danny Poku (British DJ, producer, remixer and A&R) e Juliet Roberts (British jazz, rock, and house music singer)
Juliet Roberts3:18
4You Got the Love (original radio edit)
registrazione di:
You Got the Love
autore:
John Bellamy, Arnecia Michelle Harris, Rush (written‐by credit) e Anthony B. Stephens
editore:
Polygram Music Publ. e Warner Chappell (Warner/Chappell Music, Inc.)
si basa su:
Your Love
The Source3:26
5Reach – Brothers in Rhythm (radio edit)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1994)
registrazione cover di:
Reach
autore:
Jim Dyke e Nina Ossoff
editore:
Randor Music
Judy Cheeks3:46
6Superstar
programmazione:
Joe Belmaati
produttore:
Joe Belmaati e Mich Hansen
registrazione cover di:
Superstar
autore:
Joe Belmaati, Mich Hansen e Remee (Danish producer, composer and songwriter)
editore:
Cutfather & Joe Music Ltd., Remee Songs, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell (Warner/Chappell Music, Inc.)
Jamelia3.653:35
7The Tide Is High (Get the Feeling)
programmazione e produttore:
Jem Godfrey e Bill Padley
produttore aggiunto:
Carrie Grant (UK background vocalist/vocal coach)
strumenti:
Jem Godfrey e Bill Padley
voce:
Atomic Kitten
arrangiatore:
Jem Godfrey e Bill Padley
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2002)
registrata presso e mixata presso:
Wise Buddah Music Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
The Tide Is High di Atomic Kitten
registrazione di:
The Tide Is High (Get the Feeling) (new bridge & lyrics for Atomic Kitten)
autore:
Howard Barrett, Tyrone Evans, Jem Godfrey, John Holt e Bill Padley
editore:
Sparta Florida Music Group, Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Wise Buddah Music Ltd
versione di:
The Tide Is High
Atomic Kitten2.653:27
8I Wanna Be the Only One
tecnico di missaggio:
Andy Bradfield
voce ospite:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrazione di:
I Wanna Be the Only One
paroliere:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
compositore:
Rhett Lawrence e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
editore:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. e Rhettrhyme Music
Eternal feat. Bebe Winans2.53:37
9Let’s Go Round AgainLouise33:53
10Solid
registrata a:
U.S.A.
produttore:
Nickolas Ashford e Valerie Simpson
diritti fonografici (℗) detenuti da:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984)
è stato produttore per:
Hopsack & Silk Productions Inc.
edit di:
Solid di Ashford & Simpson
registrazione di:
Solid
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.653:22
11Haven’t Stopped Dancing Yet
registrazione di:
I Haven’t Stopped Dancing Yet
compositore:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
editore:
Buckwheat Music, Old Eye Music e Wizard (Bahamas) Ltd.
Gonzalez4:12
12More Than a WomanTavares4.53:16
13That’s the Way (I Like It)
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band45:06
14You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:04
15Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.753:02
16Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.23:34
17Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:06
18Some Girls
registrazione di:
Some Girls
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:27
19The Bump
registrazione di:
The Bump
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny3.52:35
20Tiger Feet
co-produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
esecutore:
Mud (UK glam rock band)
diritti fonografici (℗) detenuti da:
RAK (nel 1974)
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud53:50
4Supporto digitale
#TitoloArtistaValutazioneDurata
1Smile (radio edit)
registrazione di:
Smile
paroliere:
Lily Allen, Darren Lewis e Iyiola Babalola (drum n bass producer Iyiola Babalola)
autore aggiunto:
Clement “Coxsone” Dodd
compositore:
Jackie Mittoo
editore:
Sparta Florida Music Group e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
si basa su:
Free Soul
Lily Allen43:16
2I Turn to You – Hex Hector (radio mix)
co-produttore:
Rob Playford (nel 2000)
produttore:
Rick Nowels (nel 2000)
produttore aggiunto:
Hex Hector (nel 2000)
remixer:
Hex Hector (nel 2000)
diritti fonografici (℗) detenuti da:
Virgin Records Limited (not for release label use! for company relationships only) (nel 2000)
mixata presso:
O’Henry Sound Studios in Burbank, California, Stati Uniti (nel 2000)
remix di:
I Turn to You di Melanie C
video musicali:
I Turn to You di Melanie C
registrazione di:
I Turn to You (nel 2000)
autore:
Melanie Chisholm, Rick Nowels e Billy Steinberg
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e Future Furniture Music
Melanie C3.54:14
3Toca’s Miracle (radio cut)
Fragma43:24
4Got to Have Your Love
registrazione di:
Got to Have Your Love
paroliere:
Bryce “Luvah” Wilson
compositore:
Kirk Khaleel e Johnny D Rodriguez
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mantronix36:23
5Love Is Gone – Fred Riester Joachim Garraud UK (radio edit)
produttore:
Joachim Garraud e David Guetta
voce:
Chris Willis (US singer-songwriter & producer)
remixer:
Joachim Garraud e Frédéric Riesterer
remix di:
Love Is Gone (original mix) (album) di David Guetta & Chris Willis (US singer-songwriter & producer)
video musicali:
Love Is Gone di David Guetta & Chris Willis (US singer-songwriter & producer)
registrazione di:
Love Is Gone
paroliere:
David Guetta e Chris Willis (US singer-songwriter & producer)
compositore:
Joachim Garraud e Frédéric Riesterer
David Guetta3.553:22
6All Rise (radio version)
produttore:
StarGate (Norwegian production/songwriting team)
registrazione di:
All Rise
autore:
Mikkel Storleer Eriksen, Tor Erik Hermansen, Hallgeir Rustan (norwegian producer), Daniel Stephens (songwriter) e Simon Webbe
Blue2.63:45
7It’s a Shame (My Sister)
chitarra :
Andy Cox (of The Beat)
chitarra aggiunto:
Bootsy Collins (US funk musician & songwriter)
chitarra basso :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
campionamenti:
It’s a Shame di The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
registrazione di:
It's a Shame (My Sister)
autore:
Lee Garrett, Monie Love (English rapper, actress & radio personality), David Steele (UK musician, member of The Beat and Fine Young Cannibals), Syreeta (US singer‐songwriter active 1970s–80s) e Stevie Wonder
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music (UK) Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) e Virgin Music (Pubs.) Ltd. (publisher)
si basa su:
It’s a Shame
Lil Monie feat. True Image33:43
8Boombastic
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1995)
registrazione di:
Boombastic
autore:
King Floyd, Robert Livingston (Jamaican reggae and dancehall producer) e Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
editore:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing e Stone Diamond Music Corp.
Shaggy3.653:51
9U Can’t Touch This
co-produttore:
James Earley e Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
produttore:
MC Hammer
tecnico di missaggio:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) e MC Hammer
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
campionamenti:
Super Freak di Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrazione di:
U Can’t Touch This
autore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) e Stanley Kirk Burrell
editore:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music e Stone Diamond Music Corporation
si basa su:
Super Freak
MC Hammer4.13:47
10Ice Ice Baby (radio edit)
Vanilla Ice4:28
11Bamboogie
registrazione di:
Bamboogie
autore:
Harry Wayne Casey e Richard Finch
si basa su:
Get Down Tonight
Bamboo3:32
12Girls on Film
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1998)
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:28
13Mirror Man
produttore:
The Human League e Martin Rushent
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
video musicali:
Mirror Man di The Human League
registrazione di:
Mirror Man
autore:
Ian Burden, Jo Callis e Philip Oakey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Publishing Australia P/L e PolyGram Music Publishing
The Human League23:47
14It’s a Miracle
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
It’s a Miracle di Culture Club (English pop group)
registrazione di:
It’s a Miracle (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.53:19
15To Cut a Long Story Short
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
mixata presso:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito
registrazione di:
To Cut a Long Story Short
paroliere e compositore:
Gary Kemp
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. e Reformation Publishing Co. Ltd.
Spandau Ballet3.53:21
16Respectable
produttore:
Stock Aitken Waterman
arrangiatore:
Stock Aitken Waterman
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
è stato produttore per:
PWL
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 37)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.55:40
17Back to Life (However Do You Want Me)
tecnico:
Arabella Rodriguez
produttore e tecnico di missaggio:
Nellee Hooper e Jazzie B
voce e esecutore:
Caron Wheeler (English singer, songwriter, and record producer)
voce principale ospite:
Caron Wheeler (English singer, songwriter, and record producer)
diritti fonografici (℗) detenuti da:
10 Records (nel 1989)
registrata presso e mixata presso:
Brittania Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Regno Unito
registrazione di:
Back to Life
autore:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo e Caron Wheeler (English singer, songwriter, and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler4.23:48
18Good Life
tecnico:
Ben Grosse (American producer and engineer)
produttore:
Kevin Saunderson
tecnico di missaggio:
Ben Grosse (American producer and engineer) e Kevin "Master Reese" Saunderson
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1989)
registrazione di:
Good Life
autore:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson e Kevin Saunderson
editore:
Drive On Music e Virgin Songs
Inner City33:57
19Gangsters
produttore:
The Specials AKA (ska band)
registrazione di:
Gangsters
autore:
John Bradbury (UK drummer for The Specials/General Public), Roderick James Byers, Jerry Dammers, Lynval Golding, Terry Hall, Horace Panter e Neville Staple
arrangiatore:
Jerry Dammers
cita la musica di:
Al Capone
The Specials4.252:47
20On My Radio
registrazione di:
On My Radio
paroliere e compositore:
Neol Davies (British musician and founder of The Selecter)
editore:
Fairwood Music Ltd.
The Selecter4.23:06
5Supporto digitale
#TitoloArtistaValutazioneDurata
15‐4‐3‐2‐1
produttore:
John Burgess (British record producer)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-12-17)
registrazione di:
5-4-3-2-1
compositore:
Mike Hugg (drummer & founding member of Manfred Mann), Paul Jones (singer, formerly of Manfred Mann, The Blues Band, was also in musical theatre) e Manfred Mann (the person)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Keith Prowse Music Publishing Ltd.
Manfred Mann4.52:00
2The Hippy Hippy Shake
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963) e HMV Records Ltd. (nel 1963)
registrazione cover di:
Hippy Hippy Shake
paroliere e compositore:
Chan Romero
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) e Universal Music Careers
The Swinging Blue Jeans3.751:46
3Walkin’ Back to Happiness
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1961)
registrazione di:
Walking Back to Happiness
autore:
Mike Hawker e John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro22:31
4I Like It – Main
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione di:
I Like It (nel 1963)
paroliere e compositore:
Mitch Murray
Gerry & the Pacemakers22:16
5Mony Mony
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Tommy James & the Shondells2:47
6Who Put the Bomp
registrazione cover di:
Who Put the Bomp (In the Bomp, Bomp, Bomp) (nel 1962-04)
autore:
Gerry Goffin e Barry Mann
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
versione tradotta di:
Quien puso el bomp? (Versión en español por Los Twist)
Jan & Dean2:55
7I’m Into Something Good
tecnico:
Val Valentin
produttore:
Mickie Most (English record producer)
basso elettrico :
Karl Green
batteria :
Barry Whitwam
chitarra :
Keith Hopwood e Derek Leckenby
voce principale:
Peter Noone (UK singer/songwriter member of Herman's Hermits)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrazione cover di:
I’m Into Something Good
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Herman’s Hermits4.352:36
8C’mon Everybody
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-10-10)
batteria :
Earl Palmer (il 1958-10-10)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
pianoforte :
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (il 1958-10-10)
tamburello :
Jerry Capehart (il 1958-10-10)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-10-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 403)
registrazione di:
C’mon Everybody (il 1958-10-09)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:55
9Poison IvyThe Paramounts32:06
10Do Wah Diddy Diddy
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e HMV Records Ltd. (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 35)
registrazione cover di:
Do Wah Diddy Diddy
autore:
Jeff Barry e Ellie Greenwich
editore:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:24
11Surfin’ U.S.A. (mono)
tecnico:
Chuck Britz
produttore:
Nick Venet
voce principale:
Mike Love (Beach Boys) (il 1963-01-31)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1963-01-31)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 9) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Surfin’ U.S.A. (il 1963-01-31)
paroliere:
Brian Wilson (Beach Boys co‐founder)
compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
si basa su:
Sweet Little Sixteen
The Beach Boys4.42:29
12Rhinestone Cowboy
diritti fonografici (℗) detenuti da:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (nel 1975) e Capitol Records Nashville (nel 2003)
registrazione di:
Rhinestone Cowboy (il 1975-02-24)
paroliere e compositore:
Larry Weiss (American singer-songwriter)
editore:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Glen Campbell43:18
13I Hear You Knocking
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
14Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.154:03
15Get Down Tonight (edit)KC and the Sunshine Band4.23:11
16I Can’t Leave You Alone
diritti fonografici (℗) detenuti da:
T.K. Records Ltd. (Miami‐based disco label) (nel 1974)
registrazione di:
I Can’t Leave You Alone
autore:
Harry Wayne Casey e Richard Finch
editore:
Peer Music
George McCrae3:09
17See My Baby Jive
produttore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 1973)
registrazione di:
See My Baby Jive
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. e Roy Wood Music Ltd.
Wizzard54:59
18Devil Gate Drive
registrazione di:
Devil Gate Drive
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
Suzi Quatro4.753:48
19I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
20Some Like It Hot
registrazione di:
Some Like It Hot
autore:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) e John Taylor (UK bassist for Duran Duran)
editore:
Bungalow Music, EMI Songs, Polygram Music e Tritec Music Ltd. (publisher and copyrights holder)
The Power Station53:46
6Supporto digitale

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