101 Drivetime

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Gimme Some Lovin’
Produzent(in):
Chris Blackwell (Island Records) und Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 244)
recording of:
Gimme Some Lovin’
Verfasser(in):
Spencer Davis, Muff Winwood (bass player, songwriter, producer) und Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) und Island Music Ltd. (vom 1966 bis ????)
The Spencer Davis Group4.152:59
2Pull Up to the Bumper
Produzent(in):
Chris Blackwell (Island Records) und Alex Sadkin
remixer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
recording of:
Pull Up to the Bumper
Verfasser(in):
Lowell “Sly” Dunbar, Grace Jones, Dana Manno und Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) und Ixat Music
Grace Jones3:38
3Alive and Kicking
Produzent(in):
Bob Clearmountain und Jimmy Iovine
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Alive and Kicking
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und Simple Minds Ltd
Simple Minds3.54:47
4All Right Now
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group)
zusätzliche(r) Produzent(in):
John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free) (in 1970)
E-Bass und Klavier:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff (in 1970)
Schlagzeug:
Simon Kirke (in 1970)
Sologesang:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) und Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970)
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 27)
recording of:
All Right Now (in 1970)
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:31
5Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Man-Ken Music Ltd.
10cc4.654:28
6Crazy Crazy Nights
Produzent(in):
Ron Nevison
Mix:
Ron Nevison (von 1987-06 bis 1987-07)
Sologesang:
Paul Stanley (KISS frontman)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1987-06 bis 1987-07)
recording of:
Crazy Crazy Nights
Verfasser(in):
Adam Mitchell (Scottish-Canadian songwriter) und Paul Stanley (KISS frontman)
publisher:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und 大洋音楽 (Taiyō Music)
KISS43:48
7You Ain’t Seen Nothing Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:38
8I Keep It to Myself
Techniker(in):
Dave Eringa und Jake Rousham
Produzent(in) und Mix:
Dave Eringa
aufgenommen bei:
Yellow Fish Studios in Vereinigtes Königreich
recording of:
I Keep It to Myself
Texter und Komponist(in):
Wilko Johnson
publisher:
Solid Senders
Wilko Johnson & Roger Daltrey3:22
9Free BirdLynyrd Skynyrd3:33
10Do Anything You Wanna Do
recording of:
Do Anything You Wanna Do
Komponist(in):
Graeme Douglas und Ed Hollis (British songwriter and producer)
Eddie & the Hot Rods4:04
11Bad Case of Loving You (Doctor, Doctor)
recording engineer und Mix:
Karl Pitterson
Produzent(in):
Robert Palmer (English singer‐songwriter)
assistierende(r) Mix:
Benjamin Armbrister und Kendal Stubbs
E-Bass:
Pierre Brock
Gitarre:
Eddie Martinez (guitar) und Kenny Mazur
Keyboard:
Steve Robbins (US keyboardist) und Jack Waldman
Schlagzeug:
Dony Wynn
vocals:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Bad Case of Lovin’ You
Texter und Komponist(in):
Moon Martin
publisher:
Bug Music Ltd. und Sony/ATV Songs LLC
Robert Palmer4.653:11
12Hard Lovin’ Woman
Techniker(in):
Nick Blagona (engineer/producer)
Produzent(in):
Deep Purple
Mix:
Harry Schnitzler
E-Bass:
Roger Glover (von 1986-04 bis 1986-09)
E-Gitarre:
Ritchie Blackmore (von 1986-04 bis 1986-09)
Hammond-Orgel und Keyboard:
Jon Lord (von 1986-04 bis 1986-09)
Schlagzeug:
Ian Paice (von 1986-04 bis 1986-09)
Sologesang:
Ian Gillan (von 1986-04 bis 1986-09)
aufgenommen bei:
Le Mobile in Carlsbad, California (Kalifornien), Vereinigte Staaten (von 1986-04 bis 1986-09) und Stowe Theatre Guild in Vermont, Vereinigte Staaten (von 1986-04 bis 1986-09)
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München, Bayern, Deutschland
recording of:
Hard Lovin’ Woman (von 1986-04 bis 1986-09)
Verfasser(in):
Ritchie Blackmore, Ian Gillan und Roger Glover
publisher:
Glenwood Music Corp.
Deep Purple33:25
13Saturday Night’s Alright (for Fighting)
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
recording of:
Saturday Night’s Alright for Fighting (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Elton John44:52
14Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:22
15Copperhead Road
recording engineer und Mix:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
Produzent(in):
Tony Brown (US producer, pianist and keyboardist) und Steve Earle (US folk/rock singer/songwriter)
recording of:
Copperhead Road
Nationalhymne von:
Tennessee, Vereinigte Staaten
Texter und Komponist(in):
Steve Earle (US folk/rock singer/songwriter)
Steve Earle4.24:32
16Food for Thought
Techniker(in):
Bob Lamb (UK drummer, producer and audio engineer)
Produzent(in):
Bob Lamb (UK drummer, producer and audio engineer) und UB40
Bass:
Earl Falconer
Conga und Perkussion:
Norman Hassan
Gitarre [lead guitar]:
Robin Campbell
Gitarre [rhythm guitar] und Sologesang:
Ali Campbell (UB40’s former vocalist)
Keyboard, Orgel und Saiteninstrumente:
Michael Virtue (keyboardist)
melodica und Tenorsaxophon:
Brian Travers
Schlagzeug:
Jim Brown (UB40 drummer)
Sprecher [talk over vocal]:
Astro (UB40 toast, trumpet & percussion)
vocals:
Robin Campbell
phonographisches Urheberrecht (℗) von:
Graduate Records (in 1980)
aufgenommen bei:
Home of the Hits in Birmingham, West Midlands, England, Vereinigtes Königreich (von 1979-12-21 bis 1980-07-01)
recording of:
Food for Thought (von 1979-12-21 bis 1980-07-01)
Verfasser(in):
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue (keyboardist) und Terence Wilson (aka Astro of UB40)
UB4054:09
17Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:53
18Whatever You Want
Produzent(in):
Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
recording of:
Whatever You Want
geschrieben in:
Jersey
Verfasser(in):
Andy Bown und Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Shawbury Music Ltd. (publisher)
Status Quo43:55
19Get the Funk Out
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in) und Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
recording of:
Get the Funk Out
Verfasser(in):
Nuno Bettencourt und Gary Cherone
Extreme44:24
20After Midnight
Bassgitarre:
Norbert Putnam (am 1971-06-09)
Gitarre:
J.J. Cale (am 1971-06-09)
Klavier:
Jerry Whitehurst (session pianist) (am 1971-06-09)
Schlagzeug:
Chuck Browning (am 1971-06-09)
vocals:
J.J. Cale (am 1971-06-09)
aufgenommen bei:
Bradley’s Barn in Mt. Juliet, Tennessee, Vereinigte Staaten (am 1971-06-09)
recording of:
After Midnight (am 1971-06-09)
Texter und Komponist(in):
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
J.J. Cale3.62:22
2CD
Nr.TitelKünstlerBewertungLänge
1Grounds for Divorce
zusätzliche(r) Techniker(in):
Danny Evans
Produzent(in) und Mix:
Craig Potter
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2008)
aufgenommen bei:
Blueprint Studios in Manchester, Greater Manchester, England, Vereinigtes Königreich
Musikvideos:
Grounds for Divorce von Elbow (UK rock band)
recording of:
Grounds for Divorce
Texter:
Guy Garvey
Komponist(in):
Guy Garvey, Richard Jupp, Craig Potter, Mark Potter und Pete Turner (the bass player of Manchester band Elbow)
publisher:
Salvation Music Ltd
Elbow4.63:41
2Dakota
Techniker(in):
Jim Lowe (sound engineer)
Produzent(in) und Mix:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) und Jim Lowe (sound engineer)
phonographisches Urheberrecht (℗) von:
V2 Music Limited (holding company - do not use as release label) (in 2005), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Dakota
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:57
3Charlemagne
Produzent(in):
James Skelly und Richard Turvey
assistierende(r) Mix:
Marta Salogni (engineer and producer working in Studio Mute in West London)
Mix:
David Wrench
Bassgitarre:
Charlie Salt
Gitarre:
Tom Ogden (Lead singer of Blossoms)
Gitarre [lead guitar]:
Josh Dewhurst
Keyboard:
Myles Kellock
Schlagzeug:
Joe Donovan
zusätzlich Keyboard:
Richard Turvey
Hintergrundgesang:
James Skelly
vocals:
Tom Ogden (Lead singer of Blossoms)
phonographisches Urheberrecht (℗) von:
Virgin EMI Records (division of Universal Music UK, 2013–2020)
recording of:
Charlemagne
Texter:
Tom Ogden (Lead singer of Blossoms)
Komponist(in):
Josh Dewhurst, Joe Donovan, Myles Kellock, Tom Ogden (Lead singer of Blossoms) und Charlie Salt
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
sub-publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present))
Blossoms2:47
4Pompeii
Programmierung und Produzent(in):
Mark Crew (songwriter, record producer and mix engineer) und Dan Smith (member of UK band Bastille)
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre [bass]:
William Farquarson (bassist, Bastille)
Keyboard [keyboards]:
Mark Crew (songwriter, record producer and mix engineer)
Keyboard [keyboards] und Klavier:
Dan Smith (member of UK band Bastille)
Schlagzeug:
Chris “Woody” Wood (drummer, Bastille)
Hintergrundgesang [backing vocals]:
Ian Dudfield, Ralph Pelleymounter (Lead singer of To Kill A King), Josh Platman und Jon Willoughby
vocals:
Dan Smith (member of UK band Bastille)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
aufgenommen bei:
Unit 24 (Mark Crew's studio) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Pompeii von Bastille (British indie pop band)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 12), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 297)
recording of:
Pompeii
Texter und Komponist(in):
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.73:34
5Keep Your Head Up
recording of:
Keep Your Head Up
Texter und Komponist(in):
Ben Howard
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Ben Howard3:51
6Ruby
Assistent recording engineer und assistierende(r) Techniker(in):
Alex Mackenzie
recording engineer und Techniker(in):
Tom Stanley und Cenzo Townshend (engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Mix:
Stephen Street (famous producer, songwriter) und Cenzo Townshend (engineer)
phonographisches Urheberrecht (℗) von:
B‐Unique Records (in 2007)
aufgenommen bei:
Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
engineered at:
Hook End Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich
Musikvideos:
Ruby von Kaiser Chiefs
recording of:
Ruby
Verfasser(in):
Nick Baines, Nick J.D. Hodgson (ex Kaiser Chiefs), Simon Rix, Andrew White (Guitarist for the Kaiser Chiefs) und Ricky Wilson (Kaiser Chiefs)
Kaiser Chiefs3.653:23
7Heads Will Roll
Produzent(in):
Dave Sitek und Nick Launay
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2009)
Teil von:
Paste: The 10 Best Halloween Songs of the 21st Century (Nummer: 1) und Indie 88: Top 500 Indie Rock Songs (Nummer: 462)
recording of:
Heads Will Roll
Verfasser(in):
Brian Chase (drummer and songwriter), Karen O und Nick Zinner (US guitarist, composer, and producer)
publisher:
BMG Blue und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yeah Yeah Yeahs4.23:41
8Stellify
Produzent(in):
Dave McCracken
Bassgitarre:
Richard Stubbs
Blechblasinstrumente:
Tim Hutton
recording of:
Stellify
Verfasser(in):
Ian Brown (UK singer, member of Stone Roses) und Dave McCracken
Ian Brown54:58
9Somewhere Else
Produzent(in):
John Cornfield
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2005)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, O₂ Academy Brixton in Brixton, Lambeth, London (Greater London), England, Vereinigtes Königreich und Sphere Studios in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Somewhere Else von Razorlight
recording of:
Somewhere Else
Texter:
Johnny Borrell
Komponist(in):
Razorlight
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight33:15
10Chelsea Dagger
Techniker(in):
Todd Burke und Tony Hoffer
Produzent(in) und Mix:
Tony Hoffer
recording of:
Chelsea Dagger
Texter und Komponist(in):
Jon Fratelli
The Fratellis4.153:36
11Big Sur
Produzent(in):
Tony Hoffer
Mix:
Michael H. Brauer (engineer)
Banjo, Bassgitarre und Hintergrundgesang:
Pádraic McMahon und Daniel Ryan (The Thrills)
Gitarre:
Conor Deasy, Pádraic McMahon und Daniel Ryan (The Thrills)
Klavier, Orgel und Synthesizer:
Kevin Horan (The Thrills)
Mundharmonika und Sologesang:
Conor Deasy
Perkussion und Schlagzeug:
Ben Carrigan (solo artist & member of Irish group ‘The Thrills’)
vocals:
Kevin Horan (The Thrills)
recording of:
Big Sur
Texter:
Conor Deasy
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Bobby Hart
Komponist(in):
Ben Carrigan (solo artist & member of Irish group ‘The Thrills’), Conor Deasy, Kevin Horan (The Thrills), Pádraic McMahon und Daniel Ryan (The Thrills)
The Thrills3.53:06
12Naïve
assistierende(r) Techniker(in):
Iain Dowling und Ben Mason (Independent filmmaker/musician)
Techniker(in):
Todd Burke und Tony Hoffer
Produzent(in):
Tony Hoffer
assistierende(r) Mix:
Keith Gary und Will Hensley (Engineer)
Mix:
Michael Brauer (engineer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2006)
recording of:
Naïve
Texter:
Luke Pritchard
Komponist(in):
Paul Garred, Hugh Harris (of The Kooks), Luke Pritchard und Max Rafferty
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
The Kooks3.553:23
13Happy Hour
Techniker(in):
Phil Bodger (engineer)
Produzent(in):
John Williams (English A&R executive, producer, songwriter...)
Bassgitarre:
Norman Cook (in 1986)
Chimes:
P.d. Heaton (in 1986)
Gitarre:
Stan Cullimore (in 1986)
Schlagzeug:
Hugh Whitaker (in 1986)
Hintergrundgesang:
Norman Cook (in 1986), Stan Cullimore (in 1986), P.d. Heaton (in 1986) und Hugh Whitaker (in 1986)
Sologesang:
Paul Heaton (in 1986)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
aufgenommen bei:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich (in 1986)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Happy Hour (in 1986)
Texter:
Paul Heaton
Komponist(in):
Stan Cullimore
publisher:
Go! Discs Music (publisher)
The Housemartins4.52:22
14I’m Free
Produzent(in):
Sean Dickson und George Shilling
Mix:
Mark McGuire (UK producer/engineer)
Bassgitarre:
Sushil K. Dade (in 1989)
Blechblasinstrumente:
James Gallagher (brass, I'm Free) und Kevin McCarthy (brass, I'm Free)
Gitarre:
Sean Dickson (in 1989) und Jim McCulloch (Scottish guitarist/vocalist for BMX Bandits, The Soup Dragons) (in 1989)
Perkussion und Schlagzeug:
Paul Quinn (Former drummer with Teenage Fanclub and The Soup Dragons) (in 1989)
Gast vocals:
Junior Reid (in 1989)
Hintergrundgesang:
Jim McCulloch (Scottish guitarist/vocalist for BMX Bandits, The Soup Dragons) (in 1989)
vocals:
Sean Dickson (in 1989)
aufgenommen bei:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich (in 1989)
cover recording of:
I’m Free (in 1989)
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Soup Dragons & Junior Reid4.653:32
155 Years Time
Bearbeitung von:
5 Years Time von Noah and the Whale
recording of:
5 Years Time
Texter und Komponist(in):
Charlie Fink
Noah and the Whale3:04
16Lights Out, Words Gone
Techniker(in):
Ian Dowling
Produzent(in):
Jim Abbiss, Craig Silvey und Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
assistierende(r) Mix:
Bryan Wilson (mixer)
Mix:
Craig Silvey
Bassgitarre:
Ed Nash
Gitarre:
Jamie MacColl und Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
Schlagzeug:
Suren de Saram
vocals:
Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25)
recording of:
Lights Out, Words Gone
Verfasser(in):
Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
Bombay Bicycle Club5:01
17Walk Idiot Walk
recording engineer:
Pelle Gunnerfeldt
zusätzlich recording engineer:
Johan Gustavsson
Produzent(in):
Pelle Gunnerfeldt und The Hives (Swedish rock band)
Mix:
Pelle Gunnerfeldt und Michael Ilbert
Bassgitarre:
Dr. Matt Destruction
Gitarre:
Nicholaus Arson und Vigilante Carlstroem
Schlagzeug:
Chris Dangerous
Sologesang:
Pelle Almqvist
phonographisches Urheberrecht (℗) von:
No Fun AB (in 2004), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
Megaphon Studio in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
Walk Idiot Walk von The Hives (Swedish rock band)
recording of:
Walk Idiot Walk
Texter und Komponist(in):
Randy Fitzsimmons
publisher:
Kobalt Music Publishing Ltd. (UK)
The Hives43:33
18I Heard Wonders
David Holmes4:08
19Midnight in a Perfect World
assistierende(r) Techniker(in):
The Automator
Techniker(in), Produzent(in) und Mix:
DJ Shadow (US hip hop producer, DJ & instrumentalist)
vocals:
Gift of Gab (US rapper Timothy Parker, of Blackalicious)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1996) und Mo Wax Recordings (in 1996)
aufgenommen bei:
The Glue Factory in San Francisco, California (Kalifornien), Vereinigte Staaten
Samples:
California Soul von Marlena Shaw, Dolmen Music: A. Overture and Men’s Conclave / B. Wa‐Ohs / C. Rain / D. Pine Tree Lullaby / E. Calls / F. Conclusion von Andrea Goodman, Meredith Monk (American composer), Monica Solem, Julius Eastman, Robert Een, Paul Langland, Gotham Lullaby von Meredith Monk (American composer), Collin Walcott, Life Could von Rotary Connection, Outta State von Akinyele, Releasing Hypnotical Gases von Organized Konfusion (US alternative hip hop duo from Queens, NYC), Sekoilu seestyy von Pekka Pohjola, Soul von S.O.U.L. (Sounds of Unity and Love), Sowing the Seeds of Love von Tears for Fears, Summer Breeze von The Isley Brothers und The Human Abstract von David Axelrod (baroque pop composer)
recording of:
Midnight in a Perfect World
Komponist(in):
DJ Shadow (US hip hop producer, DJ & instrumentalist)
publisher:
MCA Music Ltd. und Mo Wax Music Ltd
DJ Shadow3.854:58
20Good Enough
Techniker(in):
Robin Evans (engineer and producer) und Helen Woodward
Produzent(in) und Mix:
Hugh Jones (UK producer)
Akustikgitarre, Bass und E-Gitarre:
Nigel Clark (singer and bassist of Dodgy)
Blechblasinstrumente:
Simon Clarke (UK saxophonist), Roddy Lorimer, Tim Sanders (UK saxophonist) und Neil Sidwell
Gitarre, Sitar und Slide-Gitarre:
Andy Miller (UK guitarist for Dodgy/Hey Gravity)
Perkussion:
Mathew Priest
vocals:
Nigel Clark (singer and bassist of Dodgy), Andy Miller (UK guitarist for Dodgy/Hey Gravity) und Mathew Priest
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1996)
Musikvideos:
Good Enough von Dodgy
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 71)
recording of:
Good Enough
Verfasser(in):
Nigel Clark (singer and bassist of Dodgy), Andy Miller (UK guitarist for Dodgy/Hey Gravity) und Mathew Priest
publisher:
BMG Music Publishing Ltd.
Dodgy44:00
3CD
Nr.TitelKünstlerBewertungLänge
1The Riverboat Song
Produzent(in):
Brendan Lynch (London producer) und Ocean Colour Scene
recording of:
The Riverboat Song
Verfasser(in):
Steve Cradock, Simon Fowler (English singer), Oscar Harrison und Damon Minchella
publisher:
Island Music Ltd.
Ocean Colour Scene3.554:54
2The Changingman
Produzent(in):
Brendan Lynch (London producer) und Paul Weller (English singer‐songwriter and musician)
Bass:
Dr. Robert
Gitarre:
Steve Cradock
Schlagzeug:
Steve White (Style Council drummer)
Hintergrundgesang:
Carleen Anderson, Steve Cradock und Dr. Robert
Sologesang:
Paul Weller (English singer‐songwriter and musician)
Bearbeitung von:
The Changingman von Paul Weller (English singer‐songwriter and musician)
recording of:
The Changingman
Verfasser(in):
Brendan Lynch (London producer) und Paul Weller (English singer‐songwriter and musician)
Paul Weller3.53:31
3Sandstorm
Techniker(in), Produzent(in) und Mix:
John Leckie
E-Bass:
Pete Wilkinson
Gitarre:
John Power (of The La’s and Cast) und Liam Tyson
Schlagzeug:
Keith O'Neill (English drummer)
Sologesang:
John Power (of The La’s and Cast)
recording of:
Sandstorm
Texter und Komponist(in):
John Power (of The La’s and Cast)
Cast3.82:41
4Slight Return
Techniker(in):
Helen Woodward
Produzent(in) und Mix:
Hugh Jones (UK producer)
E-Bass:
Scott Morriss
Perkussion und Schlagzeug:
Eds Chesters
steel-string acoustic guitar [six string guitar] und zwölfsaitige Gitarre:
Adam Devlin
Sologesang:
Mark Morriss (The Bluetones frontman)
vocals:
Scott Morriss
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich (in 1995)
Teil von:
Anti-Hit List: March 18, 1996 (Nummer: 1)
recording of:
Slight Return
Verfasser(in):
Eds Chesters, Adam Devlin, Mark Morriss (The Bluetones frontman) und Scott Morriss
publisher:
Archaic UK Music und EMI Music Publishing Ltd. (PRS‐affiliated)
The Bluetones3.753:21
5Sit Down
recording of:
Sit Down
Texter:
Tim Booth
Komponist(in):
Tim Booth, Jim Glennie, Larry Gott und Gavan Whelan
James3.84:06
6Love Action (I Believe in Love)
assistierende Programmierung und assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Programmierung:
Martin Rushent
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981-07), Jo Callis (in 1981-07) und Philip Oakey (in 1981-07)
Hintergrundgesang:
Joanne Catherall (in 1981-07) und Susan Ann Sulley (in 1981-07)
Sologesang:
Philip Oakey (in 1981-07)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981-07)
recording of:
Love Action (I Believe in Love) (in 1981-07)
Texter und Komponist(in):
Ian Burden und Philip Oakey
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (in 1981), Dinsong Ltd. (in 1981), Sound Diagrams (publisher) (in 1981) und Virgin Music (Publishers) Ltd. (in 1981)
The Human League4.655:02
7Hong Kong Garden
Musikvideos:
Hong Kong Garden von Siouxsie & the Banshees
recording of:
Hong Kong Garden
Verfasser(in):
John McKay (UK guitarist & singer-songwriter), Kenny Morris (Siouxsie and the Banshees' drummer), Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees4.752:53
8Going Underground
Produzent(in):
Vic Coppersmith‐Heaven
Bass:
Bruce Foxton (am 1980-01-16)
Gitarre:
Paul Weller (English singer‐songwriter and musician) (am 1980-01-16)
Schlagzeug:
Rick Buckler (am 1980-01-16)
vocals:
Bruce Foxton (am 1980-01-16) und Paul Weller (English singer‐songwriter and musician) (am 1980-01-16)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (am 1980-01-16)
recording of:
Going Underground (am 1980-01-16)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.252:54
9Into the Valley
Produzent(in):
David Batchelor
recording of:
Into the Valley
Texter:
Richard Jobson
Komponist(in):
Stuart Adamson
Skids43:17
10Back of My Hand
Produzent(in):
Jon Astley und Phil Chapman (engineer)
remixer:
The Buggles
Remix von:
Back of My Hand (original single mix) von The Jags (UK new wave band, 1978-1982)
recording of:
Back of My Hand
Verfasser(in):
John Alder (UK guitarist) und Nick Watkinson
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Jags3:15
11King in a Catholic Style (Wake Up)
Produzent(in):
Walter Becker
recording of:
King in a Catholic Style
Verfasser(in):
Gary Daly, Gazza Johnson und Eddie Lundon (China Crisis)
China Crisis4:30
12Running in the Family
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
recording of:
Running in the Family
Verfasser(in):
Wally Badarou, Phil Gould und Mark King (bass guitarist and vocalist)
Level 4233:57
13She Said
Musikvideos:
She Said von Longpigs
recording of:
She Said
Texter und Komponist(in):
Crispin Hunt
Longpigs44:24
14Reward
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
Reward
Komponist(in):
Julian Cope und Alan Gill
The Teardrop Explodes4.52:42
15Speak Like a Child
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
Gitarre und Sologesang:
Paul Weller (English singer‐songwriter and musician)
Keyboard:
Mick Talbot
membranophone:
Zeke Manyika
Hintergrundgesang:
Tracie Young (80s UK pop singer Tracie Young)
aufgenommen bei:
Studio de la Grande Armée in Paris, Île-de-France, Frankreich
recording of:
Speak Like a Child
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
The Style Council23:16
16Speakeasy
Techniker(in):
Jon Gray (UK producer & engineer) und Shed Seven
Produzent(in) und Mix:
Jessica Corcoran
Bassgitarre:
Tom Gladwin (von 1993 bis 1994)
Gitarre:
Paul Banks (UK guitarist for Shed Seven/The Rising) (von 1993 bis 1994)
Schlagzeug:
Alan Leach (von 1993 bis 1994)
vocals:
Rick Witter (von 1993 bis 1994)
aufgenommen bei:
Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich (von 1993 bis 1994)
Musikvideos:
Speakeasy von Shed Seven
recording of:
Speakeasy (von 1993 bis 1994)
Texter:
Rick Witter
Komponist(in):
Shed Seven
Shed Seven4.353:22
17What Do You Want From Me?
Produzent(in):
Peter Hook und David Potts
Mix:
Alan Meyerson
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1996)
recording of:
What Do You Want From Me?
Verfasser(in):
Peter Hook und David Potts
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
Monaco33:53
18The Celtic Soul Brothers (More, Please, Thank You)
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
recording of:
The Celtic Soul Brothers
Verfasser(in):
Micky Billingham, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners & The Emerald Express3:11
19This Town Ain’t Big Enough for Both of Us
Produzent(in):
Muff Winwood (bass player, songwriter, producer)
Mix:
Bill Price (UK producer/engineer)
Bass:
Martin Gordon
Gitarre:
Adrian Fisher
Keyboard [keyboards]:
Ron Mael
Schlagzeug:
Dinky Diamond
vocals:
Russell Mael
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
Musikvideos:
This Town Ain’t Big Enough for the Both of Us (silent film version) von Sparks (US rock and pop duo, The Mael Brothers) und This Town Ain’t Big Enough for the Both of Us (version 2) von Sparks (US rock and pop duo, The Mael Brothers)
recording of:
This Town Ain’t Big Enough for Both of Us
Texter und Komponist(in):
Ron Mael
arranger:
Tony Visconti
publisher:
Island Music Ltd.
Sparks3.853:05
20Church of the Poison Mind
recording of:
Church of the Poison Mind
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd. (vom 1983 bis heute)
Culture Club3:24
21Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.44:26
4CD
Nr.TitelKünstlerBewertungLänge
1Since You Been Gone
recording engineer:
Leigh Mantle (in 1979-04) und Dr. Michael Palmer (engineer) (in 1979-04)
Techniker(in):
Gary Edwards (producer, engineer)
Produzent(in):
Roger Glover
Bassgitarre:
Roger Glover (in 1979-04)
Gitarre:
Ritchie Blackmore (in 1979-04)
Keyboard:
Don Airey (in 1979-04)
Schlagzeug:
Cozy Powell (in 1979-04)
Sologesang:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, Frankreich (in 1979-04) und Maison Rouge Mobile Studio (in 1979-04)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 82)
cover recording of:
Since You Been Gone (in 1979-04)
Texter und Komponist(in):
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. und Virgin Music (Publishers) Ltd.
Rainbow43:19
2The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:29
3StoriesTherapy?33:11
4The Spirit of Radio
recording engineer:
Paul Northfield
Produzent(in):
Terry Brown (producer) und Rush (Canadian rock trio)
assistierende(r) Mix:
Steve S. Hort (engineer), Geddy Lee, Craig Milliner (engineer) und Adam Moseley
Mix:
Terry Brown (producer)
Akustikgitarre, Basspedal [Taurus pedals], E-Gitarre, zwölfsaitige Gitarre [12-string acoustic guitar] und zwölfsaitige Gitarre [12-string electric guitar]:
Alex Lifeson (von 1979-09 bis 1979-10)
Bassgitarre, Basspedal [Taurus pedal synthesizer], Minimoog und Synthesizer [Oberheim polyphonic: OB-1]:
Geddy Lee (von 1979-09 bis 1979-10)
Crotales / antike Zimbeln, Glockenbaum, Pauke [tympani], Röhrenglocken, Röhrenglocken [orchestra bells], Schlagzeug, Timbales, triangle und Windspiel:
Neil Peart (von 1979-09 bis 1979-10)
vocals:
Geddy Lee (von 1979-09 bis 1979-10)
arranger:
Terry Brown (producer) und Rush (Canadian rock trio)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1980), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (von 1979-09 bis 1979-10)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-11)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 88)
recording of:
The Spirit of Radio (von 1979-09 bis 1979-10)
Texter:
Neil Peart
Komponist(in):
Geddy Lee und Alex Lifeson
publisher:
Core Music Publishing und Anthem Core Music Publishing (SOCAN‐affiliated) (vom 1980 bis heute)
Rush3.94:57
5Tower of Strength
recording of:
Tower of Strength
Texter:
Wayne Hussey
Komponist(in):
Craig Adams (bass player for Sisters of Mercy/The Mission), Mick Brown (British drummer of the gothic rock band The Mission), Simon Hinkler und Wayne Hussey
The Mission4:30
6Got the Time
assistierende(r) Techniker(in):
Brian Schueble, Ed Korenco, Greg Goldman und Marnie Bryant
Techniker(in):
Mark Dodson (UK producer)
leitende(r) Produzent(in):
Jon Zazula und Marsha Zazula
Produzent(in):
Anthrax (US thrash metal band) und Mark Dodson (UK producer)
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
Bassgitarre [bass]:
Frank Bello (US bassist for Anthrax)
Gitarre:
Dan Spitz
Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Scott Ian
Schlagzeug:
Charlie Benante
Sologesang:
Joe Belladonna
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1990), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Soundtrack Studios in New York, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
cover recording of:
Got the Time (von 1989-12 bis 1990-02)
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Chappell Music Ltd., Pokazuka Limited und Sony/ATV Tunes LLC (ASCAP)
Anthrax42:45
7Wishing Well
Gast-Conga:
Rebop Kwaku Baah
recording of:
Wishing Well (Free song)
Verfasser(in):
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers und Tetsu Yamauchi
publisher:
Cayman Music Inc, Keepers Cottage Music Ltd. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-publisher:
Universal Music Publishing France (not for release label use!)
Free43:36
8In a Big Country
Produzent(in):
Steve Lillywhite
Herausgeber:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1983)
Bearbeitung von:
In a Big Country von Big Country
Musikvideos:
In a Big Country von Big Country
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 14)
recording of:
In a Big Country
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3.953:57
9In Too Deep
Techniker(in):
Joe McGrath
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
Hintergrundgesang:
Greig Nori
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
Musikvideos:
In Too Deep von Sum 41
recording of:
In Too Deep
Verfasser(in):
Greig Nori und Deryck Whibley
publisher:
EMI April Music Canada (see also EMI April Music (Canada) Ltd.) und Rectum Renovator Music
Sum 414.13:27
10Whistle for the Choir
Techniker(in):
Todd Burke und Tony Hoffer
Produzent(in) und Mix:
Tony Hoffer
Musikvideos:
Whistle for the Choir von The Fratellis (Scottish rock band)
recording of:
Whistle for the Choir
Texter und Komponist(in):
Jon Fratelli
The Fratellis3.853:36
11World Shut Your Mouth
recording of:
World Shut Your Mouth
Texter und Komponist(in):
Julian Cope
Julian Cope3:03
12Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:40
13Out in the Fields
Techniker(in):
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Produzent(in):
Peter Collins (producer)
assistierende(r) Mix:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Gast-Bassgitarre [bass] und Gast vocals:
Philip Lynott
Gast-Keyboard [keyboards]:
Don Airey und Andy Richards (Strawbs keyboard player/record producer)
Gast-Schlagzeug [drums]:
Charlie Morgan (British drummer and percussionist)
Gitarre [guitars] und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 2002)
produced at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
Out in the Fields
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore & Phil Lynott3.44:16
14Rockin’ All Over the World
assistierende(r) Techniker(in):
Kevin Whyte
Techniker(in):
John Eden (producer), Barry Hammond und Simon Sullivan
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (am 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv), Västra Götaland (Västra Götaland county), Schweden (am 1992-08-30) und Sutton Park in Birmingham, West Midlands, England, Vereinigtes Königreich (am 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Rockin All Over the World von Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (am 1992-08-30)
Texter und Komponist(in):
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company und Intersong Ltd. (publisher) (in 1977)
Status Quo43:34
15Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:00
16Hold Back the Night
recording of:
Hold Back the Night
Verfasser(in):
Ron Baker (record producer, bassist, arranger and songwriter), Allan Felder und Norman Harris (American Philly Soul guitarist, producer, and songwriter)
publisher:
Carlin Music Corporation, Golden Fleece Music, Mured Music Co. und Reservoir 416
Version von:
Scrub Board
Graham Parker & The Rumour43:01
17Drop the Pilot
assistierende(r) Techniker(in):
Niko Bolas
Techniker(in) und Produzent(in):
Val Garay
Bass:
Bryan Garofalo
Gitarre:
Joan Armatrading, Craig Hull und Tim Pierce (US session guitarist)
Keyboard:
Steve Goldstein
Perkussion:
M. L. Benoit
Schlagzeug:
Craig Krampf
vocals:
Joan Armatrading
phonographisches Urheberrecht (℗) von:
A&M Records (in 1983) und A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
Komponist(in):
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. und Polygram Music
Joan Armatrading43:40
18Hole Hearted
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in):
Nuno Bettencourt
Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
recording of:
Hole Hearted
Verfasser(in):
Nuno Bettencourt und Gary Cherone
Extreme3.43:39
19Steppin’ Out
Techniker(in):
Michael Ewasko
Koproduzent(in) und Ko-Mix:
Joe Jackson (English musician) und David Kershenbaum
Sologesang:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
aufgenommen bei:
Blue Rock Studio in New York, New York, Vereinigte Staaten (von 1982-03 bis 1982-06)
recording of:
Steppin’ Out
gewidmet:
New York, New York, Vereinigte Staaten
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson4.54:22
205.7.0.5.
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
recording of:
5.7.0.5.
Texter:
Lol Mason
Komponist(in):
Steve Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
City Boy53:16
5CD

Nennungen

Veröffentlichungsgruppe

Teil von:101 Hits (UMC (Universal Music Catalogue UK) Series) (Nummer: Drivetime) (Reihenfolge: 9)