Greatest Hits of the 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

8-CD set. CDs 2, 3, 4 & 8 are missing.

Individual barcodes:

CD 1: 0724389956320
CD 2: ???
CD 3: ???
CD 4: ???
CD 5: 0724389956726
CD 6: 0724389956825
CD 7: 0724389956924
CD 8: ???

Anmerkung zuletzt geändert am 2011-07-05 05:58 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1One Step Beyond
Produzent(in):
Clive Langer & Alan Winstanley
baritone saxophone und Tenorsaxophon:
Lee “Kix” Thompson (Madness)
Bassgitarre:
Mark Bedford
Gitarre:
Chris Foreman (UK musician, aka “Chrissy Boy”)
Keyboard:
Mike Barson
Schlagzeug und Perkussion:
Daniel Woodgate
Hintergrundgesang:
Chas Smash
vocals:
Suggs und Lee “Kix” Thompson (Madness)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1979)
cover recording of:
One Step Beyond…
Texter und Komponist(in):
Cecil Bustamente Campbell
publisher:
Melodisc Music Ltd.
Madness4.52:22
2Ready Steady
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
Bassgitarre:
Tony James (UK bassist/guitarist)
Gitarre:
Bob Derwood Andrews
Schlagzeug:
Mark Laff
Sologesang:
Billy Idol (English rock singer‐songwriter)
Bearbeitung von:
Ready Steady Go (Phil Wainman version) von Generation X (English post‐punk band aka “Gen X”)
recording of:
Ready Steady Go
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Generation X52:58
3No More Heroes
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1977-07)
recording of:
No More Heroes (in 1977-07)
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:29
4The Sound of the Suburbs
recording of:
The Sound of the Suburbs
Texter:
Jean-Marie Carroll und Nicky Tesco
Komponist(in):
Jean-Marie Carroll
The Members3:55
5God Save the Queen
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Bill Price (UK producer/engineer) und Chris Thomas (UK record producer / remixer)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (in 1977-03)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 21), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 173) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 365)
recording of:
God Save the Queen
Verfasser(in):
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) und Glen Matlock (bass guitarist of the Sex Pistols)
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
Sex Pistols4.43:20
6Death Disco
recording of:
Death Disco
Texter:
John Lydon (Johnny Rotten of the Sex Pistols)
Komponist(in):
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) und Jim Walker (PIL member)
publisher:
BMG Ariola Belgium, EMI/Virgin Music Publishing Ltd., Universal Songs (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.4:06
7Ever Fallen in Love (With Someone You Shouldn’t’ve)
Techniker(in):
Doug Bennett (producer, engineer) und Martin Rushent
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1989)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:41
8Up Against the Wall
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Up Against the Wall
Verfasser(in):
Roy Butterfield und Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band53:35
9On My Radio
recording of:
On My Radio
Texter und Komponist(in):
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter4.23:09
10A Message to Rudy
Produzent(in):
Elvis Costello
Gast-Posaune:
Rico Rodriguez (Jamaican trombonist)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 132)
cover recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
The Specials42:55
11Don’t Look Back
cover recording of:
Don’t Look Back
Verfasser(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Peter Tosh3:44
12My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:01
13Tomorrow Night
recording of:
Tomorrow Night
Texter und Komponist(in):
Vincent Crane
publisher:
Onward Music Ltd. und Westminster Music Ltd.
Atomic Rooster3:58
14Showdown
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass und Hintergrundgesang:
Michael d’Albuquerque (in 1973-04)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) und Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
Geige / Violine:
Wilfred Gibson (UK violinist) (in 1973-04)
Gitarre und Sologesang:
Jeff Lynne (in 1973-04)
Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1973-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-04)
recording of:
Showdown (in 1973-04)
geschrieben in:
Birmingham, West Midlands, England, Vereinigtes Königreich
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.44:10
15Frozen Years
The Rumour3:30
16Man From Manhattan
Produzent(in):
Freddie Mercury
Akustikgitarre und Sologesang:
Eddie Howell
Bassgitarre und E-Bass:
Jerome Rimson
E-Gitarre und Gitarre:
Brian May (Queen guitarist)
Klavier:
Freddie Mercury
Schlagzeug:
Barry De Souza
Hintergrundgesang:
Brian May (Queen guitarist) und Freddie Mercury
vocals:
Eddie Howell
recording of:
The Man From Manhattan
Texter und Komponist(in):
Eddie Howell
Eddie Howell3:21
17Big Shot Momentarily
Produzent(in):
Bob Andrews (keyboardist and producer) und Jona Lewie
recording of:
Big Shot Momentarily
Texter und Komponist(in):
Jona Lewie
publisher:
Street Music Ltd. (in 1980)
Jona Lewie2:57
18Blue Peter
arranger:
Mike Oldfield
recording of:
Blue Peter (theme for the children's show 01-1979 to 06-1989)
Komponist(in):
Mike Oldfield
Arrangement von:
Barnacle Bill (original hornpipe)
cover recording of:
Blue Peter (theme for the children's show 01-1979 to 06-1989)
Komponist(in):
Mike Oldfield
Arrangement von:
Barnacle Bill (original hornpipe)
Mike Oldfield2:08
5▼CD
Nr.TitelKünstlerBewertungLänge
1Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:12
2Tears of a Clown
Produzent(in):
Bob Sargeant
cover recording of:
The Tears of a Clown
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
The Beat32:43
3Babylon’s Burning
recording of:
Babylon’s Burning
Verfasser(in):
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen und Dave Ruffy
publisher:
Virgin Music (Publishers) Ltd.
The Ruts2:37
4Reconnez Cherie
recording of:
Reconnez Cherie
Texter und Komponist(in):
Eric Goulden
Wreckless Eric3:09
5Something Better Change
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1977-07)
recording of:
Something Better Change (in 1977-07)
Texter und Komponist(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., Complete Music Ltd. und Irving Music, Inc.
The Stranglers33:36
6Little Girl
Produzent(in):
T. Keating
Bass:
John Thomas
Gitarre:
Rick Mansworth und Pete Fresh (aka Pete Fresh)
membranophone:
Paul Sordid
vocals:
Rick Mansworth und Paul Sordid
cover recording of:
Little Girl (Syndicate of Sound)
Texter und Komponist(in):
Don Baskin und Bob Gonzalez
The Banned52:19
7Valley of the Dolls
recording of:
Valley of the Dolls
Verfasser(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
Generation X3:33
8Forget About You
Produzent(in):
Nick Garvey, Peter Ker (producer and songwriter) und Andy McMaster
recording of:
Forget About You
Verfasser(in):
Andy McMaster
publisher:
Island Music Ltd.
The Motors2:52
9Straw Dogs
recording of:
Straw Dogs
Texter:
Gordon Ogilvie (Irish journalist)
Komponist(in):
Stiff Little Fingers
Stiff Little Fingers3:31
10Judy Teen
recording of:
Judy Teen
Texter und Komponist(in):
Steve Harley
Steve Harley & Cockney Rebel53:42
11Emotional Traffic
The Rumour2:47
12Tell Me Your Plans
The Shirts3:06
13Lucky Number
Produzent(in):
The Stateless (possibly Lene Lovich and Les Chappell)
Mix:
Roger Bechirian
Sologesang:
Lene Lovich
remixer:
Roger Bechirian
phonographisches Urheberrecht (℗) von:
Oval Records (in 1978) und Oval Sounds LLP (in 1979)
recording of:
Lucky Number
Verfasser(in):
Les Chappell und Lene Lovich
publisher:
Oval Music
Lene Lovich42:49
147 Teen
recording of:
7 Teen
Verfasser(in):
Martin Sheller (member of The Regents) und Damian Pew
publisher:
Tooti Frooti Ltd. (publisher) (in 1980)
The Regents3:24
15Public Image
Produzent(in):
Pil
recording of:
Public Image
Verfasser(in):
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) und Jim Walker (PIL member)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI/Virgin Music Publishing Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.4.652:57
16Homicide
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
recording of:
Homicide (999)
Verfasser(in):
Nick Cash (UK punk vocalist/guitarist for 999) und Guy Days
publisher:
R.L. August Music Co.
99953:44
17C’Mon Everybody
cover recording of:
C’mon Everybody
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sex Pistols1:57
18Don’t Take No for an Answer
recording of:
Don’t Take No for an Answer
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band4:36
6▼CD
Nr.TitelKünstlerBewertungLänge
1Tiger Feet
Koproduzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Interpret(in):
Mud (UK glam rock band)
phonographisches Urheberrecht (℗) von:
RAK (in 1974)
recording of:
Tiger Feet
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und BMG Music Publishing Ltd.
Mud53:52
2The Day That Curly Billy Shot Crazy Sam McGee
The Hollies4:20
3Proud Mary
Techniker(in):
Brent Maher
Produzent(in):
Ike Turner
Instrumente:
Ike Turner & the Kings of Rhythm
Hintergrundgesang:
The Ikettes
Sologesang:
Tina Turner
vocals:
Ike Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971) und Liberty Records, Inc. (in 1971)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 69) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 420)
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4.654:56
4One Last Kiss
The J. Geils Band54:23
5Money in My Pocket
Dennis Brown4:39
6O.K. Fred
recording of:
O.K. Fred
Verfasser(in):
John Holt
Errol Dunkley3:48
7Midnight Rider
cover recording of:
Midnight Rider
Texter und Verfasser(in):
Gregg Allman und Robert Kim Payne
Komponist(in):
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Paul Davidson3:16
8Gangsters
Produzent(in):
The Specials AKA (ska band)
recording of:
Gangsters
Verfasser(in):
John Bradbury (UK drummer for The Specials/General Public), Roderick James Byers, Jerry Dammers, Lynval Golding, Terry Hall, Horace Panter und Neville Staple
arranger:
Jerry Dammers
quotes music from:
Al Capone
The Special A.K.A.4.252:49
9Portsmouth
Techniker(in):
Paul Lindsay
Produzent(in):
Mike Oldfield
accordion, Akustikgitarre, Bodhrán, Mandoline, Synthesizer und Pauke:
Mike Oldfield
foot stomps [feet], Kortholt und recorder:
Les Penning
arranger:
Mike Oldfield
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2010)
aufgenommen bei:
Througham (in 1976-01)
recording of:
Portsmouth
Komponist(in):
[traditional] (special purpose artist)
arranger:
Mike Oldfield
basiert auf:
Portsmouth
Mike Oldfield42:02
10S-S-S Single Bed
phonographisches Urheberrecht (℗) von:
Samaguru Prod. Ltd. (in 1976)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 90)
recording of:
S-S-S-Single Bed
Texter und Komponist(in):
Kenny Young
publisher:
Warner/Chappell Music Australia Pty. Ltd.
Fox33:51
11Sugar Me
Techniker(in):
Pete Coleman
Produzent(in):
Lynsey de Paul
phonographisches Urheberrecht (℗) von:
MAM Records Ltd. (in 1972)
recording of:
Sugar Me
Verfasser(in):
Barry Ian Green (singer, producer, and songwriter) und Lynsey de Paul
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:54
12There’s a Whole Lot of Loving
recording of:
There’s a Whole Lot of Loving
Verfasser(in):
Chris Arnold (songwriter with Butterscotch/The Stream of Consciousness), David Martin (UK songwriter and Butterscotch member) und Geoff Morrow (Butterscotch/Ammo)
Guys ’n’ Dolls3:15
13Heaven Must Be Missing an Angel
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
Bearbeitung von:
Heaven Must Be Missing an Angel von Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:32
14Emma
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und RAK Records Ltd. (in 1974)
recording of:
Emma
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.753:53
15Long Way From Home
Techniker(in), Produzent(in) und Mix:
Martin Birch
Bassgitarre:
Neil Murray (British bass guitar player) (in 1979-05)
Gitarre und Hintergrundgesang:
Bernie Marsden (in 1979-05) und Micky Moody (in 1979-05)
Keyboard:
Jon Lord (in 1979-05)
Schlagzeug:
Dave Dowle (in 1979-05)
Sologesang:
David Coverdale (in 1979-05)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1979-05) und Rolling Stones Mobile in Vereinigtes Königreich (in 1979-05)
mixed at:
Central Recorders Studio in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Long Way From Home von Whitesnake
recording of:
Long Way From Home (in 1979-05)
Texter und Komponist(in):
David Coverdale
Whitesnake4:55
16American Pie
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:09
17Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:52
18You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Chuck Rainey (American bassist)
Clavinet:
John Barns
Gitarre:
Larry Carlton und Ray Parker Jr.
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Clydie King, Becky Louis und Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page (conductor, composer, arranger and record producer)
Saiteninstrumente arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1976) und Silverbird Ltd. (in 1976)
recording of:
You Make Me Feel Like Dancing
Texter:
Leo Sayer
Komponist(in):
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music und Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:35
7▼CD
Nr.TitelKünstlerBewertungLänge
1Let’s Stick Together
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist) und Jon Walls
Techniker(in):
Steve Nye (producer, engineer and pianist) und John Punter
Produzent(in):
Bryan Ferry und Chris Thomas (UK record producer / remixer)
Bass:
John Wetton (von 1973 bis 1976)
Geige / Violine und Synthesizer:
Eddie Jobson (von 1973 bis 1976)
Gitarre:
Chris Spedding (von 1973 bis 1976)
Keyboard und Mundharmonika:
Bryan Ferry (von 1973 bis 1976)
Perkussion:
Morris Pert (von 1973 bis 1976)
Schlagzeug:
Paul Thompson (Roxy Music drummer) (von 1973 bis 1976)
Sopransaxophon:
Mel Collins (von 1973 bis 1976)
Tenorsaxophon:
Chris Mercer (British saxophonist) (von 1973 bis 1976)
Trompete:
Martin Drover (von 1973 bis 1976)
Chorgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1973 bis 1976), Doreen Chanter (von 1973 bis 1976), Helen Chappelle (von 1973 bis 1976), Jackie Sullivan (vocals & songwriter) (von 1973 bis 1976), Martha Walker (Vocalist) (von 1973 bis 1976) und Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (von 1973 bis 1976)
vocals:
Bryan Ferry (von 1973 bis 1976)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1976)
cover recording of:
Let’s Stick Together (von 1973 bis 1976)
Texter und Komponist(in):
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. und SBK/U Catalog (in 1969)
Bryan Ferry3.353:01
2Make Me Smile
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:55
3Follow You Follow Me
assistierende(r) Produzent(in):
Pierre Geoffroy Chateau
Produzent(in):
Genesis (English rock band) und David Hentschel
assistierende(r) Mix:
Steve Short (sound engineer & producer)
Bassgitarre und Gitarre:
Mike Rutherford (von 1977-09 bis 1977-10)
Keyboard:
Tony Banks (Genesis) (von 1977-09 bis 1977-10)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1977-09 bis 1977-10)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd.
aufgenommen bei:
Relight Studio in Hilvarenbeek, Noord-Brabant (Provinz Nordbrabant), Niederlande, Kingdom of the Netherlands (von 1977-09 bis 1977-10)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Follow You Follow Me (von 1977-09 bis 1977-10)
Texter:
Mike Rutherford
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Concord Copyrights (BMI), Concord Sounds, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd., Run It Music, Inc., Gelring Ltd. (publishing company associated with Genesis) (in 1978) und Hit and Run Music (in 1978)
Genesis4.23:59
4In Dulce Jubilo
Techniker(in):
Phil Newell (engineer and producer) und Mike Oldfield
Produzent(in):
Mike Oldfield
Akustikgitarre, E-Gitarre und Synthesizer:
Mike Oldfield (von 1974-11 bis 1975-10)
kleine Trommel / Snare:
William Murray (von 1974-11 bis 1975-10)
arranger:
Mike Oldfield
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975) und Mercury Records Ltd. (not for release label use!) (in 2010)
aufgenommen bei:
The Beacon (Mike Oldfield home studio) in Herefordshire, England, Vereinigtes Königreich (in 1974-11) und The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1975-10)
recording of:
In dulci jubilo (Mike Oldfield version) (von 1974-11 bis 1975-10)
arranger:
Mike Oldfield
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Virgin Music Ltd. (do not use this as a release label!), Oldfield Music Ltd., Stage Three Music (Catalogues) Ltd. und フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
In dulci jubilo (macaronic of English and Latin)
Mike Oldfield42:50
5The Prince
Produzent(in):
Clive Langer
recording of:
The Prince
Texter und Komponist(in):
Lee “Kix” Thompson (Madness)
gewidmet:
Prince Buster
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness22:30
6A Touch Too Much
Produzent(in):
Mickie Most (English record producer)
Bass und Sologesang:
Alan Merrill
Gitarre:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
Schlagzeug:
Paul Varley
recording of:
Touch Too Much (in 1974)
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Chinnichap (production company and publisher) und RAK Publishing Ltd.
The Arrows53:02
7Money
Produzent(in):
David Cunningham
cover recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Flying Lizards4.22:32
8The Man Who Sold the World
Interpret(in):
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
recording of:
The Man Who Sold the World
Texter:
David Bowie (English singer‐songwriter) (am 1970-05-22)
Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems-EMI, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Chrysalis Music (music publisher, ASCAP-affiliated) (in 1974) und MainMan (in 1974)
Lulu & David Bowie33:50
9Long Tall Glasses (I Can dance)
Produzent(in):
David Courtney (songwriter, singer and producer) und Adam Faith
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1974)
recording of:
Long Tall Glasses
Texter:
Leo Sayer
Komponist(in):
David Courtney (songwriter, singer and producer)
Leo Sayer3:03
10Romeo
recording of:
Romeo
Komponist(in):
Dicken (Jeff Pain) und Jake Carter (drum and bass producer Jake Carter)
Mr. Big12:34
11A Piece of the Action
recording of:
A Piece of the Action
Verfasser(in):
Mikel Japp und Chas Sandford
The Babys54:29
12Rich Kids
recording of:
Rich Kids
Verfasser(in):
Glen Matlock (bass guitarist of the Sex Pistols)
Rich Kids52:58
13Say When
Produzent(in):
The Stateless (possibly Lene Lovich and Les Chappell)
Mix:
Roger Bechirian
Sologesang:
Lene Lovich
remixer:
Roger Bechirian
recording of:
Say When
Texter und Komponist(in):
Jimme O’Neill
Lene Lovich1.52:50
14Hit and Miss Judy
Wreckless Eric4:37
15B-A-B-Y
recording engineer:
Bob Painter
Produzent(in):
Liam Sternberg
Bass:
Norman Watt-Roy
Gitarre:
Peter Nardini und Brinsley Schwarz (English rock guitarist)
Keyboard:
Peter Nardini
Klavier:
Mick Gallagher (UK hammond organ player)
Schlagzeug:
Charley Charles (UK drummer)
Hintergrundgesang:
Lene Lovich und Rachel Sweet
Sologesang:
Rachel Sweet
cover recording of:
B-A-B-Y
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Rachel Sweet43:07
16Making Plans for Nigel
Techniker(in):
Hugh Padgham
Produzent(in):
Steve Lillywhite
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1979)
recording of:
Making Plans for Nigel
Texter und Komponist(in):
Colin Moulding
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
XTC53:54
17Life in a Day
Techniker(in) und Produzent(in):
John Leckie
Bassgitarre:
Derek Forbes
Gitarre:
Charlie Burchill
Keyboard:
Michael MacNeil
Perkussion und Schlagzeug:
Brian McGee (UK drummer)
Sologesang:
Jim Kerr (of Simple Minds)
vocals:
Charlie Burchill, Derek Forbes, Michael MacNeil und Brian McGee (UK drummer)
arranger:
John Leckie und Simple Minds (Scottish rock band)
aufgenommen bei:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich (in 1979-01)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1979-02-19 bis 1979-02-28)
recording of:
Life in a Day
Texter und Komponist(in):
Charlie Burchill und Jim Kerr (of Simple Minds)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (von 1979 bis 2007), Hornall Music (limited company) (von 2008 bis 2014), JKMC-Bucks Music Group Ltd (Bucks Music Group) (von 2008 bis 2014) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (vom 2015 bis heute)
Simple Minds54:05
18Dance Away
Techniker(in):
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) und Randy Mason
Produzent(in):
Roxy Music
Mix:
Bob Clearmountain
Interpret(in):
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) und Gary Tibbs
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Dance Away (in 1979)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:50

Nennungen

Veröffentlichungsgruppe

Teil von:Greatest Hits of the (Label: Disky) (Nummer: 70) (Reihenfolge: 3)
Discogs:https://www.discogs.com/master/478965 [Info]