Mastermix Professional Engineered for DJs: Decades

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1▼CD: 60s – Disc 1
#TitoloArtistaValutazioneDurata
1High in the Sky
Amen Corner2:59
2My Boyfriend’s Back
registrazione di:
My Boyfriend’s Back
autore:
Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
EMI Blackwood Music Inc. e EMI Music (do not use as release label! this is a music publisher)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Angels2:38
3We’ve Gotta Get Out of This Place
registrazione di:
We Gotta Get Out of This Place
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Francis, Day & Hunter (publisher) (nel 1979)
sub-editore:
EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3:14
41‐2‐3
registrazione di:
1‐2‐3
autore:
Leonard Borisoff, John Madara e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
autore aggiunto:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Welbeck Music Ltd.
Len Barry2:23
5From Me to You
registrazione di:
From Me to You
scritta a:
England, Regno Unito (il 1963-02-28)
autore:
John Lennon (The Beatles) (il 1963-02-28) e Paul McCartney (The Beatles) (il 1963-02-28)
editore:
Ambassador Music Ltd., Gil Music Corporation, Northern Songs e Sony/ATV Music Publishing LLC (1995–2020)
The Beatles1:58
6You’re Sixteen
registrazione di:
You’re Sixteen
autore:
Bob Sherman (American songwriter) e Dick Sherman
editore:
Viva Music, Inc, Warner/Chappell Music Ltd. (1996–2019) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1960)
Johnny Burnette1:57
7Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
adattamenti:
Setä pelimanni
The Byrds4.152:21
8Tracy
registrazione di:
Tracy
autore:
Lee Pockriss e Paul Vance (US songwriter and producer)
The Cuff Links2:17
9Keep On Running
registrazione di:
Keep On Running
paroliere e compositore:
Jackie Edwards
editore:
Island Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group2:43
10Halfway to Paradise
registrazione di:
Halfway to Paradise
paroliere:
Gerry Goffin
compositore:
Carole King
Billy Fury2:27
11I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:11
12A Man Without Love
tecnico e tecnico di missaggio:
Luis Rodriguez (Spanish producer and engineer)
arrangiatore:
Werner Becker, Dieter Bohlen e Ralf Stemmen
mixata presso e lavorazione tecnica effettuata presso:
Studio 33 (Germany) in Hamburg, Germania
registrazione di:
A Man Without Love (Quando m'innamoro)
paroliere:
Mario Panzeri (Italian lyricist and composer)
compositore:
Roberto Livraghi e Daniele Pace (Italian lyricist & songwriter)
traduttore:
Barry Mason (English songwriter)
editore:
Sugar Music (German publisher)
versione tradotta di:
Quando m’innamoro
Engelbert Humperdinck43:20
13I Think We’re Alone Now
registrazione di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tommy James & the Shondells52:09
14Green, Green Grass of Home
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1966)
registrazione cover di:
Green, Green Grass of Home
paroliere e compositore:
Claude “Curly” Putman, Jr.
editore:
Burlington Music, Burlington Music Ltd. e Tree Music
versione tradotta di:
Ik ben weer in m’n dorpje
Tom Jones43:05
15Blue Moon
registrazione di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels2:19
16Dance On
registrazione di:
Dance On!
compositore:
Ray Adams (UK songwriter, member of the Avons), Elaine Murtagh (Irish composer and songwriter) e Valerie Murtagh (UK composer and songwriter)
editore:
S. Bron Music Co. Ltd.
The Shadows2:23
17I Feel Love Comin’ On
registrazione di:
I Feel Love Coming On
autore:
Paul Politi e Barry White
Felice Taylor2:56
18Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson2:28
19Take Good Care of My Baby
diritti fonografici (℗) detenuti da:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only)
registrazione di:
Take Good Care of My Baby
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:28
20Moon River
voce:
Danny Williams
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961)
registrazione cover di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
registrazione di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Danny Williams3.52:36
2▼CD: 60s – Disc 2
#TitoloArtistaValutazioneDurata
1Bend Me Shape Me
registrazione di:
Bend Me, Shape Me
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
Carlin Music Corporation, Ebony Musikverlag, Helios Music Company e シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Amen Corner2:36
2What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong42:17
3Please Please Me
registrazione di:
Please Please Me
autore:
John Lennon (The Beatles) (dal 1962-06-07 al 1962-06-08) e Paul McCartney (The Beatles) (dal 1962-06-07 al 1962-06-08)
editore:
Concertone Songs, Inc., Criterion Music Corp., Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Dick James Music, Inc. (USA, affiliated with BMI), Northern Songs Ltd., Polygram Music, Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Beatles2:02
4Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.852:53
5Speedy Gonzales
registrazione di:
Speedy Gonzales
autore:
David Hess (actor/songwriter), David Hill (US songwriter), Buddy Kaye e Ethel Lee (songwriter)
editore:
Budd Music Ltd. (publisher) (dal 1977 a oggi)
Pat Boone2:33
6Three Steps to Heaven
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1960-01-08)
batteria :
Jerry Allison (il 1960-01-08)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1960-01-08) e Sonny Curtis (il 1960-01-08)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1960-01-08)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1960-01-08)
registrazione di:
Three Steps to Heaven (il 1960-01-08)
autore:
Bob Cochran e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
Belsize Music Ltd.
Eddie Cochran32:24
7You Were on My Mind
registrazione cover di:
You Were on My Mind
paroliere e compositore:
Sylvia Tyson
Crispian St. Peters2:44
8Things
registrazione di:
Things
paroliere e compositore:
Bobby Darin
editore:
Alley Music Corp. e Trio Music Company
Bobby Darin2:33
9Save the Last Dance for Me
registrata a:
New York, New York, Stati Uniti (il 1960-05-19)
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1960-05-19)
voce di baritono:
Doc Green (il 1960-05-19)
voce di basso:
Elsbeary Hobbs (il 1960-05-19)
voce di tenore:
Charlie Thomas (The Drifters) (il 1960-05-19) e Johnny Williams (soul/blues vocalist) (il 1960-05-19)
voce principale:
Benny Nelson (il 1960-05-19)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-05-19)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 182)
registrazione di:
Save the Last Dance for Me (il 1960-05-19)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters52:28
10Walk Right Back
registrazione di:
Walk Right Back
paroliere e compositore:
Sonny Curtis
The Everly Brothers2:19
11Let’s Hang On
The Four Seasons3:17
12It Might as Well Rain Until September
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962) e Screen Gems (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 28)
registrazione di:
It Might as Well Rain Until September
paroliere:
Gerry Goffin
compositore:
Carole King
Carole King2:26
13California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:40
14Mighty Quinn
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1967)
registrazione cover di:
Quinn the Eskimo (The Mighty Quinn) (nel 1967)
paroliere e compositore:
Bob Dylan (nel 1967)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding e Dwarf Music (nel 1968)
Manfred Mann4.52:51
15Bobby’s Girl
registrazione di:
Bobby’s Girl
autore:
Henry Hoffman e Gary Klein (producer, songwriter)
editore:
EMI Blackwood Music Inc.
Susan Maughan2:35
16Do You Love Me
registrazione cover di:
Do You Love Me
paroliere e compositore:
Berry Gordy
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Brian Poole & The Tremeloes2:24
17Can’t Help Falling in Love
produttore:
Hugo & Luigi (US producers Hugo Peretti & Luigi Creatore)
voce:
Elvis Presley (“The King of Rock and Roll”)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 394)
registrazione di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
Elvis Presley32:59
18Honky Tonk Women
registrazione di:
Honky Tonk Women
scritta a:
Mato Grosso, Brasile (nel 1968-12)
autore:
Mick Jagger (nel 1968-12) e Keith Richards (Rolling Stones guitarist) (nel 1968-12)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Westminster Music Ltd.
The Rolling Stones3:01
19Lazy Sunday
registrazione di:
Lazy Sunday
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
United Partnership Music Ltd. (conclusa) e EMI United Partnership Ltd.
Small Faces3:08
20The Night Has a Thousand Eyes
registrazione di:
The Night Has a Thousand Eyes
autore:
Marilyn Garrett, Dottie Wayne e Ben Weisman
editore:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America e Shelby Music
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Vee2:35
3▼CD: 60s – Disc 3
#TitoloArtistaValutazioneDurata
1Then He Kissed Me
The Crystals2:40
2I’m Telling You Now
registrazione di:
I'm Telling You Now
autore:
Freddie Garrity e Mitch Murray
Freddie & the Dreamers2:09
3I Like It
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione di:
I Like It (nel 1963)
paroliere e compositore:
Mitch Murray
Gerry & the Pacemakers22:15
4It’s My Party
produttore:
Quincy Jones
arrangiatore:
Claus Ogerman
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 353)
registrazione di:
It’s My Party (il 1963-03-30)
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.352:20
5Just Like Eddie
chitarra :
Ritchie Blackmore
voce:
Heinz (German/English singer and bassist)
registrazione di:
Just Like Eddie
paroliere e compositore:
Geoff Goddard (1960s UK musician & songwriter)
dedicata a:
Eddie Cochran (US rock and roll musician active in 1950s)
Heinz2:40
6Carrie Anne
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967) e The Hollies Ltd. (nel 1967)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1967-05-01)
registrazione di:
Carrie Anne (il 1967-05-01)
paroliere e compositore:
Allan Clarke (of The Hollies), Tony Hicks e Graham Nash
editore:
PolyGram Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies4.652:57
7I’ll Never Get Over You
registrazione cover di:
I’ll Never Get Over You
paroliere e compositore:
Gordon Mills (60s/70s UK producer and songwriter)
editore:
Valley Music Ltd (publisher)
Johnny Kidd & the Pirates2:08
8Bad to Me
registrazione di:
Bad to Me
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
Billy J. Kramer & The Dakotas2:20
9If I Had a Hammer
registrazione di:
If I Had a Hammer
autore:
Lee Hays (nel 1949) e Pete Seeger (nel 1949)
editore:
M.P.A. (M.P.A.)
Trini Lopez3:01
10Twenty Four Hours to Tulsa
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 36)
registrazione di:
Twenty Four Hours From Tulsa
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.52:59
11Twist & Shout
registrazione cover di:
Twist and Shout
autore:
Bert Russell (nel 1961-02) e Phil Medley (nel 1961-02)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Brian Poole & The Tremeloes2:05
12Hi, Lili, Hi‐Lo
Alan Price Set2:50
13(Love Is Like a) Heatwave
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1963)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 154) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 257)
registrazione di:
(Love Is Like a) Heat Wave
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music e Stone Agate Music Division
Martha Reeves & the Vandellas42:47
14It’s All Over Now
registrazione cover di:
It’s All Over Now
autore:
Bobby Womack e Shirley Jean Womack
editore:
ABKCO Music Ltd. e ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones3:28
15When You Walk in the Room
registrazione di:
When You Walk in the Room
paroliere e compositore:
Jackie DeShannon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (nel 1987) e United Partnership Ltd. (nel 1987)
The Searchers2:23
16Ain’t Nothin’ but a Houseparty
parte di:
Cachitos Nochevieja 2022 (numero: 27)
registrazione di:
Ain’t Nothing but a House Party
autore:
Dell Sharh (Del Sharh) e Joseph David Thomas
editore:
Dandelion Music Co.
The Show Stoppers2:38
17You Don’t Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:49
18Wipe Out
produttore:
The Surfaris
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 47)
registrazione di:
Wipe Out
compositore:
Bob Berryhill, Patrick Connolly, Jim Fuller (surf rock guitarist) e Ron Wilson (drummer of The Surfaris)
editore:
Miraleste Music e Robin Hood Music Co.
The Surfaris4.152:17
19With a Girl Like You
registrazione di:
With a Girl Like You
autore:
Reg Presley
The Troggs4.42:08
20I Can’t Explain
registrazione di:
I Can’t Explain
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who2:06
4▼CD: 60s – Disc 4
#TitoloArtistaValutazioneDurata
1(If Paradise Is) Half as Nice
registrazione di:
(If Paradise Is) Half as Nice
paroliere:
Jack Fishman
compositore:
Lucio Battisti
editore:
Cyril Shane Music
si basa su:
Il paradiso della vita
Amen Corner2:51
2The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:29
3I Get Around
registrazione di:
I Get Around
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
The Beach Boys2:12
4Catch Us If You Can
registrazione di:
Catch Us If You Can
autore:
Dave Clark (UK drummer for the Dave Clark Five) e Lenny Davidson
The Dave Clark Five1:56
5Just One Look
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1964-01-27)
registrazione cover di:
Just One Look (il 1964-01-27)
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
Just One Look
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies2:28
6Have I the Right
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
Have I the Right (nel 1964)
autore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Ivy Music Ltd.
The Honeycombs32:57
7Do You Want to Know a Secret
registrazione cover di:
Do You Want to Know a Secret
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Unart Catalog Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Metric Music Co (publisher), Northern Songs Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
Billy J. Kramer & The Dakotas32:03
8The Boat That I Row
registrazione cover di:
The Boat That I Row
paroliere e compositore:
Neil Diamond
Lulu2:50
9If You Gotta Go, Go Now
Manfred Mann2:33
10Hang On Sloopy
produttore:
Feldman (of The Strangeloves), Goldstein (producer, record label owner and publisher) e Gottehrer (American songwriter and music executive)
direttore d'orchestra:
Bassett Hand (nel 1965)
arrangiatore:
Bassett Hand
diritti fonografici (℗) detenuti da:
Bang Records (Bert Berns label)
parte di:
Paste: The 25 Best Songs About Ohio Ever Made (numero: 1)
registrazione di:
Hang On Sloopy (nel 1965)
autore:
Bert Russell Berns e Wes Farrell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc e Robert Mellin Music, Inc.
The McCoys53:05
11Tobacco Road
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 40)
registrazione cover di:
Tobacco Road
paroliere e compositore:
John D. Loudermilk
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:28
12Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (drummer and producer) (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:08
13Cradle of Love
registrazione di:
Cradle of Love
autore:
Jack Fautheree e Wayne Gray (rockabilly songwriter & guitarist)
Johnny Preston2:18
14I Could Easily Fall
registrazione di:
I Could Easily Fall in Love With You
autore:
Brian Bennett (Shadows drummer), Hank Marvin (lead guitarist of The Shadows, songwriter), John Rostill e Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard & The Shadows2:57
15In the Middle of Nowhere
registrazione di:
In the Middle of Nowhere
compositore:
Buddy Kaye e Beatrice Verdi
Dusty Springfield2:47
16The Happening
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1967-03-02)
strumenti:
The Funk Brothers (il 1967-03-02)
voce di accompagnamento:
Florence Ballard (il 1967-03-02) e Mary Wilson (il 1967-03-02)
voce principale:
Diana Ross (il 1967-03-02)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-03-02)
registrazione di:
The Happening (il 1967-03-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Frank De Vol, Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes52:47
17Needle in a Haystack
produttore:
Norman Whitfield
voce principale:
Caldin "Carolyn" Gill
registrazione di:
Needle in a Haystack (dal 1964-07-17 al 1964-07-30)
autore:
N. Whitfield e W. Stevenson (Motown songwriter)
editore:
EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. e Jobete Music (UK) Ltd.
The Velvelettes2:26
18Substitute
produttore:
Shel Talmy e The Who
basso :
John Entwistle (il 1966-02-12)
batteria :
Keith Moon (drummer) (il 1966-02-12)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1966)
registrata presso:
Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, Regno Unito (il 1966-02-12)
registrazione di:
Substitute (il 1966-02-12)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who3.653:49
19For Your Love
registrazione di:
For Your Love
paroliere e compositore:
Graham Gouldman
editore:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Screen Gems–EMI Music Ltd.
The Yardbirds2:19
20She’s Not There
registrazione di:
She’s Not There
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Zombies2:23
5▼CD: 60s – Disc 5
#TitoloArtistaValutazioneDurata
1Massachusetts
diritti fonografici (℗) detenuti da:
Robert Stigwood Organisation Ltd. (nel 1968)
registrazione dal vivo di:
Massachusetts (il 1968-03-10)
scritta a:
New York, New York, Stati Uniti
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs e Gibb Brothers Music
registrazione di:
Massachusetts
scritta a:
New York, New York, Stati Uniti
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs e Gibb Brothers Music
Bee Gees32:24
2Got to Get You Into My Life
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963, nel 1966) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1966)
registrazione cover di:
Got to Get You Into My Life
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Cliff Bennett & the Rebel Rousers2:33
3Somebody Help Me
produttore:
Chris Blackwell (Island Records)
registrazione di:
Somebody Help Me
paroliere e compositore:
Jackie Edwards
editore:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Spencer Davis Group42:01
4Hold Tight
registrazione di:
Hold Tight
paroliere:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
compositore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich2:47
5There’s a Kind of Hush
tecnico:
Dave Siddle (engineer)
produttore:
Mickie Most (English record producer)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1966-12-07)
registrazione cover di:
There’s a Kind of Hush (il 1966-12-07)
paroliere e compositore:
Les Reed e Geoff Stephens
editore:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Herman’s Hermits4.52:36
6I’ll Pick a Rose for My Rose
registrazione di:
I’ll Pick a Rose for My Rose
autore:
James Dean (US soul songwriter), Marv Johnson e William Weatherspoon
editore:
Jobete Music (UK) Ltd.
Marv Johnson2:41
7Black Is Black
registrazione di:
Black Is Black (nel 1966)
autore:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) e Steve Wadey (UK songwriter, co-wrote “Black is Black”)
editore:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:58
8A Little Bit Me, a Little Bit You
produttore:
Jeff Barry
basso :
Louis Mauro (il 1967-01-21) e James Tyrrell (il 1967-01-21)
batteria :
Herb Lovelle (il 1967-01-21)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-01-21), Hugh McCracken (il 1967-01-21) e Don Thomas (US guitarist, singer songwriter) (il 1967-01-21)
organo :
Artie Butler (il 1967-01-21)
pianoforte :
Stan Free (il 1967-01-21)
tamburello :
Thomas Cerone (il 1967-01-21)
voce principale:
Davy Jones (The Monkees member) (il 1967-01-21)
arrangiatore:
Jeff Barry
registrazione di:
A Little Bit Me, a Little Bit You (il 1967-01-21)
paroliere e compositore:
Neil Diamond
The Monkees4.52:48
9Flowers in the Rain
registrazione di:
Flowers in the Rain
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Westminster Music Ltd.
The Move2:27
10Only the Lonely
registrazione di:
Only the Lonely (Know the Way I Feel)
autore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Music Limited (UK) e Acuff-Rose Publications, Inc. (BMI) (il 1960-05-04)
è stata commissionata da:
Rondor Music (London) Ltd.
Roy Orbison2:25
11I Love You Because
registrazione di:
I Love You Because
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
Jim Reeves2:45
12Baby I Love You
registrazione di:
Baby, I Love You
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company e Universal–Songs of PolyGram International, Inc.
The Ronettes2:48
13What Becomes of the Broken Hearted
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin2:56
14Eloise
registrazione di:
Eloise
paroliere e compositore:
Paul Ryan (UK singer, songwriter & producer) (nel 1968)
editore:
Carlin Music Corporation e Hill & Range (publisher)
Barry Ryan5:33
15Needles & Pins
diritti fonografici (℗) detenuti da:
Pye International (nel 1964)
registrazione cover di:
Needles and Pins
paroliere:
Sonny Bono
compositore:
Sonny Bono e Jack Nitzsche (American musician and score composer)
editore:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. e Metric Music
The Searchers42:13
16Puppet on a String
voce:
Sandie Shaw (nel 1967)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1967) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1967)
registrazione di:
Puppet on a String (nel 1967)
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
Sandie Shaw2:23
17Something Stupid
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1967-02-01)
tecnico:
Eddie Brackett e Phil Ramone
produttore:
Jimmy Bowen (producer, rockabilly musician and songwriter) e Lee Hazlewood
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1967-02-01) e Nancy Sinatra (il 1967-02-01)
direttore d'orchestra:
Billy Strange (il 1967-02-01)
arrangiatore:
Billy Strange
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1967)
registrazione cover di:
Somethin’ Stupid (il 1967-02-01)
paroliere e compositore:
Carson Parks
editore:
Greenwood Music, Montclare Music e Montclare Music Co Ltd.
versione tradotta di:
Forelsket
Nancy & Frank Sinatra3.752:41
18Itchicoo Park
tecnico:
Glyn Johns
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1967)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Itchycoo Park
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
Small Faces3.652:47
19I’m Gonna Get Me a Gun
registrazione di:
I’m Gonna Get Me a Gun
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd.
Cat Stevens2:13
20Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremeloes3.653:07
6▶CD: 60s – Disc 6
7▶CD: 70s – Disc 1
8▶CD: 70s – Disc 2
9▶CD: 70s – Disc 3
10▶CD: 70s – Disc 4
11▶CD: 70s – Disc 5
12▶CD: 70s – Disc 6
13▶CD: 80s – Disc 1
14▶CD: 80s – Disc 2
15▶CD: 80s – Disc 3
16▶CD: 80s – Disc 4
17▶CD: 80s – Disc 5
18▶CD: 80s – Disc 6
19▶CD: 90s – Disc 1
20▶CD: 90s – Disc 2
21▶CD: 90s – Disc 3
22▶CD: 90s – Disc 4
23▶CD: 90s – Disc 5
24▶CD: 90s – Disc 6
25▶CD: 00s – Disc 1
26▶CD: 00s – Disc 2
27▶CD: 00s – Disc 3
28▶CD: 00s – Disc 4
29▶CD: 00s – Disc 5
30▶CD: 00s – Disc 6

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