The Voice of Romance

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Fedora: “Amor ti vieta”
Tenor-Gesang:
Giuseppe Di Stefano (tenor)
conductor:
Bruno Bartoletti (conductor)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
Komponist(in):
Umberto Giordano (Italian opera composer) (in 1898)
Librettist:
Arturo Colautti
Teil von:
Fedora: Atto II
Umberto Giordano1:44
2Gianni Schicchi: “O mio babbino caro”
Soprangesang:
Renée Fleming (soprano)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:53
3Lucia di Lammermoor: “Tu che a dio spiegasti l'ali”
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:56
4Tosca: “Recondita armonia!”
Tenor-Gesang:
Plácido Domingo (tenor)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:03
5Tosca: “Vissi d'arte”
Soprangesang:
Renata Tebaldi (soprano) (am 1959-07-29)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (am 1959-07-29)
conductor:
Francesco Molinari‐Pradelli (conductor) (am 1959-07-29)
Interpret(in):
Renata Tebaldi (soprano)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (am 1959-07-29)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (am 1959-07-29)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:21
6La rondine: “Chi il bel sogno di Doretta”
Soprangesang:
Renée Fleming (soprano)
conductor:
Jeffrey Tate (conductor)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami
Teil von:
La rondine: Atto I
Giacomo Puccini3:43
7Le nozze di Figaro: “Che soave zeffiretto”
Soprangesang:
Barbara Hendricks (soprano) und Lucia Popp (soprano)
conductor:
Sir Neville Marriner (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:56
8Le nozze di Figaro: “Dove sono i bei momenti”
Soprangesang:
Kiri Te Kanawa (soprano)
conductor:
Sir Georg Solti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:59
9Le nozze di Figaro: “Deh vieni non tardar”
Soprangesang:
Joan Sutherland (soprano)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Arrangement von:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
Teil von:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:02
10Le nozze di Figaro: “Cinque … dieci … venti”
Bass-Gesang:
Giorgio Tozzi (operatic bass)
Soprangesang:
Roberta Peters (soprano)
conductor:
Erich Leinsdorf (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:21
11L'elisir d'amore: Una furtiva lagrima
vocals:
Plácido Domingo (tenor)
conductor:
Carlo Maria Giulini (conductor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
Gaetano Donizetti4:40
12Madama Butterfly: “Un bel dì”
Soprangesang:
Mirella Freni (soprano)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:37
13Madama Butterfly: “Vogliatemi bene”
Mezzosoprangesang:
Linda Finnie (mezzo-soprano)
Soprangesang:
Katia Ricciarelli (soprano)
Tenor-Gesang:
José Carreras (Spanish tenor)
conductor:
Lamberto Gardelli (conductor)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:42
14Don Pasquale: “Quel guardo il cavaliere”
Soprangesang:
Angela Gheorghiu (Romanian soprano)
vocals:
Angela Gheorghiu (Romanian soprano)
Orchester:
Orchestra del Teatro Regio di Torino
conductor:
John Mauceri (conductor)
recording of:
Don Pasquale: Atto I, Scena 2. “Quel guardo il cavaliere” (Norina)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Gaetano Donizetti (Italian opera composer) und Giovanni Ruffini (librettist)
Teil von:
Don Pasquale: Atto I
Gaetano Donizetti5:44
15Manon Lescaut: “Donna non vidi mai”
vocals:
José Carreras (Spanish tenor)
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1893)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
Giacomo Puccini2:17
2▼CD
Nr.TitelKünstlerBewertungLänge
1West Side Story: “Tonight”
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
Robert Farnon & His Orchestra
conductor:
Robert Farnon (composer, conductor, trumpet player)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
West Side Story: Tonight (Maria, Tony)
Texter:
Stephen Sondheim (in 1956)
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) und The Leonard Bernstein Music Publishing Co., LLC
Teil von:
West Side Story
Leonard Bernstein2:35
2Mamma
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1984-01)
Orchester:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
Grand Casino Noga Hilton in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1984-01)
recording of:
Mamma (arr. Mancini) (in 1984-01)
Texter:
Bixio Cherubini
Komponist(in):
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
Arrangement von:
Mamma
Franco Bixio3:33
3La bohème: “Che gelida manina”
Tenor-Gesang:
José Carreras (Spanish tenor) (in 1979-02)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1979-02)
conductor:
Sir Colin Davis (English conductor) (in 1979-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1979)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-02)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini24:50
4La bohème: “O soave fanciulla”
Soprangesang:
Mirella Freni (soprano)
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:14
5Il trovatore: “Il balen del suo sorriso”
Baritongesang:
Dmitri Hvorostovsky (Russian operatic baritone)
conductor:
Valery Gergiev (Waleri Gergijew, conductor)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:32
6Martha: “M'appari tutt'amor”
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Friedrich von Flotow3:32
7Rigoletto: “Gualtier Maldé … Caro nome”
Soprangesang:
Ileana Cotrubaș (Romanian soprano)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi6:24
8Don Giovanni: “Deh, vieni alla finestra”
Baritongesang:
Sherrill Milnes (baritone)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:12
9Don Giovanni: “Vedrai, carino”
Soprangesang:
Lucia Popp (soprano)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:50
10Le nozze di Figaro: “Voi che sapete”
Mezzosoprangesang:
Cecilia Bartoli (mezzo‐soprano)
conductor:
Claudio Abbado (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:28
11Chants d'Auvergne : « Malurous qu'o uno fenno »
Soprangesang:
Kiri Te Kanawa (soprano)
conductor:
Jeffrey Tate (conductor)
recording of:
Chants d'Auvergne: Troisième Série: No. 5. Malurous qu'o uno fenno
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Troisième Série
Joseph Canteloube1:35
12Les Contes d'Hoffmann : « Belle nuit, ô nuit d'amour »
Mezzosoprangesang:
Susanne Marsee (mezzo-soprano)
Soprangesang:
Beverly Sills (soprano)
conductor:
Julius Rudel (conductor)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:17
13Carmen : « La Fleur que tu m'avais jetée »
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-12)
Orchester:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
aufgenommen bei:
Wiener Staatsoper (The Vienna State Opera) in Innere Stadt, Wien, Österreich (in 1973-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1973-12)
Komponist(in):
Georges Bizet (French composer) (in 1875)
Librettist:
Ludovic Halévy (French librettist) (in 1875) und Henri Meilhac (in 1875)
Teil von:
Carmen : Acte II
Georges Bizet4:29
14Chitarra romana
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Chitarra romana
Texter:
Bruno Cherubini (brother of Bixio Cherubini) und Eldo di Lazzaro (singer, composer)
Komponist(in):
Eldo di Lazzaro (singer, composer)
Di Lazzaro3:19
15Aida: “Celeste Aida”
Tenor-Gesang:
Carlo Bergonzi (tenor)
conductor:
Herbert von Karajan (conductor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi5:09
16Turandot: “Nessun dorma”
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Zubin Mehta (conductor)
aufgenommen bei:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italien (am 1995-09-12)
live recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:57

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ASIN:US: B00007MB66 [Info]