Teenage Kicks 2: Going Underground

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:54
2Message in a Bottle
engineer:
Nigel Gray (UK producer)
producer:
Nigel Gray (UK producer) and The Police (British rock band)
drums (drum set):
Stewart Copeland (drummer, percussionist, pianist and composer)
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1979), A&M Records, Ltd. (in 1979), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1979) and A&M Records, Inc. (in 1997)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
recording of:
Message in a Bottle
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., GM Sumner and Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Police3.94:52
3My Girl
producer:
Clive Langer & Alan Winstanley
baritone saxophone and tenor saxophone:
Lee “Kix” Thompson (Madness)
bass:
Mark Bedford
drums (drum set) and percussion:
Daniel Woodgate
guitar:
Chris Foreman (UK musician, aka “Chrissy Boy”)
keyboard:
Mike Barson
background vocals:
Chas Smash
vocals:
Suggs and Lee “Kix” Thompson (Madness)
recording of:
My Girl
lyricist and composer:
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.752:46
4Cool for Cats
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3:09
5Papa’s Got a Brand New Pigbag
recording of:
Papa’s Got a Brand New Pigbag
composer:
Chip Carpenter, Roger Freeman, Chris Hamlyn, James Johnstone (UK percussionist/guitarist/ambient producer), Chris Lee (trumpet player), Ollie Moore and Simon Underwood (bass guitar)
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music)
Pigbag4.53:36
6Denis (Denee)
cover recording of:
Denise
lyricist and composer:
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc. (BMI)
Blondie2:17
7The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:25
8Boys Keep Swinging
assistant engineer:
Eugene Chaplin
engineer:
Rod O’Brien, David Richards (Swiss-based producer and engineer) and Tony Visconti
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
assistant mixer:
Greg Caruso
mixer:
Rod O’Brien and Tony Visconti
analog synthesizer [EMS Synthi AKS] and piano:
Brian Eno (from 1978-08 until 1979-03)
bass:
Tony Visconti (from 1978-08 until 1979-03)
drums (drum set):
Carlos Alomar (from 1978-08 until 1979-03)
guitar:
Adrian Belew (from 1978-08 until 1979-03)
guitar and piano:
David Bowie (English singer‐songwriter) (from 1978-08 until 1979-03)
violin:
Simon House (from 1978-08 until 1979-03)
background vocals:
Tony Visconti (in 1979-03)
background vocals and lead vocals:
David Bowie (English singer‐songwriter) (in 1979-03)
recorded at:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1978-09 until 1978-09-15) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1979-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Boys Keep Swinging (from 1978-08 until 1979-03)
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Brian Eno
David Bowie3.83:17
9The Cutter
engineer:
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige and Steve Short (sound engineer & producer)
producer:
Kingbird
bass:
Les Pattinson
drums (drum set):
Pete de Freitas
guest strings:
Shankar (L. Shankar)
guitar:
Ian McCulloch (Echo & the Bunnymen) and Will Sergeant
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen43:54
10The Love Cats
producer:
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Phil Thornalley
mixer:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Phil Thornalley
bass guitar:
Phil Thornalley
drums (drum set):
Andy Anderson (drummer for The Cure)
guitar and keyboard and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
vibraphone:
Lol Tolhurst
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 448)
recording of:
The Lovecats
lyricist and composer:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure3.83:41
11Money
producer:
David Cunningham
cover recording of:
Money (That’s What I Want)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
The Flying Lizards4.22:33
12Rat Trap
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978)
music videos:
Rat Trap by The Boomtown Rats
recording of:
Rat Trap
lyricist and composer:
Bob Geldof
publisher:
Sewer Fire Hits Ltd
The Boomtown Rats44:57
13Swords of a Thousand Men
producer:
Bob Andrews (keyboardist and producer) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:57
14Jimmy Jimmy
recording of:
Jimmy Jimmy
lyricist and composer:
John O’Neill (of The Undertones)
publisher:
Universal/MCA Music Ltd. (not for release label use!) and West Bank Songs Ltd.
The Undertones2:43
15Walls Come Tumbling Down
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
12 string guitar, bass guitar, guitar, synthesizer [synth] and lead vocals:
Paul Weller (English singer‐songwriter and musician) (from 1984-12 until 1985-03)
drums (drum set) [drums] and percussion:
Steve White (Style Council drummer) (from 1984-12 until 1985-03)
fortepiano [piano forte], Hammond organ and keyboard [electronic keyboards]:
Mick Talbot (from 1984-12 until 1985-03)
piano:
Helen Turner (from 1984-12 until 1985-03)
saxophone:
Mike Mower (from 1984-12 until 1985-03)
trombone:
Chris Lawrence (from 1984-12 until 1985-03)
trumpet:
David DeFries (from 1984-12 until 1985-03) and Stewart Prosser (from 1984-12 until 1985-03)
vocals:
D.C. Lee (from 1984-12 until 1985-03)
strings arranger:
John Mealing (British keyboards player, composer and arranger.)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1984-12 until 1985-03)
recording of:
Walls Come Tumbling Down (from 1984-12 until 1985-03)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Co. Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
The Style Council33:25
16Tears of a Clown
producer:
Bob Sargeant
cover recording of:
The Tears of a Clown
lyricist:
Smokey Robinson
composer:
Henry Cosby, Smokey Robinson and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd and Jobette Music (UK) Ltd.
The Beat32:39
17Three Minute Hero
producer:
Errol Ross and The Selecter
recording of:
Three Minute Hero
composer:
Neol Davies (British musician and founder of The Selecter)
The Selecter43:02
18Identity
assistant engineer:
Andy Pearce (Mastering engineer)
engineer:
John Mackenzie Burns
producer:
Falcon Stuart
recording of:
Identity
lyricist and composer:
Poly Styrene
X Ray Spex2:25
19Hurry Up Harry
recording of:
Hurry Up Harry
writer:
Dave Parsons (Sham 69 guitarist) and Jimmy Pursey (Founder member of Sham 69)
Sham 693:26
20Egyptian Reggae
recording of:
Egyptian Reggae
writer:
Earl Anthony Johnson (reggae singer Earl Zero) and Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
None Shall Escape the Judgement
Jonathan Richman & The Modern Lovers2:36
2▼CD
#TitleArtistRatingLength
1Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:40
2Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:27
3I Can’t Stand Up for Falling Down
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
cover recording of:
I Can’t Stand Up for Falling Down
composer:
Homer Banks (soul singer and songwriter) and Allen Jones (producer/songwriter/musician/engineer)
Elvis Costello & The Attractions4.52:07
4Is She Really Going Out With Him?
engineer:
Rod Hewison
producer:
David Kershenbaum
bass guitar:
Graham Maby (in 1978-08)
drums (drum set):
David Houghton (in 1978-08)
guitar:
Gary Sanford (in 1978-08)
lead vocals:
Joe Jackson (English musician) (in 1978-08)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) and Pokazuka Limited
Joe Jackson4.43:35
5Jackie Wilson Said (I’m in Heaven When You Smile)
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
cover recording of:
Jackie Wilson Said (I’m in Heaven When You Smile)
lyricist and composer:
Van Morrison
publisher:
Caledonia Soul Music, Chappell Music (UK), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America and WB Music Corp. (1929–2019)
Dexys Midnight Runners2:38
6Reasons to Be Cheerful, Part 3
saxophone:
Davey Payne (UK saxophonist) (in 1979)
lead vocals:
Ian Dury (in 1979)
performer:
Chaz Jankel (English musician and songwriter) (in 1979)
recorded at:
Eretcia Studios in Roma (Rome), Roma, Lazio, Italy (in 1979)
part of:
TV Cream: Real 100 Best Singles Ever (number: 20)
recording of:
Reasons to Be Cheerful, Part 3 (in 1979)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter) and Davey Payne (UK saxophonist)
Ian Dury and the Blockheads4.54:45
72‐4‐6‐8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:17
868 Guns
recording of:
Sixty Eight Guns
writer:
Eddie MacDonald and Mike Peters
publisher:
Concord Bicycle Assets and Illegal Music Ltd. (publisher; not for release label use!)
The Alarm4.353:17
9Baby I Love You
assistant engineer:
Bruce Gold (Engineer)
engineer:
Larry Levine and Boris Menart
producer:
Phil Spector
cover recording of:
Baby, I Love You
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Ramones43:46
10Senses Working Overtime
engineer:
Hugh Padgham
producer:
Hugh Padgham and XTC (English rock band)
edit of:
Senses Working Overtime by XTC (English rock band)
recording of:
Senses Working Overtime
lyricist and composer:
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:36
11Is Vic There?
recording of:
Is Vic There?
writer:
Mike Herbage and Vaughn Toulouse
publisher:
Modern Music Publishing Ltd.
Department S53:08
12Promises
engineer:
Doug Bennett (producer, engineer)
producer and mixer:
Martin Rushent
arranger:
Buzzcocks (English punk band)
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
Promises by Buzzcocks (English punk band)
recording of:
Promises
writer:
Steve Diggle and Pete Shelley (Buzzcocks lead singer)
Buzzcocks3.652:37
13It’s Going to Happen
recording of:
It’s Going to Happen!
writer:
Michael Bradley (Undertones bassist) and Damian O’Neill
The Undertones3:38
14Back of My Hand
recording of:
Back of My Hand
writer:
John Alder (UK guitarist) and Nick Watkinson
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Jags3:22
15Da‐a‐a‐ance
recording of:
Da‐a‐ance
lyricist and composer:
Jez Bird
publisher:
Rocket Music Ltd.
The Lambrettas2:20
16Love Song
The Damned2:05
17Borstal Breakout
producer:
Jimmy Pursey (Founder member of Sham 69) and Peter Wilson (UK Producer)
recording of:
Borstal Breakout
writer:
Dave Parsons (Sham 69 guitarist) and Jimmy Pursey (Founder member of Sham 69)
Sham 6942:12
18Milk & Alcohol
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
publisher:
Plangent Visions Music Ltd. and Rock Music Co., Ltd.
Dr Feelgood4.22:50
19God Save the Queen (demo)
recording of:
God Save the Queen
writer:
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) and Glen Matlock (bass guitarist of the Sex Pistols)
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Sex Pistols3:40
20Ace of Spades
producer:
Vic Maile (from 1980-08-04 until 1980-09-15)
drums (drum set):
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (from 1980-08-04 until 1980-09-15)
electric bass guitar and lead vocals:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (from 1980-08-04 until 1980-09-15)
electric guitar:
'Fast' Eddie Clarke (Motörhead guitarist) (from 1980-08-04 until 1980-09-15)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980) and Universal Music (plain logo: “Universal Music”) (in 1980)
recorded at:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, United Kingdom (from 1980-08-04 until 1980-09-15)
music videos:
Ace of Spades by Motörhead
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 33), TV Cream: Real 100 Best Singles Ever (number: 41) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 442)
recording of:
Ace of Spades (from 1980-08-04 until 1980-09-15)
writer:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) and Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:47