111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

111 Years of Deutsche Grammophon was released in 3 box sets:
*This is the 6 disc box set
*There is also another 6 disc box set
*There is also a 55 disc box set
*There is also a 13 DVD box set

Annotation last modified on 2011-05-17 18:35 UTC.

Tracklist

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1▼CD: Abbado – Carreras
#TitleArtistRatingLength
1Hungarian Dance no. 5 in G minor
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1982-04 until 1982-06)
conductor:
Claudio Abbado (conductor) (from 1982-04 until 1982-06)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1982-04 until 1982-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling) (from 1982-04 until 1982-06)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:23
2The Art of Fugue, BWV 1080: Contrapunctus 9. a 4 alla Duodecima
producer:
Christoph Classen (producer/engineer)
editor:
Christoph Wolff (liner notes)
piano:
Pierre‐Laurent Aimard (pianist) (in 2007-09)
balance engineer:
Tobias Lehmann (in 2007-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 2007-09)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 2007-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:22
3String Quartet no. 14 in C‐sharp minor, op. 131: II. Allegro molto vivace
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-06)
string quartet:
Amadeus Quartet (in 1963-06)
viola:
Peter Schidlof (violist) (in 1963-06)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-06)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-06)
recording of:
String Quartet no. 14 in C‐sharp minor, op. 131: II. Allegro molto vivace (in 1963-06)
composer:
Ludwig van Beethoven (German composer) (from 1825 until 1826)
part of:
String Quartet no. 14 in C‐sharp minor, op. 131
Ludwig van Beethoven3:12
4Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:16
524 Préludes, op. 28 no. 24 in D minor
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 189)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:18
6Pavane pour une infante défunte
recording engineer:
Klaus Scheibe (editor/engineer)
miscellaneous support:
Werner Mayer (classical producer) (task: recording supervision)
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Joachim Niss and Klaus Scheibe (editor/engineer)
solo horn:
Myron Bloom (hornist) (on 1981-04-30)
orchestra:
Orchestre de Paris (on 1981-04-30)
conductor:
Daniel Barenboim (pianist and conductor) (on 1981-04-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (on 1981-04-30)
recording of:
Pavane pour une infante défunte (orchestrated version) (on 1981-04-30)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel7:47
7Le nozze di Figaro, K. 492: Act II. “Voi che sapete”
recording engineer:
Christopher Alder (editor/engineer/producer)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
mezzo-soprano vocals [Cherubino, paggio del conte]:
Cecilia Bartoli (mezzo‐soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:31
824 Préludes, op. 28 no. 3 in G major
recording engineer:
Arend Prohmann (producer / editor) and Mark Buecker (engineer of classical recordings) (in 2007-07)
executive producer:
Christian Leins
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2007-07)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2007)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 2007-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 168)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:03
9Suite no. 2 in B minor, BWV 1067: VII. “Badinerie”
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hans Ritter
flute:
Jean Soldan (in 1967-05)
strings:
Lucerne Festival Strings
orchestra:
Festival Strings Lucerne (in 1967-05)
conductor:
Rudolf Baumgartner (conductor) (in 1967-05)
balance engineer:
Günter Hermanns (producer/engineer) and Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Verkehrshaus in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 1967-05)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1967-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:31
10Requiem, op. 48: IV. Pie Jesu
recording engineer:
Hans Weber (producer/engineer) (in 1986-03)
executive producer:
Günther Breest (producer for classical music)
producer:
Joseph Szurly
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano) (in 1986-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:06
11Préludes, Book I: VII. “Ce qu’a vu le vent d’Ouest”
recording engineer:
Cord Garben (pianist and conductor)
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-07-26)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:45
12Carmen: Act I. “L’amour est un oiseau rebelle” (Havanaise)
recording engineer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo-soprano) (in 1977-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) and Teresa Berganza (mezzo-soprano)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-08)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:27
13Overture Candide
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Hanno Rinke
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
recording of:
Candide: Overture (on 1982-07-24)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:21
14Requiem in D minor, K. 626: III. Sequentia - Lacrimosa
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
organ:
Hans Haselböck (organist) (in 1971-04)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1971-04)
conductor:
Karl Böhm (Austrian conductor) (in 1971-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1971-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart54:16
15Sechs Lieder, op. 17: II. Ständchen
recording engineer and producer:
Sid McLauchlan (engineer/producer)
executive producer:
Ute Fesquet
piano:
Justus Zeyen (pianist) (in 2009-03)
soprano vocals:
Measha Brueggergosman (soprano) (in 2009-03)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-03)
recording of:
Ständchen, op. 17 no. 2 (in 2009-03)
lyricist:
Adolf Friedrich von Schack
composer:
Richard Strauss (German composer)
part of:
6 Lieder (op. 17; TrV 149)
Richard Strauss2:36
16Le sacre du printemps, Part II: “Le sacrifice” VI. “Danse sacrale” - “L’élue”
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Alison Ames
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Игорь Фёдорович Стравинский4:49
17El amor brujo: Canción del amor dolido
recording engineer and producer:
Karl Faust (producer)
mezzo-soprano vocals:
Grace Bumbry (mezzo‐soprano) (in 1965-06)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: III. Canción del amor dolido (in 1965-06)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:36
18L’Africaine, Act IV: “O Paradiso”
recorded in:
New York, New York, United States (on 1907-02-20)
tenor vocals:
Enrico Caruso (tenor) (on 1907-02-20)
orchestra:
Orchestral Accompaniment ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
phonographic copyright (℗) by:
BMG Classics (read annotations before use) (in 1907)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso” (on 1907-02-20)
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
live recording of:
L’Africaine
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
Giacomo Meyerbeer3:43
19Concerto for Violin, Strings and Harpsichord in G minor, R. 325: II. Largo
recording engineer:
Hans Bernhard Bätzing (engineer, producer) and Ingmar Haas (engineer) (in 2006-01)
executive producer:
Marita Prohmann
producer and editor:
Hans Bernhard Bätzing (engineer, producer)
violin:
Giuliano Carmignola (violinist) (in 2006-01)
orchestra:
Venice Baroque Orchestra (in 2006-01)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2006-01)
balance engineer:
Ulrich Vette (engineer) (in 2006-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (in 2006-01)
recording of:
Concerto for Violin, Strings and Continuo in G minor, RV 325: II. Largo a piacimento (in 2006-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin, Strings and Continuo in G minor, RV 325
Antonio Vivaldi2:02
20Tosca, Act III. “E lucevan le stelle”
recording engineer:
Michel Glotz
executive producer:
Günther Breest (producer for classical music)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1979-09)
conductor:
Herbert von Karajan (conductor) (in 1979-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1979-09)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1979-09)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini53:24
2▼CD: Chung – Hahn
#TitleArtistRatingLength
1Carmen suite (Excerpts from suites nos. 1 & 2): Les toréadors
orchestra:
Orchestre de l’Opéra de la Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1991-03)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1991-03)
recorded at:
Opéra Bastille in Paris, Île-de-France, France (in 1991-03)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1991-03)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet2:11
2Boogie Woogie Etude
producer:
Klaus Fischer-Dieskau (in 1955-12)
piano:
Shura Cherkassky (American pianist) (in 1955-12)
balance engineer:
Werner Grimme (in 1955-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-12)
recording of:
Boogie-Woogie Etude
composer:
Morton Gould (American composer and conductor)
Morton Gould2:13
3Il trovatore, opera: Act III, Scene 2, XI. “Di quella pira”
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Günther Breest (producer for classical music) and Robert Leslie (producer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
mezzo-soprano vocals:
Rosalind Plowright (soprano / mezzo soprano)
soprano vocals:
Rosalind Plowright (soprano / mezzo soprano) (in 1984-04)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano) (in 1984)
tenor vocals:
Plácido Domingo (tenor) (in 1984-04) and Walter Gullino (tenor) (in 1984-04)
tenor vocals [Manrico]:
Plácido Domingo (tenor) (in 1984)
tenor vocals [Ruiz]:
Walter Gullino (tenor) (in 1984)
vocals:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
conductor:
Carlo Maria Giulini (conductor) (in 1984, in 1984-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1984-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-04)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1984)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:45
4Evening Bells
choir vocals:
Don Cossack Choir (in 1959-02)
conductor:
Serge Jaroff
chorus master:
Сергей Жаров (Serge Jaroff) (in 1959-02)
arranger:
Сергей Жаров (Serge Jaroff)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-02)
recording of:
Вечерний звон («Вечерний звон, вечерний звон! Как много дум наводит он…»)
composer:
Александр Алябьев (Alexander Alyabyev, Russian composer) (in 1828)
translator:
Иван Козлов (Ivan Kozlov, Russian Romantic poet and translator) (in 1827)
[anonymous]2:52
5Estancia, danzas del Ballet: II. Danza del trigo
orchestra:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra)
conductor:
Gustavo Dudamel (conductor and violinist)
recorded at:
Centro de Acción Social por la Música in Caracas, Venezuela (in 2008-01)
live recording of:
Danzas de “Estancia”, op. 8a: II. Danza del trigo
composer:
Alberto Ginastera (Argentinean composer) (in 1941)
part of:
Danzas de “Estancia”, op. 8a
Alberto Ginastera3:47
6String quartet, no. 4, Sz. 91: IV. Allegretto pizzicato
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
cello:
David Finckel (in 1988-02)
string quartet:
Emerson String Quartet (in 1988-02)
viola:
Lawrence Dutton (violist) (in 1988-02)
violin:
Eugene Drucker (in 1988-02) and Philip Setzer (violinist) (in 1988-02)
balance engineer:
Peter Laenger (engineer/producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1988-02)
recording of:
String Quartet no. 4, Sz. 91, BB 95: IV. Allegretto pizzicato (in 1988-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1928)
part of:
String Quartet no. 4, Sz. 91, BB 95
Béla Bartók2:43
7Winterreise, D. 911: V. Der Lindenbaum
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Gerald Moore (pianist) (in 1971-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1971-08)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1971-08)
recording of:
Winterreise, op. 89, D. 911: V. Der Lindenbaum (in 1971-08)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827-02)
part of:
Winterreise, op. 89, D. 911
Franz Schubert4:42
8Suite for cello solo no. 1 in G major, BWV 1007: I. Prélude
recording engineer:
Karl-Heinz Schneider (producer) (in 1960-12)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Karl-Heinz Schneider (producer)
cello:
Pierre Fournier (cellist) (in 1960-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-12)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-12)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1960-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:52
9Messa da Requiem: IV. Sanctus
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (from 1953-09-22 until 1953-09-26) and RIAS-Kammerchor (German chamber choir) (from 1953-09-22 until 1953-09-26)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1953-09-22 until 1953-09-26)
conductor:
Ferenc Fricsay (conductor) (from 1953-09-22 until 1953-09-26)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1953-09-22 until 1953-09-26)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (from 1953-09-22 until 1953-09-26)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:31
10Symphony no. 88 in G major, Hob I/88: IV. Finale (Allegro con spirito)
producer:
Fred Hamel
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1951-12-04 until 1951-12-05)
conductor:
Wilhelm Furtwängler (conductor) (from 1951-12-04 until 1951-12-05)
balance engineer:
Heinrich Keilholz
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-12-04 until 1951-12-05)
recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (from 1951-12-04 until 1951-12-05)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn3:40
11Lucrezia Borgia, opera: Act II, Scene XXXI. “Il segreto per esser felici”
choir vocals:
Coro del Teatro Comunale di Bologna (in 2008-11)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2008-11)
orchestra:
Filarmonica del Teatro Comunale di Bologna (in 2008-11)
conductor:
Roberto Abbado (conductor) (in 2008-11)
recorded at:
Teatro Auditorium Manzoni in Bologna, Emilia-Romagna, Italy (in 2008-11)
Gaetano Donizetti2:43
12Vespro della beata Vergine: Domine ad adiuvandum a 6
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-05) and His Majestys Sagbutts and Cornetts (British early music group) (in 1989-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia (Venice), Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1989-05)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (catch all for arrangements) (in 1989-05)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
arrangement of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
Claudio Monteverdi2:10
13Piano Sonata no. 26 in E‐flat major, op. 81a “Les adieux”: III. Das Wiedersehn. Vivacissimamente
producer:
Günther Breest (producer for classical music)
piano:
Emil Gilels (pianist) (in 1974-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Johannesstift in Berlin, Germany (in 1974-12)
recording of:
Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour” (in 1974-12)
composer:
Ludwig van Beethoven (German composer) (from 1809 until 1810)
part of:
Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”
Ludwig van Beethoven6:01
14Pictures at an Exhibition, for orchestra, orchestrated by Ravel: II. “The Old Castle”
producer:
Günther Breest (producer for classical music)
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1976-04)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1976-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский4:36
15Das Wohltemperierte Klavier, BWV 846‐869: Book I, I. Prelude in C major, BWV 846
piano:
Hélène Grimaud (French pianist) (in 2003-09)
recorded at:
Radiohuset in Stockholm, Stockholms län (Stockholm county), Sweden (in 2003-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2003-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach2:49
16Canon and Gigue in D major: I. Canon
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1980-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 1980-09)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1980-09)
partial recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:13
17Piano sonata no. 17 in B‐flat major, KV 570: III. Allegretto
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Friedrich Gulda (pianist) (in 1978-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1978-09)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-09)
recording of:
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto (in 1978-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart4:01
18String quartet, no. 15 in D minor, KV 421: III. Minuetto. Allegretto
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 1995-04)
recorded at:
Rittersaal in Rapperswil, Sankt Gallen (Canton of St. Gallen), Switzerland (in 1995-04)
recording of:
Quartet for Strings no. 15 in D minor, K. 417b/421 “Haydn Quartetti”: III. Minuetto. Allegretto & Trio (in 1995-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Quartet for Strings no. 15 in D minor, K. 417b/421 “Haydn Quartetti”
Wolfgang Amadeus Mozart4:48
19Violin concerto no. 2 in E major, BWV 1042: III. Allegro assai
assistant engineer:
Sherri Hendrickson (in 2002-10)
engineer:
Marc Stedman (in 2002-10)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2002-10)
orchestra:
Los Angeles Chamber Orchestra (in 2002-10)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2002-10)
balance engineer:
Tom Lazarus (in 2002-10)
recorded at:
Zipper Hall in Los Angeles, California, United States (in 2002-10)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (in 2002-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach2:25
3▼CD: Hope – Ludwig
#TitleArtistRatingLength
1Six Songs, op. 34 no. 2: Auf den Flügeln des Gesanges
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer and editor:
John H. West (classical engineer/producer)
piano:
Sebastian Knauer (pianist) (in 2007-06)
violin:
Daniel Hope (violinist) (in 2007-06)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Grazer Congress: Kammermusiksaal in Graz, Steiermark (Styria), Austria (in 2007-06) and Stefaniensaal in Graz, Steiermark (Styria), Austria (in 2007-06)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements) (in 2007-06)
composer:
Felix Mendelssohn (composer)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:27
23 Pieces For Piano, Op.2: I. Etude in C‐sharp minor
producer:
Thomas Frost (classical music producer)
editor:
Rainer Höpfner (engineer), Thomas MacCluskey (engineer) and Lothar Schmidt (engineer)
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (from 1986-04-18 until 1986-04-20)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1986)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского (Moscow Tchaikovsky Conservatory) in Moscow, Russia (on 1986-04-20)
live recording of:
3 Pieces, op. 2: No. 1. Étude in C‐sharp minor (on 1986-04-20)
composer:
Александр Николаевич Скрябин (Alexander Scriabin, pianist and composer) (in 1887)
part of:
3 Pieces, op. 2
Александр Николаевич Скрябин2:45
3Porgy and Bess, opera: Act II, Scene II. “It Ain’t Necessarily So”
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
George Gershwin2:33
4Winterreise, D 911: XXIV. Der Leiermann
piano:
Michael Raucheisen (pianist) (in 1942-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (in 1942-12)
recording of:
Winterreise, op. 89, D. 911: XXIV. Der Leiermann (in 1942-12)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827)
part of:
Winterreise, op. 89, D. 911
Franz Schubert3:37
5Vier letzte Lieder, AV 150: I. Frühling
recording engineer:
Volker Martin (engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (from 1973-02-13 until 1973-02-14)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:06
6Peer Gynt, Incidental Music, op. 23: Act IV, Scene XIII. Prelude “Morning Mood”
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
performer:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1987-06) and Neeme Järvi (Estonian conductor) (in 1987-06)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1987-06)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:16
7Carmina Burana, cantata: Fortuna imperatrix mundi, I. “O Fortuna”
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:40
8Overture “Coriolan”, op. 62
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-09-21 until 1965-09-22)
conductor:
Herbert von Karajan (conductor) (from 1965-09-21 until 1965-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09-21 until 1965-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-09-21 until 1965-09-22)
recording of:
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62) (from 1965-09-21 until 1965-09-22)
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Heinrich Joseph von Collin
premiered at:
Palais Lobkowitz in Innere Stadt, Wien (Vienna), Austria (in 1807-03)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 62)
Ludwig van Beethoven9:03
9Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto
producer:
Wolfgang Lohse
piano:
Wilhelm Kempff (pianist) (in 1964-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1964-05)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (in 1964-05)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:13
10Joshua, oratorio, HWV 64: Act III, Scene XIV. Air “Oh Had I Jubal’s Lyre” (Achsah)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747-07-19 until 1747-08-19)
librettist:
Thomas Morell
part of:
Joshua, HWV 64: Act III
Georg Friedrich Händel2:32
11Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-06)
conductor:
Rafael Kubelík (conductor) (in 1966-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-06)
recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace (in 1966-06)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák6:42
12Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: III. Allegro vivace
assistant engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Wolfgang Stengel
producer and editor:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1993-12)
violin:
Gidon Kremer (violinist) (in 1993-12)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Auditorium Stravinski in Montreux, Vaud (Canton of Vaud), Switzerland (in 1993-12)
recording of:
Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: III. Allegro vivace (in 1993-12)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3
Ludwig van Beethoven3:25
13Symphony no. 5 in C minor, op. 67: I. Allegro con brio
engineer:
Wolf‐Dieter Karwatky and Hans‐Rudolf Müller (engineer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-03 until 1974-04)
conductor:
Carlos Kleiber (conductor) (from 1974-03 until 1974-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1974-03 until 1974-04)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1974-03 until 1974-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:23
14Kinderszenen, op. 15: VII. Träumerei
piano:
Lang Lang (Chinese pianist) (in 2003-11)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 2003-11)
live recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 2003-11)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:24
15String Quartet no. 1 in E‐flat major, Op.12: II. Canzonetta - Allegretto
strings:
LaSalle Quartet (in 1969-12)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-12)
recording of:
String Quartet no. 1 in E-flat major, op. 12: II. Canzonetta. Allegretto più mosso (in 1969-12)
composer:
Felix Mendelssohn (composer) (in 1829)
part of:
String Quartet no. 1 in E-flat major, op. 12
Felix Mendelssohn4:16
16Candide, operetta: Act I, Scene XII. “I Am Easily Assimilated (Old Lady’s Tango)”
choir vocals:
London Symphony Chorus (from 1989-12-15 until 1989-12-18)
mezzo-soprano vocals [Old Lady]:
Christa Ludwig (mezzo-soprano) (from 1989-12-15 until 1989-12-18)
soprano vocals [Cunegonde]:
June Anderson (soprano) (from 1989-12-15 until 1989-12-18)
orchestra:
London Symphony Orchestra (from 1989-12-15 until 1989-12-18)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1989-12-15 until 1989-12-18)
chorus master:
Simon Joly (conductor, chorus master) (from 1989-12-15 until 1989-12-18)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1989-12-15 until 1989-12-18)
recording of:
Candide: Act I. I Am Easily Assimilated (Old Lady’s Tango) (from 1989-12-15 until 1989-12-18)
lyricist and composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:14
4▼CD: Leitner – Pogorelich
#TitleArtistRatingLength
1The Nutcracker Suite, op. 71a: Dance of the Sugar‐Plum Fairy
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1959-05)
conductor:
Ferdinand Leitner (conductor) (in 1959-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-05)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (in 1959-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:04
2Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace
orchestra:
Chicago Symphony Orchestra (in 1992-07)
conductor:
James Levine (US conductor and pianist) (in 1992-07)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1992-07)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace (in 1992-07)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Сергей Сергеевич Прокофьев4:15
3Le carnaval des animaux: Le Cygne
engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1991-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1991-06)
orchestrator:
Paul Vidal (French composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (French composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:55
4Symphony no. 5 in D minor, op. 107 “Reformation”: II. Allegro vivace
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-01)
conductor:
Lorin Maazel (conductor) (in 1961-01)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1961-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-01)
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace (in 1961-01)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn5:23
5Concerto for Violin and Cello with Orchestra in A minor, op. 102 “Double Concerto”: II. Andante
executive producer:
Günther Breest (producer for classical music)
producer:
Werner Mayer (classical producer)
cello:
Antônio Meneses (Brazilian cellist) (from 1983-02-16 until 1983-02-17)
violin:
Anne‐Sophie Mutter (violinist) (from 1983-02-16 until 1983-02-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-02-16 until 1983-02-17)
conductor:
Herbert von Karajan (conductor) (from 1983-02-16 until 1983-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-02-16 until 1983-02-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-02-16 until 1983-02-17)
recording of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: II. Andante (from 1983-02-16 until 1983-02-17)
composer:
Johannes Brahms (German composer) (in 1887)
part of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”
Johannes Brahms7:34
6A Spotless Rose
choir vocals:
Gabrieli Consort (in 2007-07, from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (in 2007-07, from 2007-07-19 until 2007-07-21)
performer:
Gabrieli Consort & Players (UK early music ensemble)
recorded at:
Ely Cathedral in Ely, Cambridgeshire, England, United Kingdom (in 2007-07) and Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
A Spotless Rose (from 2007-07-19 until 2007-07-21)
lyricist:
[anonymous] (special purpose artist)
composer:
Herbert Howells (English composer) (in 1919)
translator:
Catherine Winkworth
publisher:
Galaxy Music Corp. and Stainer & Bell
is based on:
Es ist ein Ros entsprungen (original anonymous version)
part of:
Three Carol-Anthems
recording of:
A Spotless Rose (in 2007-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Herbert Howells (English composer) (in 1919)
translator:
Catherine Winkworth
publisher:
Galaxy Music Corp. and Stainer & Bell
is based on:
Es ist ein Ros entsprungen (original anonymous version)
part of:
Three Carol-Anthems
Herbert Howells3:41
7String Quartet in G minor, op. 10: II. Scherzo. Assez vif et bien rhymé
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
cello:
Peter Buck (cellist in the Melos Quartet) (in 1979-02)
string quartet:
Melos Quartett (Melos Quartet) (in 1979-02)
viola:
Hermann Voss (violist) (in 1979-02)
violin [1. Violine]:
Wilhelm Melcher (in 1979-02)
violin [2. Violine]:
Gerhard Voss (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 : II. Assez vif et bien rythmé (String Quartet in G minor, op. 10: II. Assez vif et bien rythmé) (in 1979-02)
composer:
Claude Debussy (French composer) (from 1892 until 1893)
arrangement of:
Assez vif et bien rythmé
part of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 (String Quartet in G minor, Op. 10, L. 85, CD 91)
Claude Debussy3:57
8Symphonie fantastique, op. 14: Marche au supplice
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1961-01)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:50
9Sorochintsy Fair: Hopak
producer:
Werner Mayer (classical producer)
piano:
Georges Pludermacher (pianist) (from 1975-11-15 until 1975-11-18)
violin:
Nathan Milstein (violinist) (from 1975-11-15 until 1975-11-18)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-11-15 until 1975-11-18)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-11-15 until 1975-11-18) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1975-11-15 until 1975-11-18)
recording of:
The Fair at Sorochintsï: Gopak (for violin and piano, arr. Rachmaninoff) (from 1975-11-15 until 1975-11-18)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
arranger:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1926)
arrangement of:
The Fair at Sorochintsï: Hopak
Модест Петрович Мусоргский1:52
10Dardanus: Tambourins I & II
orchestra:
Les Musiciens du Louvre (in 2003-06)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2003-06)
recorded at:
Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06)
Jean‐Philippe Rameau1:55
11Liebesfreud
producer:
Wolfgang Stengel
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
balance engineer:
Wolfgang Mitlehner (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
Liebesfreud (for violin and piano) (in 1980-06)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:08
12Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-11)
conductor:
Yevgeny Mravinsky (conductor) (in 1960-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1960-11, from 1960-11-09 until 1960-11-10)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1960-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский5:30
13La Traviata: “È strano … Sempre libera”
soprano vocals:
Anna Netrebko (soprano)
orchestra:
Mahler Chamber Orchestra
conductor:
Claudio Abbado (conductor)
performer:
Анна Нетребко (Anna Netrebko, soprano)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi8:30
14Étude‐Caprice in E major, op. 18 no. 5
violin:
David Oistrakh (violinist) (on 1957-04-19) and Igor Oistrakh (violinist) (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 5, in E major, Praeludium. Allegretto scherzando (on 1957-04-19)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 5)
part of:
Études-Caprices, op. 18
recording of:
Étude-Caprice, op. 18 no. 2, in E-flat major, Andante (for 2 violins)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 2)
part of:
Études-Caprices, op. 18
Henryk Wieniawski1:59
15Étude d exécution transcendante no. 2
recording engineer and producer:
Rainer Maillard
assistant engineer:
Bastian Schick
piano:
Alice Sara Ott (pianist) (in 2008-06)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2008-06)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: II. Étude in A minor. Molto vivace (in 2008-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt2:22
16Con che soavita
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1997-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1997-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1997-02)
balance engineer:
Hans‐Ulrich Bastin (in 1997-02)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1997-02)
recording of:
Settimo libro de madrigali: Con che soavità, labbra odorate, SV 139 (in 1997-02)
lyricist:
Giovanni Battista Guarini
composer:
Philippe de Monte (Flemish composer of the late Renaissance) and Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 139)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi4:40
17Swan Lake, op. 20: Act II, X. Scene: Moderato
orchestra:
Boston Symphony Orchestra (in 1978-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1978-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1978-11)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (in 1978-11)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Пётр Ильич Чайковский2:39
18Sonata in E major, K. 135
executive producer:
Hanno Rinke
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff
piano:
Ivo Pogorelich (pianist) (in 1991-09)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1991-09)
recording of:
Sonata in E major, K 135, L 224: Allegro (in 1991-09)
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 135) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 224)
Domenico Scarlatti4:15
5▼CD: Pavarotti – Seefried
#TitleArtistRatingLength
1L’elisir d’amore: “Una furtiva lagrima”
co-producer:
Claudia Hamann
producer:
Cord Garben (pianist and conductor)
editor:
Jürgen Bulgrin (sound engineer) (in 1989-09)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (in 1989-09)
orchestra:
Metropolitan Opera Orchestra (in 1989-09)
conductor:
James Levine (US conductor and pianist) (in 1989-09)
balance engineer:
Wolfgang Mitlehner
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-09)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:19
2Nocturne no. 5 in F‐sharp major, op. 15 no. 2
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1995-01)
balance engineer:
Helmut Burk (in 1995-01)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1995-01)
recording of:
Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 55) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 112)
part of:
Nocturnes, op. 15
Frédéric Chopin3:28
3Sonata for Violin & Keyboard no. 28 in E minor, K. 300c/304: II. Tempo di minuetto
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-02)
violin:
Itzhak Perlman (violinist and conductor) (in 1983-02)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1983-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1983-02)
recording of:
Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto (in 1983-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in E minor, K. 300c/304
Wolfgang Amadeus Mozart4:50
4Le nozze di Figaro, K. 492: Act IV, Scene X. no. 28 Aria “Deh vieni non tardar” (Susanna)
soprano vocals:
Patricia Petibon (soprano) (in 2008-01)
orchestra:
Concerto Köln (in 2008-01)
conductor:
Daniel Harding (conductor) (in 2008-01)
performer:
Patricia Petibon (soprano)
recorded at:
Paterskirche in Kempen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2008-01)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 2008-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:02
5Gnomenreigen, S. 145 no. 2
piano:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) (in 1997-12)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1997-12)
Franz Liszt3:06
6Concerto no. 1 in E major, RV 269 “Spring”: I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer) (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:22
7Polonaise no. 6 in A‐flat major, op. 53 “Heroic”
engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1975-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1975-11) and Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1975-11)
recording of:
Polonaise in A‐flat major, op. 53 “Heroique” (in 1975-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
dedicated to:
Auguste Léo
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16), Works of Fryderyk Chopin by opus number (number: op. 53), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 155) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 147)
Frédéric Chopin7:09
8Capriccio, op. 58: Mondscheinmusik
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1992-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-10)
recording of:
Capriccio, op. 85: Letzte Szene. Mondscheinmusik (Orchester‐Zwischenspiel) (in 1992-10)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss3:45
9Il barbiere di Siviglia: Act I, Scene I. Cavatina “Largo al factotum” (Figaro)
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:41
10Organ Symphony no. 5 in F minor, op. 42 no. 1: V. Toccata
miscellaneous support:
Dr. Gerd Ploebsch (engineer) (task: recording supervision)
engineer:
Hans‐Peter Schweigmann (engineer) (in 1983-09)
organ:
Simon Preston (organist, conductor, composer) (in 1983-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1984)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (in 1983-09)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata (in 1983-09)
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor5:31
11Tannhäuser: Act III, Scene II. “Wie Todesahnung … O du, mein holder Abendstern”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer) (in 2001-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern” (in 2001-09)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner5:32
12Hohe Messe in H‐Moll, BWV 232: IVf. Coro “Dona nobis pacem”
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:29
13Prelude in G‐sharp minor, op. 32 no. 12
recorded in:
Florence, Firenze, Toscana (Tuscany), Italy (in 1962-11)
piano:
Sviatoslav Richter (pianist) (on 1962-11-03)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Galleria Nazionale dell'Umbria (art museum) in Perugia, Perugia, Umbria, Italy (on 1962-11-03)
live recording of:
13 Preludes, op. 32: No. 12 in G-sharp minor. Allegro (on 1962-11-03)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910)
part of:
13 Preludes, op. 32
Сергей Васильевич Рахманинов2:15
14Karelia Suite, op. 11 no. 1: I. Intermezzo
engineer:
Günter Hermanns (producer/engineer) (from 1957-03-13 until 1957-03-14)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-03-13 until 1957-03-14)
conductor:
Hans Rosbaud (conductor) (from 1957-03-13 until 1957-03-14)
balance engineer:
Alfred Steinke (from 1957-03-13 until 1957-03-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1958)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-03-13 until 1957-03-14)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra) (from 1957-03-13 until 1957-03-14)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius3:22
15Chant du ménestrel, op. 71
producer:
Thomas Mowrey
cello:
Mstislav Rostropovich (cellist/conductor) (in 1975-08)
orchestra:
Boston Symphony Orchestra (in 1975-08)
conductor:
Seiji Ozawa (conductor and composer) (in 1975-08)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1975-08)
recording of:
Chant du ménestrel, op. 71 (Minstrel's Song, for cello and orchestra) (in 1975-08)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1900)
dedicated to:
Александр Валерианович Вержбилович
publisher:
Musikverlag M. P. Belaieff (in 1901)
part of:
Works of Alexander Glazunov by opus number (number: op. 71)
Александр Константинович Глазунов4:14
16Frühlingsfahrt, op. 45 no. 2
piano:
Sebastian Peschko (pianist) (in 1938-05)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1938-05)
Robert Schumann3:16
17Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”: III. Scherzo. Allegro molto
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
editor:
Rolf Peter Schröder
piano:
Carl Seemann (German pianist) (in 1959-05)
violin:
Wolfgang Schneiderhan (violinist) (in 1959-05)
balance engineer:
Gerhard Henjes (sound engineer and producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1959-05)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto (in 1959-05)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven1:27
18Lachen und Weinen, D 777
recorded in:
Bielefeld, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1953)
piano:
Erik Werba (pianist) (in 1953)
soprano vocals:
Irmgard Seefried (soprano) (in 1953)
live recording of:
Lachen und Weinen, D. 777 (in 1953)
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 777)
Franz Schubert1:44
6▶CD: Segovia – Zimerman