A342 Central Questions in the Study of Music (audio CDs 3-6)

~ Release by The Open University (see all versions of this release, 1 available)

Tracklist

| |
3▼CD: Units 8, 9 & 10
#TitleArtistRatingLength
1Ave sanctissima Maria
producer:
John Willan (producer)
orchestra:
Early Music Consort of London (from 1975-02 until 1975-04)
conductor:
David Munrow (UK early music historian & musician) (from 1975-02 until 1975-04)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-02 until 1975-04)
Pierre de la Rue3:57
2Violin Sonata in D major, op. 5, no. 1: Grave - Allegro
cello:
Wieland Kuijken (Belgian cellist)
harpsichord:
Robert Kohnen (Belgian organist & harpsichordist)
violin:
Sigiswald Kuijken
recording of:
Violin Sonata in D major, op. 5 no. 1: I. Grave - Allegro
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1700)
part of:
Violin Sonata in D major, op. 5 no. 1
Arcangelo Corelli3:06
3Oh! Baby
Bobby Hackett6:15
4You’ll Never Walk Alone
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-05-01)
bass:
Arthur "Artie" Shapiro (on 1945-05-01)
cello:
Fred Goerner (on 1945-05-01), Arthur Kafton (on 1945-05-01) and Jack Sewell (on 1945-05-01)
drums (drum set):
Ray Hagan (on 1945-05-01)
French horn:
James Stagliano (on 1945-05-01)
guitar:
Dave Barbour (on 1945-05-01)
harp:
Irma Clow (on 1945-05-01)
piano:
Sam Furman (on 1945-05-01)
trombone:
Carl Loeffler (on 1945-05-01), Jimmy Skiles (on 1945-05-01) and Paul Weigand (on 1945-05-01)
trumpet:
Charles Griffard (on 1945-05-01), Leonard Mach (on 1945-05-01) and Horace Nelson (on 1945-05-01)
viola:
Allan Harshman (violist) (on 1945-05-01), Maurice Perlmutter (on 1945-05-01) and Dave Sterkin (on 1945-05-01)
violin:
Victor Arno (on 1945-05-01), Peter Ellis (1940s violinist) (on 1945-05-01), Sam Freed, Jr. (Violinist) (on 1945-05-01), Gerald Joyce (on 1945-05-01), George Kast (on 1945-05-01), Sol Kindler (on 1945-05-01), Samuel Levine (violinist) (on 1945-05-01), Anthony Perrotti (on 1945-05-01), Nicholas Pisani (on 1945-05-01), Ted Rosen (on 1945-05-01), Mischa Russell (violinist) (on 1945-05-01) and Olcott Vail (on 1945-05-01)
woodwind:
Heinie Beau (on 1945-05-01), Mannie Gershman (on 1945-05-01), Leonard Hartman (on 1945-05-01), Herbie Haymer (on 1945-05-01) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1945-05-01)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1945-05-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”), Marvin Bailey (on 1945-05-01), Ruth Clark (on 1945-05-01), Lee Gotch (on 1945-05-01), Ken Lane Singers (on 1945-05-01), Ken Lane (on 1945-05-01), Beverly Mahr (on 1945-05-01), Dorothy McCarty (on 1945-05-01), Mack McLean (on 1945-05-01), Elizabeth Rinkee (on 1945-05-01) and Chuck Schrouder (on 1945-05-01)
conductor:
Axel Stordahl (on 1945-05-01)
performer:
Axel Stordahl and His Orchestra
arranger:
Axel Stordahl
part of:
V Disc (by matrix number) (number: VP 1496 (1))
recording of:
You’ll Never Walk Alone (Carousel) (on 1945-05-01)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Frank Sinatra3:27
5Beyond the Blue Horizon
recording of:
Beyond the Blue Horizon (from "Monte-Carlo")
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
W. Franke Harling and Richard A. Whiting (composer)
publisher:
Sony/ATV Harmony
Martha Tilton4:31
6Messiah, ‘Since by man came death’
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel52:04
7Saraband
harpsichord:
Matthew Spring
Matthew Locke1:07
8Gertie, the Girl with the Gong
Anona Winn3:05
9Lachrimæ veræ (lute version)
recording engineer:
John W. Bower (recording engineer) (in 1967)
producer:
James Burnett (producer) (in 1967)
lute:
Julian Bream
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (in 1967)
recording of:
Lachrimæ, or Seaven Teares: Lachrimae Verae
composer:
John Dowland (composer and lutenist)
part of:
Lachrimæ or Seaven Teares (Just the seven Lachrimæ Pavans)
John Dowland3:11
10Lachrimæ veræ (consort version)
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba [viols]:
Fretwork (consort of viols)
balance engineer:
Tim Handley (engineer/editor/producer) (in 1987-12)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1987-12)
recording of:
Lachrimæ, or Seaven Teares: Lachrimae Verae (in 1987-12)
composer:
John Dowland (composer and lutenist)
part of:
Lachrimæ or Seaven Teares (Just the seven Lachrimæ Pavans)
John Dowland4:36
11Chorale Prelude ‘Der Tag, der ist so freudenreich’
producer:
Dr Gerd Ploebsch (engineer)
organ:
Simon Preston (organist, conductor, composer) (in 1989-09)
balance engineer:
Helmut Burk
recorded at:
Sorø Klosterkirke in Sorø, Region Zealand, Denmark (in 1989-09)
recording of:
Choralvorspiel, BWV 605 "Der Tag, der ist so freudenreich" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 7) and Bach-Werke-Verzeichnis (number: BWV 605)
Johann Sebastian Bach1:39
12Ave verum corpus
recording engineer:
Oswald Gritsch (engineer)
producer:
Johannes Kernmayer
choir vocals:
Chorus Viennensis (from 1994-10-03 until 1994-10-06) and Vienna Boys' Choir (The Vienna Boys Choir) (from 1994-10-03 until 1994-10-06)
orchestra:
Vienna Folkopera Symphony Orchestra (from 1994-10-03 until 1994-10-06)
conductor:
Peter Marschik (chorus master) (from 1994-10-03 until 1994-10-06)
balance engineer:
Christoph Herr (engineer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1994-10-03 until 1994-10-06)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1994-10-03 until 1994-10-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart2:52
13Nocturne in E-flat major, op. 9 no. 2
recording engineer:
Sergio Marcotulli (on 1965-08-30)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Arthur Rubinstein (pianist) (on 1965-08-30)
recorded at:
RCA Italiana Studios in Roma (Rome), Roma, Lazio, Italy (on 1965-08-30)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (on 1965-08-30)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin4:28
14Nocturne in E-flat major, op. 9 no. 2 (bars 1–8, with no variants from pupil copies)
piano:
Byron Dueck
Fryderyk Chopin0:54
15Nocturne in E-flat major, op. 9 no. 2 (bars 1–8, with bar 4 variant 1a)
piano:
Byron Dueck
Fryderyk Chopin0:56
16Nocturne in E-flat major, op. 9 no. 2 (bars 1–8, with bar 4 variant 1b)
piano:
Byron Dueck
Fryderyk Chopin0:53
17Nocturne in E-flat major, op. 9 no. 2 (last 2 bars, with no variants from pupil copies)
piano:
Byron Dueck
Fryderyk Chopin0:21
18Nocturne in E-flat major, op. 9 no. 2 (last 2 bars, with variant 17a)
piano:
Byron Dueck
Fryderyk Chopin0:27
19Nocturne in E-flat major, op. 9 no. 2 (last 2 bars, with variant 17b)
piano:
Byron Dueck
Fryderyk Chopin0:36
20Rondo in C minor, op. 1
piano:
Ian Hobson (pianist, conductor and educator)
recording of:
Rondo in C minor, op. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1825)
part of:
Works of Fryderyk Chopin by opus number (number: op. 1), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 10) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 192)
Fryderyk Chopin8:53
4▼CD: Units 11 & 12
#TitleArtistRatingLength
1Rondo in C minor, op. 1 (first 8 seconds, normal speed)
piano:
Ian Hobson (pianist, conductor and educator)
partial recording of:
Rondo in C minor, op. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1825)
part of:
Works of Fryderyk Chopin by opus number (number: op. 1), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 10) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 192)
Chopin0:11
2Rondo in C minor, op. 1 (first 8 seconds, slowed down by 35%)
piano:
Ian Hobson (pianist, conductor and educator)
partial recording of:
Rondo in C minor, op. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1825)
part of:
Works of Fryderyk Chopin by opus number (number: op. 1), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 10) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 192)
Chopin0:13
3Rondo in C minor, op. 1 (first 8 seconds, slowed down by 50%)
piano:
Ian Hobson (pianist, conductor and educator)
partial recording of:
Rondo in C minor, op. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1825)
part of:
Works of Fryderyk Chopin by opus number (number: op. 1), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 10) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 192)
Chopin0:15
4My Funny Valentine (extract, live)
double bass:
Ron Carter (US jazz double-bassist) (in 1965)
drums (drum set):
Tony Williams (American jazz drummer) (in 1965)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1965)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1965)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1965)
live partial instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (in 1965)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Miles Davis3:11
5Oleg Tumulilingan (extract)
Musicians of STSI Academy, Denpasar, Bali5:25
6Elastic
recording of:
Elastic
lyricist:
Tomas Haake
composer:
Mårten Hagström
Meshuggah1:37
7Tembang Durma manis
Ni Nyoman Candri3:22
8Seagull (Naujaq)
Karin and Kathy Kettler1:19
9Katajjait on “hamma” and its variants: Baffin Land / Hudson Bay / Baffin Land
Elijah Pudloo Mageeta, Temegeak Pitaulassie, Napache Samaejuk Pootoogook, Marie Apaqaq & Soria Eyituk1:31
10Basuubira Malaika
recording engineer:
Hugh Tracey (British ethnomusicologist)
Madinda ga Kabaka Xylophone Ensemble1:20
11Atsiagbekor (If It Comes to Fighting with Guns)
[Ewe musicians and dancers]7:17
12Dìkòbò dámù dá sòmbé
[Members of an Aka community]5:36
13Béza Ba Dzo
compilation of:
Béza Ba Dzo (with click) by Anne‐Marie Nzié
Anne‐Marie Nzié4:12
14Béza Ba Dzo (with click)
Anne‐Marie Nzié0:41
15[Live performance of jùjú music at a Muslim funeral in Ogbomoso]
Uncle Toye Ajagun and his Olumo Soundmakers17:08
5▼CD: Unit 13
#TitleArtistRatingLength
1Prelude in C-sharp minor, op. 3 no. 2 (Hoffman)
piano:
Józef Hofmann (in 1910)
recording of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow) (in 1910)
composer:
Sergei Rachmaninoff (Russian composer)
part of:
Morceaux de fantaisie, op. 3
Rachmaninov3:30
2Prelude in C-sharp minor, op. 3 no. 2 (Rachmaninoff)
piano:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1919-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1978-08-29)
recording of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow) (on 1978-08-29)
composer:
Sergei Rachmaninoff (Russian composer)
part of:
Morceaux de fantaisie, op. 3
Rachmaninov3:45
3Prelude in C-sharp minor, op. 3 no. 2 (Rodriguez)
piano:
Santiago Rodriguez (pianist) (from 1993-01 until 1993-04)
recording of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow) (from 1993-01 until 1993-04)
composer:
Sergei Rachmaninoff (Russian composer)
part of:
Morceaux de fantaisie, op. 3
Rachmaninov6:01
4Symphony no. 5: I. (Nikisch)
recorded in:
Berlin, Germany (on 1913-11-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1913-11-10)
conductor:
Arthur Nikisch (Hungarian conductor) (on 1913-11-10)
balance engineer:
Max Hampe (producer)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (on 1913-11-10)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Beethoven6:52
5Symphony no. 5: I. (Stokowski)
orchestra:
The Philadelphia Orchestra (from 1931-11-21 until 1931-11-30)
conductor:
Leopold Stokowski (conductor) (from 1931-11-21 until 1931-11-30)
live recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1931-11-21 until 1931-11-30)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Beethoven6:28
6A Fifth of Beethoven
producer:
Thomas J. Valentino
guitar:
Mike Caruso (EP and manager)
conductor:
Walter Murphy (American score composer)
phonographic copyright (℗) by:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976)
recording of:
A Fifth of Beethoven
composer:
Ludwig van Beethoven (German composer)
arranger:
Walter Murphy (American score composer)
publisher:
Boosey & Hawkes (Aust.) and R.F.T. Music Publishing Corp.
is based on:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Walter Murphy3.83:04
7Livery Stable Blues
recorded in:
New York, New York, United States (on 1917-02-26)
clarinet:
Larry Shields (on 1917-02-26)
cornet:
Nick LaRocca (on 1917-02-26)
drums (drum set):
Tony Sbarbaro (on 1917-02-26)
piano:
Henry Ragas (on 1917-02-26)
trombone:
Eddie Edwards (Jazz trombonist) (on 1917-02-26)
recording of:
Barnyard Blues (on 1917-02-26)
composer:
Nick LaRocca
recording of:
Livery Stable Blues (on 1917-02-26)
composer:
Ray Lopez (New Orleans jazz trumpeter) and Alcide Nunez (American jazz clarinetist)
Original Dixieland Jazz Band3:08
8Blue in Green
engineer:
Fred Plaut
producer:
Irving Townsend
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Blue in Green (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Blue in Green (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Miles Davis3.45:37
9Sgt. Pepper's Lonely Hearts Club Band
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass and bass guitar [1964 Rickenbacker 4001 S]:
Paul McCartney (The Beatles) (on 1967-02-01)
drums (drum set) and drums (drum set) [1964 Ludwig Super Classic Black Oyster Pearl]:
Ringo Starr (The Beatles) (on 1967-02-01)
French horn:
James W. Buck (on 1967-03-03), John Burden (French horn player) (on 1967-03-03), Tony Randall (actor, producer, and director) (on 1967-03-03) and Neill Sanders (horn player) (on 1967-03-03)
guitar:
George Harrison (The Beatles) (on 1967-02-01), John Lennon (The Beatles) (on 1967-02-01) and Paul McCartney (The Beatles) (on 1967-03-03)
guitar [1961 Sonic Blue Fender Stratocaster]:
George Harrison (The Beatles) (on 1967-02-01)
guitar [1964 Fender Esquire]:
Paul McCartney (The Beatles) (from 1967-02-01 until 1967-03-03)
background vocals:
Neil Aspinall, Mal Evans, Ringo Starr (The Beatles), George Harrison (The Beatles) (on 1967-02-02), John Lennon (The Beatles) (on 1967-02-02) and Paul McCartney (The Beatles) (on 1967-02-02)
lead vocals:
Paul McCartney (The Beatles) (on 1967-02-02)
other vocals [harmony vocals]:
George Harrison (The Beatles) (on 1967-02-02), John Lennon (The Beatles) (on 1967-02-02) and Paul McCartney (The Beatles) (on 1967-02-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1987) and The Gramophone Co., Ltd. (UK record company) (in 1967)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-02-01, from 1967-02-01 until 1967-02-02, on 1967-02-02, on 1967-03-03) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-02-10)
mixed at and edited at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-03-06)
recording of:
Sgt. Pepper’s Lonely Hearts Club Band (from 1967-02-01 until 1967-03-03)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Northern Songs Ltd. (in 1967)
The Beatles3.92:03
10Sgt. Pepper's Lonely Hearts Club Band (reprise)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass, bass guitar and Hammond organ:
Paul McCartney (The Beatles) (on 1967-04-01)
drums (drum set), maracas and tambourine:
Ringo Starr (The Beatles) (on 1967-04-01)
guitar:
George Harrison (The Beatles) (on 1967-04-01) and John Lennon (The Beatles) (on 1967-04-01)
organ:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1967-04-01)
lead vocals:
George Harrison (The Beatles) (on 1967-04-01), John Lennon (The Beatles) (on 1967-04-01) and Paul McCartney (The Beatles) (on 1967-04-01)
vocals:
Ringo Starr (The Beatles) (on 1967-04-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-01)
recording of:
Sgt. Pepper’s Lonely Hearts Club Band (reprise) (on 1967-04-01)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Northern Songs Ltd. (in 1967)
is based on:
Sgt. Pepper’s Lonely Hearts Club Band
recording of:
Sgt. Pepper’s Lonely Hearts Club Band
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Northern Songs Ltd. (in 1967)
The Beatles3.751:21
11One for My Baby
piano:
Bill Miller (pianist)
recording of:
One for My Baby (and One More for the Road) (in 1958)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Frank Sinatra4:24
12One for My Baby
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Richard Flack (producer/engineer) and Mike Ross‐Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
solo piano:
Bill Miller (pianist)
solo saxophone:
Jamie Talbot (English jazz alto saxophonist)
vocals:
Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
cover recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Robbie Williams3.254:19
6▼CD: Unit 14
#TitleArtistRatingLength
1Low Down Dirty Girl
Laurel Aitken2:43
2Dalvey Gal-Parson
Count Lasher's Calypso Quintet2:57
3Confucius
producer:
Justin Yap (Reggae Producer)
alto saxophone:
Lester Sterling
bass:
Lloyd Brevett
guitar:
Jerome “Jah Jerry” Haynes
membranophone:
Lloyd Knibb
piano:
Jackie Mittoo
tenor saxophone:
Roland Alphonso and Tommy McCook
trombone:
Don Drummond
trumpet:
Johnny “Dizzy” Moore (reggae trumpeter)
recording of:
Confucius
writer:
Don Drummond
The Skatalites2:55
4Ba Ba Boom
recording of:
Ba Ba Boom
writer:
Norris Weir and Duke Reid (Jamaican producer and label owner)
The Jamaicans2:59
5Liquidator
recording of:
Liquidator (Ain't No-One Greater)
composer:
Harry Johnson
publisher:
Cari-Blue Music
Harry J. All Stars2:54
6Cockney Translation
Smiley Culture3:07
7Pies
engineer, producer and mixer:
Wiley (UK grime/hip hop artist Richard Cowie, aka Eskiboy, aka Wiley Kat)
vocals:
Wiley (UK grime/hip hop artist Richard Cowie, aka Eskiboy, aka Wiley Kat)
recording of:
Pies
composer:
Richard Cowie (UK grime/hip hop artist Richard Cowie, aka Eskiboy, aka Wiley Kat)
publisher:
EMI Music Publishing (do not use as a release label!)
Wiley3:26
8Discussion from Radio 3 'Building a Library'
Sir William Walton19:22
9Étude aux chemins de fer
recording of:
Cinq études de bruits: I. Étude aux chemins de fer
composer:
Pierre Schaeffer (French musique concrète composer) (in 1948)
part of:
Cinq études de bruits
Pierre Schaeffer2:51
10I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:17
11Maggie’s Farm
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
recording of:
Maggie’s Farm (on 1965-01-15)
lyricist and composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Special Rider Music and Warner Bros. Music (publisher; do NOT use as release label)
Bob Dylan4.153:53