Complete Recordings on Deutsche Grammophon

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Ouvertüre zu "Die Zauberflöte"
recording engineer:
Herr Ehrich (on 1938-12-09)
producer:
Oskar Blaesche
orchestra:
Staatskapelle Berlin (on 1938-12-09)
conductor:
Herbert von Karajan (conductor) (on 1938-12-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1938)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1938-12-09)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (on 1938-12-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:25
2Vorspiel zu "La forza del destino"
recording engineer:
Herr Ehrich (in 1939-02)
orchestra:
Staatskapelle Berlin (in 1939-02)
conductor:
Herbert von Karajan (conductor) (in 1939-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1939)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (in 1939-02)
recording of:
La forza del destino: Sinfonia (in 1939-02)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi7:06
3"Die Meistersinger von Nürnberg" Vorspiel zum 1. Aufzug
recording engineer:
Oskar Blaesche Sr. (in 1939-02)
orchestra:
Staatskapelle Berlin (in 1939-02)
conductor:
Herbert von Karajan (conductor) (in 1939-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1939)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (in 1939-02)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel (in 1939-02)
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner8:34
4Ouvertüre zu "Anacréon"
recording engineer:
Oskar Blaesche Sr. (in 1939-04)
orchestra:
Staatskapelle Berlin (in 1939-04)
conductor:
Herbert von Karajan (conductor) (in 1939-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1939)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (in 1939-04)
recording of:
Anacréon: Overture (in 1939-04)
composer:
Luigi Cherubini (composer)
part of:
Anacréon
Luigi Cherubini9:03
5Symphonie Nr. 6 h-moll, op. 74 "Pathétique": 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
recording engineer:
Oskar Blaesche Sr. (on 1939-04-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1939-04-15, on 1939-06-23)
conductor:
Herbert von Karajan (conductor) (on 1939-04-15, on 1939-06-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1939)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1939-04-15)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (on 1939-04-15)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Peter Tchaikovsky18:08
6Symphonie Nr. 6 h-moll, op. 74 "Pathétique": 2. Allegro con grazia
recording engineer:
Oskar Blaesche Sr. (on 1939-04-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1939-04-15, on 1939-06-23)
conductor:
Herbert von Karajan (conductor) (on 1939-04-15, on 1939-06-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1939)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1939-04-15)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (on 1939-04-15)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Peter Tchaikovsky8:14
7Symphonie Nr. 6 h-moll, op. 74 "Pathétique": 3. Allegro molto vivace
recording engineer:
Oskar Blaesche Sr. (on 1939-04-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1939-04-15, on 1939-06-23)
conductor:
Herbert von Karajan (conductor) (on 1939-04-15, on 1939-06-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1939)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1939-04-15)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (on 1939-04-15)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Peter Tchaikovsky8:11
8Symphonie Nr. 6 h-moll, op. 74 "Pathétique": 4. Finale (Adagio lamentoso - Andante)
recording engineer:
Oskar Blaesche Sr. (on 1939-04-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1939-04-15, on 1939-06-23)
conductor:
Herbert von Karajan (conductor) (on 1939-04-15, on 1939-06-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1939)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1939-04-15)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (on 1939-04-15)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Peter Tchaikovsky9:43
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1"Die Meistersinger von Nürnberg" Vorspiel zum 3. Aufzug
recording engineer:
Oskar Blaesche Sr. (in 1939-04)
orchestra:
Staatskapelle Berlin (in 1939-04)
conductor:
Herbert von Karajan (conductor) (in 1939-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1939)
recorded at and engineered at:
Studio Alte Jakobstraße in Berlin, Germany (in 1939-04)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Vorspiel (The Master-singers of Nuremburg, Act 3. Prelude) (in 1939-04)
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner6:28
2Künstlerleben, op. 316
recording engineer:
Herr Ehrich (in 1940-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1940-02, from 1940-06-07 until 1940-06-17)
conductor:
Herbert von Karajan (conductor) (in 1940-02, from 1940-06-07 until 1940-06-17)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1940)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (in 1940-02, from 1940-06-07 until 1940-06-17)
recording of:
Künstlerleben, op. 316 (Artist’s Life, op. 316) (in 1940-02)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1867)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 316)
Johann Strauss II8:51
3Symphonie Nr. 9 e-moll, op. 95 "Aus der Neuen Welt": 1. Adagio - Allegro molto
recording engineer:
Herr Ehrich (in 1940-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1940-03, from 1940-06-17 until 1940-06-22)
conductor:
Herbert von Karajan (conductor) (in 1940-03, from 1940-06-17 until 1940-06-22)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (in 1940-03, from 1940-06-17 until 1940-06-22)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto) (in 1940-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák9:49
4Symphonie Nr. 9 e-moll, op. 95 "Aus der Neuen Welt": 2. Largo
recording engineer:
Herr Ehrich (in 1940-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1940-03, from 1940-06-17 until 1940-06-22)
conductor:
Herbert von Karajan (conductor) (in 1940-03, from 1940-06-17 until 1940-06-22)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (in 1940-03, from 1940-06-17 until 1940-06-22)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (in 1940-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák13:15
5Symphonie Nr. 9 e-moll, op. 95 "Aus der Neuen Welt": 3. Scherzo (Molto vivace)
recording engineer:
Herr Ehrich (in 1940-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1940-03, from 1940-06-17 until 1940-06-22)
conductor:
Herbert von Karajan (conductor) (in 1940-03, from 1940-06-17 until 1940-06-22)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (in 1940-03, from 1940-06-17 until 1940-06-22)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto) (in 1940-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:30
6Symphonie Nr. 9 e-moll, op. 95 "Aus der Neuen Welt": 4. Allegro con fuoco
recording engineer:
Herr Ehrich (in 1940-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1940-03, from 1940-06-17 until 1940-06-22)
conductor:
Herbert von Karajan (conductor) (in 1940-03, from 1940-06-17 until 1940-06-22)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (in 1940-03, from 1940-06-17 until 1940-06-22)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 “From the New World”: IV. Allegro con fuoco) (in 1940-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák9:54
7Vltava
recording engineer:
Herr Ehrich (from 1940-06-01 until 1941-06-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1940-06-01 until 1941-06-09, from 1940-06-06 until 1941-06-09)
conductor:
Herbert von Karajan (conductor) (from 1940-06-01 until 1941-06-09, from 1940-06-06 until 1941-06-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (from 1940-06-01 until 1941-06-09, from 1940-06-06 until 1941-06-09)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (from 1940-06-01 until 1941-06-09)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:19
3▼CD
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1Kaiserwalzer, op. 437
recording engineer:
Herr Ehrich (on 1941-06-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1941-06-06, on 1941-06-09)
conductor:
Herbert von Karajan (conductor) (on 1941-06-06, on 1941-06-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1941)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1941-06-09)
recording of:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437) (on 1941-06-06)
premiered in:
Berlin, Germany (on 1889-10-21)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437)
Johann Strauss II9:01
2Symphnie Nr. 7 A-dur, op. 92: 1. Poco sostenuto - Vivace
recording engineer:
Herr Ehrich (in 1941-06)
orchestra:
Staatskapelle Berlin (on 1941-06-01)
conductor:
Herbert von Karajan (conductor) (from 1941-06-01 until 1941-06-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1941)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1941-06-01)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (in 1941-06)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven12:49
3Symphnie Nr. 7 A-dur, op. 92: 2. Allegretto
recording engineer:
Herr Ehrich (in 1941-06)
orchestra:
Staatskapelle Berlin (on 1941-06-01)
conductor:
Herbert von Karajan (conductor) (from 1941-06-01 until 1941-06-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1941)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1941-06-01)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (in 1941-06)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:13
4Symphnie Nr. 7 A-dur, op. 92: 3. Presto
recording engineer:
Herr Ehrich (in 1941-06)
orchestra:
Staatskapelle Berlin (on 1941-06-01)
conductor:
Herbert von Karajan (conductor) (from 1941-06-01 until 1941-06-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1941)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1941-06-01)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (in 1941-06)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:56
5Symphnie Nr. 7 A-dur, op. 92: 4. Allegro con brio
recording engineer:
Herr Ehrich (in 1941-06)
orchestra:
Staatskapelle Berlin (on 1941-06-01)
conductor:
Herbert von Karajan (conductor) (from 1941-06-01 until 1941-06-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1941)
recorded at:
Polydor Studios (Polydor Studios, Berlin) in Berlin, Germany (in 1941-06) and Studio Alte Jakobstraße in Berlin, Germany (on 1941-06-01)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (in 1941-06)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven6:35
6Symphonie Nr. 35 D-dur, KV. 385 "Haffner": 1. Allegro con spirito
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart5:17
7Symphonie Nr. 35 D-dur, KV. 385 "Haffner": 2. (Andante)
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 35 in D major, K. 385 “Haffner”: II. Andante (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart4:30
8Symphonie Nr. 35 D-dur, KV. 385 "Haffner": 3. Menuetto
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 35 in D major, K. 385 “Haffner”: III. Minuetto & Trio (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart3:15
9Symphonie Nr. 35 D-dur, KV. 385 "Haffner": 4. Finale (Presto)
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr.
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 35 in D major, K. 385 “Haffner”: IV. Presto (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart3:30
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1Symphonie Nr. 40 g-moll, KV. 550: 1. Molto allegro
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1942-10)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart6:21
2Symphonie Nr. 40 g-moll, KV. 550: 2. Andante
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:04
3Symphonie Nr. 40 g-moll, KV. 550: 3. Menuetto (Allegretto) - Trio
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart3:54
4Symphonie Nr. 40 g-moll, KV. 550: 4. Allegro assai
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:33
5Symphonie Nr. 41 C-dur, KV. 551 "Jupiter": 1. Allegro vivace
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart7:45
6Symphonie Nr. 41 C-dur, KV. 551 "Jupiter": 2. Andante cantabile
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:02
7Symphonie Nr. 41 C-dur, KV. 551 "Jupiter": 3. Menuetto (Allegretto) - Trio
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart4:18
8Symphonie Nr. 41 C-dur, KV. 551 "Jupiter": 4. Molto allegro
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (in 1942-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart6:02
9Ouvertüre zu "Semiramide"
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
Semiramide: Sinfonia (Overture) (in 1942-10)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide
Gioachino Rossini12:04
10"La Traviata" Vorspiel zu Akt 1
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
La traviata: Preludio (in 1942-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi4:29
11"La Traviata" Vorspiel zu Akt 3
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1942-10)
recording engineer:
Oskar Blaesche Sr. (in 1942-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1942-10)
conductor:
Herbert von Karajan (conductor) (in 1942-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recording of:
La traviata: Atto III. Preludio (in 1942-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata: Act III (english version)
part of:
La Traviata: Akt III.
part of:
La traviata: Atto III (La traviata: Act III)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi4:24
5▼CD
#TitleArtistRatingLength
1Ouvertüre zu "Der Zigeunerbaron"
recording engineer:
Oskar Blaesche Sr. (on 1942-10-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1942-10-02)
conductor:
Herbert von Karajan (conductor) (on 1942-10-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1942-10-02)
recording of:
Der Zigeunerbaron: Ouvertüre (on 1942-10-02)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron
Johann Strauss II8:16
2Ouvertüre zu "Die Fledermaus"
recording engineer:
Oskar Blaesche Sr. (in 1942-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1942-10-21, in 1942-12)
conductor:
Herbert von Karajan (conductor) (on 1942-10-21, in 1942-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1942)
recorded at:
Studio Alte Jakobstraße in Berlin, Germany (on 1942-10-21)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) (in 1942-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss II8:17
3Symphonie Nr. 1 c-moll, op. 68: 1. Un poco sostenuto - Allegro
recording engineer:
Herr Ehrich (from 1943-09-06 until 1943-09-11)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1943-09-06 until 1943-09-11)
conductor:
Herbert von Karajan (conductor) (from 1943-09-06 until 1943-09-11)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1943-09-06 until 1943-09-11)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: I. Un poco sostenuto – Allegro (from 1943-09-06 until 1943-09-11)
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms14:28
4Symphonie Nr. 1 c-moll, op. 68: 2. Andante sostenuto
recording engineer:
Herr Ehrich (from 1943-09-06 until 1943-09-11)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1943-09-06 until 1943-09-11)
conductor:
Herbert von Karajan (conductor) (from 1943-09-06 until 1943-09-11)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1943-09-06 until 1943-09-11)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: II. Andante sostenuto (from 1943-09-06 until 1943-09-11)
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms8:54
5Symphonie Nr. 1 c-moll, op. 68: 3. Un poco allegretto e grazioso
recording engineer:
Herr Ehrich (from 1943-09-06 until 1943-09-11)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1943-09-06 until 1943-09-11)
conductor:
Herbert von Karajan (conductor) (from 1943-09-06 until 1943-09-11)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1943-09-06 until 1943-09-11)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: III. Un poco allegretto e grazioso (from 1943-09-06 until 1943-09-11)
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms4:30
6Symphonie Nr. 1 c-moll, op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brio
recording engineer:
Herr Ehrich (from 1943-09-06 until 1943-09-11)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1943-09-06 until 1943-09-11)
conductor:
Herbert von Karajan (conductor) (from 1943-09-06 until 1943-09-11)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1943-09-06 until 1943-09-11)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio (from 1943-09-06 until 1943-09-11)
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms17:33
6▼CD
#TitleArtistRatingLength
1Ouvertüre zu "Der Freischütz"
recording engineer:
Herr Ehrich (on 1943-09-13)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1943-09-13)
conductor:
Herbert von Karajan (conductor) (on 1943-09-13)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1943)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1943-09-13)
recording of:
Der Freischütz: Ouvertüre (on 1943-09-13)
composer:
Carl Maria von Weber (composer)
part of:
Der Freischütz
Carl Maria von Weber10:15
2"Salome" - Tanz der sieben Schleier
recording engineer:
Herr Ehrich (on 1943-09-14)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1943-09-14)
conductor:
Herbert von Karajan (conductor) (on 1943-09-14)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1943-09-14)
recording of:
Salome: Vierte Szene. Tanz der sieben Schleier (on 1943-09-14)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:45
3Ouvertüre "Leonore III", op. 72a
recording engineer:
Herr Ehrich (on 1943-09-15)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1943-09-15)
conductor:
Herbert von Karajan (conductor) (on 1943-09-15)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1943-09-15)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a (on 1943-09-15)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven14:48
4Don Juan, op. 20
recording engineer:
Herr Ehrich (from 1943-09-16 until 1943-09-17)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1943-09-16 until 1943-09-17)
conductor:
Herbert von Karajan (conductor) (from 1943-09-16 until 1943-09-17)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1943-09-16 until 1943-09-17)
engineered at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1943-09-06 until 1943-09-11)
recording of:
Don Juan (op. 20; TrV 156) (from 1943-09-16 until 1943-09-17)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1889-11-11)
composer:
Richard Strauss (German composer) (in 1888)
part of:
Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)
Richard Strauss17:18
7▼CD
#TitleArtistRatingLength
1Ein Heldenleben, op. 40: Der Held
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: I. Der Held (A Hero’s Life, op. 40: 1. The Hero) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss4:14
2Ein Heldenleben, op. 40: Des Helden Widersacher
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: II. Des Helden Widersacher (A Hero’s Life, op. 40: 2. The Hero’s Adversaries) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss3:27
3Ein Heldenleben, op. 40: Des Helden Gefährtin
producer:
Hans Ritter
violin:
Michel Schwalbé (Polish violinist) (from 1959-03-02 until 1959-03-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: III. Des Helden Gefährtin (A Hero’s Life, op. 40: 3. The Hero’s Companion) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss13:00
4Ein Heldenleben, op. 40: Des Helden Walstatt
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: IV. Des Helden Walstatt (A Hero’s Life, op. 40: 4. The Hero at Battle) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss7:15
5Ein Heldenleben, op. 40: Des Helden Friedenswerke
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: V. Des Helden Friedenswerke (A Hero’s Life, op. 40: 5. The Hero’s Works of Peace) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss6:04
6Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung
producer:
Hans Ritter
violin:
Michel Schwalbé (Polish violinist) (from 1959-03-02 until 1959-03-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-03-02 until 1959-03-04)
conductor:
Herbert von Karajan (conductor) (from 1959-03-02 until 1959-03-04)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-03-02 until 1959-03-04)
recording of:
Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung (A Hero’s Life, op. 40: 6. The Hero’s Retreat from the World and Fulfillment) (from 1959-03-02 until 1959-03-04)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss11:44
7Ungarische Tänze: Nr. 5 g-moll
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 5 in G minor: Allegro - Vivace (orch. Parlow) (on 1959-09-04)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:34
8Ungarische Tänze: Nr. 6 D-dur
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Parlow) (on 1959-09-04)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms3:41
9Ungarische Tänze: Nr. 17 cis-moll
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 17 in F-sharp minor: Andantino - Vivace (orchestrated by Dvořák) (on 1959-09-04)
orchestrator:
Antonín Dvořák (composer) (from 1880-10 until 1880-11)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace
part of:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms3:20
10Ungarische Tänze: Nr. 3 F-dur
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto (Brahms orchestration) (on 1959-09-04)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms2:14
11Ungarische Tänze: Nr. 1 g-moll
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration) (on 1959-09-04)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms2:52
12Ungarische Tänze: Nr. 20 e-moll
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 20 in E minor: Poco allegretto - Vivace (orchestrated by Dvořák) (on 1959-09-04)
orchestrator:
Antonín Dvořák (composer) (from 1880-10 until 1880-11)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 20 in E minor: Poco allegretto – Vivace
part of:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms2:30
13Ungarische Tänze: Nr. 19 h-moll
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 19 in B minor: Allegretto (orchestrated by Dvořák) (on 1959-09-04)
orchestrator:
Antonín Dvořák (composer) (from 1880-10 until 1880-11)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 19 in B minor: Allegretto
part of:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms2:10
14Ungarische Tänze: Nr. 18 D-dur
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 18 in D major: Molto vivace (orchestrated by Dvořák) (on 1959-09-04)
orchestrator:
Antonín Dvořák (composer) (from 1880-10 until 1880-11)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, no. 18 in D major: Molto vivace
part of:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms1:15
8▼CD
#TitleArtistRatingLength
1Slawische Tanze: Nr. 1 C-dur, op. 46-1
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (on 1959-09-04)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:33
2Slawische Tanze: Nr. 10 e-moll, op. 72-2
producer:
Otto Gerdes (conductor and producer) and Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Werner Wolf (engineer/producer) and Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra) (on 1959-09-04)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
orchestration of:
Slawische Tänze, op. 72 no. 2 e-Moll (Slavonic Dance, op. 72 no. 2 in E minor, for Piano, four hands)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák5:00
3Slawische Tanze: Nr. 3 As-dur, op. 46-3
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Slavonic Dances, op. 46, B. 83: No. 3 in A-flat major (Polka) (on 1959-09-04)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:44
4Slawische Tanze: Nr. 16 As-dur, op. 72-8
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse (for orchestra) (on 1959-09-04)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák6:34
5Slawische Tanze: Nr. c-moll, op. 46-7
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Slavonic Dances, op. 46, B. 83: No. 7 in C minor (Skočná) (on 1959-09-04)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:24
6Ungarische Rhapsodie Nr. 3
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1960-12-12 until 1960-12-13)
conductor:
Herbert von Karajan (conductor) (from 1960-12-12 until 1960-12-13)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-12-12 until 1960-12-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-12-12 until 1960-12-13)
recording of:
Hungarian Rhapsody for Orchestra no. 5 in E minor, S. 359/5 (from 1960-12-12 until 1960-12-13)
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 5 in E minor, S. 244 no. 5 "Héroïde élégiaque"
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt12:43
7Fantasie über ungarische Volksmelodien
producer:
Hans Ritter
piano:
Shura Cherkassky (American pianist) (from 1960-12-12 until 1960-12-13)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1960-12-12 until 1960-12-13)
conductor:
Herbert von Karajan (conductor) (from 1960-12-12 until 1960-12-13)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-12-12 until 1960-12-13)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-12-12 until 1960-12-13)
recording of:
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 (from 1960-12-12 until 1960-12-13)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1846 until 1852)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered at:
[concert] (1853-06-01)
publisher:
Gustav Heinze (in 1864)
part of:
The Music of Liszt (number: S. 123)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14
Franz Liszt15:56
8Ungarische Rhapsodie Nr. 4
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-02-16 until 1961-02-17)
conductor:
Herbert von Karajan (conductor) (from 1961-02-16 until 1961-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-02-16 until 1961-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-02-16 until 1961-02-17)
recording of:
Hungarian Rhapsody for Orchestra no. 4 in D minor, S. 359/4 (for orchestra; Liszt/Doppler) (from 1961-02-16 until 1961-02-17)
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt13:38
9▼CD
#TitleArtistRatingLength
1Mazeppa
producer:
Otto Gerdes (conductor and producer) (in 1961-02) and Herbert von Karajan (conductor) (in 1961-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-02-16 until 1961-02-17)
conductor:
Herbert von Karajan (conductor) (from 1961-02-16 until 1961-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-02-16 until 1961-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-02-16 until 1961-02-17)
recording of:
Mazeppa, S. 100 (from 1961-02-16 until 1961-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 100)
Franz Liszt15:25
2Coppélia, Ballet Suite: 1. Vorspiel und Mazurka
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Coppélia : Tableau I, no. 1a. Prélude et Mazurka
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes6:42
3Coppélia, Ballet Suite: 2. Szene und Walzer des Swanhilde
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes3:40
4Coppélia, Ballet Suite: 3. Czárdás
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Coppélia : Ballet Suite: Czardas
composer:
Léo Delibes (French composer)
part of:
Coppélia : Ballet Suite
Léo Delibes4:21
5Coppélia, Ballet Suite: 4. Scene und Puppenwalzer
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Coppélia : Tableau II, No. 14. Scène et Valse de la Poupée
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau II
Léo Delibes4:20
6Coppélia, Ballet Suite: 5. Ballade
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Coppélia : Tableau I, no. 5. Ballade de l'épi
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes2:48
7Coppélia, Ballet Suite: 6. Slawische Volkmelodie mit variationen
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Coppélia : Tableau I, no. 6. Thème slave varié
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes6:38
8Les Sylphides (arr. Roy Douglas): 1. Prélude
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: I. Prélude (orch. by Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin1:27
9Les Sylphides (arr. Roy Douglas): 2. Nocturne
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: II. Nocturne in F major, op. 15 no. 1 (orch. by Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
version of:
Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin5:55
10Les Sylphides (arr. Roy Douglas): 3. Walzer
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: III. Walzer (in G‐flat major, op. 70 no. 1) (orch. Roy Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 11 in G‐flat major, op. 70 no. 1
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin2:17
11Les Sylphides (arr. Roy Douglas): 4. Mazurka
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: IV. Mazurka (orch. by Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Mazurka no. 23 in D major, op. 33 no. 2, CT. 73
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin3:13
12Les Sylphides (arr. Roy Douglas): 5. Mazurka
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: V. Mazurka (orch. by Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Mazurka no. 44 in C major, op. 67 no. 3
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin2:00
13Les Sylphides (arr. Roy Douglas): 6. Prélude
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: VI. Prélude (orch. by Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Prélude no. 7 in A major, op. 28: Andantino
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin2:05
14Les Sylphides (arr. Roy Douglas): 7. Walzer
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: VII. Walzer (orch. by Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin4:29
15Les Sylphides (arr. Roy Douglas): 8. Walzer
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: VIII. Walzer (in E‐flat major, op. 18 no. 1) (orch. by Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante”
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin6:03
10▼CD
#TitleArtistRatingLength
1Requiem d-moll, KV. 626: I. Introitus
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
soprano vocals:
Wilma Lipp (soprano) (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
Wolfgang Amadeus Mozart6:01
2Requiem d-moll, KV. 626: II. Kyrie
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
revision of:
Requiem in D minor, K. 626: II. Kyrie (original version, fragment)
Wolfgang Amadeus Mozart32:51
3Requiem d-moll, KV. 626: III. Sequentia: Dies irae
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart1:59
4Requiem d-moll, KV. 626: III. Sequentia: Tuba mirum
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
bass vocals:
Walter Berry (bass‐baritone) (from 1961-10-05 until 1961-10-12)
contralto vocals:
Hilde Rössel‐Majdan (Austrian contralto) (from 1961-10-05 until 1961-10-12)
soprano vocals:
Wilma Lipp (soprano) (from 1961-10-05 until 1961-10-12)
tenor vocals:
Anton Dermota (tenor) (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart4:24
5Requiem d-moll, KV. 626: III. Sequentia: Rex tremendae
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (Süßmayr Edition; choir) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:32
6Requiem d-moll, KV. 626: III. Sequentia: Recordare
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
bass vocals:
Walter Berry (bass‐baritone) (from 1961-10-05 until 1961-10-12)
contralto vocals:
Hilde Rössel‐Majdan (Austrian contralto) (from 1961-10-05 until 1961-10-12)
soprano vocals:
Wilma Lipp (soprano) (from 1961-10-05 until 1961-10-12)
tenor vocals:
Anton Dermota (tenor) (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie (Süßmayr Edition; soprano, alto, tenor, bass solos) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart5:29
7Requiem d-moll, KV. 626: III. Sequentia: Confutatis
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis (Süßmayr Edition; choir) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:39
8Requiem d-moll, KV. 626: III. Sequentia: Lacrimosa
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:29
9Requiem d-moll, KV. 626: IV. Offertorium: Domine Jesu Christe
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
bass vocals:
Walter Berry (bass‐baritone) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
contralto vocals:
Hilde Rössel‐Majdan (Austrian contralto) (from 1961-10-05 until 1961-10-12)
soprano vocals:
Wilma Lipp (soprano) (from 1961-10-05 until 1961-10-12)
tenor vocals:
Anton Dermota (tenor) (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie (Süßmayr Edition; choir with solo quartet) (from 1961-10-05 until 1961-10-12)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
Wolfgang Amadeus Mozart4:15
10Requiem d-moll, KV. 626: IV. Offertorium: Hostias
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces (Süßmayr Edition; choir) (from 1961-10-05 until 1961-10-12)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
Wolfgang Amadeus Mozart5:10
11Requiem d-moll, KV. 626: V. Sanctus
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth (Süßmayr Edition; choir) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
Wolfgang Amadeus Mozart1:49
12Requiem d-moll, KV. 626: VI. Benedictus
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
bass vocals:
Walter Berry (bass‐baritone) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
contralto vocals:
Hilde Rössel‐Majdan (Austrian contralto) (from 1961-10-05 until 1961-10-12)
soprano vocals:
Wilma Lipp (soprano) (from 1961-10-05 until 1961-10-12)
tenor vocals:
Anton Dermota (tenor) (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus (Süßmayr Edition; solo quartet, then choir) (from 1961-10-05 until 1961-10-12)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
Wolfgang Amadeus Mozart5:13
13Requiem d-moll, KV. 626: VII. Agnus dei
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: VI. Agnus Dei (Süßmayr Edition; choir) (from 1961-10-05 until 1961-10-12)
additional orchestrator:
Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr (until 1792-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
Wolfgang Amadeus Mozart3:55
14Requiem d-moll, KV. 626: VIII. Communio: Lux aeterna
producer:
Otto Gerdes (conductor and producer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1961-10-05 until 1961-10-12)
choir vocals:
Wiener Singverein (from 1961-10-05 until 1961-10-12)
soprano vocals:
Wilma Lipp (soprano) (from 1961-10-05 until 1961-10-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-10-05 until 1961-10-12)
conductor:
Herbert von Karajan (conductor) (from 1961-10-05 until 1961-10-12)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-10-05 until 1961-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-10-05 until 1961-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-10-05 until 1961-10-12)
recording of:
Requiem in D minor, K. 626: VIII. Communio: a. Lux aeterna (Süßmayr Edition; soprano solo and choir) (from 1961-10-05 until 1961-10-12)
additional orchestrator:
Franz Beyer (violist) and Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: VIII. Communio (Süßmayr edition)
Wolfgang Amadeus Mozart6:26
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Credits

Release

ASIN:JP: B00118YMAE [info]