Movin': The Complete Verve Recordings

~ Release by Wes Montgomery (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Caravan
bass:
Bob Cranshaw (on 1964-11-16)
drums (drum set):
Grady Tate (on 1964-11-16)
guitar family:
Wes Montgomery (on 1964-11-16)
percussion:
Willie Bobo (on 1964-11-16)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-16), Urbie Green (on 1964-11-16), Quentin Jackson (on 1964-11-16) and Chauncey Welsch (on 1964-11-16)
trumpet:
Ernie Royal (on 1964-11-16), Clark Terry (American swing trumpeter) (on 1964-11-16) and Snooky Young (on 1964-11-16)
tuba:
Don Butterfield (on 1964-11-16) and Harvey Philips (on 1964-11-16)
woodwind:
Jerome Richardson (on 1964-11-16)
conductor:
Johnny Pate (on 1964-11-16)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-16)
instrumental recording of:
Caravan (on 1964-11-16)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
52:39
2People
bass:
Bob Cranshaw (on 1964-11-11)
drums (drum set):
Grady Tate (on 1964-11-11)
guitar family:
Wes Montgomery (on 1964-11-11)
percussion:
Willie Bobo (on 1964-11-11)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-11)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-11), Urbie Green (on 1964-11-11), Quentin Jackson (on 1964-11-11) and Chauncey Welsch (on 1964-11-11)
trumpet:
Ernie Royal (on 1964-11-11), Clark Terry (American swing trumpeter) (on 1964-11-11) and Snooky Young (on 1964-11-11)
tuba:
Don Butterfield (on 1964-11-11) and Harvey Philips (on 1964-11-11)
woodwind:
Jerome Richardson (on 1964-11-11)
conductor:
Johnny Pate (on 1964-11-11)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-11)
instrumental recording of:
People (Funny Girl) (on 1964-11-11)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
4:23
3Movin’ Wes (Part I)
bass:
Bob Cranshaw (on 1964-11-16)
drums (drum set):
Grady Tate (on 1964-11-16)
guitar family:
Wes Montgomery (on 1964-11-16)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-16), Urbie Green (on 1964-11-16), Quentin Jackson (on 1964-11-16) and Chauncey Welsch (on 1964-11-16)
trumpet:
Ernie Royal (on 1964-11-16), Clark Terry (American swing trumpeter) (on 1964-11-16) and Snooky Young (on 1964-11-16)
tuba:
Don Butterfield (on 1964-11-16) and Harvey Philips (on 1964-11-16)
woodwind:
Jerome Richardson (on 1964-11-16)
conductor:
Johnny Pate (on 1964-11-16)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-16)
3:32
4Moca Flor
bass:
Bob Cranshaw (on 1964-11-11)
drums (drum set):
Grady Tate (on 1964-11-11)
guitar family:
Wes Montgomery (on 1964-11-11)
percussion:
Willie Bobo (on 1964-11-11)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-11)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-11), Urbie Green (on 1964-11-11), Quentin Jackson (on 1964-11-11) and Chauncey Welsch (on 1964-11-11)
trumpet:
Ernie Royal (on 1964-11-11), Clark Terry (American swing trumpeter) (on 1964-11-11) and Snooky Young (on 1964-11-11)
tuba:
Don Butterfield (on 1964-11-11) and Harvey Philips (on 1964-11-11)
woodwind:
Jerome Richardson (on 1964-11-11)
conductor:
Johnny Pate (on 1964-11-11)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-11)
instrumental recording of:
Moça flor (on 1964-11-11)
writer:
Durval Ferreira and Lula Freire
3:13
5Matchmaker, Matchmaker
bass:
Bob Cranshaw (on 1964-11-11)
drums (drum set):
Grady Tate (on 1964-11-11)
guitar family:
Wes Montgomery (on 1964-11-11)
percussion:
Willie Bobo (on 1964-11-11)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-11)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-11), Urbie Green (on 1964-11-11), Quentin Jackson (on 1964-11-11) and Chauncey Welsch (on 1964-11-11)
trumpet:
Ernie Royal (on 1964-11-11), Clark Terry (American swing trumpeter) (on 1964-11-11) and Snooky Young (on 1964-11-11)
tuba:
Don Butterfield (on 1964-11-11) and Harvey Philips (on 1964-11-11)
woodwind:
Jerome Richardson (on 1964-11-11)
conductor:
Johnny Pate (on 1964-11-11)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-11)
instrumental recording of:
Matchmaker, Matchmaker (Fiddler on the Roof) (on 1964-11-11)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
2:53
6Movin’ Wes (Part II)
bass:
Bob Cranshaw (on 1964-11-16)
drums (drum set):
Grady Tate (on 1964-11-16)
guitar family:
Wes Montgomery (on 1964-11-16)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-16), Urbie Green (on 1964-11-16), Quentin Jackson (on 1964-11-16) and Chauncey Welsch (on 1964-11-16)
trumpet:
Ernie Royal (on 1964-11-16), Clark Terry (American swing trumpeter) (on 1964-11-16) and Snooky Young (on 1964-11-16)
tuba:
Don Butterfield (on 1964-11-16) and Harvey Philips (on 1964-11-16)
woodwind:
Jerome Richardson (on 1964-11-16)
conductor:
Johnny Pate (on 1964-11-16)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-16)
2:55
7Senza fine
bass:
Bob Cranshaw (on 1964-11-11)
drums (drum set):
Grady Tate (on 1964-11-11)
guitar family:
Wes Montgomery (on 1964-11-11)
percussion:
Willie Bobo (on 1964-11-11)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-11)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-11), Urbie Green (on 1964-11-11), Quentin Jackson (on 1964-11-11) and Chauncey Welsch (on 1964-11-11)
trumpet:
Ernie Royal (on 1964-11-11), Clark Terry (American swing trumpeter) (on 1964-11-11) and Snooky Young (on 1964-11-11)
tuba:
Don Butterfield (on 1964-11-11) and Harvey Philips (on 1964-11-11)
woodwind:
Jerome Richardson (on 1964-11-11)
conductor:
Johnny Pate (on 1964-11-11)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-11)
instrumental recording of:
Senza fine (on 1964-11-11)
additional lyricist:
Alec Wilder (American composer)
lyricist and composer:
Gino Paoli (singer, songwriter)
3:28
8Theodora
bass:
Bob Cranshaw (on 1964-11-11)
drums (drum set):
Grady Tate (on 1964-11-11)
guitar family:
Wes Montgomery (on 1964-11-11)
percussion:
Willie Bobo (on 1964-11-11)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-11)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-11), Urbie Green (on 1964-11-11), Quentin Jackson (on 1964-11-11) and Chauncey Welsch (on 1964-11-11)
trumpet:
Ernie Royal (on 1964-11-11), Clark Terry (American swing trumpeter) (on 1964-11-11) and Snooky Young (on 1964-11-11)
tuba:
Don Butterfield (on 1964-11-11) and Harvey Philips (on 1964-11-11)
woodwind:
Jerome Richardson (on 1964-11-11)
conductor:
Johnny Pate (on 1964-11-11)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-11)
cover recording of:
Theodora
composer:
Billy Taylor (jazz/bop pianist)
3:58
9In and Out
bass:
Bob Cranshaw (on 1964-11-16)
drums (drum set):
Grady Tate (on 1964-11-16)
guitar family:
Wes Montgomery (on 1964-11-16)
percussion:
Willie Bobo (on 1964-11-16)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-16), Urbie Green (on 1964-11-16), Quentin Jackson (on 1964-11-16) and Chauncey Welsch (on 1964-11-16)
trumpet:
Ernie Royal (on 1964-11-16), Clark Terry (American swing trumpeter) (on 1964-11-16) and Snooky Young (on 1964-11-16)
tuba:
Don Butterfield (on 1964-11-16) and Harvey Philips (on 1964-11-16)
woodwind:
Jerome Richardson (on 1964-11-16)
conductor:
Johnny Pate (on 1964-11-16)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-16)
recording of:
In and Out (on 1964-11-16)
composer:
Wes Montgomery
2:53
10Born to Be Blue
bass:
Bob Cranshaw (on 1964-11-16)
drums (drum set):
Grady Tate (on 1964-11-16)
guitar family:
Wes Montgomery (on 1964-11-16)
percussion:
Willie Bobo (on 1964-11-16)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-16), Urbie Green (on 1964-11-16), Quentin Jackson (on 1964-11-16) and Chauncey Welsch (on 1964-11-16)
trumpet:
Ernie Royal (on 1964-11-16), Clark Terry (American swing trumpeter) (on 1964-11-16) and Snooky Young (on 1964-11-16)
tuba:
Don Butterfield (on 1964-11-16) and Harvey Philips (on 1964-11-16)
woodwind:
Jerome Richardson (on 1964-11-16)
conductor:
Johnny Pate (on 1964-11-16)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-16)
instrumental recording of:
Born to Be Blue (on 1964-11-16)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
3:40
11West Coast Blues
bass:
Bob Cranshaw (on 1964-11-16)
drums (drum set):
Grady Tate (on 1964-11-16)
guitar family:
Wes Montgomery (on 1964-11-16)
percussion:
Willie Bobo (on 1964-11-16)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1964-11-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-11-16), Urbie Green (on 1964-11-16), Quentin Jackson (on 1964-11-16) and Chauncey Welsch (on 1964-11-16)
trumpet:
Ernie Royal (on 1964-11-16), Clark Terry (American swing trumpeter) (on 1964-11-16) and Snooky Young (on 1964-11-16)
tuba:
Don Butterfield (on 1964-11-16) and Harvey Philips (on 1964-11-16)
woodwind:
Jerome Richardson (on 1964-11-16)
conductor:
Johnny Pate (on 1964-11-16)
arranger:
Johnny Pate
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-16)
recording of:
West Coast Blues (on 1964-11-16)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
3:18
12Bumpin’
bass:
Bob Cranshaw (on 1965-05-20)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-05-20)
cello:
Charles McCracken (cellist) (on 1965-05-20)
cello and violin:
George Ricci (on 1965-05-20)
drums (drum set):
Hélcio Milito (on 1965-05-20) and Grady Tate (on 1965-05-20)
guitar:
Wes Montgomery (on 1965-05-20)
harp:
Margaret Ross (harp) (on 1965-05-20)
piano:
Roger Kellaway (on 1965-05-20)
viola:
Harold Coletta (on 1965-05-20)
violin:
Paul Gershman (on 1965-05-20), Harry Lookofsky (on 1965-05-20) and Gene Orloff (on 1965-05-20)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-05-20)
recording of:
Bumpin' (on 1965-05-20)
composer:
Wes Montgomery
6:51
13Tear It Down
bass:
Bob Cranshaw (on 1965-05-18)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-05-18)
cello:
Charles McCracken (cellist) (on 1965-05-18)
cello and violin:
George Ricci (on 1965-05-18)
drums (drum set):
Hélcio Milito (on 1965-05-18) and Grady Tate (on 1965-05-18)
guitar:
Wes Montgomery (on 1965-05-18)
harp:
Margaret Ross (harp) (on 1965-05-18)
piano:
Roger Kellaway (on 1965-05-18)
viola:
Harold Coletta (on 1965-05-18)
violin:
Paul Gershman (on 1965-05-18), Harry Lookofsky (on 1965-05-18) and Gene Orloff (on 1965-05-18)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-05-18)
3:15
14A Quiet Thing
bass:
Bob Cranshaw (on 1965-05-19)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-05-19)
cello:
Charles McCracken (cellist) (on 1965-05-19)
cello and violin:
George Ricci (on 1965-05-19)
drums (drum set):
Hélcio Milito (on 1965-05-19) and Grady Tate (on 1965-05-19)
guitar:
Wes Montgomery (on 1965-05-19)
harp:
Margaret Ross (harp) (on 1965-05-19)
piano:
Roger Kellaway (on 1965-05-19)
viola:
Harold Coletta (on 1965-05-19)
violin:
Paul Gershman (on 1965-05-19), Harry Lookofsky (on 1965-05-19) and Gene Orloff (on 1965-05-19)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-05-19)
instrumental recording of:
It’s a Quiet Thing (on 1965-05-19)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Alley Music Corp. and Trio Music Co., Inc.
part of:
Flora, the Red Menace (1965 musical)
3:31
15Con Alma
bass:
Bob Cranshaw (on 1965-05-19)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-05-19)
cello:
Charles McCracken (cellist) (on 1965-05-19)
cello and violin:
George Ricci (on 1965-05-19)
drums (drum set):
Hélcio Milito (on 1965-05-19) and Grady Tate (on 1965-05-19)
guitar:
Wes Montgomery (on 1965-05-19)
harp:
Margaret Ross (harp) (on 1965-05-19)
piano:
Roger Kellaway (on 1965-05-19)
viola:
Harold Coletta (on 1965-05-19)
violin:
Paul Gershman (on 1965-05-19), Harry Lookofsky (on 1965-05-19) and Gene Orloff (on 1965-05-19)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-05-19)
instrumental recording of:
Con Alma (on 1965-05-19)
composer:
Dizzy Gillespie
publisher:
Dizlo Music Corp.
3:25
16The Shadow of Your Smile
bass:
Bob Cranshaw (on 1965-05-18)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-05-18)
cello:
Charles McCracken (cellist) (on 1965-05-18)
cello and violin:
George Ricci (on 1965-05-18)
drums (drum set):
Hélcio Milito (on 1965-05-18) and Grady Tate (on 1965-05-18)
guitar:
Wes Montgomery (on 1965-05-18)
harp:
Margaret Ross (harp) (on 1965-05-18)
piano:
Roger Kellaway (on 1965-05-18)
vibraphone:
Jack Jennings
viola:
Harold Coletta (on 1965-05-18)
violin:
Paul Gershman (on 1965-05-18), Harry Lookofsky (on 1965-05-18) and Gene Orloff (on 1965-05-18)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-05-18)
instrumental recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1965-05-18)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
2:19
17Mi Cosa
bass:
Bob Cranshaw (on 1965-05-20)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-05-20)
cello:
Charles McCracken (cellist) (on 1965-05-20)
cello and violin:
George Ricci (on 1965-05-20)
drums (drum set):
Hélcio Milito (on 1965-05-20) and Grady Tate (on 1965-05-20)
guitar:
Wes Montgomery (on 1965-05-20)
harp:
Margaret Ross (harp) (on 1965-05-20)
piano:
Roger Kellaway (on 1965-05-20)
viola:
Harold Coletta (on 1965-05-20)
violin:
Paul Gershman (on 1965-05-20), Harry Lookofsky (on 1965-05-20) and Gene Orloff (on 1965-05-20)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-05-20)
recording of:
Mi Cosa (on 1965-05-20)
composer:
Wes Montgomery
3:22
18Here’s That Rainy Day
bass:
Bob Cranshaw (on 1965-03-16)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-03-16)
cello:
Charles McCracken (cellist) (on 1965-03-16)
cello and violin:
George Ricci (on 1965-03-16)
drums (drum set):
Hélcio Milito (on 1965-03-16) and Grady Tate (on 1965-03-16)
guitar:
Wes Montgomery (on 1965-03-16)
harp:
Margaret Ross (harp) (on 1965-03-16)
piano:
Roger Kellaway (on 1965-03-16)
viola:
Harold Coletta (on 1965-03-16)
violin:
Paul Gershman (on 1965-03-16), Harry Lookofsky (on 1965-03-16) and Gene Orloff (on 1965-03-16)
conductor:
Don Sebesky (on 1965-03-16)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-03-16)
instrumental recording of:
Here’s That Rainy Day (on 1965-03-16)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:00
19Musty
bass:
Bob Cranshaw (on 1965-03-16)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-03-16)
cello:
Charles McCracken (cellist) (on 1965-03-16)
cello and violin:
George Ricci (on 1965-03-16)
drums (drum set):
Hélcio Milito (on 1965-03-16) and Grady Tate (on 1965-03-16)
guitar:
Wes Montgomery (on 1965-03-16)
harp:
Margaret Ross (harp) (on 1965-03-16)
piano:
Roger Kellaway (on 1965-03-16)
viola:
Harold Coletta (on 1965-03-16)
violin:
Paul Gershman (on 1965-03-16), Harry Lookofsky (on 1965-03-16) and Gene Orloff (on 1965-03-16)
conductor:
Don Sebesky (on 1965-03-16)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-03-16)
4:22
20Just Walkin’
bass:
Bob Cranshaw
bongos and congas:
Candido Camero (Cuban conga and bongo player)
cello:
Charles McCracken (cellist)
cello and violin:
George Ricci
drums (drum set):
Hélcio Milito and Grady Tate
guitar:
Wes Montgomery
harp:
Margaret Ross (harp)
piano:
Roger Kellaway
viola:
Harold Coletta
violin:
Paul Gershman, Harry Lookofsky and Gene Orloff
arranger:
Don Sebesky
3:00
21My One and Only Love
bass:
Bob Cranshaw
bongos and congas:
Candido Camero (Cuban conga and bongo player)
cello:
Charles McCracken (cellist)
cello and violin:
George Ricci
drums (drum set):
Hélcio Milito and Grady Tate
guitar:
Wes Montgomery
harp:
Margaret Ross (harp)
piano:
Roger Kellaway
viola:
Harold Coletta
violin:
Paul Gershman, Harry Lookofsky and Gene Orloff
arranger:
Don Sebesky
instrumental recording of:
My One and Only Love
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
4:09
22Just Walkin’
bass:
Bob Cranshaw
bongos and congas:
Candido Camero (Cuban conga and bongo player)
cello:
Charles McCracken (cellist)
cello and violin:
George Ricci
drums (drum set):
Hélcio Milito and Grady Tate
guitar:
Wes Montgomery
harp:
Margaret Ross (harp)
piano:
Roger Kellaway
viola:
Harold Coletta
violin:
Paul Gershman, Harry Lookofsky and Gene Orloff
arranger:
Don Sebesky
3:37
2▼CD
#TitleArtistRatingLength
1No Blues
recorded in:
United States (on 1965-06-24)
producer:
Creed Taylor
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1965-06-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1965-06-24)
guitar:
Wes Montgomery (on 1965-06-24)
piano:
Wynton Kelly (on 1965-06-24)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
The Half Note in SoHo, New York, New York, United States (on 1965-06-24)
live cover recording of:
No Blues (on 1965-06-24)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Wynton Kelly Trio & Wes Montgomery12:56
2If You Could See Me Now
recorded in:
United States (on 1965-06-24)
producer:
Creed Taylor
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1965-06-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1965-06-24)
guitar:
Wes Montgomery (on 1965-06-24)
piano:
Wynton Kelly (on 1965-06-24)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
The Half Note in SoHo, New York, New York, United States (on 1965-06-24)
live instrumental cover recording of:
If You Could See Me Now (jazz standard) (on 1965-06-24)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Wynton Kelly Trio & Wes Montgomery8:27
3Unit 7
recorded in:
United States (on 1965-09-22)
producer:
Creed Taylor
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1965-09-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1965-09-22)
guitar:
Wes Montgomery (on 1965-09-22)
piano:
Wynton Kelly (on 1965-09-22)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Unit 7 (instrumental) (on 1965-09-22)
composer:
Sam Jones (US jazz bassist)
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Wynton Kelly Trio & Wes Montgomery6:46
4Four on Six
recorded in:
United States (on 1965-09-22)
producer:
Creed Taylor
bass:
Paul Chambers (US jazz bassist) (on 1965-09-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1965-09-22)
guitar:
Wes Montgomery (on 1965-09-22)
piano:
Wynton Kelly (on 1965-09-22)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Four on Six (on 1965-09-22)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
Wynton Kelly Trio & Wes Montgomery6:46
5What’s New
recorded in:
United States (on 1965-09-22)
producer:
Creed Taylor
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1965-09-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1965-09-22)
guitar:
Wes Montgomery (on 1965-09-22)
piano:
Wynton Kelly (on 1965-09-22)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
What’s New? (on 1965-09-22)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Wynton Kelly Trio & Wes Montgomery6:15
6Willow Weep for Me
live instrumental recording of:
Willow Weep for Me (on 1965-06-26)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Wynton Kelly Trio & Wes Montgomery9:08
7Portrait of Jenny
live instrumental recording of:
Portrait of Jennie (on 1965-06-26)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
Wynton Kelly Trio & Wes Montgomery3:27
8Surrey With the Fringe on Top
live instrumental recording of:
The Surrey With the Fringe on Top (on 1965-06-26)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
Wynton Kelly Trio & Wes Montgomery6:15
9Oh, You Crazy Moon
live instrumental recording of:
Oh! You Crazy Moon (on 1965-06-26)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
M. Witmark & Sons and Music Sales Corporation (American copyright holder in both popular and classical music)
Wynton Kelly Trio & Wes Montgomery5:30
10Misty
live recording of:
Misty (original instrumental work) (on 1965-06-26)
composer:
Erroll Garner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Wynton Kelly Trio & Wes Montgomery6:58
11Impressions
double bass:
Paul Chambers (US jazz bassist) (on 1965-09-17)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1965-09-17)
guitar:
Wes Montgomery (on 1965-09-17)
piano:
Wynton Kelly (on 1965-09-17)
recorded at:
The Half Note in SoHo, New York, New York, United States (on 1965-09-17)
cover recording of:
Impressions (on 1965-09-17)
composer:
John Coltrane
publisher:
Jowcol Music
Wynton Kelly Trio & Wes Montgomery5:03
3▼CD
#TitleRatingLength
1Goin' Out of My Head
recording engineer:
Rudy van Gelder (on 1965-11-20)
producer:
Creed Taylor
alto saxophone and clarinet:
Jerry Dodgion (on 1965-11-20) and Phil Woods (US jazz woodwind player) (on 1965-11-20)
bass trombone:
Tony Studd (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-11-20)
drums (drum set):
Grady Tate (on 1965-11-20)
electric guitar [guitar]:
Wes Montgomery (on 1965-11-20)
flute and piccolo:
Jerry Dodgion (on 1965-11-20)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-11-20) and Roger Kellaway (on 1965-11-20)
trombone:
Wayne Andre (on 1965-11-20), Jimmy Cleveland (US jazz trombonist) (on 1965-11-20) and Quentin Jackson (on 1965-11-20)
trumpet:
Danny Moore (on 1964-11-20), Joe Newman (US jazz trumpeter) (on 1964-11-20), Donald Byrd (American jazz trumpeter) (on 1965-11-20) and Ernie Royal (on 1965-11-20)
woodwind:
Jerome Richardson (on 1964-11-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1964-11-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-11-20)
instrumental cover recording of:
Goin’ Out of My Head (on 1964-11-20)
lyricist:
Bobby Weinstein (US songwriter)
composer:
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music and Songs of PolyGram International, Inc. (in 1964)
42:14
2Once I Loved
recording engineer:
Rudy van Gelder (on 1965-12-22)
producer:
Creed Taylor
alto flute, baritone saxophone and bass clarinet:
Dan Bank (reeds) (on 1965-12-22)
alto saxophone:
Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
bass trombone:
Tony Studd (on 1965-12-22)
clarinet:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
congas:
Candido (Cuban conga and bongo player) (on 1965-12-22)
cor anglais [English horn], oboe and tenor saxophone:
Romeo Penque (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-12-22)
drums (drum set):
Grady Tate (on 1965-11-20)
electric guitar [guitar]:
Wes Montgomery (on 1965-12-22)
flute:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (reeds) (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
piccolo:
Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
saxophone:
Bob Ashton (on 1965-12-22)
trombone:
Wayne Andre (on 1965-12-22), Jimmy Cleveland (US jazz trombonist) (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (US jazz trumpeter) (on 1965-12-22) and Ernie Royal (on 1965-12-22)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-12-22)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
instrumental recording of:
Once I Loved (on 1965-12-22)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Ray Gilbert
publisher:
Corcovado Music Corp. and Ipanema Music Corp.
translated version of:
O amor em paz
4:46
3Boss City
recording engineer:
Rudy van Gelder (on 1965-11-20)
producer:
Creed Taylor
alto saxophone and clarinet:
Jerry Dodgion (on 1965-11-20) and Phil Woods (US jazz woodwind player) (on 1965-11-20)
bass trombone:
Tony Studd (on 1965-11-20)
congas:
Candido (Cuban conga and bongo player) (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-11-20)
drums (drum set):
Grady Tate (on 1965-11-20)
electric guitar [guitar]:
Wes Montgomery (on 1965-11-20)
flute and piccolo:
Jerry Dodgion (on 1965-11-20)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-11-20) and Roger Kellaway (on 1965-11-20)
trombone:
Wayne Andre (on 1965-11-20), Jimmy Cleveland (US jazz trombonist) (on 1965-11-20) and Quentin Jackson (on 1965-11-20)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1965-11-20), Danny Moore (on 1965-11-20), Joe Newman (US jazz trumpeter) (on 1965-11-20) and Ernie Royal (on 1965-11-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-11-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-11-20)
recording of:
Boss City
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
3:46
4Chim Chim Cheree
recording engineer:
Rudy van Gelder (on 1965-12-22)
producer:
Creed Taylor
alto flute, baritone saxophone and bass clarinet:
Dan Bank (reeds) (on 1965-12-22)
alto saxophone:
Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
bass trombone:
Tony Studd (on 1965-12-22)
clarinet:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
congas:
Candido (Cuban conga and bongo player) (on 1965-12-22)
cor anglais [English horn], oboe and tenor saxophone:
Romeo Penque (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-12-22)
drums (drum set):
Grady Tate (on 1965-12-22)
electric guitar [guitar]:
Wes Montgomery (on 1965-12-22)
flute:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (reeds) (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
piccolo:
Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
saxophone:
Bob Ashton (on 1965-12-22)
trombone:
Wayne Andre (on 1965-12-22), Jimmy Cleveland (US jazz trombonist) (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (US jazz trumpeter) (on 1965-12-22) and Ernie Royal (on 1965-12-22)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-12-22)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
recording of:
Chim Chim Cher-ee (Mary Poppins) (on 1965-12-22)
lyricist and composer:
Richard M. Sherman and Robert B. Sherman (American songwriter)
publisher:
Campbell Connelly & Co. Ltd., The Walt Disney Co. and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1964 winner)
part of:
Mary Poppins (stage version)
part of:
Mary Poppins (1964 film version)
4:51
5Naptown Blues
recording engineer:
Rudy van Gelder (on 1965-12-22)
producer:
Creed Taylor
alto flute, baritone saxophone and bass clarinet:
Dan Bank (reeds) (on 1965-12-22)
alto saxophone:
Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
bass trombone:
Tony Studd (on 1965-12-22)
clarinet:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
congas:
Candido (Cuban conga and bongo player) (on 1965-12-22)
cor anglais [English horn], oboe and tenor saxophone:
Romeo Penque (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-12-22)
drums (drum set):
Grady Tate (on 1965-12-22)
electric guitar [guitar]:
Wes Montgomery (on 1965-12-22)
flute:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (reeds) (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
piccolo:
Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
saxophone:
Bob Ashton (on 1965-12-22)
trombone:
Wayne Andre (on 1965-12-22), Jimmy Cleveland (US jazz trombonist) (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (US jazz trumpeter) (on 1965-12-22) and Ernie Royal (on 1965-12-22)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-12-22)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
recording of:
Naptown Blues (on 1965-12-22)
composer:
Wes Montgomery
3:08
6Twisted Blues
recording engineer:
Rudy van Gelder (on 1965-12-22)
producer:
Creed Taylor
alto flute, baritone saxophone and bass clarinet:
Dan Bank (reeds) (on 1965-12-22)
alto saxophone:
Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
bass trombone:
Tony Studd (on 1965-12-22)
clarinet:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
congas:
Candido (Cuban conga and bongo player) (on 1965-12-22)
cor anglais [English horn], oboe and tenor saxophone:
Romeo Penque (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-12-22)
drums (drum set):
Grady Tate (on 1965-12-22)
electric guitar [guitar]:
Wes Montgomery (on 1965-12-22)
flute:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (reeds) (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
piccolo:
Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
saxophone:
Bob Ashton (on 1965-12-22)
trombone:
Wayne Andre (on 1965-12-22), Jimmy Cleveland (US jazz trombonist) (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (US jazz trumpeter) (on 1965-12-22) and Ernie Royal (on 1965-12-22)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-12-22)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
recording of:
Twisted Blues (on 1965-12-22)
composer:
Wes Montgomery
4:15
7End of a Love Affair
recording engineer:
Rudy van Gelder (on 1965-12-22)
producer:
Creed Taylor
alto flute, baritone saxophone and bass clarinet:
Dan Bank (reeds) (on 1965-12-22)
alto saxophone:
Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
bass:
George Duvivier (on 1965-12-22)
bass trombone:
Tony Studd (on 1965-12-22)
clarinet:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
congas:
Candido (Cuban conga and bongo player) (on 1965-12-22)
cor anglais [English horn], oboe and tenor saxophone:
Romeo Penque (on 1965-11-20)
drums (drum set):
Grady Tate (on 1965-12-22)
flute:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (reeds) (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
guitar:
Wes Montgomery (on 1965-12-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
piccolo:
Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
saxophone:
Bob Ashton (on 1965-12-22)
trombone:
Wayne Andre (on 1965-12-22), Jimmy Cleveland (US jazz trombonist) (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (US jazz trumpeter) (on 1965-12-22) and Ernie Royal (on 1965-12-22)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-12-22)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
instrumental recording of:
The End of a Love Affair (on 1965-12-22)
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
3:43
8It Was a Very Good Year
recording engineer:
Rudy van Gelder (on 1965-12-22)
producer:
Creed Taylor
alto flute, baritone saxophone and bass clarinet:
Dan Bank (reeds) (on 1965-12-22)
alto saxophone:
Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
bass trombone:
Tony Studd (on 1965-12-22)
clarinet:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
congas:
Candido (Cuban conga and bongo player) (on 1965-12-22)
cor anglais [English horn], oboe and tenor saxophone:
Romeo Penque (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-12-22)
drums (drum set):
Grady Tate (on 1965-12-22)
electric guitar [guitar]:
Wes Montgomery (on 1965-12-22)
flute:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (reeds) (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
piccolo:
Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
saxophone:
Bob Ashton (on 1965-12-22)
trombone:
Wayne Andre (on 1965-12-22), Jimmy Cleveland (US jazz trombonist) (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (US jazz trumpeter) (on 1965-12-22) and Ernie Royal (on 1965-12-22)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-12-22)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
instrumental recording of:
It Was a Very Good Year (on 1965-12-22)
lyricist and composer:
Ervin Drake (songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. and The Songwriters Guild
3:43
9Golden Earrings
recording engineer:
Rudy van Gelder (on 1965-12-22)
producer:
Creed Taylor
alto flute, baritone saxophone and bass clarinet:
Dan Bank (reeds) (on 1965-12-22)
alto saxophone:
Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
bass trombone:
Tony Studd (on 1965-12-22)
clarinet:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (US jazz woodwind player) (on 1965-12-22)
congas:
Candido (Cuban conga and bongo player) (on 1965-12-22)
cor anglais [English horn], oboe and tenor saxophone:
Romeo Penque (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-12-22)
drums (drum set):
Grady Tate (on 1965-12-22)
electric guitar [guitar]:
Wes Montgomery (on 1965-12-22)
flute:
Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (reeds) (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
piccolo:
Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
saxophone:
Bob Ashton (on 1965-12-22)
trombone:
Wayne Andre (on 1965-12-22), Jimmy Cleveland (US jazz trombonist) (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (US jazz trumpeter) (on 1965-12-22) and Ernie Royal (on 1965-12-22)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-12-22)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
instrumental recording of:
Golden Earrings (on 1965-12-22)
lyricist:
Ray Evans (American songwriter) and Jay Livingston
composer:
Victor Young (American composer, arranger, violinist & conductor)
5:19
10Tequila
recording of:
Tequila (on 1966-03-21)
lyricist and composer:
Daniel Flores (Daniel Flores)
3:23
11Little Child (Daddy Dear)
producer:
Creed Taylor
cello:
Charles McCracken (cellist) (on 1966-03-17) and George Ricci (on 1966-03-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1966-03-17)
drums (drum set):
Grady Tate (on 1966-03-17)
guitar:
Wes Montgomery (on 1966-03-17)
vibraphone:
George Devens (on 1966-03-17)
violin:
Paul Gershman (on 1966-03-17), Emanuel Green (on 1966-03-17), Harry Lookofsky (on 1966-03-17) and Gene Orloff (on 1966-03-17)
conductor:
Claus Ogerman (on 1966-03-17)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-03-17)
2:30
12What the World Needs Now Is Love
producer:
Creed Taylor
cello:
Charles McCracken (cellist) (on 1966-03-17) and George Ricci (on 1966-03-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1966-03-17)
drums (drum set):
Grady Tate (on 1966-03-17)
guitar:
Wes Montgomery (on 1966-03-17)
violin:
Paul Gershman (on 1966-03-17), Emanuel Green (on 1966-03-17) and Harry Lookofsky (on 1966-03-17)
conductor:
Claus Ogerman (on 1966-03-17)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-03-17)
instrumental recording of:
What the World Needs Now Is Love (on 1966-03-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
5:00
13The Big Hurt
producer:
Creed Taylor
cello:
Charles McCracken (cellist) (on 1966-03-17) and George Ricci (on 1966-03-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1966-03-17)
drums (drum set):
Grady Tate (on 1966-03-17)
guitar:
Wes Montgomery (on 1966-03-17)
vibraphone:
George Devens (on 1966-03-17)
violin:
Paul Gershman (on 1966-03-17), Emanuel Green (on 1966-03-17), Harry Lookofsky (on 1966-03-17) and Gene Orloff (on 1966-03-17)
conductor:
Claus Ogerman (on 1966-03-17)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-03-17)
instrumental cover recording of:
The Big Hurt (on 1966-03-17)
lyricist and composer:
Wayne Shanklin
4:34
14Bumpin' on Sunset
recording of:
Bumpin' on Sunset (on 1966-03-17)
composer:
Wes Montgomery
4:52
15Insensatez (How Insensitive)
producer:
Creed Taylor
cello:
Charles McCracken (cellist) (on 1966-03-17) and George Ricci (on 1966-03-17)
congas:
Ray Barretto (on 1966-03-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1966-03-17)
guitar:
Wes Montgomery (on 1966-03-17)
violin:
Paul Gershman (on 1966-03-17), Emanuel Green (on 1966-03-17), Harry Lookofsky (on 1966-03-17) and Gene Orloff (on 1966-03-17)
conductor:
Claus Ogerman (on 1966-03-17)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-03-17)
instrumental recording of:
How Insensitive (on 1966-03-17)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (BMI)
translated version of:
Insensatez
3:47
16The Thumb
producer:
Creed Taylor
congas:
Ray Barretto (on 1966-03-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1966-03-17)
drums (drum set):
Grady Tate (on 1966-03-17)
guitar:
Wes Montgomery (on 1966-03-17)
vibraphone:
George Devens (on 1966-03-17)
violin:
Gene Orloff (on 1966-03-17)
conductor:
Claus Ogerman (on 1966-03-17)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-03-17)
recording of:
The Thumb (on 1966-03-17)
composer:
Wes Montgomery
4:51
17Midnight Mood
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1966-03-17)
cello:
Charles McCracken (cellist) (on 1966-03-17) and George Ricci (on 1966-03-17)
drums (drum set):
Grady Tate (on 1966-03-17)
guitar:
Wes Montgomery (on 1966-03-17)
vibraphone:
George Devens (on 1966-03-17)
violin:
Paul Gershman (on 1966-03-17), Emanuel Green (on 1966-03-17), Harry Lookofsky (on 1966-03-17) and Gene Orloff (on 1966-03-17)
conductor:
Claus Ogerman (on 1966-03-17)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-03-17)
cover recording of:
Midnight Mood (on 1966-03-17)
composer:
Ben Raleigh and Joe Zawinul (jazz and fusion keyboard player)
publisher:
Helios Music and Helios Music Corp.
5:35
18Wives and Lovers
producer:
Creed Taylor
cello:
Charles McCracken (cellist) (from 1966-03-17 until 1966-03-21) and George Ricci (from 1966-03-17 until 1966-03-21)
congas:
Ray Barretto (from 1966-03-17 until 1966-03-21)
double bass:
Ron Carter (US jazz double-bassist) (from 1966-03-17 until 1966-03-21)
drums (drum set):
Grady Tate (from 1966-03-17 until 1966-03-21)
guitar:
Wes Montgomery (from 1966-03-17 until 1966-03-21)
vibraphone:
George Devens (from 1966-03-17 until 1966-03-21)
violin:
Paul Gershman (from 1966-03-17 until 1966-03-21), Emanuel Green (from 1966-03-17 until 1966-03-21), Harry Lookofsky (from 1966-03-17 until 1966-03-21) and Gene Orloff (from 1966-03-17 until 1966-03-21)
conductor:
Claus Ogerman (from 1966-03-17 until 1966-03-21)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1966-03-17 until 1966-03-21)
instrumental recording of:
Wives and Lovers (in 1966-03)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
3:00
19Tequila
producer:
Creed Taylor
cello:
Charles McCracken (cellist) (from 1966-03-17 until 1966-03-21) and George Ricci (from 1966-03-17 until 1966-03-21)
congas:
Ray Barretto (from 1966-03-17 until 1966-03-21)
double bass:
Ron Carter (US jazz double-bassist) (from 1966-03-17 until 1966-03-21)
drums (drum set):
Grady Tate (from 1966-03-17 until 1966-03-21)
guitar:
Wes Montgomery (from 1966-03-17 until 1966-03-21)
vibraphone:
George Devens (from 1966-03-17 until 1966-03-21)
violin:
Paul Gershman (from 1966-03-17 until 1966-03-21), Emanuel Green (from 1966-03-17 until 1966-03-21), Harry Lookofsky (from 1966-03-17 until 1966-03-21) and Gene Orloff (from 1966-03-17 until 1966-03-21)
conductor:
Claus Ogerman (from 1966-03-17 until 1966-03-21)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1966-03-17 until 1966-03-21)
cover recording of:
Tequila (from 1966-03-17 until 1966-03-21)
lyricist and composer:
Daniel Flores (Daniel Flores)
2:41
4▼CD
#TitleRatingLength
1California Dreaming
bass:
Richard Davis (American jazz bassist) (on 1966-09-14)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute) (on 1966-09-14)
drums (drum set):
Grady Tate (on 1966-09-14)
flute and saxophone:
Ray Beckenstein (saxophonist and flute player) (on 1966-09-14)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1966-09-14)
guitar:
Wes Montgomery (on 1966-09-14) and Bucky Pizzarelli (on 1966-09-14)
percussion:
Ray Barretto (on 1966-09-14)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-09-14)
trombone:
Wayne Andre (on 1966-09-14) and Bill Watrous (on 1966-09-14)
trumpet:
Mel Davis (US jazz trumpeter) (on 1966-09-14), Bernie Glow (on 1966-09-14) and Jimmy Nottingham (on 1966-09-14)
tuba:
Don Butterfield (on 1966-09-14)
conductor:
Don Sebesky (on 1966-09-14)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-14)
cover recording of:
California Dreamin’ (on 1966-09-14)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:09
2Sun Down
bass:
Richard Davis (American jazz bassist) (on 1966-09-16)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute) (on 1966-09-16)
drums (drum set):
Grady Tate (on 1966-09-16)
flute and saxophone:
Ray Beckenstein (saxophonist and flute player) (on 1966-09-16)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1966-09-16)
guitar:
Wes Montgomery (on 1966-09-16) and Bucky Pizzarelli (on 1966-09-16)
percussion:
Ray Barretto (on 1966-09-16)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-09-16)
trombone:
Wayne Andre (on 1966-09-16) and Bill Watrous (on 1966-09-16)
trumpet:
Mel Davis (US jazz trumpeter) (on 1966-09-16), Bernie Glow (on 1966-09-16) and Jimmy Nottingham (on 1966-09-16)
tuba:
Don Butterfield (on 1966-09-16)
conductor:
Don Sebesky (on 1966-09-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-16)
recording of:
Sun Down (on 1966-09-16)
writer:
Wes Montgomery
6:03
3Oh You Crazy Moon
bass:
Richard Davis (American jazz bassist) (on 1966-09-16)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute) (on 1966-09-16)
drums (drum set):
Grady Tate (on 1966-09-16)
flute and saxophone:
Ray Beckenstein (saxophonist and flute player) (on 1966-09-16)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1966-09-16)
guitar:
Wes Montgomery (on 1966-09-16) and Bucky Pizzarelli (on 1966-09-16)
percussion:
Ray Barretto (on 1966-09-16)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-09-16)
trombone:
Wayne Andre (on 1966-09-16) and Bill Watrous (on 1966-09-16)
trumpet:
Mel Davis (US jazz trumpeter) (on 1966-09-16), Bernie Glow (on 1966-09-16) and Jimmy Nottingham (on 1966-09-16)
tuba:
Don Butterfield (on 1966-09-16)
conductor:
Don Sebesky (on 1966-09-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-16)
cover recording of:
Oh! You Crazy Moon (on 1966-09-16)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
M. Witmark & Sons and Music Sales Corporation (American copyright holder in both popular and classical music)
3:44
4More, More, Amor
bass:
Richard Davis (American jazz bassist) (on 1966-09-16)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute) (on 1966-09-16)
drums (drum set):
Grady Tate (on 1966-09-16)
flute and saxophone:
Ray Beckenstein (saxophonist and flute player) (on 1966-09-16)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1966-09-16)
guitar:
Wes Montgomery (on 1966-09-16) and Bucky Pizzarelli (on 1966-09-16)
percussion:
Ray Barretto (on 1966-09-16)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-09-16)
trombone:
Wayne Andre (on 1966-09-16) and Bill Watrous (on 1966-09-16)
trumpet:
Mel Davis (US jazz trumpeter) (on 1966-09-16), Bernie Glow (on 1966-09-16) and Jimmy Nottingham (on 1966-09-16)
tuba:
Don Butterfield (on 1966-09-16)
conductor:
Don Sebesky (on 1966-09-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-16)
cover recording of:
More and More Amor (on 1966-09-16)
composer:
Sol Lake
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
2:54
5Without You
bass:
Richard Davis (American jazz bassist) (on 1966-09-16)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute) (on 1966-09-16)
drums (drum set):
Grady Tate (on 1966-09-16)
flute and saxophone:
Ray Beckenstein (saxophonist and flute player) (on 1966-09-16)
guitar:
Wes Montgomery (on 1966-09-16)
percussion:
Ray Barretto (on 1966-09-16)
trombone:
Wayne Andre (on 1966-09-16)
trumpet:
Mel Davis (US jazz trumpeter) (on 1966-09-16) and Bernie Glow (on 1966-09-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-16)
recording of:
Without You (on 1966-09-16)
writer:
Rinaldo Marino and Walter Myers
3:06
6Winds of Barcelona
bass:
Richard Davis (American jazz bassist) (on 1966-09-16)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute) (on 1966-09-16)
drums (drum set):
Grady Tate (on 1966-09-16)
flute and saxophone:
Ray Beckenstein (saxophonist and flute player) (on 1966-09-16)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1966-09-16)
guitar:
Wes Montgomery (on 1966-09-16) and Bucky Pizzarelli (on 1966-09-16)
percussion:
Ray Barretto (on 1966-09-16)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-09-16)
trombone:
Wayne Andre (on 1966-09-16) and Bill Watrous (on 1966-09-16)
trumpet:
Mel Davis (US jazz trumpeter) (on 1966-09-16), Bernie Glow (on 1966-09-16) and Jimmy Nottingham (on 1966-09-16)
tuba:
Don Butterfield (on 1966-09-16)
conductor:
Don Sebesky (on 1966-09-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-16)
cover recording of:
Winds of Barcelona (on 1966-09-16)
composer:
Sol Lake
3:08
7Sunny
bass:
Richard Davis (American jazz bassist) (on 1966-09-16)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute) (on 1966-09-16)
congas:
Ray Barretto (on 1966-09-16)
drums (drum set):
Grady Tate (on 1966-09-16)
flute and saxophone:
Ray Beckenstein (saxophonist and flute player) (on 1966-09-16)
guitar:
Al Casamenti, Bucky Pizzarelli and Wes Montgomery (on 1966-09-16)
horn:
Jim Buffington (US jazz, studio and classical hornist)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
saxophone:
Walter Kane (US woodwind player)
trombone:
Wayne Andre (on 1966-09-16)
trumpet:
Jimmy Nottingham, Mel Davis (US jazz trumpeter) (on 1966-09-16) and Bernie Glow (on 1966-09-16)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-16)
instrumental cover recording of:
Sunny (on 1966-09-16)
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:04
8Green Peppers
bass:
Richard Davis (American jazz bassist)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute)
drums (drum set):
Grady Tate
flute and saxophone:
Ray Beckenstein (saxophonist and flute player)
French horn:
Jim Buffington (US jazz, studio and classical hornist)
guitar:
Wes Montgomery and Bucky Pizzarelli
percussion:
Ray Barretto
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
trombone:
Wayne Andre and Bill Watrous
trumpet:
Mel Davis (US jazz trumpeter), Bernie Glow and Jimmy Nottingham
tuba:
Don Butterfield
conductor:
Don Sebesky
cover recording of:
Green Peppers
composer:
Sol Lake
2:56
9Mr. Walker
bass:
Richard Davis (American jazz bassist) (on 1966-09-16)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute) (on 1966-09-16)
drums (drum set):
Grady Tate (on 1966-09-16)
flute and saxophone:
Ray Beckenstein (saxophonist and flute player) (on 1966-09-16)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1966-09-16)
guitar:
Wes Montgomery (on 1966-09-16) and Bucky Pizzarelli (on 1966-09-16)
percussion:
Ray Barretto (on 1966-09-16)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-09-16)
trombone:
Wayne Andre (on 1966-09-16) and Bill Watrous (on 1966-09-16)
trumpet:
Mel Davis (US jazz trumpeter) (on 1966-09-16), Bernie Glow (on 1966-09-16) and Jimmy Nottingham (on 1966-09-16)
tuba:
Don Butterfield (on 1966-09-16)
conductor:
Don Sebesky (on 1966-09-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-16)
recording of:
Mr. Walker (Renie) (on 1966-09-16)
composer:
Wes Montgomery
3:40
10South of the Border
bass:
Richard Davis (American jazz bassist) (on 1966-09-15)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute) (on 1966-09-15)
drums (drum set):
Grady Tate (on 1966-09-15)
flute and saxophone:
Ray Beckenstein (saxophonist and flute player) (on 1966-09-15)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1966-09-15)
guitar:
Wes Montgomery (on 1966-09-15) and Bucky Pizzarelli (on 1966-09-15)
percussion:
Ray Barretto (on 1966-09-15)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-09-15)
trombone:
Wayne Andre (on 1966-09-15) and Bill Watrous (on 1966-09-15)
trumpet:
Mel Davis (US jazz trumpeter) (on 1966-09-15), Bernie Glow (on 1966-09-15) and Jimmy Nottingham (on 1966-09-15)
tuba:
Don Butterfield (on 1966-09-15)
conductor:
Don Sebesky (on 1966-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-15)
cover recording of:
South of the Border (Down Mexico Way) (on 1966-09-15)
writer:
Michael Carr (songwriter) and Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. and Peter Maurice Music Co. Ltd. (on 1939-03-30)
3:14
11Sunny (alternate take)
bass:
Richard Davis (American jazz bassist)
clarinet and saxophone:
Stan Webb (US jazz saxophone, flute)
drums (drum set):
Grady Tate
flute and saxophone:
Ray Beckenstein (saxophonist and flute player)
French horn:
Jim Buffington (US jazz, studio and classical hornist)
guitar:
Wes Montgomery and Bucky Pizzarelli
percussion:
Ray Barretto
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
trombone:
Wayne Andre and Bill Watrous
trumpet:
Mel Davis (US jazz trumpeter), Bernie Glow and Jimmy Nottingham
tuba:
Don Butterfield
conductor:
Don Sebesky
cover recording of:
Sunny
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:10
12Down by the Riverside
bass trombone:
Tony Studd (on 1966-09-23)
double bass [bass]:
Richard Davis (American jazz bassist) (on 1966-09-23)
drums (drum set):
Grady Tate (on 1966-09-23)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1966-09-23)
guitar:
Wes Montgomery (on 1966-09-23)
Hammond organ:
Jimmy Smith (US jazz organist) (on 1966-09-23)
reeds:
Bob Ashton (on 1966-09-23), Danny Bank (reeds) (on 1966-09-23), Jerry Dodgion (on 1966-09-23), Jerome Richardson (on 1966-09-23) and Phil Woods (US jazz woodwind player) (on 1966-09-23)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1966-09-23), Quentin Jackson (on 1966-09-23) and Melba Liston (US jazz trombonist) (on 1966-09-23)
trumpet:
Jimmy Maxwell (Trumpet) (on 1966-09-23), Joe Newman (US jazz trumpeter) (on 1966-09-23) and Ernie Royal (on 1966-09-23)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1966-09-23)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-23)
recording of:
Down by the Riverside (on 1966-09-23)
lyricist and composer:
[traditional] (special purpose artist)
10:02
13Happy-Go-Lucky Local (aka Night Train)
bass trombone:
Tony Studd (on 1966-09-23)
double bass [bass]:
Richard Davis (American jazz bassist) (on 1966-09-23)
drums (drum set):
Grady Tate (on 1966-09-23)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1966-09-23)
guitar:
Wes Montgomery (on 1966-09-23)
Hammond organ:
Jimmy Smith (US jazz organist) (on 1966-09-23)
reeds:
Bob Ashton (on 1966-09-23), Danny Bank (reeds) (on 1966-09-23), Jerry Dodgion (on 1966-09-23), Jerome Richardson (on 1966-09-23) and Phil Woods (US jazz woodwind player) (on 1966-09-23)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1966-09-23), Quentin Jackson (on 1966-09-23) and Melba Liston (US jazz trombonist) (on 1966-09-23)
trumpet:
Jimmy Maxwell (Trumpet) (on 1966-09-23), Joe Newman (US jazz trumpeter) (on 1966-09-23) and Ernie Royal (on 1966-09-23)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1966-09-23)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-23)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (on 1966-09-23)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
6:48
14James and Wes
guitar:
Wes Montgomery (on 1966-09-28)
Hammond organ:
Jimmy Smith (US jazz organist) (on 1966-09-28)
recording of:
James and Wes (on 1966-09-28)
composer:
Jimmy Smith (US jazz organist)
8:14
1513 (Death March)
guitar:
Wes Montgomery (on 1966-09-21)
Hammond organ:
Jimmy Smith (US jazz organist) (on 1966-09-21)
5:23
16Baby, It’s Cold Outside
congas:
Ray Barretto (on 1966-09-28)
double bass [bass]:
Richard Davis (American jazz bassist) (on 1966-09-28)
drums (drum set):
Grady Tate (on 1966-09-28)
guitar:
Wes Montgomery (on 1966-09-28)
Hammond organ:
Jimmy Smith (US jazz organist) (on 1966-09-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-28)
instrumental cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (on 1966-09-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
5:57
5▼CD
#TitleRatingLength
1King of the Road
producer:
Creed Taylor
drums (drum set):
Grady Tate (on 1966-09-28)
electric guitar and guitar:
Wes Montgomery (on 1966-09-28)
Hammond organ and Hammond organ [organ]:
Jimmy Smith (US jazz organist) (on 1966-09-28)
percussion:
Ray Barretto (on 1966-09-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-28)
instrumental cover recording of:
King of the Road (on 1966-09-28)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
4:03
2Maybe September
producer:
Creed Taylor
drums (drum set):
Grady Tate (on 1966-09-28)
guitar:
Wes Montgomery (on 1966-09-28)
Hammond organ [organ]:
Jimmy Smith (US jazz organist) (on 1966-09-28)
percussion:
Ray Barretto (on 1966-09-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-28)
instrumental recording of:
Maybe September (on 1966-09-28)
writer:
Ray Evans (American songwriter), Percy Faith and Jay Livingston
publisher:
Sony/ATV Harmony
6:21
3O.G.D. (aka Road Song)
producer:
Creed Taylor
drums (drum set):
Grady Tate (on 1966-09-28)
guitar:
Wes Montgomery (on 1966-09-28)
Hammond organ [organ]:
Jimmy Smith (US jazz organist) (on 1966-09-28)
percussion:
Ray Barretto (on 1966-09-28)
performer:
Wes Montgomery (on 1966-09-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-28)
recording of:
OGD (on 1966-09-28)
composer:
Wes Montgomery
6:07
4Call Me
producer:
Creed Taylor
drums (drum set):
Grady Tate (on 1966-09-28)
guitar:
Wes Montgomery (on 1966-09-28)
Hammond organ [organ]:
Jimmy Smith (US jazz organist) (on 1966-09-28)
percussion:
Ray Barretto (on 1966-09-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-28)
instrumental cover recording of:
Call Me (on 1966-09-28)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (SOCAN)
3:11
5Milestones
recording of:
Milestones (originally titled “Miles”) (in 1966-09)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
4:10
6Mellow Mood
producer:
Creed Taylor
drums (drum set):
Grady Tate (on 1966-09-28)
guitar:
Wes Montgomery (on 1966-09-28)
Hammond organ [organ]:
Jimmy Smith (US jazz organist) (on 1966-09-28)
percussion:
Ray Barretto (on 1966-09-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-28)
recording of:
Mellow Mood (on 1966-09-28)
composer:
Jimmy Smith (US jazz organist)
8:42
7'Round Midnight
producer:
Creed Taylor
bass trombone:
Tony Studd (on 1966-09-23)
double bass:
Richard Davis (American jazz bassist) (on 1966-09-23)
drums (drum set):
Grady Tate (on 1966-09-23)
guitar:
Wes Montgomery (on 1966-09-23)
Hammond organ [organ]:
Jimmy Smith (US jazz organist) (on 1966-09-23)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1966-09-23) and Melba Liston (US jazz trombonist) (on 1966-09-23)
trumpet:
Jimmy Maxwell (Trumpet) (on 1966-09-23), Joe Newman (US jazz trumpeter) (on 1966-09-23), Ernie Royal (on 1966-09-23) and Clark Terry (American swing trumpeter) (on 1966-09-23)
woodwind:
Bob Ashton (on 1966-09-23), Danny Bank (reeds) (on 1966-09-23), Jerry Dodgion (on 1966-09-23), Jerome Richardson (on 1966-09-23) and Phil Woods (US jazz woodwind player) (on 1966-09-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
’Round Midnight (on 1966-09-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
7:19
8O.G.D. (aka Road Song) [Alternate Take]
congas:
Ray Barretto (on 1966-09-28)
drums (drum set):
Grady Tate (on 1966-09-28)
guitar:
Wes Montgomery (on 1966-09-28)
organ:
Jimmy Smith (US jazz organist) (on 1966-09-28)
recording of:
OGD (on 1966-09-28)
composer:
Wes Montgomery
5:15
9The Big Hurt [Alternate Take]
instrumental recording of:
The Big Hurt (on 1966-03-17)
lyricist and composer:
Wayne Shanklin
3:28
10Bumpin' on Sunset [Alternate Take]
recording of:
Bumpin' on Sunset (on 1966-03-17)
composer:
Wes Montgomery
3:20
11Willow Weep for Me [Overdubbed Version]
instrumental recording of:
Willow Weep for Me (in 1965-06)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
7:42
12Portrait of Jennie [Overdubbed Version]
instrumental recording of:
Portrait of Jennie (in 1965-06)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
2:47
13Oh, You Crazy Moon [Overdubbed Version]
instrumental recording of:
Oh! You Crazy Moon (in 1965-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
M. Witmark & Sons and Music Sales Corporation (American copyright holder in both popular and classical music)
5:28
14Misty [Overdubbed Version]
recording of:
Misty (original instrumental work) (in 1965-06)
composer:
Erroll Garner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
6:45