Complete Recordings on Deutsche Grammophon, Volume 2: Operas / Choral Works

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Tracklist

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1▼CD: Bartók: Herzog Blaubarts Burg / Cantata profana
#TitleArtistRatingLength
1Herzog Blaubarts Burg, Sz. 48, op. 11: »Wir sind am Ziele« (Blaubarth, Judith)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:32
2Herzog Blaubarts Burg, Sz. 48, op. 11: »Dies ist also Blaubarts Feste« (Judith, Blaubarth)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók6:17
3Herzog Blaubarts Burg, Sz. 48, op. 11: »Große schweigende Türen« (Judith, Blaubarth)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:32
4Herzog Blaubarts Burg, Sz. 48, op. 11: »Weh - was siehst Du?« (Judith, Blaubarth)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók3:30
5Herzog Blaubarts Burg, Sz. 48, op. 11: »Was siehst« - »Tausend scharfe Waffen« (Blaubarth, Judith)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók2:53
6Herzog Blaubarts Burg, Sz. 48, op. 11: »Sieh nur den Schatz« (Judith, Blaubarth)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók1:39
7Herzog Blaubarts Burg, Sz. 48, op. 11: »Ach! Blumenpracht« (Judith, Blaubarth)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:17
8Herzog Blaubarts Burg, Sz. 48, op. 11: »Ah! - Sieh, soweit die Blicke reichen« (Judith, Blaubarth)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók6:19
9Herzog Blaubarts Burg, Sz. 48, op. 11: »Weißes stilles Wasser seh ich« (Judith, Blaubarth)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók11:19
10Herzog Blaubarts Burg, Sz. 48, op. 11: »Schau, die früher'n Frauen all« (Blaubarth, Judith)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók2:38
11Herzog Blaubarts Burg, Sz. 48, op. 11: »Früh am Morgen kam die erste« (Blaubarth, Judith)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Blaubart]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-10-07 until 1958-10-08)
mezzo-soprano vocals [Judith]:
Hertha Töpper (mezzo soprano) (from 1958-10-07 until 1958-10-08)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-07 until 1958-10-08)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-10-07 until 1958-10-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-10-07 until 1958-10-08)
partial recording of:
Herzog Blaubarts Burg (from 1958-10-07 until 1958-10-08)
composer:
Bartók Béla (Béla Bartók, composer) (in 1911)
librettist:
Béla Balázs
translated version of:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók6:44
12Cantata Profana, Sz. 94: »Wunder hört ihr sagen«. Molto moderato - Allegro molto
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Chor der St. Hedwigs‐Kathedrale (on 1951-09-12) and RIAS‐Kammerchor (German chamber choir) (on 1951-09-12)
orchestra:
RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1951-09-12)
conductor:
Ferenc Fricsay (conductor) (on 1951-09-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1951-09-12)
recording of:
Cantata profana, Sz. 94: I. „Wunder hört ihr sagen“ Molto moderato – Molto allegro (Chor) (on 1951-09-12)
part of:
Cantata Profana, Sz. 94 (German version)
Béla Bartók7:26
13Cantata Profana, Sz. 94: »Lange harrt der Alte«. Andante
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1951-09-12)
choir vocals:
Chor der St. Hedwigs‐Kathedrale (on 1951-09-12) and RIAS‐Kammerchor (German chamber choir) (on 1951-09-12)
tenor vocals:
Helmut Krebs (tenor) (on 1951-09-12)
orchestra:
RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1951-09-12)
conductor:
Ferenc Fricsay (conductor) (on 1951-09-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1951-09-12)
recording of:
Cantata profana, Sz. 94: II. „Lange harrt der Alte“ Andante (Chor, Tenor, Bariton) (on 1951-09-12)
part of:
Cantata Profana, Sz. 94 (German version)
Béla Bartók8:13
14Cantata Profana, Sz. 94: »Wunder ward euch kund heut«. Moderato
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Chor der St. Hedwigs‐Kathedrale (on 1951-09-12) and RIAS‐Kammerchor (German chamber choir) (on 1951-09-12)
tenor vocals:
Helmut Krebs (tenor) (on 1951-09-12)
orchestra:
RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1951-09-12)
conductor:
Ferenc Fricsay (conductor) (on 1951-09-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1951-09-12)
recording of:
Cantata profana, Sz. 94: III. „Wunder ward euch kund heut’“ Moderato (Chor, Tenor) (on 1951-09-12)
part of:
Cantata Profana, Sz. 94 (German version)
Béla Bartók3:03
2▼CD: Beethoven: Fidelio(1)
#TitleArtistRatingLength
1Fidelio op. 72: Ouvertüre
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:26
2Fidelio op. 72: Erster Akt, Nr. 1. Duett: »Jetzt, Schätzchen, jetzt sind wir allein« (Jaguino, Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:26
3Fidelio op. 72: Erster Akt. »Jacquino, Jacquino« (Rocco, Marzelline, Jaquino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Jaquino]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:22
4Fidelio op. 72: Erster Akt, Nr. 2. Arie: »O wär ich schon mit dir vereint« (Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:44
5Fidelio op. 72: Erster Akt. »Guten Tag, Marzelline, ist Fidelio noch nicht zurück?« (Rocco, Marzelline, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:36
6Fidelio op. 72: Erster Akt, Nr. 3. Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:23
7Fidelio op. 72: Erster Akt. »Höre, Fidelio« (Rocco, Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:19
8Fidelio op. 72: Erster Akt, Nr. 4. Arie: »Hat man nicht auch Gold beineben« (Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:45
9Fidelio op. 72: Erster Akt. »Ihr könnt das leicht sagen, Meister Rocco« (Leonore, Rocco, Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (from 1957-05 until 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:14
10Fidelio op. 72: Erster Akt, Nr. 5. Terzett: »Gut Söhnchen, gut, hab immer Mut« (Rocco, Leonore, Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Rocco]:
Gottlob Frick (operatic bass)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:29
11Fidelio op. 72: Erster Akt, Nr. 6. Marsch
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:01
12Fidelio op. 72: Erster Akt. »Drei Schildwachen auf den Wall« (Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Don Pizarro]:
Walter Franck (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:46
13Fidelio op. 72: Erster Akt, Nr. 7. Arie & Chor: »Ha! Welch ein Augenblick!« (Pizarro, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:55
14Fidelio op. 72: Erster Akt. »Hauptmann! Hören Sie!« (Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Don Pizarro]:
Walter Franck (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:17
15Fidelio op. 72: Erste, Akt. Nr. 8. Duett: »Jetzt, Alter, jetzt hat es Eile!« (Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:49
16Fidelio op. 72: Erster Akt, Nr. 9. Rezitativ & Arie: »Abscheulicher! Wo eilst du hin? ... Komm, Hoffnung, lass den letzten Stern« (Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:05
17Fidelio op. 72: Erster Akt. »Aber Marzelline! Früher, da war ich der gute« (Jaquino, Marzelline, Rocco, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Jaquino]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:36
18Fidelio op. 72: Erster Akt, Nr. 10. Finale. »O welche Lust, in freier Luft den Atem leicht zu heben!« (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
solo bass vocals [Second Prisoner]:
Walter Franck
solo tenor vocals [First Prisoner]:
Siegmar Schneider (actor, voice actor and dubbing speaker)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:40
19Fidelio op. 72: Erster Akt. [Rezitativ:] »Nun sprecht, wie ging's?» - [Duett:] »Noch heute, noch heute!« (Leonore, Rocco) [Szene:] »Ach Vater, Vater, eilt!» (Marzelline, Rocco, Pizarro, Jaquino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:34
20Fidelio op. 72: Erster Akt. »Leb wohl, du warmes Sonnenlicht« (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:51
3▼CD: Beethoven: Fidelio(2)
#TitleArtistRatingLength
1Fidelio op. 72: Zweiter Akt, Nr. 11. Introduktion
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) (in 1957-09)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven3:38
2Fidelio op. 72: Zweiter Akt. [Rezitativ &] Arie: »Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen« (Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan) (in 1957-09)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven7:07
3Fidelio op. 72: Zweiter Akt, Nr. 12. Melodram & Duett: »Wie kalt ist es in diesem unterirdischen Gewölbe!« (Leonore, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:50
4Fidelio op. 72: Zweiter Akt. »Nur hurtig fort, nur frisch gegraben« (Rocco, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:59
5Fidelio op. 72: Zweiter Akt. »Er erwacht!« (Leonore, Rocco, Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Florestan]:
Siegmar Schneider (actor, voice actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:23
6Fidelio op. 72: Zweiter Akt, Nr. 13. Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:18
7Fidelio op. 72: Zweiter Akt. »Alles ist bereit« (Rocco, Leonore, Florestan, Pizarro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Don Pizarro]:
Walter Franck (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Florestan]:
Siegmar Schneider (actor, voice actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:28
8Fidelio op. 72: Zweiter Akt, Nr. 14. Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco, Jaquino) / »Vater Rocco! Der Herr Minister« (Jaquino, Rocco) /»Es schlägt der Rache Stunde« (Leonore, Florestan, Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:55
9Fidelio op. 72: Zweiter Akt. »Meine Leonore, was hast du für mich getan!« (Florestan, Leonore) / Nr. 15. Duett: »O namenlose Freude« (Leonore, Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:56
10Fidelio op. 72: Zweiter Akt. Nr. 16. Finale: »Heil sei dem Tag« (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven1:59
11Fidelio op. 72: Zweiter Akt. »Des besten Königs Wink und Wille« (Fernando, Chor, Rocco, Pizarro, Leonore, Marzelline, Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Don Fernando]:
Kieth Engen (operatic bass) (on 1957-05-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven7:19
12Fidelio op. 72: Zweiter Akt. »Wer ein holdes Weib errungen« (Tutti)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Don Fernando]:
Kieth Engen (operatic bass) (on 1957-05-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven3:45
4▼CD: Bizet: Carmen
#TitleArtistRatingLength
1Carmen: Vorspiel
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen : Prélude (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:12
2Carmen: Habanera: "Ja, die Liebe hat bunte Flügel" (Carmen, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1958-01-06 until 1958-01-12)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
chorus master:
Kurt Eichhorn (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Habanera: "Ja, die Liebe hat bunte Flügel" (Carmen, Chor) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:06
3Carmen: Duett: "Wie, du kommst von der Mutter" (Don José, Micaëla)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Micaëla]:
Maria Stader (soprano) (from 1958-01-06 until 1958-01-12)
tenor vocals [Don José]:
József Simándy (Hungarian tenor) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Duett: "Wie, du kommst von der Mutter" (Don José, Micaëla) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet5:28
4Carmen: Seguidilla & Duett: "Draußen am Wall" (Carmen, Don José)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
tenor vocals [Don José]:
József Simándy (Hungarian tenor) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Seguidilla & Duett: "Draußen am Wall" (Carmen, Don José) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:11
5Carmen: Chanson: "Was ist des Zigeuners höchste Lust?" (Carmen, Frasquita, Mercédès)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
soprano vocals [Frasquita]:
Hanny Steffek (soprano) (from 1958-01-06 until 1958-01-12)
soprano vocals [Mercédès]:
Liselotte Fölser (soprano) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Chanson: "Was ist des Zigeuners höchste Lust?" (Carmen, Frasquita, Mercédès) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:27
6Carmen: Couplet: "Euren Toast kann ich wohl erwidern ... Auf, in den Kampf, Torero!" (Escamillo, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Escamillo]:
Josef Metternich (baritone) (from 1958-01-06 until 1958-01-12)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
chorus master:
Kurt Eichhorn (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Couplet: "Euren Toast kann ich wohl erwidern ... Auf, in den Kampf, Torero!" (Escamillo, Chor) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:40
7Carmen: Quintett: "Ich hab' ein Geschäft vorzutragen" (Dancairo, Frasquita, Mercédès, Carmen, Remendado)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Dancairo]:
Kurt Wehofschitz (from 1958-01-06 until 1958-01-12)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
soprano vocals [Frasquita]:
Hanny Steffek (soprano) (from 1958-01-06 until 1958-01-12)
soprano vocals [Mercédès]:
Liselotte Fölser (soprano) (from 1958-01-06 until 1958-01-12)
tenor vocals [Remendado]:
Paul Kuën (tenor) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Quintett: "Ich hab' ein Geschäft vorzutragen" (Dancairo, Frasquita, Mercédès, Carmen, Remendado) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:38
8Carmen: Arie: "Hier an dem Herzen" (Don José)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
tenor vocals [Don José]:
József Simándy (Hungarian tenor) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Arie: "Hier an dem Herzen" (Don José) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet3:48
9Carmen: Arie: "Wenn dir die Karten" (Carmen)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Arie: "Wenn dir die Karten" (Carmen) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet2:22
10Carmen: Arie: "Hier in der Felsenschlucht... Ich sprach, dass ich furchtlos mich fühle" (Micaëla)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Micaëla]:
Maria Stader (soprano) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Arie: "Hier in der Felsenschlucht... Ich sprach, dass ich furchtlos mich fühle" (Micaëla) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet5:48
11Carmen: Marsch: "Ha sie naht" (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
chorus master:
Kurt Eichhorn (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Marsch: "Ha sie naht" (Chor) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet2:22
12Carmen: Finale "Du bist's?" - "Ich bin's!" (Carmen, Don José, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1958-01-06 until 1958-01-12)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
tenor vocals [Don José]:
József Simándy (Hungarian tenor) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
chorus master:
Kurt Eichhorn (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Finale "Du bist's?" - "Ich bin's!" (Carmen, Don José, Chor) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet8:11
13Carmen: Couplet: "Euren Toast kann ich wohl erwidern ... Auf, in den Kampf, Torero!" (Escamillo, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Escamillo]:
Josef Metternich (baritone) (from 1957-01-18 until 1957-01-22)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 1957-01-18 until 1957-01-22)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Carmen: Couplet: "Euren Toast kann ich wohl erwidern ... Auf, in den Kampf, Torero!" (Escamillo, Chor) (from 1957-01-18 until 1957-01-22)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:46
14Der Barbier von Sevilla: "Ich bin das Faktotum" (Figaro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Figaro]:
Josef Metternich (baritone) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Il barbiere di Siviglia: “Largo al factotum” (Figaro) (catch-all for arrangements) (from 1957-01-18 until 1957-01-22)
composer:
Gioachino Rossini (composer)
arrangement of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Georges Bizet4:23
15Der Troubadour: "Lodernde Flammen schlagen zum Himmel auf" (Azucena)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Azucena]:
Hertha Töpper (mezzo soprano) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Der Troubadour: 2. Akt "Lodernde Flammen" (from 1957-01-18 until 1957-01-22)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
part of:
Der Troubadour
Georges Bizet2:51
16Don Carlos: "Unsel'ge Gabe, unsel'ges Los" (Eboli)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Eboli]:
Hertha Töpper (mezzo soprano) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Don Carlos: "Unsel'ge Gabe, unsel'ges Los" (Eboli) (from 1957-01-18 until 1957-01-22)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlos (German translation)
Georges Bizet4:52
17La bohème: "Wie eiskalt ist dies Händchen" (Rodolfo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Rodolfo]:
Ernst Kozub (tenor) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
La bohème: "Wie eiskalt ist dies Händchen" (Rodolfo) (from 1957-01-18 until 1957-01-22)
composer:
Giacomo Puccini (Italian composer)
part of:
La Bohème (German translation)
Georges Bizet4:05
18Tosca: "Wie sich die Bilder gleichen" (Cavaradossi)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Cavaradossi]:
Ernst Kozub (tenor) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Tosca: "Wie sich die Bilder gleichen" (Cavaradossi) (from 1957-01-18 until 1957-01-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca (German translation)
Georges Bizet3:23
5▼CD: Gluck: Orpheus und Eurydike(1)
#TitleArtistRatingLength
1Orpheus und Eurydike: Ouvertüre
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orfeo ed Euridice, Wq. 30: Overture (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
part of:
Orpheus und Eurydike (German version, arr. Dörffel)
Christoph Willibald Gluck3:13
2Orpheus und Eurydike: Erster Akt, Nr. 1. Chor: "Oh, wenn in diesen dunklen Hainen"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (from 1956-09-08 until 1956-09-12) and RIAS-Kammerchor (German chamber choir) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
chorus master:
Günther Arndt (choral conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 1. Chor: "Oh, wenn in diesen dunklen Hainen" (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck3:59
3Orpheus und Eurydike: Erster Akt, Nr. 2. Rezitativ: "O Freunde, dieses Klagen" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 2. Rezitativ: "O Freunde, dieses Klagen" (Orpheus) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck0:43
4Orpheus und Eurydike: Erster Akt, Nr. 3. Pantomime
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 3. Pantomime (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck2:41
5Orpheus und Eurydike: Erster Akt, Nr. 4. Chor: "Oh, wenn in diesen dunklen Hainen"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (from 1956-09-08 until 1956-09-12) and RIAS-Kammerchor (German chamber choir) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
chorus master:
Günther Arndt (choral conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 4. Chor: "Oh, wenn in diesen dunklen Hainen" (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:43
6Orpheus und Eurydike: Erster Akt, Nr. 5. Rezitativ: "Lasst mich allein" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 5. Rezitativ: "Lasst mich allein" (Orpheus) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck0:36
7Orpheus und Eurydike: Erster Akt, Nr. 6. Ritornell
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 6. Ritornell (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:31
8Orpheus und Eurydike: Erster Akt, Nr. 7. Arie: "So klag' ich ihren Tod" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Akt I. „So klag’ ich ihren Tod“ (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:20
9Orpheus und Eurydike: Erster Akt, Nr. 8. Rezitativ: "Eurydike, teurer Schatten!" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 8. Rezitativ: "Eurydike, teurer Schatten!" (Orpheus) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:49
10Orpheus und Eurydike: Erster Akt, Nr. 9. Arie: "Wehklagend irr' ich so" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 9. Arie: "Wehklagend irr' ich so" (Orpheus) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:25
11Orpheus und Eurydike: Erster Akt, Nr. 10. Rezitativ: "Eurydike, dein suesser Name" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 10. Rezitativ: "Eurydike, dein suesser Name" (Orpheus) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck2:01
12Orpheus und Eurydike: Erster Akt, Nr. 11. Arie: "Weinend gedenk ich dein" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 11. Arie: "Weinend gedenk ich dein" (Orpheus) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:27
13Orpheus und Eurydike: Erster Akt, Nr. 12. Rezitativ: "Grausame Götter" (Orpheus, Amor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
soprano vocals [Amor]:
Rita Streich (soprano) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Akt I. „Grausame Götter!“ (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:41
14Orpheus und Eurydike: Erster Akt, Nr. 13. Arie: "Deines Harfenspiels Harmonien" (Amor, Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
soprano vocals [Amor]:
Rita Streich (soprano) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Akt I. „Deines Harfenspiels Harmonien“ (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:16
15Orpheus und Eurydike: Erster Akt, Nr. 14. Rezitativ: "Wie, ich soll sie wiedersehn!" (Orpheus, Amor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
soprano vocals [Amor]:
Rita Streich (soprano) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 14. Rezitativ: "Wie, ich soll sie wiedersehn!" (Orpheus, Amor) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:01
16Orpheus und Eurydike: Erster Akt, Nr. 15. Arie: "Mit Freuden den Willen der Goetter erfuellen" (Amor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Amor]:
Rita Streich (soprano) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Akt I. „Mit Freuden den Willen der Götter erfüllen“ (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck1:57
17Orpheus und Eurydike: Erster Akt, Nr. 16. Rezitativ "Was hör' ich? Ist es wahr?" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Erster Akt, Nr. 16. Rezitativ "Was hör' ich? Ist es wahr?" (Orpheus) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt I (German version)
Christoph Willibald Gluck2:12
18Orpheus und Eurydike: Zweiter Akt, Nr. 18. Tanz der Furien
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Zweiter Akt, Nr. 18. Tanz der Furien (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck1:33
19Orpheus und Eurydike: Zweiter Akt, Nr. 19. Chor: "Wer ist der Sterbliche?"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (from 1956-09-08 until 1956-09-12) and RIAS-Kammerchor (German chamber choir) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
chorus master:
Günther Arndt (choral conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Zweiter Akt, Nr. 19. Chor: "Wer ist der Sterbliche?" (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck0:36
20Orpheus und Eurydike: Zweiter Akt, Nr. 20. Tanz der Furien
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Zweiter Akt, Nr. 20. Tanz der Furien (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck0:40
21Orpheus und Eurydike: Zweiter Akt, Nr. 21. Chor: "Wer ist der Sterbliche?"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (from 1956-09-08 until 1956-09-12) and RIAS-Kammerchor (German chamber choir) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
chorus master:
Günther Arndt (choral conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Zweiter Akt, Nr. 21. Chor: "Wer ist der Sterbliche?" (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck1:13
22Orpheus und Eurydike: Zweiter Akt, Nr. 22. Solo & Chor: "Ach, erbarmt euch mein!" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
choir vocals:
Berliner Motettenchor (from 1956-09-08 until 1956-09-12) and RIAS-Kammerchor (German chamber choir) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
chorus master:
Günther Arndt (choral conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Akt II. „Ach, erbarmt euch mein“ (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck1:49
23Orpheus und Eurydike: Zweiter Akt, Nr. 23. Chor: "Jammernder Sterblicher, was wills, was suchst du hier?"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (from 1956-09-08 until 1956-09-12) and RIAS-Kammerchor (German chamber choir) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
chorus master:
Günther Arndt (choral conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Zweiter Akt, Nr. 23. Chor: "Jammernder Sterblicher, was wills, was suchst du hier?" (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck0:54
24Orpheus und Eurydike: Zweiter Akt, Nr. 24. Arie: "Tausend Qualen, drohende Schatten" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Zweiter Akt, Nr. 24. Arie: "Tausend Qualen, drohende Schatten" (Orpheus) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck0:39
25Orpheus und Eurydike: Zweiter Akt, Nr. 25. Chor: "Weich' ungewohnter Trieb"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (from 1956-09-08 until 1956-09-12) and RIAS-Kammerchor (German chamber choir) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
chorus master:
Günther Arndt (choral conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Zweiter Akt, Nr. 25. Chor: "Weich' ungewohnter Trieb" (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck0:47
26Orpheus und Eurydike: Zweiter Akt, Nr. 26. Arie: "Todesgötter, höret gnädig" (Orpheus)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Orpheus]:
Dietrich Fischer‐Dieskau (baritone) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Zweiter Akt, Nr. 26. Arie: "Todesgötter, höret gnädig" (Orpheus) (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck0:46
27Orpheus und Eurydike: Zweiter Akt, Nr. 27. Chor: "Sein sanftes Trauerlied"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (from 1956-09-08 until 1956-09-12) and RIAS-Kammerchor (German chamber choir) (from 1956-09-08 until 1956-09-12)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
chorus master:
Günther Arndt (choral conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Akt II. „Sein sanftes Trauerlied“ (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck1:19
28Orpheus und Eurydike: Zweiter Akt, Nr. 28. Tanz der Furien
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1956-09-08 until 1956-09-12)
conductor:
Ferenc Fricsay (conductor) (from 1956-09-08 until 1956-09-12)
balance engineer:
Alfred Steinke (from 1956-09-08 until 1956-09-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1956-09-08 until 1956-09-12)
recording of:
Orpheus und Eurydike: Zweiter Akt, Nr. 28. Tanz der Furien (from 1956-09-08 until 1956-09-12)
composer:
Christoph Willibald Gluck (composer)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck4:23
6▶CD: Gluck: Orpheus und Eurydike(2)
7▶CD: Haydn: The Seasons(1)
8▶CD: Haydn: The Seasons(2)
9▶CD: Haydn: The Seasons(3)
10▶CD: Haydn: The Seasons(4) / Haydn: Te Deum
11▶CD: Kodály: Psalmus Hungaricus
12▶CD: Mendelssohn: A Midsummer Night's Dream
13▶CD: Mozart: Great Mass in C minor / Laudate omnes gentes / Exsultate, jubilate
14▶CD: Mozart: Requiem
15▶CD: Mozart: Die Entführung aus dem Serail(1)
16▶CD: Mozart: Die Entführung aus dem Serail(2) / Exsultate, jubilate / Arias
17▶CD: Mozart: The Magic Flute(1)
18▶CD: Mozart: The Magic Flute(2)
19▶CD: Mozart: Don Giovanni(1)
20▶CD: Mozart: Don Giovanni(2)
21▶CD: Mozart: Don Giovanni(3)
22▶CD: Mozart: Idomeneo(1)
23▶CD: Mozart: Idomeneo(2)
24▶CD: Mozart: Le nozze di Figaro(1)
25▶CD: Mozart: Le nozze di Figaro(2)
26▶CD: Mozart: Le nozze di Figaro(3)
27▶CD: Rossini: Stabat Mater
28▶CD: J. Strauss II: Die Fledermaus(1)
29▶CD: J. Strauss II: Die Fledermaus(2) / Voices of Spring
30▶CD: Igor Stravinsky: Oedipus Rex / Symphony of Psalms
31▶CD: Verdi: Requiem(1)
32▶CD: Verdi: Requiem(2)
33▶CD: Verdi: Requiem(3) / Quattro pezzi sacri
34▶CD: Wagner: Der fliegende Holländer(1)
35▶CD: Wagner: Der fliegende Holländer(2)
36▶CD: Bizet, Gounod, Verdi...:Opera Arias / Orff: Carmina Burana(excerpts)
37▶CD: Interviews with Ferenc Fricsay
38▶DVD-Video: Dukas: The Sorcerer's Apprentice / Kodály: Háry János Suite

Credits

Release

manufactured in:EU (Europe)
photography:Erich Auerbach (photographer) (task: box photo left side © Erich Auerbach)
Hugo Jehle (photographer) (task: box photo right side © Hugo Jehle)
Legrand (photo studio) (task: box cover photo © Legrand)
phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2015)
Discogs:https://www.discogs.com/release/11744322 [info]
ASIN:UK: B00W6ET93W [info]
discography entry:http://www.deutschegrammophon.com/en/cat/4794641 [info]