Wow That Was the 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1American Pie
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:09
2Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:59
3Long Cool Women in a Black Dress
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.153:16
4Jeans On
diritti fonografici (℗) detenuti da:
Air (UK record company and label, related to Air Studios) (nel 1976) e Chrysalis Copyrights Ltd. (nel 1976)
registrazione di:
Jeans On (nel 1976)
autore:
David Dundas e Roger Greenaway
editore:
Mushroom Music Pty. Ltd. e Air Edel Associates Ltd. (dal 1976 a oggi)
David Dundas3:18
5Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:04
6The Worker
produttore:
Mike Howlett
arrangiatore:
John Watts
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
registrazione di:
The Worker
paroliere e compositore:
John Watts
editore:
Rondor Music UK
Fischer‐Z3:35
7Silver Machine
produttore:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) e Hawkwind
batteria :
Simon King (drummer) (il 1972-02-13)
chitarra :
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13)
chitarra aggiunto e chitarra basso aggiunto:
Guy Pratt (il 1972-02-13)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (il 1972-02-13)
flauto e sassofono :
Nik Turner (il 1972-02-13)
sintetizzatore :
Dik Mik Davies (il 1972-02-13) e Del Dettmar (il 1972-02-13)
voce:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (il 1972-02-13) e Nik Turner (il 1972-02-13)
remixer:
The Scourge of the Earth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1972-02-13)
mixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
edit di:
Silver Machine (12″ mix) di Hawkwind infected by The Scourge of the Earth
registrazione dal vivo di:
Silver Machine (il 1972-02-13)
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
registrazione di:
Silver Machine
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
Hawkwind3.654:38
8Roll Over Beethoven
registrazione cover di:
Roll Over Beethoven
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Electric Light Orchestra6:44
9Don't Take Away the Music
registrazione di:
Don’t Take Away the Music
autore:
Freddie Perren, Keni St. Lewis e Christine Yarian
editore:
Songs of PolyGram International, Inc. e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Tavares3:35
10(Here Comes the) Express
registrazione di:
Express
autore:
Barbara Joyce Lomas, Carlos Nathaniel Ward, Dennis Everett Rowe, Louis James Risbrook, Orlando Terrell Woods, Richard Mc Alvin Thompson (US funk guitarist for BT Express) e William Francis Risbrook
editore:
Bravo and Encore Music, Lehsem Songs e Music in Three
B.T. Express5:01
11Greased Lightnin
produttore:
Louis St. Louis (American songwriter, music arranger and singer)
tecnico di missaggio:
David J. Holman
sassofono :
Ray Pizzi
voce aggiuntiva:
Jeff Conaway (actor)
voce principale:
John Travolta (American actor and singer)
arrangiatore archi e arrangiatore corno :
Michael Melvoin
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (dal 1978 a oggi) e RSO Records (US company that owned the RSO label, not the label itself.) (nel 1978)
registrazione di:
Greased Lightnin’ (Grease, 1971 musical)
autore:
Warren Casey e Jim Jacobs
editore:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (dal 1978 a oggi)
parte di:
Grease (1971 musical)
John Travolta4.653:16
12Long Tall Glasses (I Can Dance)
produttore:
David Courtney (songwriter, singer and producer) e Adam Faith
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1974)
registrazione di:
Long Tall Glasses
paroliere:
Leo Sayer
compositore:
David Courtney (songwriter, singer and producer)
Leo Sayer3:05
13Movie Star
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1976)
registrazione di:
Movie Star
paroliere e compositore:
Harpo (Swedish pop singer) (nel 1975)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. e Warner/Chappell Music Scandinavia AB
Harpo53:24
14Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:12
15Years May Come, Years May Go
registrazione di:
Years May Come, Years May Go
autore:
Jack Fishman e André Popp
Herman’s Hermits33:40
16Rubber Bullets
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
batteria e percussione :
Kevin Godley (nel 1972)
chitarra acustica, basso, chitarra elettrica, chitarra resofonica [dobro] e tamburello :
Graham Gouldman (nel 1972)
moog, chitarra acustica, chitarra elettrica, pianoforte elettrico, pianoforte a coda, mellotron e percussione :
Lol Creme (nel 1972)
moog, chitarra elettrica e chitarra slide :
Eric Stewart (nel 1972)
voce:
Lol Creme (nel 1972), Kevin Godley (nel 1972), Graham Gouldman (nel 1972) e Eric Stewart (nel 1972)
diritti fonografici (℗) detenuti da:
Strawberry Productions (copyright holder for 10cc) (nel 1973) e Jonathan King Enterprises Ltd. (nel 2007)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1972)
registrazione di:
Rubber Bullets (nel 1972)
autore:
Lol Creme, Kevin Godley e Graham Gouldman
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd. (nel 1973)
10cc4.655:18
2▼CD
#TitoloArtistaValutazioneDurata
1Denis
tecnico:
Rob Freeman (engineer)
produttore:
Richard Gottehrer (American songwriter and music executive)
archi , farfisa , pianoforte a coda , sintetizzatore [Polymoog] e sintetizzatore [Roland] :
Jimmy Destri (dal 1977-06 al 1977-07)
batteria :
Clem Burke (dal 1977-06 al 1977-07)
chitarra basso :
Frank Infante (dal 1977-06 al 1977-07) e Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [lead guitar] e vibrafono :
Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [rhythm guitar] :
Frank Infante (dal 1977-06 al 1977-07)
voce di accompagnamento:
Clem Burke (dal 1977-06 al 1977-07) e Jimmy Destri (dal 1977-06 al 1977-07)
voce principale:
Deborah Harry (dal 1977-06 al 1977-07)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1977), Chrysalis Records, Inc. (not for release label use!) (nel 1977, nel 2001) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (dal 1977-06 al 1977-07)
registrazione cover di:
Denise (dal 1977-06 al 1977-07)
paroliere e compositore:
Neil Levenson (pianist and songwriter)
editore:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. e Taking Care of Business Music Inc. (BMI)
Blondie3.552:18
2My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:01
32-4-6-8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:20
4I Hear You Knockin'
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
5Proud Mary
tecnico:
Brent Maher
produttore:
Ike Turner
strumenti:
Ike Turner & the Kings of Rhythm
voce:
Ike Turner
voce di accompagnamento:
The Ikettes
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971) e Liberty Records, Inc. (nel 1971)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 69) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 420)
registrazione cover di:
Proud Mary
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (il 1968-12-27) e Jondora Musikverlag (publisher) (nel 1970)
Ike & Tina Turner4.654:56
6Spanish Stroll
basso :
Rubén Sigüenza
chitarra :
Willy DeVille e Louis X. Erlanger
membranofono :
Thomas R. "Manfred" Allen, Jr.
pianoforte :
Bobby Leonards
voce principale:
Willy DeVille
diritti fonografici (℗) detenuti da:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (nel 2015)
registrazione di:
Spanish Stroll
paroliere e compositore:
Willy DeVille
Mink DeVille53:34
7The Tears of a Clown
produttore:
Bob Sargeant
registrazione cover di:
The Tears of a Clown
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
The Beat32:42
8You Make Me Feel Like Dancing
tecnico di registrazione:
Bill Schnee
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Chuck Rainey (American bassist)
batteria :
Steve Gadd (drummer)
chitarra :
Larry Carlton e Ray Parker Jr.
clavinet :
John Barns
voce:
Leo Sayer
voce di accompagnamento:
Clydie King, Becky Louis e Sherlie Matthews (US vocalist)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore archi :
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1976) e Silverbird Ltd. (nel 1976)
registrazione di:
You Make Me Feel Like Dancing
paroliere:
Leo Sayer
compositore:
Vini Poncia
editore:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music e Silverbird Songs Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:36
9Ain't Gonna Bump No More (With No Big Fat Woman)
produttore:
Buddy Killen
diritti fonografici (℗) detenuti da:
Dial (60s/70s Nashville) (nel 1977)
registrazione di:
Ain’t Gonna Bump No More (With No Big Fat Woman)
autore:
Buddy Killen e Bennie Lee McGinty
Joe Tex3:31
10The Streak
produttore:
Ray Stevens (US singer‐songwriter & comedian)
registrazione di:
The Streak
paroliere e compositore:
Ray Stevens (US singer‐songwriter & comedian)
Ray Stevens53:18
11The Wall Street Shuffle
produttore:
10cc
batteria e percussione :
Kevin Godley (nel 1974)
chitarra acustica, chitarra basso, chitarra elettrica e percussione e chitarra basso, chitarra e percussione :
Graham Gouldman (nel 1974)
chitarra e tastiera , pianoforte elettrico, pianoforte a coda, chitarra, mellotron e organo e voce principale:
Eric Stewart (nel 1974)
chitarra elettrica e chitarra e chitarra, tastiera e percussione :
Lol Creme (nel 1974)
voce:
Lol Creme (nel 1974), Kevin Godley (nel 1974), Graham Gouldman (nel 1974) e Eric Stewart (nel 1974)
diritti fonografici (℗) detenuti da:
Jonathan King Enterprises (nel 2007)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1974)
registrazione di:
The Wall Street Shuffle (nel 1974)
autore:
Graham Gouldman e Eric Stewart
10cc3.73:53
12Johnny Reggae
registrazione di:
Johnny Reggae
autore:
Jonathan King
The Piglets2:11
13Double Barrel
produttore:
Winston Riley
basso :
Robert “Robbie” Shakespeare
chitarra :
Ranchie McLean
membranofono :
Lowell “Sly” Dunbar
tastiera :
Ansel Collins (JM reggae keyboardist & producer)
voce principale:
Dave Barker (reggae artist)
esecutore:
Techniques All Stars
registrazione di:
Double Barrel
paroliere e compositore:
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) e Winston Riley
Dave & Ansel Collins52:32
14Barbados
registrazione di:
Barbados
autore:
Jeffrey Calvert e Max West
editore:
Castle (publisher)
Typically Tropical44:07
15Queen of Clubs
produttore:
Harry Wayne Casey e Richard Finch
registrazione di:
Queen of Clubs
autore:
Harry Wayne Casey e Richard Finch
KC and the Sunshine Band53:19
16Get Dancing
registrazione di:
Get Dancin’
autore:
Bob Crewe e Kenny Nolan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Kenny Nolan Publishing Co., Sony/ATV Music Publishing (UK) Ltd. e Warner/Chappell Artemis Music
Disco Tex & the Sex‐O‐Lettes3:49
3▼CD
#TitoloArtistaValutazioneDurata
1Dyna-mite
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1973)
registrazione di:
Dyna-Mite
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
Mud52:58
2Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.23:35
3Dancing on a Saturday Night
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1973), Crimson Copyrights Ltd. (nel 1973) e Demon Music Group (nel 1973)
registrazione di:
Dancin’ (On a Saturday Night)
autore:
Barry Blue (singer, producer, and songwriter) e Lynsey de Paul
editore:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:07
4Beach Baby
diritti fonografici (℗) detenuti da:
Peermusic Ltd. (BMI) (nel 1974)
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class4.54:55
5Highwire
registrazione di:
Highwire
autore:
Kenny Nolan
Linda Carr3:52
6Rock Your Baby
voce:
George McCrae
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae3.253:20
7Sugar Me
tecnico:
Pete Coleman
produttore:
Lynsey de Paul
diritti fonografici (℗) detenuti da:
MAM Records Ltd. (nel 1972)
registrazione di:
Sugar Me
autore:
Barry Ian Green (singer, producer, and songwriter) e Lynsey de Paul
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e ATV Kirshner (publisher) (nel 1972)
Lynsey de Paul3:54
8The Man Who Sold the World
registrazione di:
The Man Who Sold the World
paroliere:
David Bowie (English singer‐songwriter) (il 1970-05-22)
compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems-EMI, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Chrysalis Music (music publisher, ASCAP-affiliated) (nel 1974) e MainMan (nel 1974)
David Bowie feat. Lulu3:50
9Moonlighting
registrazione di:
Moonlighting
paroliere:
Leo Sayer
compositore:
Frank Farrell (UK rock bassist, vocalist and songwriter)
Leo Sayer4:05
10Donna
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
batteria e percussione :
Kevin Godley (nel 1972-05)
chitarra acustica, basso, chitarra elettrica, chitarra resofonica [dobro] e tamburello :
Graham Gouldman (nel 1972-05)
moog, chitarra acustica, chitarra elettrica, pianoforte elettrico, pianoforte a coda, mellotron e percussione :
Lol Creme (nel 1972-05)
moog, chitarra elettrica e chitarra slide :
Eric Stewart (nel 1972-05)
voce:
Lol Creme (nel 1972-05), Kevin Godley (nel 1972-05), Graham Gouldman (nel 1972-05) e Eric Stewart (nel 1972-05)
diritti fonografici (℗) detenuti da:
Strawberry Productions (copyright holder for 10cc) (nel 1973) e Jonathan King Enterprises Ltd. (nel 2007)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1972-05)
registrazione di:
Donna (nel 1972-05)
autore:
Lol Creme e Kevin Godley
editore:
St. Anne’s Music Ltd. (nel 1973)
10cc3.852:56
11Hot Child in the City
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1976, nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 22)
registrazione di:
Hot Child in the City
autore:
Nick Gilder e Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
editore:
Beechwood Music Canada e Beechwood Music Corp.
Nick Gilder53:08
12Lucky Number
produttore:
The Stateless (possibly Lene Lovich and Les Chappell)
tecnico di missaggio:
Roger Bechirian
voce principale:
Lene Lovich
remixer:
Roger Bechirian
diritti fonografici (℗) detenuti da:
Oval Records (nel 1978) e Oval Sounds LLP (nel 1979)
registrazione di:
Lucky Number
autore:
Les Chappell e Lene Lovich
editore:
Oval Music
Lene Lovich42:48
13Popcorn
diritti fonografici (℗) detenuti da:
Musicor (American record label) (nel 1972)
registrazione cover di:
Popcorn (nel 1972)
compositore:
Gershon Kingsley
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:33
14Ride a Wild Horse
diritti fonografici (℗) detenuti da:
Chelsea Records Corp. (nel 1975)
registrazione di:
Ride a Wild Horse
autore:
Kenny Nolan
Dee Clark52:49
15Flip
Jesse Green2:55
16Don't Let It Die
registrazione di:
Don’t Let It Die
paroliere, autore e compositore:
Hurricane Smith (UK producer/engineer, performed as Hurricane Smith)
Hurricane Smith2:35
4▼CD
#TitoloArtistaValutazioneDurata
1Make Me Smile
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:55
2Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:46
3S-S-S Single Bed
diritti fonografici (℗) detenuti da:
Samaguru Prod. Ltd. (nel 1976)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 90)
registrazione di:
S-S-S-Single Bed
paroliere e compositore:
Kenny Young
editore:
Warner/Chappell Music Australia Pty. Ltd.
Fox33:51
4Showdown
tecnico:
Denny Bridges e John Middleton (engineer)
produttore:
Jeff Lynne
basso e voce di accompagnamento:
Michael d’Albuquerque (nel 1973-04)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1973-04)
chitarra e voce principale:
Jeff Lynne (nel 1973-04)
moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1973-04)
violino :
Wilfred Gibson (UK violinist) (nel 1973-04)
violoncello :
Mike Edwards (English Cellist that was a member of ELO) (nel 1973-04) e Colin Walker (English Cellist that was a member of ELO) (nel 1973-04)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973, nel 2005, nel 2011), Jet Records (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1973-04)
registrazione di:
Showdown (nel 1973-04)
scritta a:
Birmingham, West Midlands, England, Regno Unito
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.44:11
5The Devil's Answer
Atomic Rooster3:27
6Jarrow Song
Alan Price5:32
7They Shoot Horses Don't They
registrazione di:
They Shoot Horses Don't They?
paroliere e compositore:
Gareth Mortimer
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Racing Cars3:37
8The Air That I Breathe
tecnico:
Mike Jarratt (recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.64:04
9When I Need You
tecnico di registrazione:
Howard Steele (US producer, sound engineer) (nel 1976)
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Willie Weeks (US bass player) (nel 1976)
batteria :
Jeff Porcaro (nel 1976)
chitarra :
Dean Parks (American session guitarist) (nel 1976)
pianoforte elettrico :
Michael Omartian (nel 1976)
sassofono :
George Palisky, Jr. (nel 1976)
sintetizzatore :
James Newton Howard (American score composer) (nel 1976)
voce:
Leo Sayer (nel 1976)
arrangiatore sintetizzatore :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1976), Chrysalis Records, Inc. (not for release label use!) (nel 1976), Rhino Records, Inc. (company credits only; not for release label use!) (nel 1977), Silverbird Ltd. (nel 1977) e Warner Music H.K. Ltd. (nel 1997)
registrazione cover di:
When I Need You (nel 1976)
paroliere:
Carole Bayer Sager
compositore:
Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) e Windswept Music (London) Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:09
10Be Thankful for What You've Got
produttore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974) e Frank Fioravanti (nel 1974)
arrangiatore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974)
diritti fonografici (℗) detenuti da:
Roxbury (70s US soul, subsiduary of Chelsea Records) (nel 1974)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 374)
registrazione di:
Be Thankful for What You Got
paroliere e compositore:
William DeVaughn
editore:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Tunes, LLC (ASCAP)
William DeVaughn4.53:27
11Sad Eyes
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1979) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:30
12Black and White
Greyhound2:31
13Oh Boy
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1975)
registrazione cover di:
Oh, Boy!
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
Mud22:53
14Lay Your Love on Me
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), RAK Records (copyrights holder) (nel 1978) e RAK (nel 1979)
registrazione di:
Lay Your Love on Me
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music e Universal Music Publishing MGB Australia
Racey3:14
15January
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
January
orchestratore:
Andrew Powell (known for contributions to Alan Parsons Project)
paroliere e compositore:
David Paton (of Pilot)
editore:
EMI Music Publishing (do not use as a release label!) e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:29
16Devil Gate Drive
registrazione di:
Devil Gate Drive
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
Suzi Quatro4.753:47
5▼CD
#TitoloArtistaValutazioneDurata
1No More Heroes
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1977-07)
registrazione di:
No More Heroes (nel 1977-07)
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers4.653:28
2Emma
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e RAK Records Ltd. (nel 1974)
registrazione di:
Emma
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.753:50
3Hanging On the Telephone
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione cover di:
Hanging On the Telephone (dal 1978-06 al 1978-07)
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) e Rare Blue Music Inc (nel 1978)
Blondie4.32:22
4Please Don't Go
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
registrazione di:
Please Don’t Go
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e EMI Songs Ltd.
KC and the Sunshine Band43:50
5Swing Your Daddy
produttore:
Kenny Nolan
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Roxbury (70s US soul, subsiduary of Chelsea Records) (nel 1975)
registrazione cover di:
Swing Your Daddy
autore:
Kenny Nolan
Jim Gilstrap32:53
6Sugar Candy Kisses
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1975)
registrazione di:
Sugar Candy Kisses
autore:
Wayne Bickerton e Tony Waddington
editore:
Music for Africa (South Africa)
Mac & Katie Kissoon3:18
7Dreams Are Ten a Penny
registrazione di:
Dreams Are Ten a Penny
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Ltd. (BMI)
Kincade2:37
8Gimme Dat Ding
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 86)
registrazione di:
Gimme Dat Ding
autore:
Albert Hammond e Mike Hazlewood
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/Dick James Music Ltd. (fka Dick James Music Ltd.) e シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
The Pipkins2:11
9Nice and Slow
registrazione di:
Nice and Slow
paroliere e compositore:
Ken Gibson (orchestrator, arranger and record producer)
Jesse Green3:07
10Get Off
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 85)
registrazione di:
Get Off
paroliere:
Carl Driggs (singer-songwriter, drummer)
compositore:
Carl Driggs (singer-songwriter, drummer) e Ish Ledesma
editore:
Windswept Pacific Music Ltd. (publishing company)
Foxy45:42
11Do You Wanna Dance
produttore:
Barry Blue (singer, producer, and songwriter)
registrazione di:
Do You Wanna Dance?
autore:
Barry Blue (singer, producer, and songwriter), Ron Roker e Gerry Shury
editore:
ATV Music Ltd.
Barry Blue33:53
12I Just Can't Help Believing
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 75)
registrazione di:
I Just Can’t Help Believin’
autore:
Barry Mann e Cynthia Weil
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Screen Gems-Columbia Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
B.J. Thomas42:59
13She's a Lady
diritti fonografici (℗) detenuti da:
Decca Records Co. Ltd. (Decca Records) (nel 1971) e Tom Jones Enterprises Ltd. (nel 1971)
registrazione cover di:
She’s a Lady (nel 1971)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. e Spanka Music Corp.
registrazione di:
She’s a Lady
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. e Spanka Music Corp.
Tom Jones3.92:54
14Don't Give Up on Us
voce:
David Soul
diritti fonografici (℗) detenuti da:
David Soul (nel 1976)
diritti fonografici (℗) detenuti da:
David Soul (nel 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1976) e Private Stock (nel 1977)
registrazione di:
Don’t Give Up on Us (nel 1976)
paroliere e compositore:
Tony Macaulay
editore:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. e Universal Music Publishing International Ltd.
David Soul33:37
15Won't Somebody Dance With Me
diritti fonografici (℗) detenuti da:
MAM Records Ltd. (nel 1973)
registrazione di:
Won't Somebody Dance With Me
paroliere e compositore:
Lynsey de Paul
Lynsey de Paul3:52
16After the Lovin'
registrazione cover di:
After the Lovin’
paroliere:
Alan Bernstein
compositore:
Ritchie Adams
Engelbert Humperdinck3.53:55
6▼CD
#TitoloArtistaValutazioneDurata
1Year of the Cat
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.46:35
2A Little Bit More
produttore:
Ron Haffkine e Waylon Jennings (US country musician)
registrazione cover di:
A Little Bit More
paroliere e compositore:
Bobby Gosh (pianist, songwriter, and producer)
editore:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Dr. Hook32:55
3Dancing Easy
registrazione di:
Dancin' Easy
autore:
Tony Eyers, Christopher Gunning (English composer), Chris Hill (British DJ) e Nigel Grainge
Danny Williams33:15
4Don't It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:34
5Lovin' You
produttore:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Stevie Wonder
armonica (a bocca) , batteria , pianoforte e piatti :
El Toro Negro
batteria [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) e El Toro Negro
chitarra :
Marlo Henderson e Michael Sembello
chitarra basso :
Reggie McBride
congas :
Kwasi "Rocki" Dzidzornu
voce:
Minnie Riperton
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24
6Why Can't We Live Together
registrazione di:
Why Can’t We Live Together (nel 1972-08)
paroliere e compositore:
Timmy Thomas
editore:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas44:37
7The Bannerman
registrazione di:
Banner Man
autore:
Roger Cook (US‐based British singer, songwriter and producer), Herbie Flowers e Roger Greenaway
Blue Mink3:27
8Everything I Own
registrazione cover di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Ken Boothe3:23
9Boogie on Up
Rokotto45:41
10Sideshow
registrazione di:
Sideshow
autore:
Bobby Eli e Gwendolyn Hines Woolfolk
editore:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zella Music
Barry Biggs3:31
11Silver Lady
diritti fonografici (℗) detenuti da:
David Soul (nel 1977)
registrazione di:
Silver Lady (nel 1977)
autore:
Tony Macaulay e Geoff Stephens
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. e PolyGram Music Publishing
David Soul53:43
12I'm Doin' Fine Now
registrazione di:
I’m Doin’ Fine Now
autore:
Thom Bell (keyboards, songwriter, producer) e Sherman Marshall
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:49
13Heaven Must Be Missing an Angel
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1976)
edit di:
Heaven Must Be Missing an Angel di Tavares (US R&B, funk and soul music)
registrazione di:
Heaven Must Be Missing an Angel
autore:
Freddie Perren e Keni St. Lewis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:33
14Haven't Stopped Dancing Yet
registrazione di:
I Haven’t Stopped Dancing Yet
compositore:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
editore:
Buckwheat Music, Old Eye Music e Wizard (Bahamas) Ltd.
Gonzalez3:54
15Pick Up the Pieces
produttore:
Arif Mardin
arrangiatore corno :
Roger Ball
arrangiatore:
AWB
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974, nel 1975)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Pick Up the Pieces
autore:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) e Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
editore:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. e Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band3.94:01
16Dance With the Devil
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1973)
registrazione di:
Dance With the Devil
compositore:
Phil Dennys e Michael Hayes
editore:
RAK Publishing Ltd.
Cozy Powell23:23
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