The Beautiful

~ Release by Triptych Myth (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1All Up in It
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
recording of:
All Up in It (on 2005-03-31)
publisher:
Triptych Myth (free jazz trio)
composer:
Triptych Myth (free jazz trio)
4:54
2Frida K. the Beautiful
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
recording of:
Frida K. the Beautiful (on 2005-03-31)
composer:
Cooper-Moore (U.S. jazz pianist and composer)
dedicated to:
Frida Kahlo (Mexican painter)
publisher:
Gene Y. Ashton (publisher for Cooper-Moore)
5:22
3Trident
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
recording of:
Trident (on 2005-03-31)
composer:
Tom Abbs (American multi-instrumentalist and filmmaker)
publisher:
Thomas Abbs Music (publisher for double bassist Tom Abbs)
4:16
4Spiraling Out
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
recording of:
Spiraling Out (on 2005-03-31)
composer:
Cooper-Moore (U.S. jazz pianist and composer)
publisher:
Gene Y. Ashton (publisher for Cooper-Moore)
6:44
5Pooch (For Wilber Morris)
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
recording of:
Pooch (For Wilber Morris) (on 2005-03-31)
composer:
Cooper-Moore (U.S. jazz pianist and composer)
dedicated to:
Wilber Morris (double bassist, bandleader)
publisher:
Gene Y. Ashton (publisher for Cooper-Moore)
5:52
6A Time To
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
recording of:
A Time To (on 2005-03-31)
composer:
Cooper-Moore (U.S. jazz pianist and composer)
publisher:
Gene Y. Ashton (publisher for Cooper-Moore)
5:01
7Last Minute Trip, Part One
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
partial recording of:
Last Minute Trip (on 2005-03-31)
composer:
Chad Taylor (drummer)
publisher:
CTORB (publisher for drummer Chad Taylor)
1:46
8Last Minute Trip, Part Two
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
partial recording of:
Last Minute Trip (on 2005-03-31)
composer:
Chad Taylor (drummer)
publisher:
CTORB (publisher for drummer Chad Taylor)
3:18
9Poppa's Gin in the Chicken Feed
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
recording of:
Poppa’s Gin in the Chicken Feed (on 2005-03-31)
composer:
Cooper-Moore (U.S. jazz pianist and composer)
publisher:
Gene Y. Ashton (publisher for Cooper-Moore)
7:13
10Robinia Pseudoacacia
recording engineer:
Michael Marciano (US recording engineer) (on 2005-03-31)
double bass:
Tom Abbs (American multi-instrumentalist and filmmaker) (on 2005-03-31)
drums (drum set) [drums]:
Chad Taylor (drummer) (on 2005-03-31)
piano:
Cooper-Moore (U.S. jazz pianist and composer) (on 2005-03-31)
phonographic copyright (℗) by:
AUM Fidelity (in 2005)
recorded at:
Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (on 2005-03-31)
recording of:
Robinia Pseudoacacia (on 2005-03-31)
composer:
Cooper-Moore (U.S. jazz pianist and composer)
publisher:
Gene Y. Ashton (publisher for Cooper-Moore)
3:55

Credits

Release

liner notes:William Parker (US free jazz double bassist, multi-instrumentalist, poet & composer) (in 2005-06)
producer:Steven Joerg
Triptych Myth (free jazz trio)
mastering:Michael Marciano (US recording engineer)
copyrighted (©) by:Triptych Myth (free jazz trio) (in 2005)
design:Ming@409 (design)
artwork:M P Landis
Ming@409 (design) (task: original artwork remix)
mastered at:Systems Two Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States
Discogs:https://www.discogs.com/release/2390154 [info]
ASIN:US: B000B8GTGU [info]
Allmusic:https://www.allmusic.com/album/release/mr0000876858 [info]