Even Worse

~ Veröffentlichung von “Weird Al” Yankovic (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Fat
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Fat
Texter:
Al Yankovic
Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
Parodieversion von:
Bad
3.93:38
2Stuck in a Closet With Vanna White
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Stuck in a Closet With Vanna White
Texter und Komponist(in):
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music und Sony/ATV Melody
35:02
3(This Song’s Just) Six Words Long
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
(This Song’s Just) Six Words Long
Texter:
Al Yankovic
Komponist(in):
Rudy Clark (US songwriter)
publisher:
Carbert Music Inc.
Parodieversion von:
Got My Mind Set on You
3.753:38
4You Make Me
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
You Make Me
Texter und Komponist(in):
Al Yankovic
publisher:
Ear Booker Music und Holy Moley Music
2.53:05
5I Think I’m a Clone Now
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
I Think I’m a Clone Now
Texter:
Al Yankovic
Komponist(in):
Ritchie Cordell
publisher:
Abz Music, Ear Booker Music und EMI Longitude Music
Parodieversion von:
I Think We’re Alone Now
2.653:19
6Lasagna
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Lasagna
Texter und arranger:
Al Yankovic
Komponist(in):
[traditional] (special purpose artist)
übersetzte Parodieversion von:
La bamba (additional lyrics by Ritchie Valens)
3.52:47
7Melanie
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Melanie
Texter und Komponist(in):
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music und Sony/ATV Melody
2.653:59
8Alimony
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Alimony
Texter:
Al Yankovic
Komponist(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Abz Music und EMI Longitude Music
Parodieversion von:
Mony Mony
2.753:16
9Velvet Elvis
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Velvet Elvis
Texter und Komponist(in):
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music und Sony/ATV Melody
3.354:30
10Twister
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Twister
Texter, Komponist(in) und arranger:
Al Yankovic
publisher:
Ear Booker Music und Holy Moley Music
21:03
11Good Old Days
Techniker(in) und Mix:
Tony Papa
Produzent(in):
Rick Derringer
accordion, Keyboard und Sologesang:
“Weird Al” Yankovic
Bassgitarre:
Steve Jay (US bassist, “Weird Al” collaborator)
Gitarre:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Mandoline:
Jim West (supporting musician for “Weird Al” Yankovic)
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Joe Sublett (The Texacali Horns)
Synthesizer:
Kim Bullard
turntable:
Ronny Jay
Hintergrundgesang:
Nicolette Larson, Steve Jay (US bassist, “Weird Al” collaborator), Jim West (supporting musician for “Weird Al” Yankovic) und “Weird Al” Yankovic
arranger:
Al Yankovic
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (holding company, not a release label) (in 1988) und Volcano Entertainment III, L.L.C. (in 1988)
aufgenommen bei:
Santa Monica Sound Recorders in Santa Monica, California (Kalifornien), Vereinigte Staaten
recording of:
Good Old Days
Texter und Komponist(in):
Al Yankovic
publisher:
Ear Booker Music, Holy Moley Music und Sony/ATV Melody
3.253:21

Nennungen

Veröffentlichung

gedruckt in:Deutschland
art direction:Lane/Donald (design and art direction)
Fotografie:Sam Emerson (photographer)
sonstige Unterstützung:Imaginary Entertainment
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988)
lizensiert von:Scotti Bros. Records
vermarkted von:Intercord Ton GmbH (Intercord Tongesellschaft mbH)
Discogs:https://www.discogs.com/release/4139356 [Info]
ASIN:DE: B006LB23UM [Info]