Gold

~ Release by B.B. King (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleRatingLength
1How Blue Can You Get?
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
performer:
Jane Feather and Leonard Feather
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1964) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
cover recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
22:42
2Sneakin' Around
cover recording of:
Sneakin' Around
lyricist and composer:
Jessie Mae Robinson
publisher:
Cherio Corporation and Crawford Music
2:07
3Help the Poor
cover recording of:
Help the Poor
lyricist and composer:
Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Noma Music Inc. and Trio Music Co., Inc.
2:38
4Stop Leadin' Me On2:23
5Never Trust a Woman
cover recording of:
Never Trust a Woman
writer:
Dave Alvin (singer-songwriter, guitarist) and Rick Estrin
12:38
6Every Day I Have the Blues (live at the Regal)
recorded at:
Regal Theater in Chicago, Illinois, United States
live recording of:
Everyday I Have the Blues
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
3:08
7Sweet Little Angel (live at the Regal)
recorded at:
Regal Theater in Chicago, Illinois, United States
live recording of:
Sweet Little Angel
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
3:48
8All Over Again
recording of:
All Over Again
writer:
Carl Adams and B.B. King
2:37
9Don't Answer the Door
recorded in:
Chicago, Illinois, United States (on 1966-07-14) and New York, New York, United States (on 1966-07-14)
producer:
Quincy Jones and Johnny Pate
bass:
Leo Lauchie (on 1966-07-14)
drums (drum set):
Sonny Freeman (on 1966-07-14)
guitar:
B.B. King (on 1966-07-14)
organ:
Duke Jethro (on 1966-07-14)
vocals:
B.B. King (on 1966-07-14)
phonographic copyright (℗) by:
Geffen Records (in 1966)
cover recording of:
Don’t Answer the Door (on 1966-07-14)
writer:
Jimmy Johnson (Chicago blues guitarist James Earl Thompson)
publisher:
Fordyce Publishing Co and Mercedes Music
recording of:
Don’t Answer the Door
writer:
Jimmy Johnson (Chicago blues guitarist James Earl Thompson)
publisher:
Fordyce Publishing Co and Mercedes Music
25:10
10Gambler's Blues
recording of:
Gambler's Blues
writer:
King and Taub
publisher:
LZMC
4:48
11Sweet Sixteen, Parts 1 & 26:12
12Paying the Cost to Be the Boss
recorded in:
Chicago, Illinois, United States (on 1967-09-14)
producer:
Quincy Jones, Johnny Pate and Louis Zito (producer)
alto saxophone:
Lawrence Burdine (on 1967-09-14)
baritone saxophone:
Barney Hubert (on 1967-09-14)
bass:
Leo Lauchie (on 1967-09-14)
drums (drum set):
Sonny Freeman (on 1967-09-14)
guitar:
Billy Butler (jazz guitarist) (on 1967-09-14) and B.B. King (on 1967-09-14)
keyboard and organ:
Duke Jethro (on 1967-09-14)
tenor saxophone:
Johnny Board (on 1967-09-14)
trombone:
Pluma Davis (on 1967-09-14)
trumpet:
Henry Boozier (on 1967-09-14), John Browning (trumpet player) (on 1967-09-14) and Hobart Dotson (on 1967-09-14)
vocals:
B.B. King (on 1967-09-14)
arranger:
Johnny Pate
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
recording of:
Paying the Cost to Be the Boss (on 1967-09-14)
lyricist and composer:
B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Careers
32:34
13Lucille
recorded in:
Los Angeles, California, United States (on 1967-12-20)
engineer:
Jim Lockert (Enginear)
producer:
Bob Thiele (producer & songwriter)
baritone saxophone:
Bob McNeely (on 1967-12-20)
bass:
David Allen (bassist) (on 1967-12-20)
drums (drum set):
Jesse Sailes (on 1967-12-20)
guitar:
Irving Ashby (on 1967-12-20) and B.B. King (on 1967-12-20)
organ:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1967-12-20)
piano:
Lloyd Glenn (on 1967-12-20)
tenor saxophone:
Cecil McNeely (on 1967-12-20) and Bobby Forte (saxophonist) (on 1967-12-20)
vocals:
B.B. King (on 1967-12-20)
phonographic copyright (℗) by:
Geffen Records (in 1968)
recording of:
Lucille (on 1967-12-20)
writer:
B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Franklin Boyd Music Ltd., LZMC and Pamco Music
210:14
14Why I Sing the Blues
recording of:
Why I Sing the Blues
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
ABC/Dunhill Music, Inc., Duchess Music Corporation (BMI-affiliated), Pamco Music Inc. and Sounds Of Lucille, Inc.
8:38
15Please Accept My Love
cover recording of:
Please Accept My Love
lyricist and composer:
Clarence Garlow
publisher:
Kamar Music and Universal Music Careers
2:36
16The Thrill Is Gone
recording engineer:
Joe “Ears” Zagarino (from 1969-06-24 until 1969-06-25) and Bill Szymczyk (from 1969-06-24 until 1969-06-25)
producer:
Bill Szymczyk
bass:
Gerald “Fingers” Jemmott (from 1969-06-24 until 1969-06-25)
drums (drum set):
Herbie Lovelle (from 1969-06-24 until 1969-06-25)
electric piano, organ and piano:
Paul Harris (American keyboardist/pianist session player) (from 1969-06-24 until 1969-06-25)
guitar:
B.B. King (from 1969-06-24 until 1969-06-25) and Hugh McCracken (from 1969-06-24 until 1969-06-25)
lead vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
performer:
Ravon Darnell (from 1969-06-24 until 1969-06-25) and Roy Hawkins (from 1969-06-24 until 1969-06-25)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1969-06-24 until 1969-06-25)
remasters:
The Thrill Is Gone by B.B. King
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1985)
recording of:
The Thrill Is Gone (1951 blues song) (from 1969-06-24 until 1969-06-25)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
4.85:26
17Nobody Loves Me but My Mother
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
piano:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Nobody Loves Me but My Mother (from 1970-05 until 1970-06)
writer:
B.B. King
publisher:
Pamco Music Inc.
21:27
18Hummingbird
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
bass:
Bryan Garofalo (from 1970-05 until 1970-06)
drums (drum set):
Russ Kunkel (session drummer) (from 1970-05 until 1970-06)
guitar:
B.B. King (from 1970-05 until 1970-06) and Joe Walsh (Eagles/James Gang) (from 1970-05 until 1970-06)
piano:
Leon Russell (from 1970-05 until 1970-06)
choir vocals:
Merry Clayton (from 1970-05 until 1970-06), Venetta Fields (from 1970-05 until 1970-06), Clydie King (from 1970-05 until 1970-06) and Sherlie Matthews (US vocalist) (from 1970-05 until 1970-06)
conductor:
Leon Russell
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Hummingbird (from 1970-05 until 1970-06)
lyricist and composer:
Leon Russell
publisher:
Embassy Music Corporation, Skyhill Music, Songs Of The Knoll, Stuck On Music and Teddy Jack Music
24:36
19Chains and Things
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
bass:
Bryan Garofalo (from 1970-05 until 1970-06)
drums (drum set):
Russ Kunkel (session drummer) (from 1970-05 until 1970-06)
electric piano:
Carole King (from 1970-05 until 1970-06)
guitar:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Chains and Things (from 1970-05 until 1970-06)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pamco Music Inc. and Sounds Of Lucille, Inc.
34:54
2CD
#TitleArtistRatingLength
1Ain't Nobody Home
producer:
Ed Michel and Joe Zagarino
drums (drum set):
Jim Keltner (from 1971-06-09 until 1971-06-16)
electric bass guitar:
Klaus Voormann (from 1971-06-09 until 1971-06-16)
guitar:
B.B. King (from 1971-06-09 until 1971-06-16), David Spinozza (from 1971-06-09 until 1971-06-16) and John Uribe (from 1971-06-09 until 1971-06-16)
organ:
Gary Wright (US singer/keyboardist) (from 1971-06-09 until 1971-06-16)
piano:
Jerry Ragovoy (from 1971-06-09 until 1971-06-16)
saxophone:
Bobby Keys (American saxophonist) (from 1971-06-09 until 1971-06-16)
trombone and trumpet:
Jim Price (horn session musician) (from 1971-06-09 until 1971-06-16)
vocals:
Jo Armstead (from 1971-06-09 until 1971-06-16), Carl Hall (from 1971-06-09 until 1971-06-16), B.B. King (from 1971-06-09 until 1971-06-16) and Tasha Thomas (from 1971-06-09 until 1971-06-16)
phonographic copyright (℗) by:
Geffen Records (in 1971) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1971)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16)
recording of:
Ain’t Nobody Home (from 1971-06-09 until 1971-06-16)
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
cover recording of:
Ain’t Nobody Home
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
B.B. King23:16
2Ghetto Woman
producer:
Ed Michel and Joe Zagarino
bass guitar:
Klaus Voormann (from 1971-06-09 until 1971-06-16)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1971-06-09 until 1971-06-16) and Ringo Starr (The Beatles) (from 1971-06-09 until 1971-06-16)
electric piano:
Jim Price (horn session musician) (from 1971-06-09 until 1971-06-16)
guitar:
B.B. King (from 1971-06-09 until 1971-06-16) and Mac Rebennack (New Orleans blues pianist, singer and songwriter) (from 1971-06-09 until 1971-06-16)
piano:
Gary Wright (US singer/keyboardist) (from 1971-06-09 until 1971-06-16)
vocals:
B.B. King (from 1971-06-09 until 1971-06-16)
phonographic copyright (℗) by:
Geffen Records (in 1971) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1971)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16)
recording of:
Ghetto Woman (from 1971-06-09 until 1971-06-16)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Pamco Music Inc. and Sounds Of Lucille, Inc.
B.B. King25:15
3I Got Some Help I Don't Need (single edit)
recording of:
I Got Some Help I Don’t Need
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Pamco Music Inc.
B.B. King3:25
4Guess Who
recording of:
Guess Who
writer:
Jesse Belvin and JoAnne Belvin
publisher:
Michele Publ. Co.
cover recording of:
Guess Who
writer:
Jesse Belvin and JoAnne Belvin
publisher:
Michele Publ. Co.
B.B. King4:08
5To Know You Is to Love You
performer:
Stevie Wonder
cover recording of:
To Know You Is to Love You (1970s song written by Stevie Wonder and Syreeta Wright)
writer:
Syreeta Wright (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. and 大洋音楽 (Taiyō Music)
B.B. King8:33
6I Like to Live the Love
cover recording of:
I Like to Live the Love
writer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Charles Mann (US soul singer)
publisher:
American Broadcasting Music, Inc.
B.B. King13:18
7Let the Good Times Roll
cover recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
B.B. King5:51
8Never Make Your Move Too SoonB.B. King5:31
9Better Not Look Down
recorded in:
Hollywood, Los Angeles, California, United States (from 1978-12 until 1979-01)
engineer and mixer:
Rik Pekkonen
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist), Johnny Pate and Joe Sample
baritone saxophone:
Kim Hutchcroft (from 1978-12 until 1979-01)
bass and tenor saxophone:
Wilton Felder (from 1978-12 until 1979-01)
drums (drum set):
James Gadson (American drummer) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
guitar:
Paul Jackson (guitar) (from 1978-12 until 1979-01), B.B. King (from 1978-12 until 1979-01) and Dean Parks (American session guitarist) (from 1978-12 until 1979-01)
keyboard:
Joe Sample (from 1978-12 until 1979-01)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
saxophone:
Dennis Quitman (from 1978-12 until 1979-01) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-12 until 1979-01)
trombone:
Charles Fendley (from 1978-12 until 1979-01), Chuck Findley (trumpet, trombone, horn player) (from 1978-12 until 1979-01) and Jack Redmond (from 1978-12 until 1979-01)
trumpet:
Gary Grant (brass) (from 1978-12 until 1979-01) and Steve Madaio (from 1978-12 until 1979-01)
background vocals:
Luther Waters (from 1978-12 until 1979-01), Maxine Waters (from 1978-12 until 1979-01) and Oren Waters (from 1978-12 until 1979-01)
vocals:
Julia Tillman (from 1978-12 until 1979-01) and B.B. King (from 1978-12 until 1979-01)
performer:
The Crusaders (US jazz group)
phonographic copyright (℗) by:
Geffen Records (in 1979) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (from 1978-12 until 1979-01)
recording of:
Better Not Look Down (from 1978-12 until 1979-01)
writer:
Will Jennings and Joe Sample
publisher:
Four Knights Music, Four Knights Music Co., Irving Music, Inc., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
B.B. King33:22
10There Must Be a Better World Somewhere
recorded in:
New York, United States (in 1980-10)
executive producer:
Sidney A. Seidenberg
producer:
Stewart Levine (record producer and saxophonist)
alto saxophone:
Hank Crawford (in 1980-10)
baritone saxophone:
Ronnie Cuber (in 1980-10)
bass:
Wilbur “Bad” Bascomb (Jr., jazz‐funk bassist/songwriter) (in 1980-10)
drums (drum set):
Bernard “Pretty” Purdie (in 1980-10)
guitar:
B.B. King (in 1980-10) and Hugh McCracken (in 1980-10)
keyboard:
Dr. John (New Orleans blues pianist, singer and songwriter) (in 1980-10)
tenor saxophone:
David “Fathead” Newman (American jazz saxophonist) (in 1980-10)
trombone:
Tom “Bones” Malone (US trombonist) (in 1980-10)
trumpet:
Waymon Reed (in 1980-10)
vocals:
B.B. King (in 1980-10)
horn arranger:
Hank Crawford
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1981)
cover recording of:
There Must Be a Better World Somewhere (in 1980-10)
writer:
Malcolm J Rebennack (New Orleans blues pianist, singer and songwriter) and Doc Pomus
publisher:
Daremoly Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
B.B. King13:47
11Into the Night
engineer:
Freddy Stonewall
producer:
John Landis and Ira Newborn
bass:
Neil Stubenhaus (in 1984-10)
bass synthesizer:
Randy Kerber (in 1984-10)
drums (drum set):
Ed Greene (drummer) (in 1984-10)
guitar:
B.B. King (in 1984-10) and Steve Watson (guitarist, recorded B.B. King) (in 1984-10)
piano:
John Hobbs (in 1984-10)
synthesizer:
Jim Cox (US keyboard player, composer) (in 1984-10) and John Hobbs (in 1984-10)
vocals:
B.B. King (in 1984-10)
phonographic copyright (℗) by:
Geffen Records (in 1985) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1985)
recorded at:
The Studio (Hialeah) in Hialeah, Florida, United States (in 1984-10)
cover recording of:
Into the Night (in 1984-10)
lyricist and composer:
Ira Newborn
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Ltd.
recording of:
Into the Night
lyricist and composer:
Ira Newborn
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Ltd.
B.B. King34:13
12When Love Comes to Town (7" version)
recording engineer:
Jack Clement (from 1987-02 until 1987-11) and David Ferguson (Nashville artist, sound engineer) (from 1987-02 until 1987-11)
assistant engineer:
Randy Wine
producer:
Jimmy Iovine
mixer:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette) and Shelly Yakus
bass:
Adam Clayton (from 1987-02 until 1987-11)
drums (drum set):
Larry Mullen, Jr. (from 1987-02 until 1987-11)
guest guitar and guest vocals:
B.B. King (from 1987-02 until 1987-11)
guitar and keyboard:
The Edge (U2 guitarist David Evans) (from 1987-02 until 1987-11)
background vocals:
Helen Duncan (session singer) (from 1987-02 until 1987-11), Phyllis Duncan (session singer) (from 1987-02 until 1987-11) and Rebecca Evans Russell (from 1987-02 until 1987-11)
lead vocals:
Bono (singer of U2) (from 1987-02 until 1987-11)
performer:
B.B. King (from 1987-02 until 1987-11) and U2 (Irish rock band) (from 1987-02 until 1987-11)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988), Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1988) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1987-02 until 1987-11) and Sun Studio in Memphis, Tennessee, United States (from 1987-02 until 1987-11)
recording of:
When Love Comes to Town (from 1987-02 until 1987-11)
lyricist:
Bono (singer of U2)
composer:
U2 (Irish rock band)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V. and Taiyo Music Inc.
B.B. King3.44:19
13Stormy Monday Blues (complete version)
cover recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部 (NICHION, INC. Synch Division), Peermusic III, Ltd. (BMI) (until 2018-11-01), Gregmark Music Inc (Gregmark) (from 1959 to present), Lord and Walker Publishing (from 1959 to present) and Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (from 2018-11-01 to present)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
B.B. King feat. Albert Collins111:31
14Playing With My Friends
performer:
Robert Cray (blues guitarist, singer and songwriter)
recording of:
Playin’ With My Friends
composer:
Robert Cray (blues guitarist, singer and songwriter) and Dennis Walker
publisher:
Robert Cray Music and Robischon Publishing
B.B. King feat. Robert Cray5:19
15I'll SurviveB.B. King4:51

Credits

Release

part of:Gold (Universal Records) (order: 97)
ASIN:US: B000FDEUGM [info]