Rhythm & Blues: 1965

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.552:47
2Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:53
3In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:38
4We're Gonna Make It
vocals:
Little Milton (US blues singer and guitarist Milton Campbell)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States
cover recording of:
We’re Gonna Make It
writer:
Gene Barge, Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp.
Little Milton32:39
5People Get Ready
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 122)
recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:40
6The Tracks of My Tears
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 50) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 54)
recording of:
The Tracks of My Tears (on 1965-05-19)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (on 1971-05-06)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.252:56
7Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.152:55
8Shotgun
recording engineer:
Lawrence T. Horn
producer:
Berry Gordy and Lawrence T. Horn
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer)
guitar:
Eddie Willis (in 1964) and Willie Woods (US guitarist & songwriter) (in 1964)
Hammond organ [B-3]:
Johnny Griffith
membranophone:
Benny Benjamin (US drummer) (in 1964)
organ:
Vic Thomas (keyboard) and Victor Thomas (keyboardist) (in 1964)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1964)
tenor saxophone and lead vocals:
Junior Walker (in 1964)
background vocals:
Willie Woods (US guitarist & songwriter) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 27)
recording of:
Shotgun (in 1964)
writer:
Autry De Walt
composer:
Autry De Walt and Junior Walker
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. and What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars3:05
9The "In" Crowd
Ramsey Lewis3:17
10Hold What You've Got
recorded in:
Muscle Shoals, Alabama, United States (on 1964-11-06)
recording engineer:
Tom Dowd
producer:
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (on 1964-11-06)
bass:
Warren Jones (bass, Soul) (on 1964-11-06)
drums (drum set):
Clyde Williams (US drummer) (on 1964-11-06)
electric bass guitar [electric bass]:
Clarence Hadley (on 1964-11-06)
guitar:
Lee Royal Hadley (guitar, Soul) (on 1964-11-06)
tenor saxophone:
Eddie Williams (saxophone) (on 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (on 1964-11-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 26)
recording of:
Hold What You’ve Got (from 1964 until 1964-11-06)
lyricist and composer:
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing and Trio Music Company
Joe Tex3:11
11Hurt So Bad
recording of:
Hurt So Bad
writer:
Bobby Wilding (US songwriter), Bobby Hart and Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music and Vogue Music
Little Anthony & the Imperials2:21
12Papa's Got a Brand New Bag
producer:
James Brown (The Godfather of Soul)
alto saxophone and organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (in 1965-02)
baritone saxophone:
Maceo Parker (US funk/jazz saxophonist) (in 1965-02)
bass:
Bernard Odum (in 1965-02) and Sam Thomas (US rockabilly artist) (in 1965-02)
drums (drum set):
Melvin Parker (in 1965-02)
guitar:
Jimmy Nolen (in 1965-02)
tenor saxophone:
Al Brisco Clark (in 1965-02), Maceo Parker (US funk/jazz saxophonist) (in 1965-02), St. Clair Pinckney (in 1965-02) and Eldee Williams (in 1965-02)
trombone:
Wilmer Milton (in 1965-02) and Levi Rasbury (in 1965-02)
trumpet:
Joe Dupars (in 1965-02) and Ron Tooley (American trumpeter) (in 1965-02)
lead vocals:
James Brown (The Godfather of Soul) (in 1965-02)
performer:
The James Brown Band (in 1965-02)
recorded at:
Arthur Smith Studios in Charlotte, North Carolina, United States (in 1965-02)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 34) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 72)
partial recording of:
Papa’s Got a Brand New Bag (in 1965-02)
lyricist and composer:
James Brown (The Godfather of Soul)
part of:
MJ: The Musical
James Brown3.652:06
13Nowhere to Run
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 359)
recording of:
Nowhere to Run
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Holland–Dozier–Holland
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha and the Vandellas4.653:00
14I Can't Help Myself (Sugar Pie, Honey Bunch)
Four Tops2:44
15Ride Your Pony
Lee Dorsey2:52
16My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.452:45
17Baby, I'm Yours
producer:
Bert Berns and Ollie McLaughlin
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1965-01-08)
double bass [bass]:
Jimmy Lewis (jazz bassist) (on 1965-01-08)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1965-01-08)
guitar:
Bill Suyker (on 1965-01-08)
piano:
Paul Griffin (American pianist, session musician) (on 1965-01-08)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1965-01-08)
tenor saxophone:
Charlie Brown (saxophonist) (on 1965-01-08)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1965-01-08) and Tony Studd (on 1965-01-08)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1965-01-08) and Clark Terry (American swing trumpeter) (on 1965-01-08)
background vocals:
vocal group ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1965-01-08)
vocals:
Barbara Lewis (on 1965-01-08)
conductor:
Teacho Wiltshire (on 1965-01-08)
arranger:
Teacho Wiltshire
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours (on 1965-01-08)
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. and Van McCoy Music
Barbara Lewis2:35
18Ain't That Peculiar
producer:
Smokey Robinson
cover recording of:
Ain’t That Peculiar
writer:
Marv Tarplin, Robert Rogers, Warren Moore and William Robinson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
American Splendor
Marvin Gaye3.253:03
19Got to Get You Off My Mind
recorded in:
New York, New York, United States (on 1965-01-22)
producer:
Bert Berns and Jerry Wexler
baritone saxophone:
Seldon Powell (on 1965-01-22)
bass:
David Adams (60's bassist) (on 1965-01-22)
bass trombone:
Tony Studd (on 1965-01-22)
drums (drum set) [drums]:
Panama Francis (US swing jazz drummer) (on 1965-01-22)
guitar:
Bill Suyker (on 1965-01-22), Bob Bushnell (on 1965-01-22) and Eric Gale (on 1965-01-22)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1965-01-22)
tenor saxophone:
Charlie Brown (saxophonist) (on 1965-01-22) and Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1965-01-22)
trumpet:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (on 1965-01-22) and Ernie Royal (on 1965-01-22)
background vocals:
Estelle Brown (on 1965-01-22), Cissy Houston (on 1965-01-22), Sylvia Shemwell (on 1965-01-22), The Sweet Inspirations (on 1965-01-22) and Dee Dee Warwick (on 1965-01-22)
vocals:
Solomon Burke (on 1965-01-22)
conductor:
Gene Page (conductor, composer, arranger and record producer) (on 1965-01-22)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Got to Get You Off My Mind (Solomon Burke) (on 1965-01-22)
writer:
Dolores Burke (songwriter), Solomon Burke, J.B. Moore (producer, composer) and Josephine Burke Moore
publisher:
Cotillion Music Inc. (BMI)
Solomon Burke42:35
20Oo Wee Baby, I Love You
recording of:
Oo Wee Baby, I Love You
lyricist and composer:
Richard Parker (Australian singer)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Fred Hughes2:25
21I Do Love You
recording of:
I Do Love You
Billy Stewart3:03
22I've Been Loving You Too Long (To Stop Now)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding3:15

Credits

Release group

part of:Rhythm & Blues (Time-Life Music) (number: 1965) (order: 12)