111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

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1The Nutcracker Suite, Op. 71a: Dance of the Sugar-Plum Fairy
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1959-05)
conductor:
Ferdinand Leitner (conductor) (in 1959-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-05)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (in 1959-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:04
2Symphony No. 1 in D major, Op. 25 "Classical": IV. Finale. Molto vivace
orchestra:
Chicago Symphony Orchestra (in 1992-07)
conductor:
James Levine (US conductor and pianist) (in 1992-07)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1992-07)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace (in 1992-07)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Сергей Сергеевич Прокофьев4:15
3Le carnaval des animaux: Le Cygne
engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1991-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1991-06)
orchestrator:
Paul Vidal (French composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (French composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:55
4Symphony No. 5 in D minor, Op. 107 "Reformation": II. Allegro vivace
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-01)
conductor:
Lorin Maazel (conductor) (in 1961-01)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1961-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-01)
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace (in 1961-01)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn5:23
5Concerto for Violin and Cello with Orchestra in A minor, Op. 102 "Double Concerto": II. Andante
executive producer:
Günther Breest (producer for classical music)
producer:
Werner Mayer (classical producer)
cello:
Antônio Meneses (Brazilian cellist) (from 1983-02-16 until 1983-02-17)
violin:
Anne‐Sophie Mutter (violinist) (from 1983-02-16 until 1983-02-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-02-16 until 1983-02-17)
conductor:
Herbert von Karajan (conductor) (from 1983-02-16 until 1983-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-02-16 until 1983-02-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-02-16 until 1983-02-17)
recording of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: II. Andante (from 1983-02-16 until 1983-02-17)
composer:
Johannes Brahms (German composer) (in 1887)
part of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”
Johannes Brahms7:34
6A Spotless Rose
choir vocals:
Gabrieli Consort (in 2007-07, from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (in 2007-07, from 2007-07-19 until 2007-07-21)
performer:
Gabrieli Consort & Players (UK early music ensemble)
recorded at:
Ely Cathedral in Ely, Cambridgeshire, England, United Kingdom (in 2007-07) and Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
A Spotless Rose (from 2007-07-19 until 2007-07-21)
lyricist:
[anonymous] (special purpose artist)
composer:
Herbert Howells (English composer) (in 1919)
translator:
Catherine Winkworth
publisher:
Galaxy Music Corp. and Stainer & Bell
is based on:
Es ist ein Ros entsprungen (original anonymous version)
part of:
Three Carol-Anthems
recording of:
A Spotless Rose (in 2007-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Herbert Howells (English composer) (in 1919)
translator:
Catherine Winkworth
publisher:
Galaxy Music Corp. and Stainer & Bell
is based on:
Es ist ein Ros entsprungen (original anonymous version)
part of:
Three Carol-Anthems
Herbert Howells3:41
7String Quartet in G minor, Op. 10: II. Scherzo. Assez vif et bien rhymé
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
cello:
Peter Buck (cellist in the Melos Quartet) (in 1979-02)
string quartet:
Melos Quartett (Melos Quartet) (in 1979-02)
viola:
Hermann Voss (violist) (in 1979-02)
violin [1. Violine]:
Wilhelm Melcher (in 1979-02)
violin [2. Violine]:
Gerhard Voss (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 : II. Assez vif et bien rythmé (String Quartet in G minor, op. 10: II. Assez vif et bien rythmé) (in 1979-02)
composer:
Claude Debussy (French composer) (from 1892 until 1893)
arrangement of:
Assez vif et bien rythmé
part of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 (String Quartet in G minor, Op. 10, L. 85, CD 91)
Claude Debussy3:57
8Symphonie fantastique, Op. 14: Marche au supplice
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1961-01)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:50
9Sorochintsy Fair: Hopak
producer:
Werner Mayer (classical producer)
piano:
Georges Pludermacher (pianist) (from 1975-11-15 until 1975-11-18)
violin:
Nathan Milstein (violinist) (from 1975-11-15 until 1975-11-18)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-11-15 until 1975-11-18)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-11-15 until 1975-11-18) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1975-11-15 until 1975-11-18)
recording of:
The Fair at Sorochintsï: Gopak (for violin and piano, arr. Rachmaninoff) (from 1975-11-15 until 1975-11-18)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
arranger:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1926)
arrangement of:
The Fair at Sorochintsï: Hopak
Модест Петрович Мусоргский1:52
10Dardanus: Tambourins I & II
orchestra:
Les Musiciens du Louvre (in 2003-06)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2003-06)
recorded at:
Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06)
Jean‐Philippe Rameau1:55
11Liebesfreud
producer:
Wolfgang Stengel
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
balance engineer:
Wolfgang Mitlehner (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
Liebesfreud (for violin and piano) (in 1980-06)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:08
12Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-11)
conductor:
Yevgeny Mravinsky (conductor) (in 1960-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1960-11, from 1960-11-09 until 1960-11-10)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1960-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский5:30
13La Traviata: "È strano ... Sempre libera"
soprano vocals:
Anna Netrebko (soprano)
orchestra:
Mahler Chamber Orchestra
conductor:
Claudio Abbado (conductor)
performer:
Анна Нетребко (Anna Netrebko, soprano)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi8:30
14Ètude-Caprice in E major, Op. 18 No. 5
violin:
David Oistrakh (violinist) (on 1957-04-19) and Igor Oistrakh (violinist) (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 5, in E major, Praeludium. Allegretto scherzando (on 1957-04-19)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 5)
part of:
Études-Caprices, op. 18
recording of:
Étude-Caprice, op. 18 no. 2, in E-flat major, Andante (for 2 violins)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 2)
part of:
Études-Caprices, op. 18
Henryk Wieniawski1:59
15Ètude d exécution transcendante No. 2
recording engineer and producer:
Rainer Maillard
assistant engineer:
Bastian Schick
piano:
Alice Sara Ott (pianist) (in 2008-06)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2008-06)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: II. Étude in A minor. Molto vivace (in 2008-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt2:22
16Con che soavita
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1997-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1997-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1997-02)
balance engineer:
Hans‐Ulrich Bastin (in 1997-02)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1997-02)
recording of:
Settimo libro de madrigali: Con che soavità, labbra odorate, SV 139 (in 1997-02)
lyricist:
Giovanni Battista Guarini
composer:
Philippe de Monte (Flemish composer of the late Renaissance) and Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 139)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi4:40
17Swan Lake, Op. 20: Act II, X. Scene: Moderato
orchestra:
Boston Symphony Orchestra (in 1978-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1978-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1978-11)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (in 1978-11)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Пётр Ильич Чайковский2:39
18Sonata in E major, K. 135
executive producer:
Hanno Rinke
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff
piano:
Ivo Pogorelich (pianist) (in 1991-09)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1991-09)
recording of:
Sonata in E major, K 135, L 224: Allegro (in 1991-09)
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 135) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 224)
Domenico Scarlatti4:15
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