Baby Love: 100 Classic Love Songs of the 50’s and 60’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Que Sera, Sera (Whatever Will Be, Will Be)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
Doris Day2:07
2What a Diff’rence a Day Makes
recorded in:
New York, New York, United States (on 1959-02-19)
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (on 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington2.82:31
3He’ll Have to Go
producer:
Chet Atkins
vocals:
Jim Reeves (US country & pop singer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1959)
recording of:
He’ll Have to Go (on 1959-10-15)
writer:
Audrey Allison and Joe Allison
publisher:
Campbell Connelly & Co. Ltd., Central Songs and Central Songs, Inc.
Jim Reeves4.352:20
4Keep Searchin’ (We’ll Follow the Sun)
recording of:
Keep Searching (We’ll Follow the Sun)
lyricist and composer:
Del Shannon
Del Shannon2:12
5Spanish Eyes
producer:
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
Al Martino2.52:48
6I Only Want to Be With You
producer:
John Franz
phonographic copyright (℗) by:
Mercury Ltd (not for release label use!) (in 1963)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1963)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 31) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 323)
recording of:
I Only Want to Be With You (Dusty Springfield song) (in 1963)
writer:
Mike Hawker and Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (until 1987) and Warner/Chappell Music International Ltd. (from 1987 to present)
Dusty Springfield4.42:37
7Ginny Come Lately
recording of:
Ginny Come Lately
lyricist:
Peter Udell
composer:
Gary Geld
publisher:
Bibo Music Publishing, Inc. and Pogo Music Corp.
Brian Hyland2:51
8I Will Follow Him
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963) and ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 2009)
recording of:
I Will Follow Him (on 1963-01-07)
lyricist:
Norman Gimbel and Jacques Plante
composer:
Paul Mauriat and Franck Pourcel
publisher:
Universal MCA Music Publishing (France) and Universal Music Corporation (USA, affiliated with ASCAP)
version of:
Chariot
Peggy March4.22:28
9Catch a Falling Star
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1957) and The Ray Charles Singers (in 1957)
orchestra:
Mitchell Ayres and His Orchestra (in 1957)
performer:
The Ray Charles Singers and Mitchell Ayres and His Orchestra (in 1957)
arranger:
Joe Reisman
recording of:
Catch a Falling Star (in 1957)
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
Perry Como42:29
10The End of the World
engineer:
Bill Porter (engineer)
producer:
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:38
11Roses Are Red (My Love)
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
vocals:
Bobby Vinton
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
Roses Are Red (in 1962)
writer:
Al Byron and Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:39
12Come a Little Bit Closer
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1964)
recording of:
Come a Little Bit Closer
writer:
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell and Bobby Hart
publisher:
Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Morris Music Inc
Jay & the Americans3.52:51
13Only Love Can Break a Heart
Gene Pitney2:50
14Lana
recording of:
Lana
writer:
Joe Melson and Roy Orbison
Roy Orbison2:19
15Hey! Baby
Bruce Channel2:23
16The Twelfth of Never
recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
Johnny Mathis2:31
17Be My Baby
miscellaneous support:
Phil Spector (task: under license of)
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Ronnie Spector (in 1963-07)
performer:
The Ronettes
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Phil Spector Records (in 1963)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 19), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 22) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 22)
recording of:
Be My Baby (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Ronettes4.152:42
18The Green Leaves of Summer
The Brothers Four2:57
19Tell Laura I Love Her
recording of:
Tell Laura I Love Her
lyricist:
Ben Raleigh
composer:
Jeff Barry
publisher:
E.B. Marks Music Corp. and Steeplechase Music
Ray Peterson2:57
20Breaking Up Is Hard to Do
vocals:
Neil Sedaka
conductor:
Al Lorber
arranger:
Al Lorber
recording of:
Breaking Up Is Hard to Do
lyricist and composer:
Howard Greenfield and Neil Sedaka
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers and Aldon (in 1962)
Neil Sedaka3.252:17
21Living Doll
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Drifters (London group, pre-Shadows)
recording of:
Living Doll
lyricist and composer:
Lionel Bart
publisher:
J. Albert & Son Pty. Ltd.
Cliff Richard & The Drifters2:39
22I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
writer:
Dub Albritton (manager and songwriter) and Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee2:40
23Stay
double bass:
Albert Hill (double bassist)
drums (drum set) [drums]:
Willie Morrow
baritone vocals:
Charles Thomas (The Zodiacs)
lead vocals:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
tenor vocals:
Wiley Bennett
tenor vocals [falsetto tenor]:
Henry Gaston
phonographic copyright (℗) by:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 1)
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
Maurice Williams and the Zodiacs51:40
24Put Your Head on My Shoulder
Paul Anka2:36
25Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:20

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2009)
Discogs:https://www.discogs.com/release/1678254 [info]
other databases:https://www.muziekweb.nl/Link/HDX8677/ [info]