Frosh 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Add It Up
engineer:
Glenn Lorbiecki and John Tanner
producer:
Mark Van Hecke
recorded at:
Castle Recording Company in Lake Geneva, Wisconsin, United States (in 1982-07)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 298)
recording of:
Add It Up (in 1982-07)
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes3.854:44
2Love Shack
producer:
Don Was
edit of:
Love Shack by The B‐52s
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s3.654:17
3Pump It Up
recording of:
Pump It Up
lyricist and composer:
Elvis Costello
publisher:
BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Elvis Costello3:16
4In a Big Country
engineer:
Will Gosling
producer:
Steve Lillywhite
music videos:
In a Big Country by Big Country
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 17)
recording of:
In a Big Country
lyricist:
Stuart Adamson
composer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music and Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country44:44
5Don't You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:56
6Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
part of:
Cachitos Nochevieja 2022 (number: 43) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 252)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations3.52:54
7We're Here for a Good Time (Not a Long Time)
Trooper3:17
8Paradise by the Dashboard Light
engineer, producer and mixer:
Todd Rundgren
bass:
Kasim Sultan
drums (drum set):
Max Weinberg
guitar:
Todd Rundgren
keyboard and other vocals [lascivious effects]:
Jim Steinman
keyboard and piano:
Roy Bittan
saxophone:
Edgar Winter
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd, Marvin Lee and Todd Rundgren
background vocals and lead vocals [featured female vocal]:
Ellen Foley
lead vocals:
Meat Loaf
spoken vocals [baseball play-by-play]:
Phil Rizzuto
performer:
Ellen Foley
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
recording of:
Paradise by the Dashboard Light
lyricist and composer:
Jim Steinman
Meat Loaf4.28:27
9Cecilia
recording engineer:
Ted Brosnan (on 1969-11-02)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-02)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1969-11-02)
guitar:
Fred Carter, Jr. (on 1969-11-02) and Paul Simon (of Simon & Garfunkel) (on 1969-11-02)
keyboard:
Larry Knechtel (on 1969-11-02)
strings:
Ernie Freeman (on 1969-11-02) and Jimmie Haskell (on 1969-11-02)
vocals:
Art Garfunkel and Paul Simon (of Simon & Garfunkel)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 49)
recording of:
Cecilia (on 1969-11-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher), Paul Simon Music and Charing Cross Music Inc. (Paul Simon’s publishing company) (in 1970)
Simon & Garfunkel42:50
10Bust a Move
producer and mixer:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
guest bass guitar:
Flea (US bassist)
arranger:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
phonographic copyright (℗) by:
Delicious Vinyl, Inc. (in 1989)
mixed for, arranged for and produced for:
Delicious Vinyl Inc.
samples:
Daytime Hustler by Bette Midler, Found a Child by Ballin’ Jack and Scorpio by Dennis Coffey & The Detroit Guitar Band
part of:
Grammy Award: Best Rap Performance nominees (number: 1990 winner) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 60)
recording of:
Bust a Move
writer:
Matt Dike (American producer), Marvin Young and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Young MC44:24
11Funky Cold Medina
engineer:
Mario Caldato Jr.
producer and mixer:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
arranger:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
phonographic copyright (℗) by:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1989)
samples:
Hot Blooded by Foreigner (British/American rock band)
part of:
Grammy Award: Best Rap Performance nominees (number: 1990)
recording of:
Funky Cold Medina
lyricist:
Marvin Young
composer:
Matt Dike (American producer), Marvin Young and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Tone‐Lōc3.84:08
12Body Count's in the House
Body Count3:25
13We're Not Gonna Take It
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer), Greg Laney and Geoff Workman
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
recording of:
We’re Not Gonna Take It
lyricist and composer:
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Tunes
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 7)
Twisted Sister4.353:38
14The Grease Megamix
lead vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-mix of and mash-up of:
You’re the One That I Want by John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ by John Travolta (American actor and singer) and Summer Nights by John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
You’re the One That I Want (Grease, 1978 film)
medley of:
Greased Lightnin’ (Grease, 1971 musical)
medley of:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:47
15Take a Chance on Me
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1977-08-15)
bass guitar:
Rutger Gunnarsson (on 1977-08-15, on 1977-08-17, on 1977-10-24)
drums (drum set) and tambourine:
Roger Palm (on 1977-08-17)
drums (drum set) and tambourine:
Roger Palm (on 1977-08-15)
electric guitar [lead guitar]:
Lasse Wellander (on 1977-08-15)
keyboard:
Benny Andersson (ABBA) (on 1977-08-15)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1977, in 1986) and Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978)
recorded at:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Sweden (on 1977-08-15, on 1977-08-17) and Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (on 1977-10-24)
mixed at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1977-11-01)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 32)
recording of:
Take a Chance on Me (in 1977)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
ABBA4.154:05
16Stand by Me
This 'n That3:04
17I Don't Like Mondays
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979)
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. and Zomba Music Publishing Ltd.
The Boomtown Rats4.53:46
18I Will Survive
cover recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
CAKE3:51

Credits

Release group

part of:Frosh (number: 3) (order: 6)