The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Digital Media: Haydn: Symphonies no. 45 “Farewell”, no. 88 & no. 104 “London”
2▶Digital Media: Haydn: String Quartets “Emperor”, “The Lark” & “The Rider”
3▶Digital Media: Haydn: The Creation (highlights)
4▶Digital Media: Mozart: Eine kleine Nachtmusik / Symphonies nos. 40 & 41 “Jupiter”
5▶Digital Media: Mozart: Piano Concertos nos. 20 & 21 / Fantasia in D minor
6▶Digital Media: Mozart: Clarinet Quintet / String Quintet no. 4
7▶Digital Media: Mozart: Le nozze di Figaro (highlights)
8▶Digital Media: Mozart: Requiem / Laudate Dominum / Exsultate, jubilate
9▶Digital Media: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
10▶Digital Media: Beethoven: Symphony no. 9 “Choral”
11▶Digital Media: Beethoven: Piano Concerto nos. 4 & 5
12▶Digital Media: Beethoven: “Kreutzer” Sonata / String Quartet “Rasumovsky”
13▶Digital Media: Beethoven: Piano Sonatas no. 8 “Pathétique”, no. 23 “Appassionata” & no. 31
14▼Digital Media: Weber: Der Freischütz (highlights)
#TitleArtistRatingLength
1Der Freischütz: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Ouvertüre (in 1973-02)
composer:
Carl Maria von Weber (composer)
part of:
Der Freischütz
Carl Maria von Weber9:49
2Der Freischütz, Act I: “Viktoria! Viktoria! …” – Bauern‐Marsch – “Schau der Herr mich an als König!”
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I. Nr. 1. Introduktion „Viktoria, der Meister soll leben!“ / Bauernmarsch / „Schau der Herr mich an“ (Chor, Max, Kilian) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
part of:
Der Freischütz: Akt I
Carl Maria von Weber4:49
3Der Freischütz, Act I: Walzer
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
partial recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber1:22
4Der Freischütz, Act I: “Nein, länger trag’ ich nicht die Qualen” – “Durch die Wälder, durch die Auen”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber6:32
5Der Freischütz, Act I: “Schweig —damit dich niemand warnt!”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt I. Nr. 5. Arie „Schweig, schweig - damit dich niemand warnt!“ (Kaspar) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber3:09
6Der Freischütz, Act II: “Schelm! Halt fest!”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt II. Nr. 6. Duett „Schelm, halt fest!“ (Agathe, Ännchen) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber4:52
7Der Freischütz, Act II: “Kommt ein schlanker Bursch gegangen”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
partial recording of:
Der Freischütz: Akt II (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber3:48
8Der Freischütz, Act II: “Wie nahte mir der Schlummer” – “Leise, leise, fromme Weise!”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
partial recording of:
Der Freischütz: Akt II (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber8:24
9Der Freischütz, Act II: “Milch des Mondes fiel aufs Kraut” – “Samiel! Samiel! Erschein!” – “Ha!–Furchtbar gähnt der düstre Abgrund”
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
partial recording of:
Der Freischütz: Akt II (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
Carl Maria von Weber16:26
10Der Freischütz, Act III: “Und ob die Wolke sie verhülle”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt III. Nr. 12. Kavatine „Und ob die Wolke sie verhülle“ (Agathe) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber6:01
11Der Freischütz, Act III: Wir winden dir den Jungfernkranz
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt III. Nr. 14. Volkslied, Soli und Chor der Brautjungfern „Wir winden dir den Jungfernkranz“ (Chor) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber4:58
12Der Freischütz, Act III: “Was gleicht wohl auf Erden dem Jägervergnügen?”
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-02)
conductor:
Carlos Kleiber (conductor) (in 1973-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-02)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus) (in 1973-02)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:31
15▶Digital Media: Rossini: Il barbiere di Siviglia (highlights)
16▶Digital Media: Schubert: Symphonies no. 8 “Unfinished” & no. 9 “The Great”
17▶Digital Media: Schubert: “Trout” Quintet / “Death and the Maiden” Quartet
18▶Digital Media: Schubert: Piano Music
19▶Digital Media: Schubert: Winterreise
20▶Digital Media: Paganini: Violin Concerto no. 1 / Caprices

Credits

Release group

includes:Clarinet Quintet in A major / String Quintet in G minor by Mozart (Wolfgang Amadeus Mozart, classical composer); Amadeus Quartet, Gervase de Peyer (clarinetist), Cecil Aronowitz (viola player)
Der Freischütz (1973 studio cast) by Carl Maria von Weber (composer); Gundula Janowitz (soprano), Edith Mathis (soprano), Peter Schreier (German tenor and conductor), Theo Adam (German classical bass-baritone), Staatskapelle Dresden (Dresden Symphonic Orchestra), Carlos Kleiber (conductor)
Die Schöpfung (Auszüge) by Haydn (composer); Gundula Janowitz (soprano), Fritz Wunderlich (operatic tenor), Werner Krenn (tenor), Dietrich Fischer‐Dieskau (baritone), Walter Berry (bass‐baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Eine kleine Nachtmusik / Symphonien nr. 40 & 41 “Jupiter” by Mozart (Wolfgang Amadeus Mozart, classical composer); Wiener Philharmoniker (Vienna Philharmonic), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Karl Böhm (Austrian conductor)
Forellen‐Quintett / Der Tod und das Mädchen by Franz Schubert (composer); Christoph Eschenbach (pianist and conductor), Koeckert-Quartett, Amadeus Quartet
Il barbiere di Siviglia (London, 1971) by Gioachino Rossini (composer); Hermann Prey (baritone), Teresa Berganza (mezzo-soprano), Luigi Alva (tenor), Enzo Dara (operatic bass), Paolo Montarsolo (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
Kaiserquartett / Lerchenquartett / Reiterquartett by Joseph Haydn (composer); Amadeus Quartet
Klaviersonate, D 960 / 3 impromptus / 2 moments musicaux by Franz Schubert (composer); Wilhelm Kempff (pianist)
Piano Concertos nos. 20 & 21 / Fantasia in D minor by Mozart (Wolfgang Amadeus Mozart, classical composer); Camerata Academica of the Salzburg Mozarteum (Austrian chamber orchestra), Géza Anda (Geza Anda, pianist), Wilhelm Kempff (pianist)
Piano Sonatas no. 8 “Pathétique” / No. 23 “Appassionata” / no. 31, op. 110 by Beethoven (Ludwig van Beethoven, German composer); Emil Gilels (pianist)
Requiem / Laudate Dominum / Exsultate, jubilate by Mozart (Wolfgang Amadeus Mozart, classical composer); Berlin Philharmonic (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Symphonie no. 9 by Beethoven (Ludwig van Beethoven, German composer); Gwyneth Jones (soprano), Hanna Schwarz (mezzo soprano), René Kollo (tenor), Kurt Moll (operatic bass), René Kollo (tenor), Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
Symphonie nr. 8 „Unvollendete“ / Symphonie nr. 9 by Franz Schubert (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Karl Böhm (Austrian conductor)
Symphonies nos. 5 & 6 by Beethoven (Ludwig van Beethoven, German composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
The Marriage of Figaro (highlights) by Mozart (Wolfgang Amadeus Mozart, classical composer); Gundula Janowitz (soprano), Edith Mathis (soprano), Hermann Prey (baritone), Dietrich Fischer‐Dieskau (baritone), Chor (Chorus of the German Opera Berlin) und Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)
Violin Concerto no. 1 / 10 Capricci by Niccolò Paganini (Italian composer and violinist); Salvatore Accardo (violinist and conductor), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Charles Dutoit (conductor)
Winterreise by Franz Schubert (composer); Dietrich Fischer‐Dieskau (baritone), Daniel Barenboim (pianist and conductor)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 2)