| 「処暑に満つ」(Shosho ni mitsu) | Ryuichi Sakamoto | | | 5:02 | strumento (come “shō”) |
| + Naomi Sato | Machinefabriek | | | 1:28 | strumento |
| 24,000 Years Is Forever | Masaoka Orchestra | | | 14:41 | strumento |
| Anaclasis | Jeroen Berwaerts, Mayumi Miyata, Tosiya Suzuki, Tomonori Tai, Junko Yamamoto | | | 8:21 | strumento |
| Antarctic Return | Björk | | | 4:18 | strumento |
| Aphrodíte | Ives Ensemble, Naomi Sato | | | 27:48 | strumento |
| Asian Chaos | GYZE | | | 6:38 | strumento |
| Banshikichō no chōshi | Stefan Hussong, Mayumi Miyata | | | 8:48 | strumento |
| Benzaiten Invocation / Acid Mothers Provocation | En'Ma-O : Emiko Ota - Kawabata Makoto - Julien Omeyer | | | 11:45 | strumento (come “ebow-shō”), registrazione (come “ebow-shō”) |
| Birds Fragments II | Mayumi Miyata, Isao Nakamura | | | 10:29 | strumento |
| Birds Fragments III | Mayumi Miyata, Yoshie Ueno | | | 6:29 | strumento |
| Cathode #1 | Otomo Yoshihide | | | 17:32 | strumento (come “reverse-shō with electronics”) |
| Cathode #3 | 大友良英 | | | 22:16 | strumento |
| Ceremonial - An Autumn Ode | Mayumi Miyata, Saito Kinen Orchestra, Seiji Ozawa | | | 8:34 | strumento |
| Ceremonial. An Autumn Ode | Mayumi Miyata, Tonkünstler-Orchester, Yutaka Sado | | | 9:11 | strumento |
| Cloud and Light | Mayumi Miyata, Münchener Kammerorchester, Alexander Liebreich | | | 21:24 | strumento |
| Cloudscapes - Moon Night | Stefan Hussong, Mayumi Miyata | | | 12:22 | strumento |
| Come Down to Earth Where Sorrow Dwelleth | Ko Ishikawa, Miki Maruta, Toshimaru Nakamura, Magnus Granberg | | | 52:27 | strumento |
| Cricket Dance | Herbie Mann | | | 5:08 | strumento |
| Darkness and Light, Part 3 | Stephan Micus | | | 13:11 | strumento (come “2 Sho”) |
| Dead-Aid | Gorky’s Zygotic Mynci | | | 3:23 | strumento |
| Delicate Path (Lime) | Sarah Peebles | | | ?:?? | strumento |
| Delicate Path (Murasaki) | Sarah Peebles | | | ?:?? | strumento |
| Delicate Path (Sandalwood) | Sarah Peebles | | | ?:?? | strumento |
| Die Kreuzung | Keizo Misoiri, Mayumi Miyata, Takashi Saito, Fumio Tamura | | | 10:24 | strumento |
| Distance | Heinz Holliger, Tadamaro Ono | | | 8:55 | strumento |
| Distance | Heinz Holliger, Tadamaro Ono | | | 9:03 | strumento |
| Expended Desert | Sam Dunscombe & Michiko Ogawa | | | 41:47 | strumento |
| Far East | Deep Forest | | | 0:59 | strumento |
| Far Eastern Land | GYZE | | | 3:12 | strumento |
| Fateful Morning | Eric Buchholz | | | 3:56 | strumento |
| For the Beautiful Changing Child | Stephan Micus | | | 3:44 | strumento |
| Fragments of Reincarnation | Michiko Ogawa & Lucy Railton | | | 45:01 | strumento (come “shō”) |
| Fragments of Reincarnation (extract) | Michiko Ogawa & Lucy Railton | | | 10:50 | strumento (come “shō”) |
| Ganya | David Loeb | | | 6:42 | strumento |
| Hero of Time | Eric Buchholz | | | 4:05 | strumento |
| Ichikotsuchō no chōshi | Stefan Hussong, Mayumi Miyata | | | 10:19 | strumento |
| In C | Terry Riley | | | 1:07:32 | strumento (come “hosho (sho)”) |
| Landscape V | Mayumi Miyata, Münchener Kammerorchester, Alexander Liebreich | | | 15:36 | strumento |
| Landscape V | Arditti Quartet, Mayumi Miyata | | | 15:28 | strumento |
| Landscape V | Mayumi Miyata, Quatuor Diotima | | | 15:31 | strumento |
| Life, Life | Ryuichi Sakamoto | | 4 | 4:24 | strumento (come “shō”) |
| LIFE, LIFE | Ryuichi Sakamoto | | | 4:24 | strumento (come “shō”) |
| Mimi No Ho | Vladimir Tonkha, Ko Ishikawa, Kishiko Suzumi | | | 10:29 | strumento |
| Mirage | Elisabeth Chojnacka, Ko Ishikawa | | | 6:32 | strumento |
| Modulation #1 | Otomo Yoshihide | | | 10:27 | strumento (come “shō”) |
| Modulation #2 | Otomo Yoshihide | | | 10:23 | strumento (come “shō”) |
| Music for Sho and Harp | 宮田まゆみ, Masumi Nagasawa | | | 16:26 | strumento |
| No Longer See You Without Your Armor | Kawabata Makoto 河端一 | | | 21:28 | strumento (come “electric sho”) |
| Nomaden: 24. Passage 8 | Naomi Sato | | | 1:24 | strumento |
| Ocean, Part II | Stephan Micus | | | 19:20 | strumento (come “4 Sho”) |
| Ocean, Part IV | Stephan Micus | | | 7:12 | strumento, strumento (come “Solo”) |
| Ōshikichō no chōshi | Mayumi Miyata | | | 12:38 | strumento |
| Pearl | Björk | | | 3:43 | strumento |
| Piece 2 | Astreja | | | 12:41 | strumento |
| Resinous Fold 2 (For Bamboo) | Sarah Peebles | | | ?:?? | strumento |
| Resinous Fold 2+4+3 (For Malachite, Bronze & Cerumen) | Sarah Peebles | | | ?:?? | strumento |
| Resinous Fold 6 (For Trigona) | Sarah Peebles | | | ?:?? | strumento |
| Resinous Fold 7 (For Smoke) | Sarah Peebles | | | ?:?? | strumento |
| Sabu To Ichi Torimonohikae: Opening Theme | 大友良英 | | | 4:16 | strumento |
| Sakura für Otto Tomek | Mayumi Miyata | | | 6:49 | strumento |
| Saru to Yuki to Gomi no Kodomo | 坂本龍一 | | | 5:10 | strumento |
| Shimenawa | Björk | | | 2:48 | strumento |
| still life | 坂本龍一 | | | 4:45 | strumento |
| Taiyo - The Sun | Osamu Kitajima | | 5 | 7:49 | strumento |
| tama | 坂本龍一 | | | 4:01 | strumento |
| The Butterfly in a Stone Garden | Herbie Mann | | | 5:20 | strumento |
| The Eighteenth Collection: Pattern A | Ko Ishikawa, Miki Maruta, Yoko Nishi, Rieko Suzuki | | | 3:19 | strumento |
| The Eighteenth Collection: Pattern B | Ko Ishikawa, Miki Maruta, Yoko Nishi, Rieko Suzuki | | | 3:48 | strumento |
| The Eighteenth Collection: Pattern C | Ko Ishikawa, Miki Maruta, Yoko Nishi, Rieko Suzuki | | | 3:46 | strumento |
| The Eighteenth Collection: Pattern D | Ko Ishikawa, Miki Maruta, Yoko Nishi, Rieko Suzuki | | | 3:44 | strumento |
| The Fourth Collection: Pattern A | Ko Ishikawa, Rieko Suzuki | | | 2:57 | strumento |
| The Fourth Collection: Pattern B | Ko Ishikawa, Rieko Suzuki | | | 2:00 | strumento |
| The Fourth Collection: Pattern C | Ko Ishikawa, Rieko Suzuki | | | 1:51 | strumento |
| The Fourth Collection: Pattern D | Ko Ishikawa, Rieko Suzuki | | | 2:13 | strumento |
| The Seventeenth Collection: Pattern A | Ko Ishikawa, Miki Maruta, Yoko Nishi | | | 4:01 | strumento |
| The Seventeenth Collection: Pattern B | Ko Ishikawa, Miki Maruta, Yoko Nishi | | | 2:41 | strumento |
| The Seventeenth Collection: Pattern C | Ko Ishikawa, Miki Maruta, Yoko Nishi | | | 4:26 | strumento |
| The Seventeenth Collection: Pattern D | Ko Ishikawa, Miki Maruta, Yoko Nishi | | | 2:41 | strumento |
| The Wagtail Love Song | Herbie Mann | | | 3:30 | strumento |
| too (for erwin-josef speckmann) | Irene Kurka, Jürg Frey, Ko Ishikawa, Rhodri Davies | | | 1:02:07 | strumento |
| Two³ and 108 | Glenn Freeman, Tamami Tono, Chance Philharmonic | | 5 | 43:30 | strumento |
| Two³: 1. | Glenn Freeman, Tamami Tono | | 5 | 11:40 | strumento |
| Two³: 2. | Glenn Freeman, Tamami Tono | | 5 | 13:00 | strumento |
| Two³: 3. | Glenn Freeman, Tamami Tono | | 5 | 14:40 | strumento |
| Two³: 4. | Glenn Freeman, Tamami Tono | | 5 | 12:45 | strumento |
| Two³: 5. | Glenn Freeman, Tamami Tono | | 5 | 10:15 | strumento |
| Two³: 6. | Glenn Freeman, Tamami Tono | | 5 | 11:40 | strumento |
| Two³: 7. | Glenn Freeman, Tamami Tono | | 5 | 12:25 | strumento |
| Two³: 8. | Glenn Freeman, Tamami Tono | | 5 | 10:20 | strumento |
| Two³: 8. (excerpt) | Glenn Freeman, Tamami Tono | | 5 | 4:53 | strumento |
| Two³: 9. | Glenn Freeman, Tamami Tono | | 5 | 13:45 | strumento |
| Two³: 10. | Glenn Freeman, Tamami Tono | | 5 | 10:30 | strumento |
| Two⁴ | Josje ter Haar, Mayumi Miyata | | | 20:01 | strumento |
| Two⁴ (for violin and shō) | Irvine Arditti, Mayumi Miyata | | | 30:16 | strumento |
| Two⁴: I shō | Christina Fong, Tamami Tono | | 5 | 0:05 | strumento |
| Two⁴: I violin | Christina Fong, Tamami Tono | | 5 | 9:35 | strumento |
| Two⁴: II shō | Christina Fong, Tamami Tono | | 5 | 0:35 | strumento |
| Two⁴: II violin | Christina Fong, Tamami Tono | | 5 | 4:40 | strumento |
| Two⁴: III shō | Christina Fong, Tamami Tono | | 5 | 6:05 | strumento |
